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Books > Social sciences > Politics & government > Political structure & processes > Colonization & independence
A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war-campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted. Distributed for the Paul Mellon Centre for Studies in British Art
No family better represents the overlapping roles of administrator and scientist in the British empire than the Roths. Descended from a Hungarian emigrant to Australia, two generations of Roths served the empire on four continents and, at the same time, produced ethnographic, archaeological, and linguistic studies that form the basis for much modern research. This volume assesses the often-conflicting roles and contributions of the Roths as government servants and anthropologists. Most of the volume deals with Walter E. Roth, who developed foundational studies of both the Australian Aborigines-considered to be among the first systematic ethnographies anywhere-and South American tribes while serving as Chief Protector of Aborigines in Queensland and later medical officer, magistrate, museum curator and indigenous relations officer in British Guyana. Henry Ling Roth's contributions to the anthropology of Tasmania, Benin, Sarawak, and New Zealand are also enumerated, as are the publications and administrative activities of the succeeding generation of Roths. This volume serves the reader as a family biography, a slice of the English colonial history, and an important introduction to the history of anthropology.
This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual. With essays by scholars, across generations, and from a variety of disciplines - history, anthropology, and philosophy to literature and political theory - this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.
When Europe introduced mechanisms to control New World territories, resources and populations, women-whether African, indigenous, mixed race, or European-responded and participated in multiple ways. By adopting a comprehensive view of female agency, the essays in this collection reveal the varied implications of women's experiences in colonialism in North and South America. Although the Spanish American context receives particular attention here, the volume contrasts the context of both colonial Mexico and Peru to every other major geographic region that became a focus of European imperialism in the early modern period: the Caribbean, Brazil, English America, and New France. The chapters provide a coherent perspective on the comparative history of European colonialism in the Americas through their united treatment of four central themes: the gendered implications of life on colonial frontiers; non-European women's relationships to Christian institutions; the implications of race-mixing; and social networks established by women of various ethnicities in the colonial context. This volume adds a new dimension to current scholarship in Atlantic history through its emphasis on culture, gender and race, and through its explicit effort to link religion to the broader imperial framework of economic extraction and political domination.
This collection brings together twenty-one key articles that explore the nature and impact of colonial withdrawal. Ranging across all the European colonial powers, the articles discuss various aspects of decolonization, including the role of political violence, changing popular attitudes to empire and the inter-actions between colonial conflict and Cold War.
In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts negres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aime Cesaire, Andre Malraux and Wole Soyinka. Described by Senegalese President Leopold Sedar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
As a former colonized nation, Indonesia has a unique place in the history of photography. A History of Photography in Indonesia: From the Colonial Era to the Digital Age looks at the development of photography from the beginning and traces its uses in Indonesia from its invention to the present day. The Dutch colonial government first brought the medium to the East Indies in the 1840s and immediately recognized its potential in serving the colonial apparatus. As the country grew and changed, so too did the medium. Photography was not only an essential tool of colonialism, but it also became part of the movement for independence, a voice for reformasi, an agent for advocating democracy, and is now available to anyone with a phone. This book gathers essays by leading artists, scholars, and curators from around the world who have worked with photography in Indonesia and have traced the evolution of the medium from its inception to the present day, addressing the impact of photography on colonialism, independence, and democratization.
This volume studies the architecture and urbanism of modern-era Italian colonialism (1869-1943) as it sought to build colonies in North and East Africa and the eastern Mediterranean. Mia Fuller follows, not only the design of the physical architecture, but also the development of colonial design theory, based on the assumptions made about the colonized, and also the application of modernist theory to both Italian architecture and that of its colonies. Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects' attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike.
The first study to bring together such a breadth of data, this book compares responses to colonization in the Iron-Age Mediterranean. From North Syria to Sicily and North Africa, Tamar Hodos explores the responses to these colonies in areas where Greeks and Phoenicians were in competition with one another via the same local communities. Highlighting the diversity of interest displayed by local populations in these foreign cultural offering, Hodos charts their selective adaptation, modification and reinterpretation of Greek and Phoenician goods and ideas as their own cultures evolve. For students of archaeology and history, this will provide an essential resource for their degree course studies.
While Richard Wright's account of the 1955 Bandung Conference has been key to shaping Afro-Asian historical narratives, Indonesian accounts of Wright and his conference attendance have been largely overlooked. Indonesian Notebook contains myriad documents by Indonesian writers, intellectuals, and reporters, as well as a newly recovered lecture by Wright, previously published only in Indonesian. Brian Russell Roberts and Keith Foulcher introduce and contextualize these documents with extensive background information and analysis, showcasing the heterogeneity of postcolonial modernity and underscoring the need to consider non-English language perspectives in transnational cultural exchanges. This collection of primary sources and scholarly histories is a crucial companion volume to Wright'sThe Color Curtain.
While there has been for the past two decades a lively and extensive academic debate about postcolonial representations of imperialism and colonialism, there has been little work which focuses on 'placed' materialist or critical geographical perspectives. The contributors to this volume offer such a perspective, asserting the inadequacy of conventional 'self/other' binaries in postcolonial analysis which fail to recognise the complex ways in which space and place were implicated in constructing the individual experience of Empire. Illustrated with case studies of British colonialism in Australia, Hong Kong, India, Ireland and New Zealand in the later nineteenth and twentieth centuries, the book uncovers the complex and unstable spaces of meaning which were central to the experience of emigrants, settlers, expatriates and indigenous peoples at different time/place moments under British rule. In critically examining place and hybridity within a discursive context, (Dis)placing Empire offers new insights into the practice of Empire.
Explores the fundamental role of the military in state-building in francophone postcolonial West Africa and how foreign economic and military aid has influenced it. How did African armed forces in postcolonial states in francophone West Africa influence decolonization and state-building in African states? How did foreign assistance from ex-colonial powers, the USSR and the US and colonial state structures influence political systems, and sometimes result in weak and unstable governance? This book explores the development of national militaries in Cote d'Ivoire, Dahomey (now Benin), Guinea, Mali, Mauritania, Niger, Senegal, Upper Volta (now Burkina Faso) and Togo during the 1960s and 1970s. Revealing the strength of decision-making power by African political elites, the study also shows the decisive impact of foreign economic and military assistance on countries that did not experience a prolonged armed conflict. The author provides new insights into the way the decisions of African governments in building their national militaries impacted postcolonial states' autonomy, legitimacy, sovereign control and governance. In West Africa, during the 1960s, France sought to maintain exclusive relations with its former colonies through military assistance, economic aid and close personal relations with African political and military elites. State coercive capacities extended far beyond the strength of political institutions, with soldiers' assumption of political roles linked to the weaknesses of colonial and postcolonial structures. Disagreements between French and American officials, as well as Arab-Israeli and Sino-Russo conflicts, increased African presidents' opportunities to mobilize external resources. Yet in the late 1980s, it became evident that national militaries and police were often the main causes of personal insecurity, rather than providing protection, and that some economies remained weak and political structures unstable. This book is available as Open Access under the Creative Commons license CC-BY-NC. The open access version of this publication was funded by the Swiss National Science Foundation.
Studies of British Romanticism have traditionally tended to envisage it as an intensely local, indeed insular, phenomenon. Yet, just as the seemingly isolated British Isles became more and more central in international geo-political and economic contexts between the 1780s and the 1830s, so too literature and culture were characterized by an increasingly close and relevant dialogue with foreign and especially Continental European traditions, both past and contemporary. Diego Saglia casts new light on the significantly transformative impact of this dialogue on Britain during the years that saw a return to unimpeded cross-border cultural traffic after the end of the Napoleonic emergency. Focusing on modes of translation and appropriation in a variety of literary and cultural forms, this book reconsiders the notion of the supposed intrinsic insularity of Britain through the lens of new key questions about the national, international and transnational features of Romantic-period literature and culture.
A Concise History of the Caribbean offers a comprehensive interpretation of the history of the Caribbean islands from the beginning of human settlement to the present. It narrates processes of early human migration, the disastrous consequences of European colonisation, the development of slavery and the slave trade, the extraordinary profits earned by the plantation economy, the great revolution in Haiti, movements towards political independence, the Cuban Revolution, and the diaspora of Caribbean people. In this second edition, Higman covers the political, social, and environmental developments of the last decade, offering sections on insular politics, Cuban communism, earthquakes, hurricanes, climate change, resource ecologies, epidemics, identity and reparations. Written in a lively and accessible style, and current with the most recent research, the book provides a compelling narrative of Caribbean history essential for students and visitors.
During the seventeenth century, the Dutch and English emerged as the world's leading trading nations, building their prosperity largely upon their maritime successes. During this period both nations strongly contested for maritime supremacy and colonial dominance, yet by the nineteenth century, it was Britain who had undoubtedly come out on top of this struggle, with a navy that dominated the seas and an empire of unparalleled size. This volume examines the colonial development of these two nations at a crucial period in which the foundations for the modern nineteenth and twentieth century imperial state were laid. The volume consists of ten essays (five by British and five by Dutch scholars) based on papers originally delivered to the Fourteenth Anglo-Dutch Historical Conference, 2000. The essays are arranged into five themes which take a strongly comparative approach to explore the development of the British and Dutch colonial empires in the late eighteenth and early nineteenth centuries. These themes examine the nature of Anglo-Dutch relations, the culture of imperialism and perceptions of the overseas world, the role of sea power in imperial expansion, the economics of colonial expansion and the extension of the metropolitan state to the colonies. Taken together, these essays form an important collection which will greatly add to the understanding of the British and Dutch colonial empires, and their relative successes and failures.
The present collection brings together a series of studies by Peter Marshall on British imperial expansion in the later 18th century. Some essays focus on the thirteen North American colonies, the West Indies, and British contact with China; those dealing specifically with India have appeared in the author's 'Trade and Conquest: Studies on the rise of British domination in India'. The majority, culminating in the four addresses on 'Britain and the World in the Eighteenth Century' delivered as President of the Royal Historical Society, deal with the processes and dynamics of empire-building and aim to bring together the history of Asia and the Atlantic. The themes investigated include the pressures that induced Britain to pursue new imperial strategies from the mid-18th century, Britain's contrasting fortunes in India and North America, and the way in which the British adjusted their conceptions of empire from one based on freedom and the domination of the seas, to one which involved the exercise of autocratic rule over millions of people and great expanses of territory.
Fifty years after Algerian independence, the legacy of France's Algerian past, and the ongoing complexities of the Franco-Algerian relationship, remain a key preoccupation in both countries. A central role in shaping understanding of their shared past and present is played by visual culture. This study investigates how relations between France and Algeria have been represented and contested through visual means since the outbreak of the Algerian War in 1954. It probes the contours of colonial and postcolonial visual culture in both countries, highlighting the important roles played by still and moving images when Franco-Algerian relations are imagined. Analysing a wide range of images made on both sides of the Mediterranean - from colonial picture postcards of French Algeria to contemporary representations of postcolonial Algiers - this new book is the first to trace the circulation of, and connections between, a diverse range of images and media within this field of visual culture. It shows how the visual representation of Franco-Algerian links informs our understanding both of the lived experience of postcoloniality within Europe and the Maghreb, and of wider contemporary geopolitics.
Using recently opened archives, this book provides new insights into the history of the British intelligence community and helps explain Anglo-Irish relations during a time of momentous change. The lessons it draws still echo today, as Britain contends with the threat posed by violent militants, whether from Ireland or further afield. One of the Irish Times' Books of the Year, 2008 The struggle between British intelligence agencies and Irish revolutionaries has lasted for centuries - and still goes on. But it was at its most intense during the first half of the twentieth century. Ireland experienced a bloody rebellion, bitter partition and a stuttering march towards independence. Britain grappled with imperial decline and world war, while government agencies were worrying about being stabbed in the back by their Irish neighbour. Using recently opened archives, this book reveals for the first time how intelligence and intelligence agencies shaped Anglo-Irish relations during this formative period. The book casts light on characters long kept in the shadows - IRA gunrunners, Bolshevik agitators, Nazi saboteurs, British double agents. It shows what happened when Irish revolutionaries stopped fighting, formed governments and started sharing information with London - while doing everything possible to hide this from the Irish public. It also fills in a missing chapter in the history of the British intelligence community, tracing its evolution from amateurishbeginnings, through a painful adolescence, to the sophisticated apparatus that is largely still with us. The book probes some deeper questions about intelligence and the complex Anglo-Irish relationship. What has the most influence on government policy? The work of professional intelligence agencies? Or the misconceptions and preconceptions that politicians and civil servants bring to their jobs? Why are secrets so seductive - and sometimes so misleading? Packed with anecdotes and unexpected paradoxes, this book provides new insights into the history of the British intelligence community and helps explain the twists and turns of Anglo-Irish relations during a time of momentous change. The lessons it draws still echo today, as Britain contends with the threat posed by violent militants, whether from Ireland or further afield. PAUL MCMAHON received his bachelor's degree from University College Dublin, before studying for an MPhil and a PhD at Cambridge University. He has worked as a management consultant and policy advisor focussing on climate change and food security.
Relying on the concept of a shared history, this book argues that we can speak of a shared heritage that is common in terms of the basic grammar of heritage and articulated histories, but divided alongside the basic difference between colonizers and colonized. This problematic is also evident in contemporary uses of the past. The last decades were crucial to the emergence of new debates: subcultures, new identities, hidden voices and multicultural discourse as a kind of new hegemonic platform also involving concepts of heritage and/or memory. Thereby we can observe a proliferation of heritage agents, especially beyond the scope of the nation state. This volume gets beyond a container vision of heritage that seeks to construct a diachronical continuity in a given territory. Instead, authors point out the relational character of heritage focusing on transnational and translocal flows and interchanges of ideas, concepts, and practices, as well as on the creation of contact zones where the meaning of heritage is negotiated and contested. Exploring the relevance of the politics of heritage and the uses of memory in the consolidation of these nation states, as well as in the current disputes over resistances, hidden memories, undermined pasts, or the politics of nostalgia, this book seeks to seize the local/global dimensions around heritage.
This historical overview of Mexico explores at every opportunity what it is that makes contemporary Mexico the fascinating and vibrant melange of cultures that it is. Embracing an exuberant array of ethnic diversity--including Amerindian, African-American, and European cultures--Mexico is emblematic of much of the clash and combination of cultures that characterizes virtually all of Latin America, from the earliest European conquest and colonization to the present day, "The Mexicans: A Sense of Culture" captures and reveals the intriguing complexities of daily life in Mexico, from its artistic pursuits to its political and economic patterns.
Compared with modes of representation such as literature, drama,
poetry and dance, the world of sport has been largely neglected in
postcolonial studies. At both local and global levels, however,
sport has been profoundly affected by the colonial legacy. How are
individual nations and different sporting cultures coping with this
legacy? What does the end of colonialism mean within particular
states and sports? How is postcolonialism linked with struggles of
race and identity?
This innovative study explores the interface between nation-building and refugee rehabilitation in post-partition India. Relying on archival records and oral histories, Uditi Sen analyses official policy towards Hindu refugees from eastern Pakistan to reveal a pan-Indian governmentality of rehabilitation. This governmentality emerged in the Andaman Islands, where Bengali refugees were recast as pioneering settlers. Not all refugees, however, were willing or able to live up to this top-down vision of productive citizenship. Their reminiscences reveal divergent negotiations of rehabilitation 'from below'. Educated refugees from dominant castes mobilised their social and cultural capital to build urban 'squatters' colonies', while poor Dalit refugees had to perform the role of agricultural pioneers to access aid. Policies of rehabilitation marginalised single and widowed women by treating them as 'permanent liabilities'. These rich case studies dramatically expand our understanding of popular politics and everyday citizenship in post-partition India. |
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