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Books > Language & Literature > Literary & linguistic reference works
At a time in which many in the United States see Spanish America as
a distinct and, for some, threatening culture clearly
differentiated from that of Europe and the US, it may be of use to
look at the works of some of the most representative and celebrated
writers from the region to see how they imagined their relationship
to Western culture and literature. In fact, while authors across
stylistic and political divides-like Gabriela Mistral, Jorge Luis
Borges, or Gabriel Garcia Marquez-see their work as being framed
within the confines of a globalized Western literary tradition,
their relationship, rather than epigonal, is often subversive.
Borges and Kafka, Bolano and Bloom is a parsing not simply of these
authors' reactions to a canon, but of the notion of canon writ
large and the inequities and erasures therein. It concludes with a
look at the testimonial and autobiographical writings of Rigoberta
Menchu and Lurgio Gavilan, who arguably represent the trajectory of
Indigenous testimonial and autobiographical writing during the last
forty years, noting how their texts represent alternative ways of
relating to national and, on occasion, Western cultures. This study
is a new attempt to map writers' diverse ways of thinking about
locality and universality from within and without what is known as
the canon.
While the legacy of Black urban rebellions during the turbulent
1960s continues to permeate throughout US histories and discourses,
scholars seldom explore within scholarship examining Black Cultural
Production, artist-writers of the Black Arts Movement (BAM) that
addressed civil unrest, specifically riots, in their artistic
writings. Start a Riot! Civil Unrest in Black Arts Movement Drama,
Fiction, and Poetry analyzes riot iconography and its usefulness as
a political strategy of protestation. Through a mixed-methods
approach of literary close-reading, historical, and sociological
analysis, Casarae Lavada Abdul-Ghani considers how BAM
artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell,
Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge
misconceptions regarding Black protest through experimental
explorations in their writings. Representations of riots became
more pronounced in the 1960s as pivotal leaders shaping Black
consciousness, such as Malcolm X and Martin Luther King Jr., were
assassinated. BAM artist-writers sought to override the public's
interpretation in their literary exposes that a riot's disjointed
and disorderly methods led to more chaos than reparative justice.
Start a Riot! uncovers how BAM artist-writers expose anti-Black
racism and, by extension, the United States' inability to
compromise with Black America on matters related to citizenship
rights, housing (in)security, economic inequality, and
education-tenets emphasized during the Black Power Movement.
Abdul-Ghani argues that BAM artist-writers did not merely write
literature that reflected a spirit of protest; in many cases, they
understood their texts, themselves, as acts of protest.
At a time in which many in the United States see Spanish America as
a distinct and, for some, threatening culture clearly
differentiated from that of Europe and the US, it may be of use to
look at the works of some of the most representative and celebrated
writers from the region to see how they imagined their relationship
to Western culture and literature. In fact, while authors across
stylistic and political divides-like Gabriela Mistral, Jorge Luis
Borges, or Gabriel Garcia Marquez-see their work as being framed
within the confines of a globalized Western literary tradition,
their relationship, rather than epigonal, is often subversive.
Borges and Kafka, Bolano and Bloom is a parsing not simply of these
authors' reactions to a canon, but of the notion of canon writ
large and the inequities and erasures therein. It concludes with a
look at the testimonial and autobiographical writings of Rigoberta
Menchu and Lurgio Gavilan, who arguably represent the trajectory of
Indigenous testimonial and autobiographical writing during the last
forty years, noting how their texts represent alternative ways of
relating to national and, on occasion, Western cultures. This study
is a new attempt to map writers' diverse ways of thinking about
locality and universality from within and without what is known as
the canon.
This work comprises a collection of the writings of Ruqaiya Hasan,
an influential figure in the systemic functional linguistic
learning school. It discusses the relation between text and context
and the realization of context in language; the 'network', which is
outlined as analytic tool which can be applied at two strata of
language, the lexico-grammatical and the semantic; as well as
aspects of the social structure that are implicated in the way
cultures and subcultures express themselves.
Everyone should have easy command of a medium for expressing his or
her thoughts. Luif is a new language developed by the author that
proposes a rational, harmonious system that will allow the world to
finally share a universal language. Easy to learn, with a
vocabulary that follows a logical, orderly structure, Luif could
finally provide the world with a more effective form of
communication for successfully conducting business internationally,
overcoming political hurdles and misunderstandings, and achieving
peace among warring nations. In this, the companion volume to
Luif-A New Language, a more extensive listing of words and their
definitions is provided for those who wish to increase their
fluency in this revolutionary language. Containing approximately
4,000 basic and composite words, this volume actually comprises
three separate dictionaries: Classified, Alphabetical and
English-Luif, allowing the reader rapid and easy access to words
and their accompanying definitions.
Across the eighteenth century in Britain, readers, writers, and
theater-goers were fascinated by women who dressed in men's
clothing from actresses on stage who showed their shapely legs to
advantage in men's breeches to stories of valiant female soldiers
and ruthless female pirates. Spanning genres from plays, novels,
and poetry to pamphlets and broadsides, the cross-dressing woman
came to signal more than female independence or unconventional
behaviors; she also came to signal an investment in female same-sex
intimacies and sapphic desires. Sapphic Crossings reveals how
various British texts from the period associate female
cross-dressing with the exciting possibility of intimate, embodied
same-sex relationships. Ula Lukszo Klein reconsiders the role of
lesbian desires and their structuring through cross-gender
embodiments as crucial not only to the history of sexuality but to
the rise of modern concepts of gender, sexuality, and desire. She
prompts readers to rethink the roots of lesbianism and transgender
identities today and introduces new ways of thinking about embodied
sexuality in the past.
The Longman Academic Writing Series helps English language students
master the writing skills needed to succeed in their academic
careers. The fi ve-level series spans writing topics from composing
sentences to writing research papers. Each level covers the
complete writing process from prewriting to revision. Level 3
teaches intermediate students to write various genres of academic
paragraphs and essays. The text's proven approach integrates
training in grammar, mechanics, vocabulary, sentence structure, and
paragraph and essay organization along with the writing process.
Features Realistic writing models and systematic practice empower
students to write effectively in different genres. Clear
explanations help students grasp and apply key concepts. Sentence
structure, grammar, and mechanics instruction helps students
develop key writing skills. A step-by-step approach guides students
seamlessly through the writing process. Vocabulary sections help
students develop language awareness and improve the quality of
their writing. Writing Tips provide useful strategies to enhance
students' writing experience. Writing Expansions, including
journals, timed writing, and summarizing, build written fluency and
test-taking skills. Enhanced Digital Practice An improved
MyEnglishLab includes additional practice activities and
assessments. The Pearson Practice English App allows students to
complete vocabulary, grammar, and sentence structure activities on
their mobile devices.
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