Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive.We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

CAPTURE YOUR CHANGING PERSPECTIVES AS THE YEARS PASS
Journal once a year. Shape the story of your life.
It is hard to remember how your thoughts on kissing, marriage, pets, health, education, and other topics have changed over the years. And the memories surrounding your first experiences grow dim over time ... unless you record them.
This journal poses the same series of questions each year, allowing you to record milestones, beliefs, and emotions at each stage of your life. Imagine your smile as you look back and compare your perceptions and views at each age.
Become the author of a unique story-your own
A RECORDED ACCOUNT OF EMOTIONS AND EXPERIENCES
Most journals demand too much time. Have you ever bought a journal only to have it sit untouched in your nightstand? By summarizing your entire life, in just a few hours each year, journaling remains a treasured pleasure instead of another tedious task.
If you dream of writing your memoir some day, but aren't quite sure how to get started...this journal is for you.
Give the gift of detailed memories to yourself or a loved one.
Life is a marvelous adventure and worth remembering every moment.

The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies. Featuring twenty essays that reveal what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore the tension and nuances between them, from "past/future" and "anticipation/unexpected" to "extinction/adaptation" and "serial/simultaneous." Moving beyond the truisms of postmodernism, the collection newly theorizes the meanings of temporality in relationship to aesthetic, cultural, technological, and economic developments in the postwar period. This book thus assumes that time-not space, as the postmoderns had it-is central to the contemporary period, and that through it we can come to terms with what contemporaneity can be for human beings caught up in the historical present. In the end, Time reveals that the present is a cultural matrix in which overlapping temporalities condition and compete for our attention. Thus each pair of terms presents two temporalities, yielding a generative account of the time, or times, in which we live.

The Kurux Language: Grammar, Texts and Lexicon by Masato Kobayashi and Bablu Tirkey is a comprehensive description of Kurux, a northern Dravidian tribal language with two million speakers. Isolated in the Chota Nagpur Plateau of Eastern India, Kurux shows a unique mixture of archaic Dravidian traits and innovations induced by contact with neighboring Indo-Aryan and Munda languages, and has posed questions regarding language change and Dravidian subgrouping. Making use of first-hand materials from their fieldwork, Kobayashi and Tirkey analyze the complexities of the language in the grammar section. This book also contains transcribed and glossed texts, and a lexicon with more than 9,000 entries, and serves both as reference for linguists and learning resource for students.

Scenes from Tamil Classics is a book about Tamil poetry. Tamil is one of the very few living classical languages of the world and has a rich and copious literary, musical and religious tradition. This book is primarily intended for expatriate Tamils, particularly to the children of Tamil immigrants in Europe, Australia and North America who are in danger of becoming increasingly alienated from their cultural roots. The intention of the book is to create an awareness and a sense of belonging among those expatriate children who are caught up in an uncomfortable tension between the culture of their own family and ethnic community and the culture of the wider society around them. This book is an attempt to give a taste of Tamil literature through the medium of English. In the selected extracts, the author paints in the details of the story or the situation which the poet has left unsaid, and draws out the inferences and allusions lying implicit in the poem. He thus brings the scene to life, and prevents the eye of the reader from passing too swiftly and superficially over the text. Instead, he stimulates the reader to reflect on the action and the feelings expressed, and enables him or her to appreciate more fully the artistry of the poem. In addition to extracts from ancient and medieval Tamil classics, Scenes from Tamil Classics provides a wide-ranging survey of Tamil literature. This is a fresh and original book which leads the reader into a world which is many centuries and thousands of miles distant from our own. Beyond the particular readership mentioned above, there is much in these pages to give delight to anyone with an interest in literature and in the human condition.

Using side-by-side pairings of first drafts and final versions, including full-page reproductions from the poets’ personal notebooks, as well as an insightful essay on each poem’s journey from start to finish, The Art of Revising Poetry tracks the creative process of twenty-one of the United States’ most influential poets as they struggle over a single word, line break, or thought. This behind-the-scenes look into the creative minds of working poets, including African American, Latino, Asian American, and Native poets from across the US, is an essential resource for students practicing poetry, and for instructors looking to enliven the classroom with real world examples. Students learn first-hand from the deft revisions working poets make, while poetry teachers can show in detail how experienced poets self-edit, tinker, cut, rearrange, and craft a poem. The Art of Revising Poetry is a must-have for aspiring poets and poetry teachers at all levels.

This book is designed to help you achieve one specific goal. It's not designed to give you the philosophies of conducting research. It's not designed to give you a background in a specific academic discipline or a specific topic. It's not designed to give you theory. It's designed specifically to instruct you in the practicalities of the writing process used to create strong, thorough, and potentially bulletproof literature reviews. This book is the culmination of years of research experience. It's also the culmination of several years of teaching writing and critical thinking to doctoral students. Although it began as a tool for doctoral students, it has been expanded to be useful for everyone from senior high school students through doctoral candidates working on developing their first literature review or a larger literature review than they normally develop. It has been created for everyone from academics to new business entrepreneurs with good ideas who are trying to write their first reviews to support the new idea they're proposing.

Millions of southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of southerners-and people in general-are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of southern nationhood and redefined southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted southerners to leave the region and changed perceptions of southerners to outsiders as well as how southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant's journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and connects the history of border crossings to the issues being considered in today's national landscape.

An exploration of writers who examine integration through the charged lens of sexuality A study of race and sexuality and their interdependencies in American literature from 1945 to 1955, Desegregating Desire examines the varied strategies used by eight American poets and novelists to integrate sexuality into their respective depictions of desegregated places and emergent identities in the aftermath of World War II. Focusing on both progressive and conventional forms of cross-race writing and interracial intimacy, the book is organized around four pairs of writers. Chapter one examines reimagined domestic places, and the ambivalent desires that define them, in the southern writing of Elizabeth Bishop and Zora Neale Hurston. The second chapter, focused on poets Gwendolyn Brooks and Edwin Denby, analyzes their representations of the postwar American city, representations that often transpose private desires into a public imaginary. Chapter three explores how insular racial communities in the novels of Ann Petry and William Demby were related to non-normative sexualities emerging in the early Cold War. The final chapter, focused on damaged desires, considers the ways that novelists Jo Sinclair and Carl Offord relocate the public traumas of desegregation with the private spheres of homes and psyches. Aligning close textual readings with the segregated histories and interracial artistic circles that informed these Cold War writers, this project defines desegregation as both a racial and sexual phenomenon, one both public and private. In analyzing more intimate spaces of desegregation shaped by regional, familial, and psychological upheavals after World War II, Tyler T. Schmidt argues that "queer" desire--understood as same-sex and interracial desire--redirected American writing and helped shape the Cold War era's integrationist politics. Tyler T. Schmidt, New York, New York, is an assistant professor of English at Lehman College. His work has been published in African American Review, Women's Studies Quarterly, and Radical Teacher.

Dictionary - Mtanthauziramawu: Chichewa / Chinyanja - English // English - Chichewa / Chinyanja (3rd Edition). The English language has acquired an important position in the societies of Central and Southern Africa. However, the vernacular languages have remained indispensable vehicles of communication. For more than 15 million people in Malawi, Tanzania, Zambia, Mozambique, Botswana, Zimbabwe and South Africa, Chinyanja or Chichewa has become the most important language of daily life.The language has gained importance and strength by developments in its written and oral use, and because an increasing number of its speakers have come to discover and emphasise their common linguistic heritage and practice. In that way it has become an intermediary language for all Malawians, and for many ethnic groups in the whole of Central and Southern Africa. This edition of the Chichewa / Chinyanja Dictionary has more than 43,000 entries from and into English. It is an instrument for Africans and expatriates, foreign workers and visitors, students and teachers, and for those who deal with English and Chichewa at a scientific or scholarly level. May it reduce the language barrier between users of English and of Chichewa / Chinyanja.

Nadezhda Ptushkina's plays reflect her keen interest in constructing multidimensional characters that reflect the myriad ways people are affected by today's turbulent world. Often writing strong female roles, she does not shy away from exploring the sometimes tragic implications that lie behind her comical, almost farcical scenes. Ptushkina questions the nature of love, and explores the boundaries between the spiritual and the base, the constructive and the destructive, that lie within every human being. Conflict between the sexes constitutes the core of Ptushkina's plays, in which she warns the audience against confusing sex and love. Ptushkina rejects any notion that men and women are the same, seeing gender differences rather than personality differences as the main source of tension between men and women. Her plays thus dwell on this 'battle of the sexes' and the resulting lack of respect for women that she sees in today's Russia.In this new translation, western readers have a chance to discover why Ptushkina's work holds such wide appeal in the Russian theatre.

Jack London's dystopian novel 'The Iron Heel' posits a futuristic world in which the division between the classes has deepened, creating a menacing oligarchy that rules through terror. Anticipating the science fiction novels of the 1960s and '70s, the book stresses future changes in society and politics while paying less attention to technological details. Much of the narrative is set in the San Francisco Bay Area, including events in San Francisco and Sonoma County.