Between the 1880s and the 1940s, opportunities for southern white women writers increased dramatically, bolstered by readers' demands for southern stories in northern periodicals. Confined by magazine requirements and social expectations, writers often relied on regional settings and tropes to attract publishers and readers before publishing work in a collection. Selecting and ordering magazine stories for these collections was not arbitrary or dictated by editors, despite a male-dominated publishing industry. Instead, it allowed writers to privilege stories, or to contextualize a story by its proximity to other tales, as a form of social commentary. For Kate Chopin, Ellen Glasgow, Marjorie Kinnan Rawlings, and Katherine Anne Porter-the authors featured in this book-publishing a volume of stories enabled them to construct a narrative framework of their own. Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers is as much about how stories are constructed as how they are told. The book examines correspondence, manuscripts, periodicals, and first editions of collections. Each collection's textual history serves as a case study for changes in the periodical marketplace and demonstrates how writers negotiated this marketplace to publish stories and garner readership. The book also includes four tables, featuring collected stories' arrangements and publication histories, and twenty-five illustrations, featuring periodical publications, unpublished letters, and manuscript fragments obtained from nine on-site and digital archives. Short story collections guide readers through a spatial experience, in which both individual stories and the ordering of those stories become a framework for interpreting meaning. Arranging Stories invites readings that complicate how we engage collected works.

An all-in-one craft guide and anthology, this is the first creative writing book to find inspiration and guidance in the diverse literary traditions of Asia. Including exemplary stories by leading writers from Japan, China, India, Singapore and beyond as well as those from Asian diasporas in Europe and America, The Art and Craft of Asian Stories offers an exciting take on the traditional how-to writing guide by drawing from a rich new trove of short stories beyond the western canon which readers may never have encountered before. Whilst still taking stock of the traditional elements of story such as character, viewpoint and setting, Xu and Hemley let these compelling stories speak for themselves to offer readers new ideas and approaches which could enrich their own creative work. Structured around the themes encountered in the stories, such as race and identity, history and power, family and aspirations, this text is a vital companion for writers at all levels keen to develop and find new perspectives on key elements of their craft. Written by two internationally successful writers and teachers, each chapter contains complete short stories and writing exercises for practice and inspiration.

In A Grammar of Lopit, Jonathan Moodie and Rosey Billington provide the first detailed description of Lopit, an Eastern Nilotic language traditionally spoken in the Lopit Mountains in South Sudan. Drawing on extensive primary data, the authors describe the phonology, morphology, and syntax of the Lopit language. Their analyses offer new insights into phenomena characteristic of Nilo-Saharan languages, such as 'Advanced Tongue Root' vowel distinctions, tripartitite number marking, and marked-nominative case systems, and they uncover patterns which are previously unattested within the Eastern Nilotic family, such as a three-way contrast in aspect, number marking with the 'greater singular', and two kinds of inclusory constructions. This book offers a significant contribution to the descriptive and typological literature on African languages.

Language learning is retraining your brain, and any form of training requires focus, constant practice, and support. This guide gives the ultimate support by helping the user to instantly create hundreds of sentences for communication in German. Color-coded and easy-to-use, this laminated, portable guide can be used for students and travelers alike. 6 page laminated guide includes: Rules to Remember Pronunciation (Aussprache) Greetings & Goodbyes (Grussworte und Verabschiedungen) Questions (Fragen) Social Courtesies (Hoeflichkeit) Numbers (Zahlen) Days of the Week (Wochentage) Negatives (Negation) Months of the Year (Monate) Expressing Opinions (seine Meinung sagen) Time Expressions (Zeitausdrucke) Seasons (Jahreszeiten) Colors (Farben) Weather (Wetter) On the Phone (Am Telefon) Basic Statements (Aussagen) Personal Information (Persoenliche Angaben) Family (Familie) Work Life (Arbeit und Beruf) Shopping (Einkaufen) Money (Geld) House & Home (zu Hause) Food (Nahrung) Spare Time (Freizeit) Transportation (Transportation) Travel (Reisen) Health (Gesundheit) In Case of Emergencies (Im Notfall) Technology & Social Media (Technologie und soziale Medien) Directions (Wegbeschreibung)

Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set is the masterpiece of Professor Lin Geng, one of China's most respected literary historians, and reflects decades of active research into Tang poetry, covering the "Golden Age" of Chinese poetry (618-907 CE). In the first volume, the author provides a general understanding of poetry in the "High Tang" era from a range of perspectives. Starting with an indepth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life. The second volume focuses on the prominent Tang poets and poems. Beginning with an introduction to the "four greatest poets"-Li Bai, Du Fu, Wang Wei, and Bai Juyi-the author discusses their subjects, language, influence, and key works. The volume also includes essays on a dozen masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirationsand seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes us invigorate our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.