From a colonial campaign that was envisioned by France as the redemption of its Algerian "children" through Western civilization to Algerian Independence that was lived by both parties as a bloody divorce; recent Algerian history has been imagined and represented in terms of the family. Prominent authors such as Kateb Yacine and Mouloud Mammeri pondered their own fate during the War of Independence as the "mixed" children of a failed colonial marriage. Contemporary postcolonial authors such as Rachid Boudjedra, Yasmina Salah, and Arezki Mellal have filled their narratives with orphaned children searching for ideal parents as a civil war ripped Algeria apart in the 1990s. Violent Beginnings: Literary Representations of Postcolonial Algeria explores how violence, during the War of Independence (1954-1962) to the more recent civil war (1991-2002), has shaped literary representations of both family and nation in contemporary literature. For example, discussions of the struggle for independence in Assia Djebar's La femme sans sepulture and Ahlam Mostaghanemi's Memory of the Flesh, represent sexual torture associated with this earlier war period as having a negative impact on victims' ability to have children and contribute to the development of the Algerian nation. Texts examining the more recent civil war such as Rachid Boudjedra's La vie a l'endroit and Yasmina Salah's Glass Nation establish a link between the earlier violence of the independence struggle and contemporary events. Additionally, these texts proceed to demonstrate how violence has shaped familial and national structures, more specifically causing distorted familial bonds and political chaos in contemporary Algerian society.

The global phenomenon of decolonization was born in the Americas in the late eighteenth and early nineteenth centuries. The First Wave of Decolonization is the first volume in any language to describe and analyze the scope and meanings of decolonization during this formative period. It demonstrates that the pioneers of decolonization were not twentieth-century Frenchmen or Algerians but nineteenth-century Peruvians and Colombians. In doing so, it vastly expands the horizons of decolonization, conventionally understood to be a post-war development emanating from Europe. The result is a provocative, new understanding of the global history of decolonization.

This volume looks at how accumulation in postcolonial capitalism blurs the boundaries of space, institutions, forms, financial regimes, labour processes, and economic segments on one hand, and creates zones and corridors on the other. It draws our attention to the peculiar but structurally necessary coexistence of both primitive and virtual modes of accumulation in the postcolony. From these two major inquiries it develops a new understanding of postcolonial capitalism. The case studies in this volume discuss the production of urban spaces of capital extraction, institutionalization of postcolonial finance capital, gendering of work forms, establishment of new forms of labour, formation of and changes in caste and racial identities and networks, and securitization-and thereby confirm that no study of contemporary capitalism is complete without thoroughly addressing the postcolonial condition. By challenging the established dualities between citizenship-based civil society and welfare-based political society, exploring critically the question of colonial and postcolonial difference, and foregrounding the material processes of accumulation against the culturalism of postcolonial studies, this volume redefines postcolonial studies in South Asia and beyond. It is invaluable reading for students and scholars of South Asian studies, sociology, cultural and critical anthropology, critical and praxis studies, and political science.

By demonstrating that Western conceptions of 'civil society' have provided the framework for interpreting societies in the Global South, Decolonizing Civil Society in Mozambique argues that it is only through a critical deconstruction of these concepts that we can start to re-balance global power relationships, both in academic discourse and in development practices. Examining the exclusionary discourses framing the support for Western-type NGOs in the development discourse - often to the exclusion of local social actors - this book dissects mainstream contemporary ideas about 'civil society', and finds a new means by which to identify local forms of social action, often based in traditional structures and spiritual discourses. Outlining new conceptual ideas for an alternative framing of Mozambique's 'civil society', Kleibl proposes a series of fresh theoretical issues and questions alongside empirical research, moving towards a series of new policy and practice arguments for rethinking and decolonizing civil society in the Global South.

The creation of the League of Nations Permanent Mandates Commission (PMC) at the close of the First World War, and its successor, the United Nations Trusteeship Council (TC), following the Second, were watersheds in the history of modern imperialism. For the first time, the international community had asserted that the well-being of colonial peoples was not merely the private concern of metropolitan states, but a shared responsibility of humankind that transcended national boundaries. Editors R.M. Douglas, Michael D. Callahan, and Elizabeth Bishop have assembled a wide array of scholars to assess the relative weight to be placed on international influence in the process of decolonization. Imperialism on Trial reveals, across a broad cross-section of geographical and political settings, the operation of the complicated and often conflicted dynamic between the national and international dimensions of colonialism in its final and most historically consequential phase.

This book analyses South Asian Islam's engagement with the West, and Britain in particular. It traces the roots of British multiculturalism to South Asia and the Deobandi school of Islam. The work shows how the pattern of interaction that initially emerged between the Deobandi Muslims and the colonial British state in late-19th century replicated i

In this highly acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering Orientalism as a powerful European ideological creation – a way for writers, philosophers and colonial administrators to deal with the ‘otherness’ of Eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West’s romantic and exotic picture of the Orient. In his new preface, Said examines the effect of continuing Western imperialism after recent events in Palestine, Afghanistan and Iraq.

With a new preface by the author

Can a book change the world? If books were integral to the creation of the imperial global order, what role have they played in resisting that order throughout the twentieth century? To what extent have theories and movements of anti-imperial and anticolonial resistance across the planet been shaped by books as they are read across the world? This updated edition of Fighting Words responds to these questions by examining how the book as a cultural form has fuelled resistance to empire in the long twentieth century. Through fifteen case studies that bring together literary, historical and book historical perspectives, this collection explores the ways in which books have circulated anti-imperial ideas, as they themselves have circulated as objects and commodities within regional, national and transnational networks. What emerges is a complex portrait of the vital and multifaceted role played by the book in both the formation and the form of anticolonial resistance, and the development of the postcolonial world.

Grace Ibingira seeks the fundamental causes of the widespread upheavals (at least thirty-eight army coups in the past fifteen years) in African states today and finds them in the inadequate colonial preparation of African leaders for the responsibilities of independence, the earlier practices of "divide and raie,aEURO and the "winner-take-allaEURO polici

Postcolonial studies is a well-established academic field, rich in theory, but it is based mostly on postcolonial experiences in former West European colonial empires. This book takes a different approach, considering postcolonial theory in relation to the former Soviet bloc. It both applies existing postcolonial theory to this different setting, and also uses the experiences of former Soviet bloc countries to refine and advance theory. Drawing on a wide range of sources, and presenting insights and material of relevance to scholars in a wide range of subjects, the book explores topics such as Soviet colonality as co-constituted with Soviet modernity, the affective structure of identity-creation in national and imperial subjects, and the way in which cultural imaginaries and everyday materialities were formative of Soviet everyday experience.

This companion demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines. Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategies—in research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand. The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.

Global imperial designs, which have been in place since conquest by western powers, did not suddenly evaporate after decolonization. Global coloniality as a leitmotif of the empire became the order of the day, with its invisible technologies of subjugation continuing to reproduce Africa's subaltern position, a position characterized by perceived deficits ranging from a lack of civilization, a lack of writing and a lack of history to a lack of development, a lack of human rights and a lack of democracy. The author's sharply critical perspective reveals how this epistemology of alterity has kept Africa ensnared within colonial matrices of power, serving to justify external interventions in African affairs, including the interference with liberation struggles and disregard for African positions. Evaluating the quality of African responses and available options, the author opens up a new horizon that includes cognitive justice and new humanism.

This is a book about the use of languages as a proxy for conflict. It traces the history of Algeria from colonization by the French in 1830 to the celebration of 50 years of independence in 2012, and examines the linguistic issues that have accompanied this turbulent period. The book begins with an examination of 'language conflict' and related concepts, and then applies them to both the French colonists' language policies and the Arabization campaigns which followed independence. This is followed by an analysis of the rivalry between the English and French languages in independent Algeria. The book concludes with a study of the language choices made by Algerian writers and the complex tensions which arose from these choices among intellectuals in the colonial and post-colonial periods.

The three essays in this volume were originally published as individual pamphlets by the Field Day Theatre Company in Derry, Nothern Ireland. Founded in 1980 as a theatre cmpany, Field Day has eveolved as a publisher concerned with the typically Irish blend of political and cultural (mainly literary) forces which requires fresh analysis in view of the existing Irish political crisis. As a result, Field Day has published a series of pamphlets, in groups of three, to which the three essays printed here are the most recent contribution. Each of the essays deals with a different aspect of nationalism and the role of cultural production as a force in understanding the aftermath of colonization. In his essay, Terry Eagleton identifies two decolonizing stages: the achievement of national autonomy and personal autonomy. Frederic Jameson discusses the problematic relationship between the Third World and the "first world". Edward Said focuses on the poetry of Yeats and the role it played in the "liberationist" movement of decolonization.

The Franco-Algerian War (1954-62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations. Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.

After the end of Euro-American hegemony and the return of the multi-centric world, Eurocentrism in philosophy and the social sciences has come under attack. However, no real alternative has been proposed. This provides an opportunity to reassess the philosophy of the social sciences that has been developed in the West. This book argues that the re-emergence of a multi-centric world allows the Euro-centric social sciences in general, and critical theory in particular, to finally disengage from countless paradoxes and impasses by which they have heretofore been hindered. The author presents a solution in the form of the "kaleidoscopic dialectic." This dialectic is unique in that it is able to overcome the precarious dichotomy between universalism and relativism by relying on an original approach to the philosophy of science. With this approach, the focus is on the configurations embedded in the ethics of understanding, accommodation and learning and on their connections to broader social scientific critique. This book demands that the European social sciences make philosophical and methodological adaptations to the new realities of the social world by becoming more reflexive and, by extension, less Euro-centric.

From the Truth and Reconciliation Commission in South Africa to the United Nations Permanent Memorial to the Victims of Slavery and the Transatlantic Slave Trade, many worthwhile processes of public memory have been enacted on the national and international levels. But how do these extant practices of memory function to precipitate justice and recompense? Are there moments when such techniques, performances, and displays of memory serve to obscure and elide aspects of the history of colonial governmentality? This collection addresses these and other questions in essays that take up the varied legacies, continuities, modes of memorialization, and poetics of remaking that attend colonial governmentality in spaces as varied as the Maghreb and the Solomon Islands. Highlighting the continued injustices arising from a process whose aftermath is far from settled, the contributors examine works by twentieth-century authors representing Asia, Africa, North America, Latin America, Australia, and Europe.

This book adopts a global approach to analysing Danish nationhood in the current context of a Europe paralysed by crises. Focusing on the global strands which have produced understandings of national selfhood as a consequence of a series of historical and contemporary global encounters, it calls for the production of narratives which better capture how European nations, including Denmark, are shaped by narratives that cannot be understood in (national) isolation, but are contingent on ideas about the nation's globality. In historical terms, this entails examining how colonialism shaped national self-perceptions; in a contemporary context, it requires looking at colonialism's unfinished business. The first chapters revisits colonialism throughout the Danish empire. In the second section, the book revisits Danish (post-1945) attempts to restage global interventions and military intervention since 2000, and considers how migration since 1965 has led to a profound questioning of relationships with the non-European world - and increasingly with Europe itself. Postcolonial Denmark situates Denmark at the centre of a number of current and ever more urgent challenges facing Europe. As such, it will appeal to scholars of sociology, political science and cultural studies with interests in Europe, the Nordic region through a postcolonial, a whiteness and a decolonial inspired approach.

Britain's main imperial possessions in Asia were granted independence in the 1940s and 1950s and needed to craft constitutions for their new states. Invariably the indigenous elites drew upon British constitutional ideas and institutions regardless of the political conditions that prevailed in their very different lands. Many Asian nations called upon the services of Englishman and Law Professor Sir Ivor Jennings to advise or assist their own constitution making. Although he was one of the twentieth century's most prominent constitutional scholars, his opinion and influence were often controversial and remain so due to his advocating British norms in Asian form. This book examines the process of constitutional formation in the era of decolonisation and state building in Asia. It sheds light upon the influence and participation of Jennings in particular and British ideas in general on democracy and institutions across the Asian continent. Critical cases studies on India, Pakistan, Sri Lanka, Malaysia and Nepal - all linked by Britain and Jennings - assess the distinctive methods and outcomes of constitution making and how British ideas fared in these major states. The book offers chapters on the Westminster model in Asia, Human Rights, Nationalism, Ethnic politics, Federalism, Foreign influence, Decolonisation, Authoritarianism, the Rule of Law, Parliamentary democracy and the power and influence of key political actors. Taking an original stance on constitution making in Asia after British rule, it also puts forward ideas of contemporary significance for Asian states and other emerging democracies engaged in constitution making, regime change and seeking to understand their colonial past. The first political, historical or constitutional analysis comparing Asia's experience with its indelible British constitutional legacy, this book is a critical resource on state building and constitution making in Asia following independence. It will appeal to students and scholars of world history, public law and politics.

Italian Women at War: Sisters in Arms from Unification to the Twentieth Century offers diverse perspectives on Italian women's participation in war and conflict throughout Italy's modern history, contributing to the ongoing scholarly conversation on this topic. Part one of the book focuses on heroines who fought for Italy's Unification and on the anti-heroines, or brigantesse, who opposed such a momentous change. Part two considers exceptional individuals, such as Eva Kuhn Amendola, who combatted both with her body and her pen, as well as collective female efforts during the world wars, whether military or civilian. In part three, where the context is twentieth-century society, the focus shifts to those women engaged in less conventional conflicts who resorted to different forms of revolt, including active non-violence. All of the women presented across these chapters engage in combat to protest a particular state of affairs and effect change, yet their weapons range from the literal, like Peppa La Cannoniera's cannon, to the metaphorical, like Letizia Battaglia's camera. Several of the essays in this volume discuss fictional heroines who appear in works of literature and film, though all are based on actual women and reference real historical contexts. Italian Women at War furthers the efforts begun decades ago to recognize Italian women combatants, especially in light of the recent anniversary of the Unification in 2011 and global discussions regarding the role of women in the military. Its aim is not to glorify violence and war, but to celebrate the active role of Italian women in the evolution of their nation and to demystify the idea of the woman warrior, who has always been viewed either as an extraordinary, almost mythical creature or as an affront to the traditional feminine identity.

Travel writing, it has been said, helped produce the rest of the world for a Western audience. Could the same be said more recently of postcolonial writing?
In The Postcolonial Exotic, Graham Huggan examines some of the processes by which value is attributed to postcolonial works within their cultural field. Using varied methods of analysis, Huggan discusses both the exoticist discourses that run through postcolonial studies, and the means by which postcolonial products are marketed and domesticated for Western consumption.
Global in scope, the book takes in everything from:
* the latest 'Indo-chic' to the history of the Heinemann African Writers series
* from the celebrity stakes of the Booker Prize to those of the US academic star-system
*from Canadian multicultural anthologies to Australian 'tourist novels'.
This timely and challenging volume points to the urgent need for a more carefully grounded understanding of the processes of production, dissemination and consumption that have surrounded the rapid development of the postcolonial field.

When in 1821, the Greeks rose in violent revolution against the rule of the Ottoman Turks, waves of sympathy spread across Western Europe and the United States. More than a thousand volunteers set out to fight for the cause. The Philhellenes, whether they set out to recreate the Athens of Pericles, start a new crusade, or make money out of a war, all felt that Greece had unique claim on the sympathy of the world. As Byron wrote, 'I dreamed that Greece might Still be Free'; and he died at Missolonghi trying to translate that dream into reality. William St Clair's meticulously researched and highly readable account of their aspirations and experiences was hailed as definitive when it was first published. Long out of print, it remains the standard account of the Philhellenic movement and essential reading for any students of the Greek War of Independence, Byron, and European Romanticism. Its relevance to more modern ethnic and religious conflicts is becoming increasingly appreciated by scholars worldwide. This new and revised edition includes a new Introduction by Roderick Beaton, an updated Bibliography and many new illustrations.

Space is dynamic, political and a cause of conflict. It bears the weight of human dreams and fears. Conflict is caused not only by spatial exclusivism but also by an inclusivism that seeks harmony through subordinating the particularity of the Other to the world view of the majority. This book uses the lens of space to examine inter-religious and inter-communal conflict in colonial and post-colonial Sri Lanka, demonstrating that the colonial can shed light on the post-colonial, particularly on post-war developments, post-May 2009, when Buddhist symbolism was controversially developed in the former, largely non-Buddhist, war zones. Using the concepts of exclusivism and inclusivist subordination, the book analyses the different imaginaries or world views that were present in colonial and post-1948 Sri Lanka, with particular reference to the ethnic or religious Other, and how these were expressed in space, influenced one another and engendered conflict. The book's use of insights from human geography, peace studies and secular iterations of the theology of religions breaks new ground, as does its narrative technique, which prioritizes voices from the nineteenth and twentieth centuries, and the author's fieldwork and personal observation in the twenty first. Through utilizing past and contemporary reflections on lived experience, informed by diverse religious world views, the book offers new insights into Sri Lanka's past and present. It will be of interest to an interdisciplinary audience in the fields of colonial and postcolonial studies; war and peace studies; security studies; religious studies; the study of religion; Buddhist Studies, mission studies, South Asian and Sri Lankan studies.

By the mid-1980s, Sudan's economy, society and political framework were on the point of disintegration. Civil war was exacerbating the effects of an already major famine. An unpopular government was resorting to ever more extreme measures in order to remain in power. The imposition of a particularly oppressive and hash interpretation of sharia law was heightening racial and religious tensions. Internationally, Sudan was faced by a debt crisis which was apparently insoluble, and which threatened to undermine completely what was left of the economy. This book, first published in 1988, examines the complex economic and social processes which led to this situation - emphasising the part played by the state itself. The book combines detailed multi-disciplinary analyses of Sudan in the post-colonial era with a consideration of possibilities for the future.

Through an indigenous and new materialist thinking approach, this book discusses various examples in Africa where colonial public art, statues, signs, and buildings were removed or changed after countries' independence. An African perspective on these processes will bring new understandings and assist in finding ways to address issues in other countries and continents. These often-unresolved issues attract much attention, but finding ways of working through them requires a deeper and broader approach. Contributors propose an African indigenous knowledge perspective in relation to new materialism as alternative approaches to engage with visual redress and decolonisation of spaces in an African context. Authors such as Frans Fanon, Ngugi Wa Thiong'o, and George Dei will be referred to regarding indigenous knowledge, decolonialisation, and Africanisation and Karen Barad, Donna Haraway, and Rosi Braidotti regarding new materialism. The book will be of interest to scholars working in art history, visual culture, heritage studies, African studies, and architecture.