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Books > Language & Literature > Literary & linguistic reference works
Against the methodological backdrop of historical and comparative
folk narrative research, 101 Middle Eastern Tales and Their Impact
on Western Oral Tradition surveys the history, dissemination, and
characteristics of over one hundred narratives transmitted to
Western tradition from or by the Middle Eastern Muslim literatures
(i.e., authored written works in Arabic, Persian, and Ottoman
Turkish). For a tale to be included, Ulrich Marzolph considered two
criteria: that the tale originates from or at least was transmitted
by a Middle Eastern source, and that it was recorded from a Western
narrator's oral performance in the course of the nineteenth or
twentieth century. The rationale behind these restrictive
definitions is predicated on Marzolph's main concern with the
long-lasting effect that some of the "Oriental" narratives
exercised in Western popular tradition-those tales that have
withstood the test of time. Marzolph focuses on the originally
"Oriental" tales that became part and parcel of modern Western oral
tradition. Since antiquity, the "Orient" constitutes the
quintessential Other vis-a-vis the European cultures. While
delineation against this Other served to define and reassure the
Self, the "Orient" also constituted a constant source of
fascination, attraction, and inspiration. Through oral retellings,
numerous tales from Muslim tradition became an integral part of
European oral and written tradition in the form of learned
treatises, medieval sermons, late medieval fabliaux, early modern
chapbooks, contemporary magazines, and more. In present times, when
national narcissisms often acquire the status of strongholds
delineating the Us against the Other, it is imperative to
distinguish, document, visualize, and discuss the extent to which
the West is not only indebted to the Muslim world but also shares
common features with Muslim narrative tradition. 101 Middle Eastern
Tales and Their Impact on Western Oral Tradition is an important
contribution to this debate and a vital work for scholars,
students, and readers of folklore and fairy tales.
Over a period of three years, Henry David Thoreau made three trips
to the largely unexplored woods of Maine. He scaled peaks, paddled
a canoe, and dined on hemlock tea and moose lips. Taking notes, he
acutely observed the rich flora and fauna, as well as the few
people he met dotting the landscape, like lumberers, boat-men, and
the Abnaki Indians. - The Maine Woods is an American classic, a
voyage into nature and the heart of early America.
A handbook -- type overview, covering the general history and each
individual book. Features include outlines, themes, interpretation
tips, helpful charts, time lines, and diagrams.
When an essay is due and dreaded exams loom, here's the lit-crit
help students need to succeed! SparkNotes Literature Guides make
studying smarter, better, and faster. They provide
chapter-by-chapter analysis, explanations of key themes, motifs and
symbols, a review quiz and essay topics. Lively and accessible,
SparkNotes is perfect for late-night studying and paper writing.
In the early 1800s, American critics warned about the danger of
literature as a distraction from reality. Later critical accounts
held that American literature during the antebellum period was
idealistic and that literature grew more realistic after the
horrors of the Civil War. By focusing on three leading American
authors Ralph Waldo Emerson, Walt Whitman, and Emily Dickinson
Reading Reality challenges that analysis. Thomas Finan reveals how
antebellum authors used words such as ""real"" and ""reality"" as
key terms for literary discourse and claimed that the ""real"" was,
in fact, central to their literary enterprise. He argues that for
many Americans in the early nineteenth century, the ""real"" was
often not synonymous with the physical world. It could refer to the
spiritual, the sincere, or the individual's experience. He further
explains how this awareness revises our understanding of the
literary and conceptual strategies of American writers. By
unpacking antebellum senses of the ""real,"" Finan casts new light
on the formal traits of the period's literature, the pressures of
the literary marketplace in nineteenth-century America, and the
surprising possibilities of literary reading.
This book is the final volume of a four-volume set on modern
Chinese complex sentences, assessing the key attributes, related
sentence structures, and semantic and pragmatic relevance of
complex sentences. Complex sentences in modern Chinese are unique
in formation and meaning. Following on from analysis on coordinate,
causal, and adversative types of complex sentences, the ten
chapters in this volume review the characteristics of complex
sentences as a whole. The author discusses the constituents,
related structures, semantic and pragmatic aspects of complex
sentences, covering topics such !!as the constraints and
counter-constraints between sentence forms and semantic
relationships, six type crossover markers, distinctions between
simple sentences and complex sentences, clauses formed by a
noun/nominal phrase followed by le, the shi structure, subject
ellipsis or tacit understanding of clauses, as well as
double-subject sentences, alternative question groups and their
relationships with complex sentences. The book will be a useful
reference for scholars and learners of the Chinese language
interested in Chinese grammar and language information processing.
This book provides curriculum planners, materials developers, and
language educators with curricular perspectives and classroom
activities in order to address the needs of learners of English as
a global lingua franca in an increasingly globalized and
interdependent world. The authors argue that language educators
would benefit from synthesizing and using research and
evidence-based cooperative learning methods and structures to
address the current world-readiness standards for learning
languages in the five domains of Communication, Cultures,
Connections, Comparisons, and Communities. The book outlines the
main cooperative learning principles of heterogenous grouping,
positive interdependence, individual accountability,
social/collaborative skills, and group processing, then
demonstrates their relevance to language teaching and learning.
This book will be of interest to students in pre-service teacher
education programmes as well as in-service practitioners, teacher
trainers and educational administrators.
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