Using side-by-side pairings of first drafts and final versions, including full-page reproductions from the poets’ personal notebooks, as well as an insightful essay on each poem’s journey from start to finish, The Art of Revising Poetry tracks the creative process of twenty-one of the United States’ most influential poets as they struggle over a single word, line break, or thought. This behind-the-scenes look into the creative minds of working poets, including African American, Latino, Asian American, and Native poets from across the US, is an essential resource for students practicing poetry, and for instructors looking to enliven the classroom with real world examples. Students learn first-hand from the deft revisions working poets make, while poetry teachers can show in detail how experienced poets self-edit, tinker, cut, rearrange, and craft a poem. The Art of Revising Poetry is a must-have for aspiring poets and poetry teachers at all levels.

A masterpiece in the art of clear and concise writing, and an exemplar of the principles it explains.

In Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature, author Jenna Grace Sciuto analyzes literary depictions of sexual policing of the color line across multiple spaces with diverse colonial histories: Mississippi through William Faulkner's work, Louisiana through Ernest Gaines's novels, Haiti through the work of Marie Chauvet and Edwidge Danticat, and the Dominican Republic through writing by Julia Alvarez, Junot Diaz, and Nelly Rosario. This literature exposes the continuing coloniality that links depictions of US democracy with Caribbean dictatorships in the twentieth century, revealing a set of interrelated features characterizing the transformation of colonial forms of racial and sexual control into neocolonial reconfigurations. A result of systemic inequality and large-scale historical events, the patterns explored herein reveal the ways in which private relations can reflect national occurrences and the intimate can be brought under public scrutiny. Acknowledging the widespread effects of racial and sexual policing that persist in current legal, economic, and political infrastructures across the circum-Caribbean can in turn bring to light permutations of resistance to the violent discriminations of the status quo. By drawing on colonial documents, such as early law systems like the 1685 French Code Noir instated in Haiti, the 1724 Code Noir in Louisiana, and the 1865 Black Code in Mississippi, in tandem with examples from twentieth-century literature, Policing Intimacy humanizes the effects of legal histories and leaves space for local particularities. By focusing on literary texts and variances in form and aesthetics, Sciuto demonstrates the necessity of incorporating multiple stories, histories, and traumas into accounts of the past.

Dictionary - Mtanthauziramawu: Chichewa / Chinyanja - English // English - Chichewa / Chinyanja (3rd Edition). The English language has acquired an important position in the societies of Central and Southern Africa. However, the vernacular languages have remained indispensable vehicles of communication. For more than 15 million people in Malawi, Tanzania, Zambia, Mozambique, Botswana, Zimbabwe and South Africa, Chinyanja or Chichewa has become the most important language of daily life.The language has gained importance and strength by developments in its written and oral use, and because an increasing number of its speakers have come to discover and emphasise their common linguistic heritage and practice. In that way it has become an intermediary language for all Malawians, and for many ethnic groups in the whole of Central and Southern Africa. This edition of the Chichewa / Chinyanja Dictionary has more than 43,000 entries from and into English. It is an instrument for Africans and expatriates, foreign workers and visitors, students and teachers, and for those who deal with English and Chichewa at a scientific or scholarly level. May it reduce the language barrier between users of English and of Chichewa / Chinyanja.

The Second Coming of Christ, the resurrection of the dead, the Final Judgment: the Apocalypse is central to Christianity and has evolved throughout Christianity's long history. Thus, when ecclesiastics brought the Apocalypse to Indigenous audiences in the Americas, both groups adapted it further, reflecting new political and social circumstances. The religious texts in Aztec and Maya Apocalypses, many translated for the first time, provide an intriguing picture of this process-revealing the influence of European, Aztec, and Maya worldviews on portrayals of Doomsday by Spanish priests and Indigenous authors alike. The Apocalypse and Christian eschatology played an important role in the conversion of the Indigenous population and often appeared in the texts and sermons composed for their consumption. Through these writings from the sixteenth to the early nineteenth century-priests' "official" texts and Indigenous authors' rendering of them-Mark Z. Christensen traces Maya and Nahua influences, both stylistic and substantive, while documenting how extensively Old World content and meaning were absorbed into Indigenous texts. Visions of world endings and beginnings were not new to the Indigenous cultures of America. Christensen shows how and why certain formulations, such as the Fifteen Signs of Doomsday, found receptive audiences among the Maya and the Aztec, with religious ramifications extending to the present day. These translated texts provide the opportunity to see firsthand the negotiations that ecclesiastics and natives engaged in when composing their eschatological treatises. With their insights into how various ecclesiastics, Nahuas, and Mayas preached, and even understood, Catholicism, they offer a uniquely detailed, deeply informed perspective on the process of forming colonial religion.

Self-publishing used to be the last resort when an author had exhausted all other channels. Self-publishing meant that your book wasn't good enough for a traditional publisher. Even if you knew your sales would be virtually nil, you self-published because your vanity required it; you self-published so that you could say that you had published a book, even if it never sold a single copy. Since the e-book explosion, self-publishing no longer carries the stigma it did a few years ago; it is no longer considered equivalent to vanity publishing. If you choose to go independent, your luck is that self-publishing has become a whole lot easier in the last few years since the advent of the digital age. Self-publishing is no longer a last resort, but a conscious choice that comes with many advantages over traditional publishing. The technology available today has made it possible to self-publish in both electronic and paperback versions, even if you don't have a penny to invest in the process. The electronic book market is growing, and publishers have traditionally paid lousy royalties on electronic books. Despite your lack of publishing experience, you might have a better chance making money if you self-publish rather than pursue a traditional publisher. But knowledge is power, and it is crucial to educate yourself on the process and be aware of the factors that might influence your decision. Going Indie: 25 Things You Should Know Before Self-Publishing Your Book, offers a number of tips that will raise your awareness of the benefits of self-publishing over traditional publishing. To learn about traditional publishing, look for Confessions of a Published Author: 47 Truths About What Can Go Right and Wrong When Selling Your Book to a Traditional Publisher, also by Martina Sprague.

The Arabic script in Africa contains sixteen papers on the past and present use of Arabic script to write African languages. These writing traditions, which are sometimes collectively referred to as Ajami, are discussed for single or multiple languages, with examples from all major linguistic phyla of Africa but one (Khoisan), and from all geographic areas of Africa (North, West, Central, East, and South Africa), as well as a paper on the Ajami heritage in the Americas. The papers analyze (ethno-) historical, literary, (socio-) linguistic, and in particular grammatological aspects of these previously understudied writing traditions and exemplify their range and scope, providing new data for the comparative study of writing systems, literacy in Africa, and the history of (Islam in) Africa.

The Data Journalism Handbook: Towards a Critical Data Practice provides a rich and panoramic introduction to data journalism, combining both critical reflection and practical insight. It offers a diverse collection of perspectives on how data journalism is done around the world and the broader consequences of datafication in the news, serving as both a textbook and a sourcebook for this emerging field. With more than 50 chapters from leading researchers and practitioners of data journalism, it explores the work needed to render technologies and data productive for journalistic purposes. It also gives a "behind the scenes" look at the social lives of data sets, data infrastructures, and data stories in newsrooms, media organizations, start-ups, civil society organizations and beyond. The book includes sections on "doing issues with data," "assembling data," "working with data," "experiencing data," "investigating data, platforms and algorithms," "organizing data journalism," "learning data journalism together" and "situating data journalism."

Essential for collection development specialists in small and medium-sized libraries, RRB will help users quickly identify the best, most affordable, and most appropriate new reference materials in any field. Based on the highly acclaimed reviews of American Reference Books Annual, RRB features only those resources that have been recommended for purchase by small and medium-sized academic, public, or school libraries. Written by over 200 subject specialists, the 500-plus reviews will help librarians quickly identify the best, most affordable, and most appropriate new reference materials in any given field. All reviewer comments-both positive and negative-have been retained, since even recommended works may be weak in one respect or another. If your budget precludes ARBA, this tool will provide you with the necessary information needed for your collection development needs.