A full colour map based on a digitising of a large-scale map of York surveyed in 1850. The map shows the main medieval and post-medieval buildings in this attractive and interesting city including the Minster , York Castle (Clifford's Tower), St mary's Abbey and the well-known city walls. The map's cover has a short introduction to the city's history, and on the reverse of the map an illustrated gazetteer of York's main buildings and sites of interest. Combining clear cartography and extensive research, this is a revised version of a map first published in 2012. The new edition is presented as a cased folding map, to match those of Winchester, Oxford and Hull in the series. Of interest to historians and those who know and love York, the map charts the process of renewal and development which has shaped one of England's most important cities.

A highly-illustrated, pocket-sized guide to understanding the forces that have shaped the world's cities from the dawn of civilisation to the present day. The fortunes of towns and cities rise and fall along with the fate of the civilisations to which they belong. Some are lost entirely, now no more than ruins; others have thrived as urban centres for millennia; and all contain vital clues embedded in their streets and skylines which reveal why their inhabitants grouped together, and tell of their unique social, political and cultural histories. Packed with plans, maps, and drawings, this book takes you on an international journey of discovery to explore the history of cities from our earliest urban origins to the contemporary world city - from Babylon to Beijing, London to Paris, and from the skyscrapers of New York to the streets of their own home town. A must-read for anyone interested in history, cities, and travel, this fascinating book turns you into an urban detective to see how our towns and cities grew the way they are.

Medieval Christian European and Arabic-Islamic cultures are both notable for the wealth and diversity of their geographical literature, yet to date there has been relatively little attempt to compare medieval Christian and Islamic mapping traditions in a detailed manner. Cartography between Christian Europe and the Arabic-Islamic World offers a timely assessment of the level of interaction between the two traditions across a range of map genres, including world and regional maps, maps of the seven climes, and celestial cartography. Through a mixture of synthesis and case study, the volume makes the case for significant but limited cultural transfer. Contributors are: Elly Dekker; Jean-Charles Ducene; Alfred Hiatt; Yossef Rapoport; Stefan Schroeder; Emmanuelle Vagnon.

A full colour map, where the city in about 1480 is shown against a background of a detailed Ordnance Survey of the early 20th century. In 1480, a high-ranking official called William Worcestre revisited his native city of Bristol and wrote a detailed description of all the streets and their buildings and the activities that went on there. Worcestre's description, combined with archaeological information and historical research, has allowed the recreation in map form of the city at that time. It was a prosperous and growing city, already trading extensively with Europe and poised to start a new trade with the Americas. Its merchant houses, churches and largely vanished city walls show a town that was easily one of the top five in England in the late Middle Ages. The map's cover has a short introduction to the city in 1480 and an explanation of who William Worcestre was. On the reverse is an illustrated and comprehensive gazetteer of Bristol's main sites of medieval interest. Produced in association with the University of Bristol.

Since antiquity, artists have visualized the known world through the female (sometimes male) body. In the age of exploration, America was added to figures of Europe, Asia, and Africa who would come to inhabit the borders of geographical visual imagery. In the abundance of personifications in print, painting, ceramics, tapestry, and sculpture, do portrayals vary between hierarchy and global human dignity? Are we witnessing the emergence of ethnography or of racism? Yet, as this volume shows, depictions of bodies as places betray the complexity of human claims and desires. Bodies and Maps: Early Modern Personifications of the Continents opens up questions about early modern politics, travel literature, sexualities, gender, processes of making, and the mobility of forms and motifs. Contributors are: Louise Arizzoli, Elisa Daniele, Hilary Haakenson, Elizabeth Horodowich, Maryanne Cline Horowitz, Ann Rosalind Jones, Paul H. D. Kaplan, Marion Romberg, Mark Rosen, Benjamin Schmidt, Chet Van Duzer, Bronwen Wilson, and Michael Wintle.

WITH A FOREWORD BY TIM HARFORD Which nations have North Korean embassies? Which region has the highest number of death metal bands per capita? How many countries have bigger economies than California? Who drives on the 'wrong' side of the road? And where can you find lions in the wild? Revelatory, thought-provoking and fun, Brilliant Maps is a unique atlas of culture, history, politics and miscellanea, compiled by the editor of the iconic Brilliant Maps website. As visually arresting as Information is Beautiful and as full of surprising facts and figures as any encyclopaedia, Brilliant Maps is a stunning piece of cartography that maps our curious and varied planet. For graphic design enthusiasts, compulsive Wikipedia readers and those looking for the sort of gift they buy for someone else and wind up keeping for themselves, this book will change the way you see the world and your place in it.

Drawing on a thousand years of European travel writing and mapmaking, Dym suggests that after centuries of text-based itineraries and on-the spot directions guiding travelers and constituting their reports, maps in the fifteenth century emerged as tools for Europeans to support and report the results of land and sea travel. With each succeeding generation, these linear journey maps have become increasingly common and complex, responding to changes in forms of transportation, such as air and motor car 'flight' and print technology, especially the advent of multi-color printing. This is their story.

A full colour map, based on a digitised map of the city of Canterbury in 1907, with its Roman, Anglo-Saxon and medieval past overlain and important buildings picked out. Founded as the Roman town of Durovernum Cantiacorum, Canterbury grew to be more important than London. Canterbury Cathedral became a major European centre of pilgrimage following the murder of Archbishop Thomas Becket in 1170 and the centre of the Anglican church after the Reformation. Although damaged in the Second World War, its many surviving medieval buildings make it a major attraction for visitors and home to three UNESCO World Heritage Sites. The map shows a small cathedral city in 1907 with large buildings, surrounded by orchards and a remarkable military presence. The map's cover has a short introduction to the city's history, and on the reverse an illustrated and comprehensive gazetteer of Canterbury's main sites of interest, from the city's Roman theatre and forum to medieval monasteries, the city's walls and its castle. Produced with Canterbury Archaeological Trust and Canterbury Christ Church University.

In Picturing the Islamicate World, Nadja Danilenko explores the message of the first preserved maps from the Islamicate world. Safeguarded in al-Istakhri's Book of Routes and Realms (10th century C.E.), the world map and twenty regional maps complement the text to a reference book of the territories under Muslim rule. Rather than shaping the Islamicate world according to political or religious concerns, al-Istakhri chose a timeless design intended to outlast upheavals. Considering the treatise was transmitted for almost a millennium, al-Istakhri's strategy seems to have paid off. By investigating the Persian and Ottoman translations and all extant manuscripts, Nadja Danilenko unravels the manuscript tradition of al-Istakhri's work, revealing who took an interest in it and why.

When does a depiction of the moon become a lunar map? This publication addresses this question from theoretical and historical standpoints. It is argued that moon maps are of crucial importance to the history of cartography, for they challenge established notions of what a map is, how it functions, what its purposes are, and what kind of power it embodies and performs. The publication also shows how terrestrial cartography has shaped the history of lunar mapping since the seventeenth century, through visual and nomenclature conventions, the cultural currency of maps, mapmakers' social standing, and data-gathering and projection practices. It further demonstrates that lunar cartography has also been organized by an internal principle that is born of the fundamental problem of how to create static map spaces capable of representing a referent that is constantly changing to our eyes, as is the visible face of the moon. It is suggested that moon maps may be classed in three broad categories, according to the kinds of solutions for this representational problem that have been devised over the last 400 years.