Monsieur L'Abbat was an early 18th century tutor of fencing and sword fighting, who instructed many students in France with the techniques contained in this guidebook. Discussing techniques, tactics, stances, and movements essential for the skilled swordsman, L'Abbat treats the pivotal motions with great attention. With the aid of pictorial examples alongside, we learn how to assume a good battle stance, how to lunge or thrust in attack or defend with a parry or riposte. The finer points of conduct during a sword fight are given much attention, with L'Abbat relating experiences with other masters of the craft. Monsieur L'Abbat lived at the time the culture of the musketeers was at its height. Emblematic of French bonhomie and martial prowess, these soldiers were expected to gain mastery of both the musket firearm and the thin, lengthy sabre. Many would hone their techniques with both weapons for years in special military barracks.

Fighting arts have their own beauty, internal philosophy, and are connected to cultural worlds in meaningful and important ways. Combining approaches from ethnomusicology, ethnochoreology, performance theory and anthropology, the distinguishing feature of this book is that it highlights the centrality of the pluripotent art form of pencak silat among Southeast Asian arts and its importance to a network of traditional and modern performing arts in Southeast Asia and beyond. By doing so, important layers of local concepts on performing arts, ethics, society, spirituality, and personal life conduct are de-mystified. With a distinct change in the way we view Southeast Asia, this book provides a wealth of information about a complex of performing arts related to the so-called 'world of silat'. An ancillary media companion website (www.bits4culture.org/pencaksilatandmusic/) is part of this work. Login authorisation information is included in the book. Contributors include: Bussakorn Binson, Jean-Marc de Grave, Gisa Jahnichen, Margaret Kartomi, Zahara Kamal, Indija Mahjoeddin, Ako Mashino, Paul H. Mason, Uwe U. Paetzold, Kirstin Pauka, Henry Spiller and Sean Williams.

Karate is a growing phenomenon in the United States and internationally, and adults as well as children of all ages have discovered this Japanese martial art. In Karate for Kids, author Vincent A. Cruz presents a discussion of the essential physical and philosophical elements of traditional karate and provides clear and purposeful instruction for the young practitioner. Cruz, an experienced teacher of karate, offers an introduction to traditional karate and shows that is an exciting, healthful, physical art that develops the body and mind and is an effective form of self-defense. In this guide, he defines the concept of karate; discusses the history of the martial art; explains its physical, mental, and spiritual principles and philosophies; and describes and illustrates essential punching, blocking, and kicking techniques. Geared toward young adults as well as parents, Karate for Kids offers a complete guide to traditional karate using easy-to-follow instructions, caricatures, and diagrams. Cruz communicates how young people can develop a sense of worth through traditional karate and how karate can help youth to master life with an inner respectability.

In Martial Arts and the Body Politic in Indonesia Lee Wilson offers an innovative study of nationalism and the Indonesian state through the ethnography of the martial art of Pencak Silat. Wilson shows how technologies of physical and spiritual warfare such as Pencak Silat have long played a prominent role in Indonesian political society. He demonstrates the importance of these technologies to the display and performance of power, and highlights the limitations of theories of secular modernity for understanding political forms in contemporary Indonesia. He offers a compelling argument for a revisionist account of models of power in Indonesia in which authority is understood as precarious and multiple, and the body is politically charged because of its potential for transformation.