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Books > Language & Literature > Literary & linguistic reference works
This book is about my life as a teacher and the unethical procedure
followed by the Polk County School Board to try to end my teaching
career. The Educational Code of Ethics was not used as a guide line
regarding my termination. I was fired twice without warning or
notice. I e-mailed the governor the first time for reinstatement.
After being reinstated I was fired again. When I asked why was I
fired? The principal looked at me with a smile and said: Reflect
back. Well what was there to reflect back on when mostly all of my
children scored high on their state and national reading test. This
book deals with the emotional stress of teachers and what they
encounter on a daily basis in the school system. Why is it that not
all of our teachers voice are being heard? Some parts of the book
talks about mission and vision, the little Principals, How to avoid
pitfalls of teaching, How to become an effective teacher and steps
you can take if you are terminated. The emotional stress of the
student with/without disabilities in learning. Why are our children
failing state and national test but making A&B honor roll on
class room test? Emotional stress of parents and why is there a
break down in the educational system? How to determine if your
child has an effective or ineffective teacher. Statistical reports
from other states regarding education. This book uncovers t he Dark
Side Of Teaching. When you have finished reading this book you will
have the knowledge and tools needed to become an effective teacher,
as well as knowing your rights according to the code of ethics.
En su decimotercer volumen, Calderon presenta una nueva poesia
bilingue que extiende su cosmovision tanto sobre el mundo real como
las ideas transcendentales que desarrollan una vida contemplativa.
"El colibri" es el poema que introduce este libro. Una buena
cantidad de poemas vienen escrito en forma de prosa, tal que se
pueden leer como historias breves. La cosmovision de Calderon le
dara al lector distintas ventanas de como el ha internalizado y
descifrado esta cosa interesante llamada - la vida cotidiana.
Incluso, aqui se encontraran unas canciones que bailan al ritmo de
la rima y del compas del poeta. Todo lector que se interesa sobre
las escrituras poeticas de los latinos del la primera parte del
siglo veintiuno, chocara sin duda con las extensas obras de Rudy
Calderon.
In his thirteenth volume, Calderon presents a new bilingual
book of poetry that extends his worldview over the real world as
well as the transcendental ideas that unfold a contemplative life.
"El colibri" (The Hummingbird) is the poem that introduces this
body of work. A great quantity of poems are written in prose form,
such that they can be read as short stories. Calderon's worldview
will give the reader distinct windows of how he has internalized
and deciphered this interesting thing called - the everyday life.
Also, this book contains songs that dance to the rhythm of rhyme
and the beat of the poet. All readers that are interested in poetry
from Latinos of the first part of the 21st century, will come into
contact with the extensive works of Rudy Calderon.
An extensive listing of the terms and phrases used in construction.
Included are many that are encountered daily on the jobsite or in
the construction office.
In "A Russian-Yakut-Ewenki Trilingual Dictionary" by N.V. Sljunin,
Jose Andres Alonso de la Fuente offers the philological edition of
a very early twentieth-century source of two indigenous languages
from Siberia. This edition includes the facsimile of the original
handwritten document. Whereas specialists have known about the
existence of Sljunin's Yakut data by indirect references to it in
at least one standard dictionary, there was no available
information regarding Sljunin's Ewenki data. Furthermore, careful
linguistic analysis reveals that the Ewenki variety reflected in
Sljunin's dictionary may have already dissapeared.
What we intend to do in this book is to explain, and exemplify, in
a nuts-and-bolts way, what we are calling Scholarly Personal
Narrative (SPN) writing. This is a genre created over 15 years ago
by Robert, one of the co-authors of this book. The other co-author,
DeMethra, has actually written a thesis and dissertation using this
genre, so she brings an author's direct SPN experience to the
table. Both of us co-teach a course that we call "Scholarly
Personal Narrative Writing for Pre-Professionals and
Professionals." In the chapters that follow, we will present a
step-by-step approach for composing an SPN manuscript. The book
will be comprised of four general parts, consisting of several
short, practical chapters, written in non-technical language. We
will write each of the chapters as a way of responding to the most
common questions that our students have raised about SPN writing
through the years. We will attempt to write as we teach, with no
frills and with clarity, empathy, and understanding. We will also
provide several SPN writing examples, as well as authorial toolbox
tips, throughout the book. In addition, we will conclude with a
bibliography of the most relevant personal narrative writing guides
we have been able to muster. Our desire is to minimize the number
of in-text citations and references in order to maximize the space
for us to present a useful, nuts-and-bolts guide to writing, as
well as a realistic, down-to-earth rationale for scholarly personal
narrative writing in the academy. After reading the book, and
practicing the writing exercises, undergraduate and graduate
students will be able to author research papers, theses, and
dissertations using the Scholarly Personal Narrative research
genre. Hundreds of students have done this already throughout the
country.
The year 2019 marked the twenty-fifth anniversary of the death of
Kurt Cobain, an artist whose music, words, and images continue to
move millions of fans worldwide. As the first academic study that
provides a literary analysis of Cobain's creative writings, Arthur
Flannigan Saint-Aubin's The Pleasures of Death: Kurt Cobain's
Masochistic and Melancholic Persona approaches the journals and
songs crafted by Nirvana's iconic front man from the perspective of
cultural theory and psychoanalytic aesthetics. Drawing on critiques
and reformulations of psychoanalytic theory by feminist, queer, and
antiracist scholars, Saint-Aubin considers the literary means by
which Cobain creates the persona of a young, white, heterosexual
man who expresses masochistic and melancholic behaviors. On the one
hand, this individual welcomes pain and humiliation as atonement
for unpardonable sins; on the other, he experiences a profound
sense of loss and grief, seeking death as the ultimate act of
pleasure. The first-person narrators and characters that populate
Cobain's texts underscore the political and aesthetic repercussions
of his art. Cobain's distinctive version of grunge, understood as a
subculture, a literary genre, and a cultural practice, represents a
specific performance of race and gender, one that facilitates an
understanding of the self as part of a larger social order.
Saint-Aubin approaches Cobain's writings independently of the
artist's biography, positioning these texts within the tradition of
postmodern representations of masculinity in twentieth-century
American fiction, while also suggesting connections to European
Romantic traditions from the nineteenth century that postulate a
relation between melancholy (or depression) and creativity. In
turn, through Saint-Aubin's elegant analysis, Cobain's creative
writings illuminate contradictions and inconsistencies within
psychoanalytic theory itself concerning the intersection of
masculinity, masochism, melancholy, and the death drive. By
foregrounding Cobain's ability to challenge coextensive links
between gender, sexuality, and race, The Pleasures of Death reveals
how the cultural politics and aesthetics of this tragic icon's
works align with feminist strategies, invite queer readings, and
perform antiracist critiques of American culture.
Vittoria Colonna (1490-1547) was the genre-defining secular woman
writer of Renaissance Italy, whose literary model helped to
establish a decorous and wholly assimilated voice for women within
the field of Italian literature. The Companion to Vittoria Colonna
brings together an international and interdisciplinary group of
leading scholars to assess Colonna's contribution, both as a
writer, a role model, and a contributor to important religious
debates of the era. This book, while amply fulfilling the remit of
providing a useful and comprehensive handbook to meet the needs of
students and scholars at earlier and advanced levels, aims in
addition to do more than this, by drawing into a single volume for
the first time scholarship from across disciplines in which
Vittoria Colonna's influence has been felt, including literary
criticism, religious history, history of art and music.
Contributors are: Abigail Brundin, Stephen Bowd, Emidio Campi,
Eleonora Carinci, Adriana Chemello, Virginia Cox, Tatiana Crivelli,
Maria Forcellino, Gaudenz Freuler, Anne Piejus, Diana Robin, Helena
Sanson, and Maria Serena Sapegno.
Scenes from Tamil Classics is a book about Tamil poetry. Tamil is
one of the very few living classical languages of the world and has
a rich and copious literary, musical and religious tradition. This
book is primarily intended for expatriate Tamils, particularly to
the children of Tamil immigrants in Europe, Australia and North
America who are in danger of becoming increasingly alienated from
their cultural roots. The intention of the book is to create an
awareness and a sense of belonging among those expatriate children
who are caught up in an uncomfortable tension between the culture
of their own family and ethnic community and the culture of the
wider society around them. This book is an attempt to give a taste
of Tamil literature through the medium of English. In the selected
extracts, the author paints in the details of the story or the
situation which the poet has left unsaid, and draws out the
inferences and allusions lying implicit in the poem. He thus brings
the scene to life, and prevents the eye of the reader from passing
too swiftly and superficially over the text. Instead, he stimulates
the reader to reflect on the action and the feelings expressed, and
enables him or her to appreciate more fully the artistry of the
poem. In addition to extracts from ancient and medieval Tamil
classics, Scenes from Tamil Classics provides a wide-ranging survey
of Tamil literature. This is a fresh and original book which leads
the reader into a world which is many centuries and thousands of
miles distant from our own. Beyond the particular readership
mentioned above, there is much in these pages to give delight to
anyone with an interest in literature and in the human condition.
This Chinese/English YiJing dictionary includes all Chinese
characters found in the YiJing as well as a translation and a
concordance. Both the traditional explanations for the character's
meanings and the findings of the modern research on oracle bones
characters are covered. 993 Chinese characters are explained in
detail and in many cases not only the traditional but also archaic
representations are shown to clarify the character's original
significance. Multi-character words are covered as well, to help
understand some YiJing expressions. Includes all characters found
in The Judgment, The Lines and The Image.
Contacts between languages, especially translations, have always
played a crucial role in the making of European culture, from
Antiquity until today. Bilingual or multilingual documents,
literary works created in another language than their creators'
mother tongue, translations and translated texts are special
textual objects, which require appropriate editorial treatment.
This volume explores how textual scholarship responds to
multilingualism in its various forms; how important multilingualism
can be in creative processes; how textual scholarship can make
multilingual texts available and accessible; and how it can
contribute to their interpretation.
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