This study presents a collection of papers by a variety of scholars engaged in the most thought-provoking and salient problems in various areas of linguistics. The book comprises ten chapters organised into two parts.The first part, "Studies in Applied Linguistics", elaborates on up-to-date and research-based knowledge of the selected subjects in the discipline of Applied Linguistics. It takes the reader from theoretical, linguistic considerations to classroom practice. The second part, "Studies in Cognitive Linguistics", concentrates on various aspects of cognitive linguistic research.

First published in 1990, this book argues that any theory of language constructs its 'object' by separating 'relevant' from 'irrelevant' phenomena - excluding the latter. This leaves a 'remainder' which consists of the untidy, creative part of how language is used - the essence of poetry and metaphor. Although this remainder can never be completely formalised, it must be fully recognised by any true account of language and thus this book attempts the first 'theory of the remainder'. As such, whether it is language or the speaker who speaks is dealt with, leading to an analysis of how all speakers are 'violently' constrained in their use of language by social and psychological realties.

Over the past century, the explosive growth of scientific, technical, and cultural disciplines has profoundly affected our daily lives. However, processes of enculturation in sites such as graduate education that have helped to form these disciplines have received very limited research attention. In those sites, graduate students write diverse documents, including course papers, departmental examinations, theses and dissertations, grant and fellowship applications, and disciplinary publications. Thus, writing is one of the central domains of enculturation--an activity through which graduate students and professors display and negotiate disciplinary knowledge, genres, identities, and institutional contexts. This volume explores this intersection of writing and disciplinary enculturation through a series of ethnographic case studies. These case studies provide the most thorough descriptions available today of the lived experience of graduate seminars, combining analysis of classroom talk, students' texts and professor's written responses, institutional contexts, students' representations of their writing and its contexts, and professors' representations of their tasks and their students. Given the complexities that the ethnographic data displayed, the author found that conventional notions of writing as a process of transcription and of disciplines as unified discourse communities were inadequate. As such, this book also offers an in-depth exploration of sociohistoric theory in relation to writing and disciplinary enculturation. Specific case studies introduce, apply, and further elaborate notions of: * writing as literate activity, * authorship as mediated by other people and artifacts, * classroom tasks as speech genres, * enculturation as the interplay of authoritative and internally persuasive discourses, and * disciplinarity as a deeply heterogeneous, laminated, and dialogic process. This blend of research and theory should be of interest to scholars and students in such fields as writing studies, rhetoric, writing across the curriculum, applied linguistics, English for academic purposes, science and technology studies, higher education, and the ethnography of communication.

This book is the study of all codes of life with the standard methods of science. The genetic code and the codes of culture have been known for a long time and represent the historical foundation of this book. What is really new in this field is the study of all codes that came after the genetic code and before the codes of culture. The existence of these organic codes, however, is not only a major experimental fact. It is one of those facts that have extraordinary theoretical implications. The first is that most events of macroevolution were associated with the origin of new organic codes, and this gives us a completely new reconstruction of the history of life. The second implication is that codes involve meaning and we need therefore to introduce in biology not only the concept of information but also the concept of biological meaning. The third theoretical implication comes from the fact that the organic codes have been highly conserved in evolution, which means that they are the greatest invariants of life. The study of the organic codes, in short, is bringing to light new mechanisms that have operated in the history of life and new fundamental concepts in biology.

The MS 133 Digby Mary Magdalene has commonly been investigated by paying attention to literary features, while linguistic aspects have seldom been taken into consideration, with the result that any deviation from the norm has been classified as scribal inconsistency. However, what has been regarded as scribal carelessness actually seems to be a modern misunderstanding of scribal practices. Indeed, the significant combination of Southern, Midlands and Northern elements featuring in the language of Mary Magdalene is the result of the scribe's desire to faithfully reproduce the author's design, in which variants may have a marked social function. We can thus infer that the Mary Magdalene author probably created a sort of biblical koine, shared with the audience, which was realized with the linguistic varieties offered by the existing late Middle English dialects and clearly exploited not only for poetic but also, and above all, for religious purposes. At the same time, the text puts an innovative emphasis on the figure of Mary Magdalene, who simultaneously plays the role of sinner and saint, virgin and prostitute, female and male. Thanks to the methodological approach of this volume, the author shows that most unusual forms are diatopic and diastratic alternatives used in specific religious contexts to realize well-defined sociolinguistic purposes.

Rhetorics for Community Action: Public Writing and Writing Publics, by Phyllis Mentzell Ryder, offers theory and pedagogy to introduce public writing as a complex political and creative action. To write public texts, we have to invent the public we wish to address. Such invention is a complex task, with many components to consider: exigency that brings people together; a sense of agency and capacity; a sense of how the world is and what it can become. All these components constantly compete against texts that put forward other public ideals opposing ideas about who really has power and who really can create change. Teachers of public writing must adopt a generous response to those who venture into this arena. Some scholars believe that to prepare students for public life, university classes should partner with grassroots community organizations, rather than nonprofits that serve food or tutor students. They worry that a service-related focus will create more passive citizens who do not rally and resist or grab the attention of government leaders or corporations. With carefully contextualized study of an after-school arts program, an area soup kitchen, and parks organizations, among others, Ryder shows that many so-called "service" organizations are not passive places at all, and she argues that the main challenge of public work is precisely that it has to take place among all of these compelling definitions of democracy. Ryder proposes teaching public writing by partnering with multiple community nonprofits. She develops a framework to help students analyze how their community partners inspire people to action, and offers a course design that support them as they convey those public ideals in community texts. But composing public texts is only part of the challenge. Traditional newspapers and magazines, through their business models and writing styles, reinforce a dominant role for citizens as thinking and reading, but not necessarily acting. This civic role is also professed"

Writing in the Disciplines (WiD) is a growing field in which discipline-based academics, writing developers, and learning technologists collaborate to help students succeed as subject specialists. This book places WiD in its theoretical and cultural contexts and reports on initiatives taking place at a range of UK higher education institutions. Also includes surveys of current developments and scholarship in the US, Australia, Europe and elsewhere, making it of interest to both a UK and an international audience.

First published in 1985, this book analyses temporal meaning in German. The framework is that of a model-theoretic semantics, more specifically one incorporating a multi-dimensional tense logic. The first chapter presents this logic and argues that three dimensions are optimal for the description of natural language temporalia. The second chapter applies this theory to the analysis of temporal meaning in German. Frame adverbials, the Present and Past Tenses, duratives, aspectual adverbials using in, and the adverbials particle schon are examined. Chapter 3 provides a formal syntax to bear the semantic analysis proposed in the second chapter and the final chapter explores syntactic and semantic extensions of the fragment, showing how the Perfect, the particle noch, the passive, and a distinct reading of frame adverbials may be accommodated.

This book argues that many of the most prominent features of oral epic poetry in a number of traditions can best be understood as adaptations or stylizations of conversational language use, and advances the claim that if we can understand how conversation is structured, it will aid our understanding of oral traditions. In this study that carefully compares the "special grammar" of oral traditions to the "grammar" of everyday conversation as understood in the field of conversation analysis, Raymond Person demonstrates that traditional phraseology, including formulaic language, is an adaptation of practices in turn construction in conversation, such as sound-selection of words and prosody, and that thematic structures are adaptations of sequence organization in talk-in-interaction. From this he concludes that the "special grammar" of oral traditions can be understood as an example of institutional talk that exaggerates certain conversational practices for aesthetic purposes and that draws from cognitive resources found in everyday conversation. Person's research will be of interest to conversation analysts as well as literary scholars, especially those interested in ancient and medieval literature, the comparative study of oral traditions and folklore, and linguistic approaches to literature. This volume lays the groundwork for further interdisciplinary work bridging the fields of literature and linguistics.

The future of English linguistics as envisaged by the editors of Topics in English Linguistics lies in empirical studies which integrate work in English linguistics into general and theoretical linguistics on the one hand, and comparative linguistics on the other. The TiEL series features volumes that present interesting new data and analyses, and above all fresh approaches that contribute to the overall aim of the series, which is to further outstanding research in English linguistics.

The volume brings together the papers read at the international conference on Romance Objects organized by the Linguistics Department of the Roma Tre University. It is characterized by a striking uniformity of approach, which is functional, and of methodology. The various case studies regarding the object focus on the syntax/semantics and syntax/pragmatics interfaces. The common denominator of the ten enquiries is the identification of the object category, the DO in particular, in Romance languages; at the same time some of the contributors relate the specific topic to more general questions of linguistic typology. Some of the essays are based on the analysis of data from a corpus and present a diachronic picture of the evolution of the specific topic investigated. Thus this volume is addressed not only to scholars interested in the Romance languages but also all those who study the object category in a cross-linguistic perspective. Michela Cennamo: (In)transitivity and object marking: some current issues.

Inferentialism is a philosophical approach premised on the claim that an item of language (or thought) acquires meaning (or content) in virtue of being embedded in an intricate set of social practices normatively governed by inferential rules. Inferentialism found its paradigmatic formulation in Robert Brandom's landmark book Making it Explicit, and over the last two decades it has established itself as one of the leading research programs in the philosophy of language and the philosophy of logic. While Brandom's version of inferentialism has received wide attention in the philosophical literature, thinkers friendly to inferentialism have proposed and developed new lines of inquiry that merit wider recognition and critical appraisal. From Rules to Meaning brings together new essays that systematically develop, compare, assess and critically react to some of the most pertinent recent trends in inferentialism. The book's four thematic sections seek to apply inferentialism to a number of core issues, including the nature of meaning and content, reconstructing semantics, rule-oriented models and explanations of social practices and inferentialism's historical influence and dialogue with other philosophical traditions. With contributions from a number of distinguished philosophers-including Robert Brandom and Jaroslav Peregrin-this volume is a major contribution to the philosophical literature on the foundations of logic and language.

Olga Freidenberg, primarily known to western readers as Boris Pasternak's cousin, correspondent and confidante, was, in her own right, an author and scholar of great accomplishment. "Image and concept" - here for the first time available in English - is Freidenberg's study of the origins of Greek tragedy. It was Friedenberg's special genius that anticipated the structural and semiotic approaches to myth and literature. "Image and concept" develops the notion that with the transition from mythological thinking to formal-logical concepts came the appearance of literature. Inherited mythological forms were reinterpreted conceptually: causalized, ethicized, generalized, and abstracted. This reinterpretation brought about poetic figurality. Folkloric material began to be differentiated from mythological images of the past into the various disciplines of religion, philosophy, ethics, literature, and art. Yet, differentiated and reinterpreted as it was, the folkloric material remained formally preserved in poetic image, structure, and plot.

The Normalization of War in Israeli Discourse, 1967-2008, by Dalia Gavriely-Nuri opens a window to how Israelis talk, write, and think about war. In the post-World War II period, Israel has taken part in eight wars, more than almost any other western democracy. In addition to "official" wars, Israel has experienced two Intifadas and repetitive long periods of bombings of its border-settlements. This book argues that such an intensive involvement in military actions provides a natural arena for a uniquely fertile war discourse. Gavriely-Nuri identifies a special war discourse: a "war-normalizing discourse" (WND). WND as a set of linguistic, discursive, and cultural devices aims at blurring the anomalous character of war by transforming it into an event perceived as "natural"- a "normal" part of life. Moreover, the WND is served as a unique rhetorical compass and illuminates one basic organizing principle underlying the Israeli war discourse. WND has been in use throughout Israel's history, in periods of war as well as in periods of relative peace. It has become a fundamental part of the Israeli public discourse concerning both peace and war and an integral part of Israeli identity. The Normalization of War in Israeli Discourse, 1967-2008, is an essential investigation into how nations use rhetoric and tactical discourse to normalize their conflicts.

Essays in Modern Stylistics, first published in 1981, is a collection of essays in the application of modern linguistic theory to the study of literature. The essays reflect the development in stylistics away from programmic statements towards analysis of particular literary works and effects. This selection includes studies of the theory of stylistics, linguistic approaches to the poetry of John Keats, Wallace Stevens, E. E. Cummings, Percy Bysshe Shelley and William Blake, modern metrical theory and prose style. This title will be of interest to students of literary theory.

This book examines the interactions between the morphosyntax and the semantic interpretation of tense and aspectual forms in the Germanic and Romance languages. These languages diverge not only in their variety of tense and aspectual forms, but also in the distribution and interpretation of given forms. Adopting Noam Chomsky's minimalist framework, AG and FP attempt to provide theoretical explanations for the observed patterns of form and meaning which link the morphosyntactic properties of languages in both universal and language-particular constraints on interpretation.

This book is an investigation into the correlation between level of extroversion, orientation of locus of control and gender. Level of extroversion and gender are widely recognised as key factors influencing the process of Second Language Acquisition, although there remains much debate as to the nature of this influence. Locus of Control has equally been identified as a key predictor of success in academic learning. Taking these points into consideration, the authors analyze the correlation between these three key factors and success in reading and listening on students of English at the university level. The investigation includes both a quantitative analysis and qualitative explanatory interviews.

This comprehensive one-volume encyclopedia charts the history and scope of the field of semiotics and highlights its relevance to the study of new forms of communication in 300 accessible and informative articles. Coverage includes the life and work of important authors and theorists, the impact of various centres and schools of thought, the meaning of key terms, and the scope of semiotic analysis in various disciplines and domains. Providing both a detailed assessment of the subject and an informed view of its many applications, the work is a definitive reference source.

This text offers an interdisciplinary account of reference and categorization within the framework of cognitive linguistics. Central issues are the distinction between lexical vagueness and polysemy as well as the creation of new meanings in English and German. Polysemy is resolved by a computational implementation in a machine-translation system.

Textbooks have long been considered a pivotal learning and teaching resource in classrooms. However, there is a paucity of research on how teachers use textbooks in relation to their beliefs, with analytic methods in such studies mainly restrained to content-based thematic analysis. To this end, from the perspectives of Halliday's (1994) systemic functional linguistics (SFL) and Vygostky's (1978) socio-cultural theory (SCT), this book explores how a Chinese college English teacher acts upon his beliefs and uses textbooks to mediate his students' English learning in his classroom. Drawing on constructs of the SFL-based appraisal and speech function as well as interview excerpts, the study reveals that in the textbook-based classroom the Chinese college English teacher acts upon his beliefs that are constructed by diverse contextual factors. Implications of this study include using SFL and SCT to explore educators' beliefs and practices and also providing effective teacher education for Chinese college English instructors to reshape their beliefs so that they are better prepared to use textbooks in classrooms.

This book introduces readers to linguistic stylistic analysis and combines both literary and linguistic analysis to explore suspense in crime fiction. Employing critical linguistics, discourse analysis and functional grammar, it demonstrates that suspense in plot-based stories is created through non-linear, causative presentation of the narrative. The author investigates how plot sequence is manipulated to ensure the reader cannot resolve the order of events until the end of the tale. From two-dimensional circumstantial detection in mystery stories to three-dimensional re-evaluation of offender orientation, she uses a linguistic-based stylistic framework to analyse offender motive. She also employs a 'discourse-based' frame analysis to examine the plot structure of crime stories for micro context and set-up scenarios, demonstrating that it is the unravelling of these devices that creates the suspense in murder mysteries and thrillers alike. Finally, she shows how grammaticization of the offending-self reveals an embedded diegetic space in the offender engagement discourse, provoking an intellectual and affective response and reshaping our overall outlook of the crime in the story. This book will appeal to researchers and students from literary and non-literary backgrounds looking for theoretical and practical advice on the linguistic stylistic approach to reading texts.

This book is an interdisciplinary study of English binominal quantitative constructions based on English-Chinese comparison. Taking three perspectives, i.e. a functional-typological perspective, a cognitive approach, and a corpus-based method, it aims to unveil the hidden categorisation process behind the usage of English binominal quantitative constructions and to reveal the language universal in cognising the concepts of 'Quantity' and 'Quality'. It argues against treating Chinese and English as members of two opposing typological camps concerning quantification modes ('classifier languages' versus 'non-classifier languages') and advocates to view the two languages as lying within a more extended and inclusive system, viz. a system of quantification and categorisation modes, or a Quantity-Quality continuum.

There's No Word for Saudade contains twenty-one essays aimed at a readership interested in cultural and historical materials, including those related to Portuguese America. Significant figures covered include John Dos Passos, Charles Reis Felix, Julian Silva, John Philip Sousa, Mark Twain, Herman Melville, James Merrill, and the Azorean John Francis, businessman, patron, and friend to the fabled Provincetown Players. Concluding essays scrutinize and judge the phenomenon of the Portuguese movie in the 1930s and 1940s, and trace the history of the tricky but persistently present Portuguese concept of saudade.