Winner 2010 Outstanding Academic Title Choice

Winner 2010 EBSCOhost / Research Society for American Periodicals Book Prize

Honorable Mention 2010 Thomas J. Lyon Book Award, Western Literature Association

In January of 1861, on the eve of both the Civil War and the rebirth of the African Methodist Episcopal Church's "Christian Recorder," John Mifflin Brown wrote to the paper praising its editor Elisha Weaver: "It takes our Western boys to lead off. I am
proud of your paper."

Weaver's story, though, like many of the contributions of early black literature outside of the urban Northeast, has almost vanished. "Unexpected Places: Relocating Nineteenth-Century African American Literature" recovers the work of early African American authors and editors such as Weaver who have been left off maps drawn by historians and literary critics. Individual chapters restore to consideration black literary locations in antebellum St. Louis, antebellum Indiana, Reconstruction-era San Francisco, and several sites tied to the Philadelphia-based Recorder during and after the Civil War.

In conversation with both archival sources and contemporary scholarship, "Unexpected Places" calls for a large-scale rethinking of the nineteenth-century African American literary landscape. In addition to revisiting such better-known writers as William Wells Brown, Maria Stewart, and Hannah Crafts, "Unexpected Places" offers the first critical considerations of important figures including William Jay Greenly, Jennie Carter, Polly Wash, and Lizzie Hart. The book's discussion of physical locations leads naturally to careful study of how region is tied to genre, authorship, publication circumstances, the black press, domestic and nascent black nationalist ideologies, and black mobility in the nineteenth century.

ENGLISH FOR SECRETARIES The Fundamentals of Correct Writing Applied to Correspondence BY KATE M. MONRO Coauthor of The Secretary's Handbook The Handbook of Social Correspondent Corrective Exercises in English, English For American Youth The Book of Modern Letters FIRST EDITION FIFTH IMPRESSION McGRAW-HILL BOOK COMPANY, ING. NEW YORK AND LONDON 1944 ENGLISH FOR SECRETARIES COPYRIGHT, 1944, BY THE MCGRAW-HILL BOOK COMPANY, INC. PRINTED W THE UNITED STATES OF AMERICA All rights reserved. This book, or parts thereof, may not be reproduced in any form without permission of the publishers. McGRAW-HILL PUBLICATIONS IN BUSINESS EDUCATION F. G. NICHOLS, Consulting Editor English for Secretaries The quality of the materials used in the manufacture of this book is governed by continued postwar shortages. McGRAW-HILL PUBLICATIONS IN BUSINESS EDUCATION F. G. NICHOLS, Consulting Editor Banks STORE ACTIVITY MANUAL Bredow HANDBOOK FOR THE MEDICAL SECRETARY Brewster and Palmer INTRODUCTION TO ADVERTISING Faunce and Nichols SECRETARIAL EFFICIENCY Faunce and Nichols EXPERIENCE MANUAL WITH WORKSHEETS Hazelton THE TECHNICAL SECRETARY SERIES THE MEDICAL AND SURGICAL SECRETARY THE MILITARY STENOGRAPHER THE NAVAL STENOGRAPHER THE AVIATION SECRETARY SECRETARY TO THE ENGINEER Hogadone and Beckley MERCHANDISING TECHNIQUES MacGibbon FITTING YOURSELF FOR BUSINESS Monro ENGLISH FOB SECRETARIES Newton How TO IMPROVE YOUR PERSONALITY Riemer BASIC SHORTHAND DICTATION GREGG EDITION PITMAN EDITION Robinson BUSINESS ORGANIZATION AND PRACTICE Skar and Palmer BUSINESS LAW Strand SALESMANSHIP FOR VOCATIONAL AND PER SONAL USE Theiss and Hunter PRACTICAL ACCOUNTING Whiteaker BUSINESS MATHEMATICS Preface English for Secretariesis presented as a textbook on letter writing and on English usage as required in correspondence. It is intended especially for students schools and colleges who are preparing to become secretaries and planning to fill positions of responsibility that require a broad education as well as a definite knowledge of the special skills necessary for success in their chosen work. A secretary must, of course, be able to write effective letters, correct in form and details and attractive in appearance. This book, therefore, provides explanations of many types of letters, business, semi business, official, and social all of which a secretary may be called upon to write for her employer. It also includes numerous models and exercises which obviate the need for a workbook. Since a basic requirement of good letter writing is a knowledge of such fundamentals as capitalization, punctuation, and grammar, rules for the use of these tools, with exercises and illustrations, are supplied so that students needing such aid may turn to these chapters for frequent drill and review. A secretary must also be proficient in spelling, pronunciation, and the accurate use of words. For this purpose a chapter is devoted to dictionary study for which copious exercises are provided. As the subject is limited to the secretarial field, instead of being extended in an attempt to cover the broader range of vi Preface business English, the author hopes that this book may prove especially valuable to students in secretarial courses and that it may furnish authority for disputed questions that often arise in business correspondence. The author wishes to acknowledge the courtesy of the fol lowing companies in permitting the useof material Sidney Edlund and Company for an article by Sidney and Mary Edlund Harper Brothers for a letter from Letters of jf. ames Russell Lowell D. C. Heath and Company for a letter from Correlated Dictation and Transcription, by H. L. Forkner, A. O. Osborne, and J. E...

Familiar narratives and simplistic stereotypes frame the representation of women in U.S. politics. Pervasive containment rhetorics, such as the distinction between women as mothers and caregivers and men as rational thinkers, create unique hurdles for any woman seeking public office. While these 'governing codes' generally act to constrain female political power, they can also be harnessed as a resource depending on the particular circumstances (e.g., party affiliation, geographic location and personal style). One of these governing codes, the metaphor, is an especially powerful tool in politics today, particularly for women. By examining the political careers of four of the most prominent and influential women in contemporary U.S. politics_Democrats Ann Richards and Hillary Rodham Clinton and Republicans Christine Todd Whitman and Elizabeth Dole_Karrin Vasby Anderson and Kristina Horn Sheeler illustrate how metaphors in public discourse may be both familiar narratives to embrace and boundaries to overturn.

Over the past decade, Anglo-American notions of textual construction and editorial theory have begun major paradigm shifts. Many of the key emergent issues of Anglo-American debate--such as theories of versions--are already familiar in German theory. In other respects, including systematic reflection on the design and function of editorial apparatus, the German debate has already produced paradigms and procedures as yet unformulated in English. Contemporary German Editorial Theory makes available for the first time in English ten major essays by seven German theorists, together with an original introductory meditation by Hans Walter Gabler, editor of the celebrated edition of James Joyce's Ulysses. The volume thus participates in the paradigm shift in editorial theory that has led both to theoretical reconception of the field and to groundbreaking practical results. Topics discussed include the distinction between historical record and editor's interpretation, the display of multiple versions, concepts of authorization and intention, and the relations of textual theory to approaches like deconstruction and semiotics. The book also includes suggestions for further reading in both languages and a glossary of technical terms. Contributors are Hans Zeller, Miroslav Cervenka, Elisabeth Hoepker-Herberg, Henning Boetius, Siegfried Scheibe, and Gerhard Seidel. Bringing together the heretofore separate Anglo- American and German approaches will strengthen each separately and prepare the way for a new hybrid combining the advantages of both orientations. This book will interest not only students of Anglo-American or German literature, but all who study cultural construction and transmission. Hans Walter Gabler is Professor of English Literature, University of Munich. George Bornstein is Professor of English, University of Michigan. Gillian Borland Pierce is a Ph.D. candidate in Comparative Literature, University of Michigan.

This book is a comparative corpus-based study of discourse markers based on verbs of saying in English and French. Based on a wide comparable web corpus, the book investigates how discourse markers work in discourse, and compares their differences of position, scope and collocations both cross-linguistically and within single languages. The author positions this study within the wider epistemological background of the French-speaking 'enunciative' tradition and the English-speaking 'pragmatic' tradition, and it will be of particular interest to students and scholars of semantics, pragmatics and contrastive linguistics.

This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience.

This book is a four-volume study on modern Chinese complex sentences, giving an overview and detailed analysis on the key attributes and three major types of this linguistic unit. Complex sentences in modern Chinese are unique in formation and meaning. The author proposes a tripartite classification of Chinese complex sentences according to the semantic relationships between the clauses, i.e., coordinate, causal, and adversative. The first volume defines Chinese complex sentences and makes detailed comparisons between the tripartite and dichotomous systems for the classification of complex sentences. It then thoroughly investigates causal complex sentences in their eight typical forms. The second volume analyses the coordinated type in the broad sense and the relevant forms, while the third focuses on adversative type, examining the major forms and implications for research and language teaching. The final volume looks into attributes of Chinese complex sentences as a whole, discussing the constituents, related sentence forms, and semantic and pragmatic relevance of complex sentences. The book will be a useful reference for scholars and learners of the Chinese language interested in Chinese grammar and language information processing.

This unusually diverse collection of ten essays, devoted to British and Irish writers and poets from 1895 to the present, explores many aspects of the creative process, from inspiration to publication and beyond. The volume shows how writers' manuscripts and revisions give us a better understanding of their published work by drawing on unpublished archival sources to unveil, across genre and gender, the intricacies of their craft. It examines how the paper medium and writing implements influence the act of composition; reveals the latest developments in such fields as life writing and digital humanities-especially how modern scholars, through the filter of hypertext, revisit modernist texts, or respond to newly-found material; and analyzes the hidden handwork, be it throughout the writer's exhaustive self-editing process or the writer-editor collaboration. Finally, it captures an award-winning poet and a living novelist reflecting upon their craft and work in progress.

This volume contains three new screenplays by the writer-director of the prize-winning films "Nothing But a Man, The Plot Against Harry, Vengeance is Mine" and" Pilgrim, Farewell."

The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards reconciliation and healing. The creation of diverse personal narratives-encompassing autobiography, autofiction (heavily autobiographical fiction), travel writing, and reflective essay-remains characteristic of many Caribbean writers and offers poignant illustrations of the complexinterchange between shared and personal pasts and how they affect individual lives. Through their historically informed autobiography, the authorsin this study-Maryse Conde, Gisele Pineau, Patrick Chamoiseau, Edwidge Danticat, and Dany Laferriere-offer compelling insights into confronting, coming to terms with, and reconciling their past. The employment of personal narratives as the vehicle to carry out this investigation points to a tension evident in these writers' reflections, which constantly move between the collective and the personal. As an inescapably complex network, their past extends beyond the notion of a single, private life. These contemporary authors from Martinique, Guadeloupe, and Haiti intertwine their personal memories with reflections on the histories of their homelands and on the European and North American countries they adopt through choice or necessity. They reveal a multitude of deep connections that illuminate distinct Francophone Caribbean experiences.

Debate as Global Pedagogy: Rwanda Rising illustrates that the teaching of debate offers an ideal educational approach for the prevention and remediation of genocide. As the antithesis of propaganda, debate and argument instruction promotes the critical thinking necessary to resist processes of propaganda that enable injustice and human rights abuses. Case studies of argumentation instruction and deliberative forums worldwide demonstrate how environments of discursive complexity can be fostered through education in debate and argumentation. The central example of Rwanda recovering from genocide in 1994 with help from innovative pedagogy by iDebate Dreamers Academy provides a model for how argumentation instruction can reduce and prevent social injustices.

Tajikistan is the poorest and only Persian-speaking country among the post-Soviet independent states. Historically, the Tajiks of Central Asia and Afghanistan along with the Persians of modern Iran came from a related ethnic group. When the Tajik Autonomous Soviet Socialist Republic was established in late 1924, it became the first modern Tajik state that remained one of the 15 union republics of the Soviet Union until 1991. Almost immediately after the collapse of the USSR, Tajikistan became a scene of brutal civil war, taking place in one of the global hubs of religiously motivated political struggle, militancy, mass cross-border refugee flows, insurgency, and drug trafficking. During the first decade of the 21st century, the country was making modest progress toward stability. However, the heavy burden of socio-economic problems, in addition to continuing conflict in the neighboring Afghanistan-Pakistan, presented even bigger challenges for Tajikistan. In addition, Western economic sanctions against Russia in 2014, coinciding with continuing lower oil prices, have negatively affected one million of Tajik labor migrants in Russia. Yet Tajikistan has become neither weaker nor less important as a player in world politics. This third edition of Historical Dictionary of Tajikistan contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Tajikistan.

Joan Didion (b. 1934) is an American icon. Her essays, particularly those in Slouching Towards Bethlehem and The White Album, have resonated in American culture to a degree unmatched over the past half century. Two generations of writers have taken her as the measure of what it means to write personal essays. No one writes about California, the sixties, media narratives, cultural mythology, or migraines without taking Didion into account. She has also written five novels; several screenplays with her husband, John Gregory Dunne; and three late-in-life memoirs, including The Year of Magical Thinking and Blue Nights, which have brought her a new wave of renown. Conversations with Joan Didion features seventeen interviews with the author spanning decades, continents, and genres. Didion reflects on her childhood in Sacramento; her time at Berkeley (both as a student and later as a visiting professor), New York, and Hollywood; her marriage to Dunne; and of course her writing. Didion describes her methods of writing, the ways in which the various genres she has worked in inform one another, and the concerns that have motivated her to write.

English has long emerged as the lingua franca of globalization but has been somehow estranged in the hands or mouths of aliens, from Joseph Conrad to Chang-rae Lee. Haltingly, their alien characters come to speak in the Anglo-American tongue, yet what emerges is skewed by accents, syntax, body language, and nonstandard contextual references-an uncanny, off-kilter language best described as Alienglish.Either an alien's English that estranges or an alienating English because it sounds so natural, it issues forth from an involuntarily forked tongue and split psyche, operating on two registers, one clear and comprehensible, the other occluded and unfamiliar. Alienglish hence diagnoses the literal split in language or the alien's English; it further suggests the metaphorical splits either of aliens in an English-speaking world or of the English language dubbing and animating an alien world. While such alien performances are largely ventriloquized by native writers in the name of aliens, most blatant of which are Western Orientalism and ethnic self-Orientalism, there were and still are exceptional nonnative writers in Anglo-American tongues, as a direct consequence of Eastern diasporas to the nineteenth-century British Empire and then to the twentieth-century U.S. Empire. These writers include Joseph Conrad, Vladimir Nabokov, Jerzy Kosinski, Kazuo Ishiguro, Maxine Hong Kingston, Chang-rae Lee, and Ha Jin, who all seem to share a predicament: the strange English tongue they belabor to host in an effort to feel at home in the Anglo-American host culture as well as in their own bodies deemed foreign bodies. Wherever one hails from, an alien with a tongue graft is doomed to be either a tragic outcast or a pathetic clown, caught between two irreconcilable languages and cultures, searching for an identity in English yet haunted by a phantom tongue pain. The book's methodology fuses the scholarly with the poetic, a montage that springs from the very nature of diaspora, which is as much about rational decisions of relocation as, put simply, feelings. The heart of diaspora, breaking like a cracked voice, is resealed by the head, making both stronger-until another thin line opens up. Only through this double helix of head and heart, thinking and feeling, can one hope to map the DNA of diaspora. Such an unorthodox melange balances the tongue as a cultural expression from the body and the tongue as a visceral reaction of the body. Any potential crack amid the superstructure of global English and its underside of alien tongues promises discovery of a new world, which has always been there. Alienglish hence arrays itself on a spectrum from the English's Alien to the Alien's English, from white representations of the Other to aliens' self-representations. The usual Orientalist suspects of Charlie Chan, Fu Manchu, and Gilbert and Sullivan swell to capture affectless aliens from sci-fi, Stieg Larsson, and Lian Hearn. The book then turns to images of Shanghai and Macau, Asian Canadian Joy Kogawa and Evelyn Lau, and the Virginia Tech shooter Seung-Hui Cho. It concludes with an examination of the new China hands (Ha Jin, et al.) and the global media's search for the sublime. The title of this book Alienglish appropriately conveys the uniqueness of this book, which will be a useful contribution to Asian and Asian American studies, comparative literature, diaspora studies, film studies, popular culture, and world literature.

Eudora Welty and Surrealism surveys Welty's fiction during the most productive period of her long writing life. The study shows how the 1930s witnessed surrealism's arrival in the United States largely through the products of its visual artists. Welty, a frequent traveler to New York City, where the surrealists exhibited, and a keen reader of magazines and newspapers that disseminated their work, absorbed and unconsciously appropriated surrealism's perspective in her writing. In fact, Welty's first solo exhibition of her photographs in 1936 took place next door to New York's premier venue for surrealist art. In a series of readings that collectively examine A Curtain of Green and Other Stories, The Wide Net and Other Stories, Delta Wedding, The Golden Apples, and The Bride of the Innisfallen and Other Stories, the book reveals how surrealism profoundly shaped Welty's striking figurative literature. Yet the influence of the surrealist movement extends beyond questions of style. The study's interpretations also foreground how her writing refracted surrealism as a historical phenomenon. Scattered throughout her stories are allusions to personalities allied with the movement in the United States, including figures such as Salvador Dali, Elsa Schiaparelli, Caresse Crosby, Wallace Simpson, Cecil Beaton, Helena Rubinstein, Elizabeth Arden, Joseph Cornell, and Charles Henri Ford. Individuals such as these and others whom surrealism seduced often lead unorthodox and controversial lives that made them natural targets for moral opprobrium. Eschewing such parochialism, Welty borrowed the idiom of surrealism to develop modernized depictions of the South, a literary strategy that revealed not only cultural farsightedness but great artistic daring.

Politics and political literature studies have emerged as one of the most dynamic areas of scrutiny. Relying on ideological as well as socio-political theories, politics have contributed to cultural studies in many ways, especially within written texts such as literary works. As few critics have investigated the intersections of politics and literature, there is a tremendous need for material that does just this. Language, Power, and Ideology in Political Writing is an essential reference book that focuses on the use of narrative and writing to communicate political ideologies. This publication explores literature spurring from politics, the disadvantages of political or highly ideological writing, writers' awareness of the outside world during the composition process, and how they take advantage of political writing. Featuring a wide range of topics such as gender politics, indigenous literature, and censorship, this book is ideal for academicians, librarians, researchers, and students, specifically those who study politics, international relations, cultural studies, women's studies, gender studies, and political and ideological studies.