*Well-Read Black Girl - Book Club Pick* As an incredible glass-ceiling breaker and the woman who brought timeless television shows like The Game and Being Mary Jane to cable, Debra Lee has been the visionary responsible for elevating Black images and storytelling for decades. Now she's telling her own story, in an intimate and eye-opening tale about the triumphant and tricky moments of a career in entertainment. I Am Debra Lee is a page-turner, filled with deeply personal revelations, juicy celebrity intel, and electrifying behind-the-scenes stories that reveal how she went from a girl raised in the segregated South to leading the first Black company traded on the New York Stock Exchange and how she juggled social responsibility while managing a company targeted toward the Black community. In a rousing narrative, Lee writes: "I don't just love Black culture-the magic in our hair, the swagger in our steps, the particular way we can say 'alright now' to fit our changing moods-Black culture saved me." In her exciting debut, she answers all of our questions about building an unapologetically Black enterprise as a Black woman. What to do when you're forced to attend a board meeting eight weeks after a C-section. How to manage a team of men when you're the first female CEO at the company. How she learned the hard way to say no to those in power when their vision didn't align with her purpose. I Am Debra Lee tackles lessons that women CEOs rarely dare to. She addresses her personal struggles with motherhood and "having it all," navigating reproductive choice, fertility, and #MeToo while achieving great professional success. Being Black and a woman in corporate life isn't easy for anyone. But Lee shows how she evolved from a shy girl who dreaded public speaking to becoming a force to be reckoned with as she helped build the leading entertainment company for Black audiences and consumers of Black culture globally. ?I Am Debra Lee is a must-read for all strivers in any industry. Lee is a truthteller about the critical choices that Black leaders face. As she has done her whole career, in this book, she opens the door for others to come after her, by sharing the truth behind her own inspiring story of power, perseverance, and success.

It's long been an accepted, almost celebrated, fact of the creative industries that long hours, chaotic workflows and egotistical colleagues are just the price you pay to produce great work. In fact, this toxic culture is the enemy of creativity, and with greater accountability and transparency in the industry - and more choice for young talent - than ever before, this unsustainable way of doing business is a ticking time bomb. This is a straight-talking, fun read for all creatives: Director or junior, at an agency or client-side, working in design, advertising, publishing, fashion or film. Packed with anecdotes, self-analysis flowcharts (are YOU the asshole?!), exercises and action plans for better working practices.

In recent years marketing has played an ever more important role for daily newspapers and popular magazines. The reader's continuing buying restraint, falling sales, reductions in advertising income and the loss of classified advertising to the Internet, are all symptoms of a crisis. This forces publishing houses to optimize operational processes. Not least the growing competition, both with electronic media and between publishers leads to an ever-increasing importance of the marketing department for the success of the business. Peter Brummund, who has spent years in leading positions in the branch himself, takes a look at this business aspect of the press. In keeping with the practical needs of the specialist reader, the author summarizes the sales and marketing structures of the press: the "classical" and the new marketing channels, engendered by new technology such as the Internet, digital printing and satellite transmissions. The different marketing channels using subscriptions, individual sales, readers clubs and direct marketing are explained in detail, as are elementary mechanisms such as disposition, remittance, fixed prices and discounts. The way press wholesalers function is presented with the general technical and legal conditions and enlarged upon using concrete case studies.

Creativity is the fastest growing business in the world. Companies are hungry for people with ideas - and more and more of us want to make, buy, sell and share creative products. But how do you turn creativity into money? In this newly rewritten edition of his acclaimed book, leading creative expert John Howkins shows what creativity is, how it thrives and how it is changing in the digital age. His key rules for success include: Invent yourself. Be unique. Own your ideas. Understand copyright, patents and IP laws. Treat the virtual as real, and vice versa. Learn endlessly: borrow, reinvent and recycle. Know when to break the rules. Whether in film or fashion, software or stories, by turning ideas into assets anyone can make creativity pay.

Sind Journalisten Totengraber der deutschen Sprache, weil sie englische Woerter verwenden und diese erst popular machen? Oder gibt es erste Zeichen, dass der Hoehepunkt der Verwendung englischen Wortgutes im Deutschen erreicht ist? Sonja Sagmeister-Brandner, Fernsehjournalistin des ORF, analysiert Vorurteile gegenuber Anglizismen wissenschaftlich und lasst gleichzeitig in die Welt hinter dem "Newsroom" blicken. Ein Buch fur alle, die sich fur Sprachgeschichte und Sprachtrends interessieren. Der empirische Teil untersucht Anglizismen in der ORF-Sprache und stellt Zeit im Bild-Nachrichten und Radio-Nachrichten von OE3 gegenuber. Einblicke in die Geschichte der Anglizismen-Verwendung gibt die diachrone Studie zu Anglizismen in den Radio-Nachrichten der Jahre 1967 bis 2004.

Diese Arbeit beschaftigt sich mit dem Verhaltnis zweier demokratischer Grundwerte zueinander, namlich der Medienfreiheit einerseits und dem Interesse an einer effektiven Strafverfolgung andererseits. Anhand der 53 I Nr. 5 und 97 V StPO beleuchtet die Autorin die Erfordernisse einer Abwagung zwischen der Gewahrleistung einer freien Medienberichterstattung und der Ahndung schwerer Straftaten. Die Studie analysiert die derzeitige Gesetzeslage und arbeitet unter Berucksichtigung der Entscheidungen des Bundesverfassungsgerichts notwendige AEnderungen heraus. Die Ergebnisse werden zu einem praktikablen Gesetzesvorschlag zusammengefuhrt, welcher die Konflikte zwischen dem Interesse an einer effektiven Strafverfolgung und dem Schutz der Medienfreiheit durch ausgewogene Regelungen aufloest.

Media Studies Volume 4, developed by its expert authors will deal with media theory and research in the context of how social (new) media and the convergence and digitisation of the media have changed and affected mediated communication today. Practical examples, case studies, applications, learning outcomes and exercises will be part of the book. This is the final volume in the Juta Media Studies series.

Making Media Theory is about the study, practice, and hands-on design of media theory. It looks at experimental research methods and engages in media analysis, inviting readers to respond to and shape the materiality of media while carefully considering the implications of living in a technoculture. The author walks readers through the creation of digital objects to think with, where critical design practices serve as tools for exploring social and philosophical issues related to technological being and becoming.

Taking into account strategic, organizational and technological factors Alexander Benlian studies the question of whether to centralize or to decentralize media content. The findings basically emphasize the need to design publishing organizations that follow certain patterns of congruency and consistency in order to realize greater effectiveness.

For twenty years an acclaimed correspondent on PBS's The News Hour with Jim Lehrer and the winner of two Emmys and two Peabody Awards (for her coverage of Africa), Charlayne Hunter-Gault here offers a fresh and surprisingly optimistic assessment of modern Africa, revealing that there is more to the continent than the bad news of disease, disaster, and despair. Blending personal memoir with sterling reportage and astute analysis, Hunter Gault presents an Africa we rarely see. She looks first at South Africa, contrasting the country she first encountered as a young reporter-when she personally witnessed the brutality of apartheid-with the black-led, multiracial society of today, a nation undergoing one of the most radical social and economic experiments in modern times. She acknowledges the great imbalance in income in modern South Africa (where upwards of 30 to 40 percent of blacks are unemployed) and describes the ravaging effect of AIDS on the nation, but she also underscores the nation's commitment to affirmative action, describes how South African universities have opened their doors to black students, and debunks many of the myths about the violence of South African society. Likewise, Hunter-Gault looks at the continent-wide efforts to promote "an African Renaissance," illuminating the political and economic conditions in Rwanda, Mozambique, Nigeria, Ghana, Kenya, Angola, and Sierra Leone. Finally, the book describes the challenges of reporting on the much-maligned continent and the efforts of African journalists to tell their own story. A compelling book on a topic of vital importance, New News Out of Africa promises to re-define what is news about this vast and complex continent. "A journalistic work of remarkable insight and prescience: Hunter-Gault zooms in on Africa's ongoing renaissance-reporting on a subject today's media have ignored-and encourages us all to sit up and take note." -Henry Louis Gates, Jr. "Good news is usually not associated with Africa. However, Emmy and Peabody Award-winning journalist Hunter-Gault puts a different spin on her assessment of the continent's current conditions, presenting a well-researched, fact-filled account of recent positive changes in Africa." -Library Journal

Erholungsangebote fur den harten Alltag im Nationalsozialismus? Fluchtfahrzeuge fur Eskapisten? Oder doch erfolgreiche Instrumente der Integration und Propaganda? Produkte einer modernen Popularkultur waren bis 1945 zentraler Bestandteil des Alltags im 'Dritten Reich'. Auch wenn die Nationalsozialisten diese Kultur zumindest in Teilen von ideologischer Warte aus scharf kritisierten, forcierten sie den Ausbau einer auf Massenkonsum orientierten Kulturindustrie; zugleich versuchten sie freilich, deren Produkte zu beeinflussen und zu bestimmen. Literatur- und Medienwissenschaftler sowie Historiker verorten in diesem Band u. a. Tierfilme, Science-Fiction, Arztromane und popularwissenschaftliche Zeitschriften im Kultur- und Propagandabetrieb des 'Dritten Reiches'. Sie analysieren die Versuche zur Formierung der Unterhaltungsliteratur, beleuchten Phanomene wie die Inszenierung von Volksgemeinschaft im Fussballfilm, Theatertourneen fur die Arbeiter der Reichsautobahn sowie die Prasenz von Blondinen und anderen Popularmythen in Propagandaflugblattern. Biographische Fallstudien beschaftigen sich mit der Stellung von Autoren wie Hans Dominik, Ernst Kreuder, Hans Fallada und Erich Kastner in der NS-Kulturindustrie. Die Beitrage zeigen, wie weit sich Nationalsozialismus und gute Unterhaltung miteinander kombinieren lassen. Sie zeigen aber auch, wo diese Verbindung an die Grenzen der Logik einer kapitalistisch organisierten Kulturproduktion stoesst bzw. mit den ideologischen Anspruchen einer Diktatur kollidiert.

Ausgehend von der Idee des Glasperlenspiels, die Hermann Hesse in seinem gleichnamigen Roman entwirft, haben die Autoren in diesem Band die Moglichkeiten und Grenzen eines solchen Spiels im Umgang mit Wissen ausgelotet. Sie zeigen neue Methoden fur das Wissensmanagement auf und verbinden dafur Erkenntnisse verschiedener Wissenschaftsgebiete wie Logik, System- und Erkenntnistheorie sowie Semiotik, Kognition und Kommunikation. Das begleitende Computerprogramm unterstutzt Leser beim Experimentieren mit Wissen."

Kreative, innovative Loesungen fur sich standig andernde Problemstellungen zu entwickeln ist essentiell wichtig fur jedes Unternehmen, jede Branche und damit jede Volkswirtschaft. Am Anfang einer jeden Loesung steht ein Prozess - der kreative Prozess. Nur wer die speziellen Eigenschaften solch kreativer Prozesse kennt und auf den Kontext seiner Unternehmung zu beziehen vermag, ist schlussendlich in der Lage, Kreativitat richtig zu managen und damit nachhaltigen Erfolg sicherzustellen. Dieses Buch fuhrt am Beispiel kreativer Branchen, wie der Film- und Fernsehindustrie, in die Natur kreativitatsintensiver Prozesse ein, gibt Managementempfehlungen fur den Umgang mit diesen und zeigt Moeglichkeiten zur methodischen und softwaretechnischen Unterstutzung auf. Im Anschluss werden im Rahmen von Praxisbeitragen Aspekte von und Erkenntnisse aus der TV-Industrie im Detail diskutiert. Schlussendlich werden gewonnene Erkenntnisse konkret auf weitere Branchen ubertragen.

This is a fully revised and updated new edition of the classic work first published in 1985. There have been many important developments since the first edition, including enactment of the Charter of Rights and Freedoms in Canada in 1982, the impact of the European Human Rights Convention, and the consideration by English courts of Judgments of the European Court of Human Rights. Social and cultural changes mean that free speech claims are being made in novel contexts: to challenge the validity of bans on tobacco advertising, to publish 'kiss and tell' stories about celebrities, and to resist attempts to regulate the Internet. Barendt considers the meaning and scope of freedom of speech. How far do free speech and expression clauses protect pornography, commercial advertising, and public meetings on the streets? Does this freedom cover desecration of a national flag? Does it include nude dancing? Eric Barendt discusses the legal protection of free speech in countries including England, the United States (including recent decisions of the United States Supreme Court), Canada, Germany, and under the European Human Rights Convention. He examines the varied approaches of different legal systems and constitutional traditions to balancing free speech and freedom of the press against rights to reputation and privacy, and to copyright and explores the case law in light of the philosophical and political arguments for free speech guarantees.

Why do Americans have such animosity for people who identify with the opposing political party? Jaime E. Settle argues that in the context of increasing partisan polarization among American political elites, the way we communicate on Facebook uniquely facilitates psychological polarization among the American public. Frenemies introduces the END Framework of social media interaction. END refers to a subset of content that circulates in a social media ecosystem: a personalized, quantified blend of politically informative 'expression', 'news', and 'discussion' seamlessly interwoven into a wider variety of socially informative content. Scrolling through the News Feed triggers a cascade of processes that result in negative attitudes about those who disagree with us politically. The inherent features of Facebook, paired with the norms of how people use the site, heighten awareness of political identity, bias the inferences people make about others' political views, and foster stereotyped evaluations of the political out-group.

Mobile telephony has arrived on the scene.According to statistics of the International Telecommunications Union, in the mid-1990s, less than one person in 20 had a mobile telephone; as of 2003, this had risen to on p- son in five.In the mid-1990s, the GSM system was just being commerci- ized, there were serious coverage and interoperability issues that were not yet sorted out and handsets were only beginning to be something that did not require a car to transport them.In the mid-1990s, if a teen owned a mobile telephone it was likely an indicator of an over-pampered rich kid rather than today's sense that it is a more or less essential part of a teen's everyday identity kit. Hence, in less than a decade, this device has established itself tech- cally, commercially, socially and in the imagination of the people.It has changed the way we think about communication, coordination and safety and it has changed the way we behave in the public sphere. The mobile telephone has become an element in our sense of public and private space and in the development of our social and psychological personas.It has become an arena wherein the language is being played with, morphed and extended.Finally, it is reaching out into ever-new areas of commerce and interaction. All of this is, of course, interesting to social scientists.As brought out by Woolgar later, this is, in some ways, a type of experiment writ large that has engendered serious insight into the functioning of the social group and the individual in soc

Do we need a law of privacy? Should judges be allowed to stop us reading about a footballer's adultery or enjoying pictures of a film star's wedding? Is a super-model's cocaine addiction something that she should be allowed to keep private? And aren't we entitled to walk down the street without having our most intimate activities recorded on security cameras and broadcast to the world? These questions have divided not only the country but also our most senior judges. Drawing a line between justified and unjustified intrusion places great stresses on our legal traditions with some judges favouring an approach which stretches existing laws to grant relief to deserving victims, whilst other judges feel that it would be more honest to simply recognize privacy as a new human right. The latter approach creates further problems: should it be up to Parliament alone to create such a right? And what about free speech? Do the newspapers and the public not have rights too? The issues raised are often highly emotive. Newspapers are not allowed to identify Thompson and Venables, the young men who murdered two-year-old James Bulger, because their lives would be in danger. Nobody may identify Mary Bell, who also killed when she was a child, even though there was no such risk. Will paedophiles be the next to demand lifelong anonymity? Steering a course through this minefield requires a grasp of legal concepts and principles and an understanding of how the law develops. This book explores how the English legal system has had to blend old laws on confidentiality with modern human rights law in order to deal with these problematic issues. Written for non-specialists by one of Britain s best known legal journalists, this book provides a uniquely accessible guide to the legal aspects of this public debate.

"Competitive Strategy for Media Firms" introduces the concepts and analytical frameworks of strategic and brand management, and illustrates how they can be adapted according to the characteristics of distinct media products. Working from the premise that all media firms must strategize in response to the continuing evolution of new media, author Sylvia M. Chan-Olmsted offers applications of common business approaches to the products and components of the electronic media industry, and provides empirical examinations of broadcast, multichannel media, enhanced television, broadband communications, and global media conglomerate markets.
This insightful and timely volume provides a thorough review of current concepts and industry practices, and serves as an essential primer for the application of business models in media contexts. As a realistic and integrated approach to media industry studies, this volume has much to offer researchers, scholars, and graduate students in media economics and management, and will be an important reference for industry practitioners.

Why the future of popular culture will revolve around ever bigger bets on entertainment products, by one of Harvard Business School's most popular professors

What's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James? Which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals?

Anita Elberse, Harvard Business School's expert on the entertainment industry, has done pioneering research on the worlds of media and sports for more than a decade. Now, in this groundbreaking book, she explains a powerful truth about the fiercely competitive world of entertainment: building a business around blockbuster products--the movies, television shows, songs, and books that are hugely expensive to produce and market--is the surest path to long-term success. Along the way, she reveals why entertainment executives often spend outrageous amounts of money in search of the next blockbuster, why superstars are paid unimaginable sums, and how digital technologies are transforming the entertainment landscape.

Full of inside stories emerging from Elberse's unprecedented access to some of the world's most successful entertainment brands, "Blockbusters" is destined to become required reading for anyone seeking to understand how the entertainment industry really works--and how to navigate today's high-stakes business world at large.

Do we need a law of privacy? Should judges be allowed to stop us reading about a footballer's adultery or enjoying pictures of a film star's wedding? Is a super-model's cocaine addiction something that she should be allowed to keep private? And aren't we entitled to walk down the street without having our most intimate activities recorded on security cameras and broadcast to the world?
These questions have divided not only the country but also our most senior judges. Drawing a line between justified and unjustified intrusion places great stresses on our legal traditions: some judges favour stretching existing laws to help deserving victims, whilst others feel it would be more honest simply to recognize privacy as a new human right. The latter approach creates further problems: shouldn't it be up to Parliament alone to create such a right? And what about free speech: don't the newspapers and the public have rights too?
The issues raised are often highly emotive. Newspapers are not allowed to identify Thompson and Venables, the young men who murdered two-year-old James Bulger, because their lives would be in danger. Nobody may identify Mary Bell, who also killed when she was a child, even though there was no such risk. Will paedophiles be the next to demand lifelong anonymity?
Steering a course through this minefield requires a grasp of legal concepts and principles and an understanding of how the law develops. This book explores how the English legal system has had to blend old laws on confidentiality with modern human rights law in order to deal with these problematic issues. Written for non-specialists by one of Britain's best known legal journalists, this book provides a uniquely accessible guide to the legal aspects of this topical debate.

Craig Wroe's previous book 'An Actor Prepares...To Live in New York City' has as its subtitle "How to Live like a Star before You Become One". His new book concentrates on that last promise -- becoming a star. Like its predecessor, it abounds with invaluable, practical guidance and information that should help to put one of those five pointed beauties on your dressing room door. Talent, vital as it is, will be assumed here, but talent must be polished and presented in ways that maximise its power. The book includes a complete index of Actor Resources and a lot of relevant websites.