Herbert Silberer's examinations of alchemy and the occult, and his attempts to correlate the two crafts to the pursuit of psychoanalysis, is published here complete with the original illustrations. First published in 1917, this text represents the extensive investigations Herbert Silberer undertook in order to map occurrences in the occult with the ascendant psychoanalytic disciplines present in the Vienna School of which he was part. This text is marked by its depth of research, with sources such as Hermes Trismegistus, Flamel, Lacinius, Michael Meier, Paracelsus, and Boehme quoted and drawn upon in service of Silberer's thesis. The support of alchemy as a spiritual movement, on the same level as the yoga traditions of the Indian subcontinent, is also notable. Together with the three original illustrations, this edition also contains the extensive bibliography and notes of Silberer.

A humane behind-the-scenes account of a week in the life of a psychiatrist at one of Canada's leading mental health hospitals. How Can I Help? takes us to the frontlines of modern psychiatric care. How Can I Help? portrays a week in the life of Dr. David Goldbloom as he treats patients, communicates with families, and trains staff at CAMH, the largest psychiatric facility in Canada. This highly readable and touching behind-the-scenes account of his daily encounters with a wide range of psychiatric concerns--from his own patients and their families to Emergency Department arrivals--puts a human face on an often misunderstood area of medical expertise. From schizophrenia and borderline personality disorder to post-traumatic stress syndrome and autism, How Can I Help? investigates a range of mental issues. What is it like to work as a psychiatrist now? What are the rewards and challenges? What is the impact of the suffering--and the recovery--of people with mental illness on families and the clinicians who treat them? What does the future hold for psychiatric care? How Can I Help? demystifies a profession that has undergone profound change over the past twenty-five years, a profession that is often misunderstood by the public and the media, and even by doctors themselves. It offers a compassionate, realistic picture of a branch of medicine that is entering a new phase, as increasingly we are able to decode the mysteries of the brain and offer new hope for sufferers of mental illness.

The Kingship of Self-Control is an inspiring and motivating manual which instructs on the behavior best suited for attaining happiness and a steady, fulfilling existence. Much as with William Jordan's other books, this work advocates that the reader should train his thought processes and senses to the point where they are masters of their own destiny. The reader can spot the difference between this book's practical advice and what is gained from formal education, which instils only dry facts and mostly unusable knowledge in students. The author, working in the high octane urban landscapes of both his native New York City and Chicago, noticed certain maladies of the human condition. Many people he met were worrisome (which Jordan terms 'the American disease') and would needlessly over-complicate or over-rationalize things in their heads. The phenomena of regret, whereby people wish over and over to have another chance of life, is another thing Jordan condemns as self-defeating.

This work provides an inter-disciplinary exploration of the aftermath of trauma arising from social conflict and the wounds dealt through interpersonal relations of loss, abuse and torture. Contributing authors examine how individuals and societies come to terms with traumatic injuries and disruption. Disciplinary perspectives cross the boundaries of textual analysis, sociology and psychology to offer pathways of perception and recovery. From the conflicts in Rwanda and Lebanon to the ethical challenges of journalism and trauma, loss and dementia, domestic violence and child sexual abuse, as well as the contributions of literary texts to rendering conflict, this volume enables readers to find their own resonance with the rupture and recovery of trauma. Contributors are Kim M. Anderson, Lyn Barnes, Catherine Ann Collins, Fran S. Danis, Stefanie Dinkelbach, Lyda Eleftheriou, Kirsten Havig, Anka D. Mason, Elspeth McInnes, Joan Simalchik, Stephanie Tam and Rana Tayara.

What is suicide? When does suicide start and when does it end? Who is involved? Examining narratives of suicide through a discourse analytic framework, Discursive Constructions of the Suicidal Process demonstrates how linguistic theories and methodologies can help answer these questions and cast light upon what suicide involves and means, both for those who commit an act and their loved ones. Engaging in close analysis of suicide letters written before the act and post-hoc narratives from after the event, this book is the first qualitative study to view suicide not as a single event outside time, but as a time-extended process. Exploring how suicide is experienced and narrated from two temporal perspectives, Dariusz Galasinski and Justyna Ziolkowska introduce discourse analysis to the field of suicidology. Arguing that studying suicide narratives and the reality they represent can add significantly to our understanding of the process, and in particular its experiences and meanings, Discursive Constructions of the Suicidal Process demonstrates the value of discourse analytic insights in informing, enriching and contextualising our knowledge of suicide.