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Books > Language & Literature > Literary & linguistic reference works
A White Woman in a Red Man's World is a must read for all new
teachers and for all teachers who plan to teach on an Indian
reservation. Georgia Lucas is a master teacher who shares her
actual classroom experiences along with enlightening glimpses into
the everyday lives of her Indian students. This teacher's memoir
spans over 20 years of living, combining anecdotes of her school,
home, and social life, spiced with mysterious happenings on the
Indian reservations. Upon reading this book, teachers everywhere
will come to realize that they, too, have a story to tell. And
students will learn to appreciate their teachers a little more as
they realize what trials and struggles, as well as joy and
satisfaction, are derived from teaching. Arrow Point Lessoneers
Mrs. Lucas was a very innovative teacher. She kept us guessing how
the next lesson would be presented, and we were usually pleasantly
surprised. The lessons were always stimulating. She absolutely
refused to allow our minds to wander. We were not allowed to accept
defeat. After 17 years, I can still hear her voice urging me to
realize my full potential and to work toward my goals. Thank you,
Mrs. Lucas. Benetta
A curious figure stalks the pages of a distinct subset of
mass-market romance novels, aptly called "desert romances."
Animalistic yet sensitive, dark and attractive, the desert prince
or sheikh emanates manliness and raw, sexual power. In the years
since September 11, 2001, the sheikh character has steadily risen
in popularity in romance novels, even while depictions of Arab
masculinity as backward and violent in nature have dominated the
cultural landscape. An Imperialist Love Story contributes to the
broader conversation about the legacy of orientalist
representations of Arabs in Western popular culture. Combining
close readings of novels, discursive analysis of blogs and forums,
and interviews with authors, Jarmakani explores popular investments
in the war on terror by examining the collisions between fantasy
and reality in desert romances. Focusing on issues of security,
freedom, and liberal multiculturalism, she foregrounds the role
that desire plays in contemporary formations of U.S. imperialism.
Drawing on transnational feminist theory and cultural studies, An
Imperialist Love Story offers a radical reinterpretation of the war
on terror, demonstrating romance to be a powerful framework for
understanding how it works, and how it perseveres.
This book offers insights on the study of natural language as a
complex adaptive system. It discusses a new way to tackle the
problem of language modeling, and provides clues on how the close
relation between natural language and some biological structures
can be very fruitful for science. The book examines the theoretical
framework and then applies its main principles to various areas of
linguistics. It discusses applications in language contact,
language change, diachronic linguistics, and the potential
enhancement of classical approaches to historical linguistics by
means of new methodologies used in physics, biology, and agent
systems theory. It shows how studying language evolution and change
using computational simulations enables to integrate social
structures in the evolution of language, and how this can give rise
to a new way to approach sociolinguistics. Finally, it explores
applications for discourse analysis, semantics and cognition.
Why Write? An Anthology for English Composition equips students
with the knowledge, skillsets, and applied practice needed to
improve their academic writing, critical thinking skills, and
research capability. The anthology provides students with engaging
and thought-provoking readings, which are complemented by
as-you-read suggestions, writing prompts, reflection exercises, and
opportunities for discussion. Unit I helps students understand who
they are as writers and how to imbue their writing with their
unique experiences, viewpoints, and strengths. They are introduced
to exploratory writing, personal narratives, essay writing, the
writing process, and strategies for improving written works with
revision. In Unit II, students learn who they are as critical
thinkers while also learning how to effectively and confidently
construct and defend an argument. Unit III helps students
understand who they are as researchers. They learn how research and
knowledge can strengthen arguments, deepen personal analysis of
works, and further develop writing effectiveness. The second
edition features a new fourth unit, which focuses on the practice
of argumentation. The unit covers types of arguments, fallacies,
oral arguments, and how to construct an effective argument. An
enlightening and practical anthology, Why Write? is ideal for
foundational courses in English, composition, and rhetoric. It can
also be used to support freshman orientation or student success
courses and programs.
Each page provides a brand-new prompt designed to stretch you as an
artist and a person. Fill-in-the-blanks to create a touching love
sonnet; compose a haiku about your biggest mistake; or write a free
verse poem on anything from hope, to a locked door, to a banana
peel. Let this journal be your instant muse anytime you need a
creative boost, an emotional outlet, or an escape from the mundane.
Live boldly and creatively with One Poem a Day.
CRESTFALLEN at CHICANERY and CIRCUMLOCUTION? Have no TRUCK with TOMFOOLERY and TRUMPERY? Or OMNISCIENT about OBLOQUIES and OPSIMATHS?
Whether you've answered yes, no or 'sorry, I didn't catch that', 500 Beautiful Words You Should Know is for you. It offers words that flow EXQUISITELY off the tongue; words that are just perfect for their meaning, like the lazy-sounding SLOTH and the heavy-footed GALUMPH; words that will make you sound clever, like DEUTERAGONIST and LETHOLOGICA; and words that are just fun to say, like LIQUEFACTION and LUXURIATE.
It'll tell you where they come from, how to use them and whether you're likely to BAMBOOZLE anyone who's listening to you. With occasional special features on great words for colours, words from the Classics and words that make you laugh, this is a book to delight BIBLIOPHILES and BLATHERSKITES alike.
Joe R. Lansdale (b. 1951), the award-winning author of such novels
as Cold in July (1989) and The Bottoms (2000), as well as the
popular Hap and Leonard series, has been publishing novels since
1981. Lansdale has developed a tremendous cult audience willing to
follow him into any genre he chooses to write in, including horror,
western, crime, adventure, and fantasy. Within these genres, his
stories, novels, and novellas explore friendship, race, and life in
East Texas. His distinctive voice is often funny and always unique,
as characterized by such works as Bubba Ho-Tep (1994), a novella
that centers on Elvis Presley, his friend who believes himself to
be John F. Kennedy, and a soul-sucking ancient mummy. This same
novella won a Bram Stoker Award, one of the ten Bram Stoker Awards
given to Lansdale thus far in his illustrious career. Wielding a
talent that extends beyond the page to the screen, Landsdale has
also written episodes for Batman: The Animated Series and Superman:
The Animated Series. Conversations with Joe R. Lansdale brings
together interviews from newspapers, magazines, and podcasts
conducted throughout the prolific author's career. The collection
includes conversations between Lansdale and other noted peers like
Robert McCammon and James Grady; two podcast transcripts that have
never before appeared in print; and a brand-new interview,
exclusive to the volume. In addition to shedding light on his body
of literary work and process as a writer, this collection also
shares Lansdale's thoughts on comics, atheism, and martial arts.
Contributions by Lauren R. Carmacci, Keridiana Chez, Kate Glassman,
John Granger, Marie Schilling Grogan, Beatrice Groves, Tolonda
Henderson, Nusaiba Imady, Cecilia Konchar Farr, Juliana Valadao
Lopes, Amy Mars, Christina Phillips-Mattson, Patrick McCauley,
Jennifer M. Reeher, Jonathan A. Rose, and Emily Strand Despite
their decades-long, phenomenal success, the Harry Potter novels
have attracted relatively little attention from literary critics
and scholars. While popular books, articles, blogs, and fan sites
for general readers proliferate, and while philosophers,
historians, theologians, sociologists, psychologists, and even
business professors have taken on book-length studies and edited
essay collections about Harry Potter, literature scholars, outside
of the children's books community, have paid few serious visits to
the Potterverse. Could it be that scholars are still reluctant to
recognize popular novels, especially those with genre labels
"children's literature" or "fantasy," as worthy subjects for
academic study? This book challenges that oversight, assembling and
foregrounding some of the best literary critical work by scholars
trying to move the needle on these novels to reflect their
importance to twenty-first-century literate culture. In Open at the
Close, contributors consciously address Harry Potter primarily as a
literary phenomenon rather than a cultural one. They interrogate
the novels on many levels, from multiple perspectives, and with
various conclusions, but they come together around the overarching
question: What is it about these books? At their heart, what is it
that makes the Harry Potter novels so exceptionally compelling, so
irresistible to their readers, and so relevant in our time?
This unique book is arranged in three columns: English, Zulu, and how
to pronounce the Zulu words phonetically. This dictionary and
phrasebook will serve as a helpful working tool in the classroom, at
home, or for businesses and tourists to South Africa. The more you
know, the more you grow. So let's all grow together. Simunye.
Joan Didion (b. 1934) is an American icon. Her essays, particularly
those in Slouching Towards Bethlehem and The White Album, have
resonated in American culture to a degree unmatched over the past
half century. Two generations of writers have taken her as the
measure of what it means to write personal essays. No one writes
about California, the sixties, media narratives, cultural
mythology, or migraines without taking Didion into account. She has
also written five novels; several screenplays with her husband,
John Gregory Dunne; and three late-in-life memoirs, including The
Year of Magical Thinking and Blue Nights, which have brought her a
new wave of renown. Conversations with Joan Didion features
seventeen interviews with the author spanning decades, continents,
and genres. Didion reflects on her childhood in Sacramento; her
time at Berkeley (both as a student and later as a visiting
professor), New York, and Hollywood; her marriage to Dunne; and of
course her writing. Didion describes her methods of writing, the
ways in which the various genres she has worked in inform one
another, and the concerns that have motivated her to write.
Our World Phonics with ABC, Second Edition, is a three-level series
plus alphabet book that uses National Geographic content to
introduce young learners to the English alphabet and help them
learn, practice, and understand the sounds of English and
sound/spelling relationships.
This entertaining and highly readable book gives anyone writing in
the sciences a clear and easy-to-follow guide to the English
language. English is often regarded as one of the most difficult
languages to master. Yet while the English language has a
vocabulary of upwards of 500,000 words, it only uses nine parts of
speech, and all of these words fall into one (or more) of those
nine categories. Scientific English: A Guide for Scientists and
Other Professionals, Third Edition contains many simple revelations
like this that make effective scientific writing in English easy,
even for those whose fluency is in another language. The book is
organized around a basic guide to English grammar that is
specifically tailored to the needs of scientists, science writers,
science educators, and science students. The authors explain the
goals of scientific writing, the role of style, and the various
kinds of writing in the sciences, then provide a basic guide to the
fundamentals of English and address problem areas such as
redundancies, abbreviations and acronyms, jargon, and foreign
terms. Email, online publishing, blogs, and writing for the Web are
covered as well. This book is designed to be an enlightening and
entertaining read that can then be retained as a practical
scientific writing reference guide. Includes cartoons and humorous
illustrations that help reinforce important concepts Provides a
glossary that allows readers to easily reference the meanings of
grammatical terms used in the book Incorporates a wide variety of
quotations to provide humor, make points, or reinforce key concepts
Includes an entire chapter on electronic media as well as new
material on self-editing
This work is a scholarly study of Ahmadi Khani's Mem Z n, the most
famous and the most important text of Kurdish classical literature.
The study is totally original and is based on methodical in-depth
textual analysis of the work with original translations. The author
defines the work as an Aristotlean tragedy revealing its unique
dramatic elements, scenes, events, structures and characters. It
also delves deeper into the Sufist and philosophical levels of the
text revealing the astonishing modernist nature and mode of the
work as Zoroastrian Existentialism. Dr Mirawdeli offers a
line-by-line translation and textual analysis of Khani's prologues
in which he has presented his nationalist discourse offering an
original interpretation that establishes Khani's ideas as a
complete theory of Kurdish nationalism.
Winner, The Early American Literature Book Prize Ethnology and
Empire tells stories about words and ideas, and ideas about words
that developed in concert with shifting conceptions about Native
peoples and western spaces in the nineteenth-century United States.
Contextualizing the emergence of Native American linguistics as
both a professionalized research discipline and as popular literary
concern of American culture prior to the U.S.-Mexico War, Robert
Lawrence Gunn reveals the manner in which relays between the
developing research practices of ethnology, works of fiction,
autobiography, travel narratives, Native oratory, and sign
languages gave imaginative shape to imperial activity in the
western borderlands. In literary and performative settings that
range from the U.S./Mexico borderlands to the Great Lakes region of
Tecumseh's Pan-Indian Confederacy and the hallowed halls of learned
societies in New York and Philadelphia, Ethnology and Empire models
an interdisciplinary approach to networks of peoples, spaces, and
communication practices that transformed the boundaries of U.S.
empire through a transnational and scientific archive. Emphasizing
the culturally transformative impacts western expansionism and
Indian Removal, Ethnology and Empire reimagines U.S. literary and
cultural production for future conceptions of hemispheric American
literatures.
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