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Books > Language & Literature > Literary & linguistic reference works
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Heroines
(Hardcover)
Mary Riso
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R974
R827
Discovery Miles 8 270
Save R147 (15%)
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Ships in 18 - 22 working days
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An all-in-one craft guide and anthology, this is the first creative
writing book to find inspiration and guidance in the diverse
literary traditions of Asia. Including exemplary stories by leading
writers from Japan, China, India, Singapore and beyond as well as
those from Asian diasporas in Europe and America, The Art and Craft
of Asian Stories offers an exciting take on the traditional how-to
writing guide by drawing from a rich new trove of short stories
beyond the western canon which readers may never have encountered
before. Whilst still taking stock of the traditional elements of
story such as character, viewpoint and setting, Xu and Hemley let
these compelling stories speak for themselves to offer readers new
ideas and approaches which could enrich their own creative work.
Structured around the themes encountered in the stories, such as
race and identity, history and power, family and aspirations, this
text is a vital companion for writers at all levels keen to develop
and find new perspectives on key elements of their craft. Written
by two internationally successful writers and teachers, each
chapter contains complete short stories and writing exercises for
practice and inspiration.
In A Grammar of Lopit, Jonathan Moodie and Rosey Billington provide
the first detailed description of Lopit, an Eastern Nilotic
language traditionally spoken in the Lopit Mountains in South
Sudan. Drawing on extensive primary data, the authors describe the
phonology, morphology, and syntax of the Lopit language. Their
analyses offer new insights into phenomena characteristic of
Nilo-Saharan languages, such as 'Advanced Tongue Root' vowel
distinctions, tripartitite number marking, and marked-nominative
case systems, and they uncover patterns which are previously
unattested within the Eastern Nilotic family, such as a three-way
contrast in aspect, number marking with the 'greater singular', and
two kinds of inclusory constructions. This book offers a
significant contribution to the descriptive and typological
literature on African languages.
Language learning is retraining your brain, and any form of
training requires focus, constant practice, and support. This guide
gives the ultimate support by helping the user to instantly create
hundreds of sentences for communication in German. Color-coded and
easy-to-use, this laminated, portable guide can be used for
students and travelers alike. 6 page laminated guide includes:
Rules to Remember Pronunciation (Aussprache) Greetings &
Goodbyes (Grussworte und Verabschiedungen) Questions (Fragen)
Social Courtesies (Hoeflichkeit) Numbers (Zahlen) Days of the Week
(Wochentage) Negatives (Negation) Months of the Year (Monate)
Expressing Opinions (seine Meinung sagen) Time Expressions
(Zeitausdrucke) Seasons (Jahreszeiten) Colors (Farben) Weather
(Wetter) On the Phone (Am Telefon) Basic Statements (Aussagen)
Personal Information (Persoenliche Angaben) Family (Familie) Work
Life (Arbeit und Beruf) Shopping (Einkaufen) Money (Geld) House
& Home (zu Hause) Food (Nahrung) Spare Time (Freizeit)
Transportation (Transportation) Travel (Reisen) Health (Gesundheit)
In Case of Emergencies (Im Notfall) Technology & Social Media
(Technologie und soziale Medien) Directions (Wegbeschreibung)
In the early 1800s, American critics warned about the danger of
literature as a distraction from reality. Later critical accounts
held that American literature during the antebellum period was
idealistic and that literature grew more realistic after the
horrors of the Civil War. By focusing on three leading American
authors Ralph Waldo Emerson, Walt Whitman, and Emily Dickinson
Reading Reality challenges that analysis. Thomas Finan reveals how
antebellum authors used words such as ""real"" and ""reality"" as
key terms for literary discourse and claimed that the ""real"" was,
in fact, central to their literary enterprise. He argues that for
many Americans in the early nineteenth century, the ""real"" was
often not synonymous with the physical world. It could refer to the
spiritual, the sincere, or the individual's experience. He further
explains how this awareness revises our understanding of the
literary and conceptual strategies of American writers. By
unpacking antebellum senses of the ""real,"" Finan casts new light
on the formal traits of the period's literature, the pressures of
the literary marketplace in nineteenth-century America, and the
surprising possibilities of literary reading.
Tang poetry is one of the most valuable cultural inheritances of
Chinese history. Its distinctive aesthetics, delicate language and
diverse styles constitute great literature in itself, as well as a
rich topic for literary study. This two-volume set is the
masterpiece of Professor Lin Geng, one of China's most respected
literary historians, and reflects decades of active research into
Tang poetry, covering the "Golden Age" of Chinese poetry (618-907
CE). In the first volume, the author provides a general
understanding of poetry in the "High Tang" era from a range of
perspectives. Starting with an indepth discussion of the Romantic
tradition and historical context, the author focuses on poetic
language patterns, Youth Spirit, maturity symbols, and prototypes
of poetry. The author demonstrates that the most valuable part of
Tang poetry is how it can provide people with a new perspective on
every aspect of life. The second volume focuses on the prominent
Tang poets and poems. Beginning with an introduction to the "four
greatest poets"-Li Bai, Du Fu, Wang Wei, and Bai Juyi-the author
discusses their subjects, language, influence, and key works. The
volume also includes essays on a dozen masterpieces of Tang poetry,
categorized by topics such as love and friendship, aspirationsand
seclusion, as well as travelling and nostalgia. As the author
stresses, Tang poetry is worth rereading because it makes us
invigorate our mental wellbeing, leaving it powerful and full of
vitality. This book will appeal to researchers and students of
Chinese literature, especially of classical Chinese poetry. People
interested in Chinese culture will also benefit from the book.
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