First published in 1952. This book does not confine itself to German phonetics; it aims rather at showing by what processes and tricks of sound words have been shaped in the course of years; it is therefore a book on phonology as well. It should have a wide appeal to students of German. Moreover, since the treatment of laws and sound processes is comparative, it will be useful to students of other languages, particularly of the Scandinavian group and Dutch.

Introducing the English translations of 8 selected research articles originally written in Chinese by Professor Yuan Yulin, Cognition-based Studies on Chinese Grammar is an essential reading for researchers in Chinese syntax. Yuan Yulin is one of the very first Chinese scholars who introduced cognitive sciences into the study of Chinese language some twenty years ago, and his work is well-known and highly regarded in China for its originality and theoretical contribution. The collection covers the core of his engagement with Chinese language studies, ranging from lexical exploration to grammatical discussion. Cognition-based Studies on Chinese Grammar is designed for students or researchers who specialize in the Chinese language, contemporary Chinese grammar and cognitive linguistics. It can also serve as a reference book for instructors or teachers engaged in Chinese language pedagogy or in teaching Chinese as a second or foreign language.

Punctuation Revisited is an advanced, comprehensive guide to the importance of punctuation in conveying meaning and augmenting the power of a message. Richard Kallan provides guidance on how to structure sentences accurately and in a manner that enhances their readability and rhetorical appeal. This book discusses in fine detail not just when and how to employ specific punctuation marks, but the rationale behind them. It also notes when the major academic style manuals differ in their punctuation advice. These unique features are designed to benefit beginning, intermediate, and advanced students of standard punctuation practice. Punctuation Revisited is a wonderful resource for students of composition and writing, an essential read for writing center tutors and faculty, as well as the perfect addition to anyone's professional library.

How to Write a Horror Movie is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror movies. Author Neal Bell examines how the basic tools of the scriptwriter's trade - including structure, dialogue, humor, mood, characters, and pace - can work together to embody personal fears that will resonate strongly on screen. Screenplay examples include classic works such as 1943's I Walked With A Zombie and recent terrifying films that have given the genre renewed attention like writer/director Jordan Peele's critically acclaimed and financially successful Get Out. Since fear is universal, the book considers films from around the world including the 'found-footage' [REC] from Spain (2007), the Swedish vampire movie, Let The Right One In (2008) and the Persian-language film Under The Shadow (2016). The book provides insights into the economics of horror-movie making, and the possible future of this versatile genre. It is the ideal text for screenwriting students exploring genre and horror, and aspiring scriptwriters who have an interest in horror screenplays.

With the decline of formalism and its predilection for Old English poetry, Old English prose is leaving the periphery and moving into the center of literary and cultural discussion. The extensive corpus of Old English prose lends many texts of various kinds to the current debates over literary theory and its multiple manifestations. The purpose of this collection is to assist the growing interest in Old English prose by providing essays that help establish the foundations for considered study and offer models and examples of special studies. Both retrospective and current in its examples, this collection can serve as a "first book" for an introduction to study, particularly suitable for courses that seek to entertain such issues as authorship, texts and textuality, source criticism, genre, and forms of historical criticism as a significant part of a broad, cultural teaching (and research) plan.

First published in 1980. This study has two basic goals. The first is to provide an explicit and coherent analysis of a variety of phonological and morphological processes within the grammars of a number of different dialects of Dakota. The second is to investigate the relevance of certain aspects of the proposed analysis to particular tenets of the general theory of transformational generative phonology and of recent proposals regarding the role of morphology within a generative framework. This title will be of great interest to students of linguistics.

Punctuation Revisited is an advanced, comprehensive guide to the importance of punctuation in conveying meaning and augmenting the power of a message. Richard Kallan provides guidance on how to structure sentences accurately and in a manner that enhances their readability and rhetorical appeal. This book discusses in fine detail not just when and how to employ specific punctuation marks, but the rationale behind them. It also notes when the major academic style manuals differ in their punctuation advice. These unique features are designed to benefit beginning, intermediate, and advanced students of standard punctuation practice. Punctuation Revisited is a wonderful resource for students of composition and writing, an essential read for writing center tutors and faculty, as well as the perfect addition to anyone's professional library.

"Are you more likely .. ."

to take the bull by the horns or beat around the bush? Don't let anyone call you on the carpet for failing to put your best foot forward. That would be a bitter pill to swallow. In the long run, it's easier to just bite the bullet and get your ducks in a row. After all, nobody likes the taste of humble pie.""

You've likely uttered at least one of these adages within the last week, but have you ever stopped to consider where such conversational staples originated? "Why You Say It "reveals the backstory of more than six hundred words and phrases that pepper our everyday dialogue. This catalog of our language's most colorful expressions delivers an illuminating read for anyone curious about the evolution of words.

James Loeb (1867-1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), psychology and medicine (2021), and music (2023). The subject of the inaugural conference was the legacy for which Loeb is best known and the only one to which he attached his name-the Loeb Classical Library, and the three series it has inspired: the I Tatti Renaissance Library, the Dumbarton Oaks Medieval Library, and the Murty Classical Library of India. Including discussions by the four General Editors of each Library's unique history, mission, operations, and challenges, the papers collected in The Loeb Classical Library and Its Progeny also take stock of these series in light of more general themes and questions bearing on translations of "classical" texts and their audiences in a variety of societies past, present, and future.

In the workplace, good punctuation is much more than a matter of correctness. It's a matter of efficiency. Professionals who aren't sure how to punctuate take more time than necessary to write, as they fret about the many inconsistent and contradictory rules they've picked up over the years. Good punctuation is also a matter of courtesy: In workplace writing, a sentence should yield its meaning instantly, but when punctuation is haphazard, readers need to work to understand - or guess at - the writer's intent. Weak punctuation results in time-wasting confusion, questions about professionalism, and some times even serious and costly miscommunication. Without using the jargon of grammar -- and providing 18 common sense principles to live by -- "Punctuation at Work" shows busy professionals exactly how the marks can be used to make meaning clear and emphasize ideas. All the marks are covered, with hundreds of examples taken from today's workplace. From hyphens and semicolons to brackets and quotation marks...all the way to ellipses (and the eternal struggle between "that" and "which"), this book explains the many ways punctuation makes things plain.

Roland McHugh's classic Annotations to Finnegans Wake provides both novice readers and seasoned Joyceans with a wealth of information in an easy-to-use format uniquely suited to this densely layered text. Each page of the Annotations corresponds directly to a page of the standard Viking/Penguin edition of Finnegans Wake and contains line-by-line notes following the placement of the passages to which they refer, enabling readers to look directly from text to notes and back again, with no need to consult separate glossaries or other listings. McHugh's richly detailed annotations distill decades of scholarship, explicating foreign words, unusual English connotations and colloquial expressions, place names, historical events, song titles and quotations, parodies of other texts, and Joyce's diverse literary and popular sources. This thoroughly updated fourth edition draws heavily on Internet resources and keyword searches. For the first time, McHugh provides readers with a synopsis of the action of Finnegans Wake. He also expands his examination of possible textual corruption and adds hundreds of new glosses to help scholars, students, and general readers untangle the dense thicket of allusions that crowds every sentence of Joyce's nearly inscrutable masterpiece.

Escrita por completo en espanol, la Enciclopedia de Linguistica Hispanica proporciona un tratamiento detallado de los campos principales y subsidiarios de la linguistica hispanica. Las entradas se organizan alfabeticamente en tres secciones principales: La parte 1 cubre las disciplinas, enfoques y metodologias linguisticas. La parte 2 incluye varios aspectos de la gramatica del espanol, cubriendo sus componentes fonologicos, morfosintacticos y semanticos. La parte 3 reune los factores, historicos, psicologicos y aplicados en la evolucion y distribucion del espanol. Basada en las aportaciones de un amplio espectro de expertos del ambito hispano parlante, la Enciclopedia de Linguistica Hispanica es una obra de referencia indispensable para los estudiantes de espanol en los niveles de grado y posgrado y para cualquier persona con interes academico o profesional en el espanol y la linguistica hispanica. Javier Gutierrez-Rexach es catedratico de Linguistica Hispanica en The Ohio State University Written exclusively in Spanish, the Enciclopedia de Linguistica Hispanica provides comprehensive coverage of the major and subsidiary fields of Hispanic Linguistics. Entries are arranged alphabetically within three main sections: Part 1 covers linguistic disciplines, approaches and methodologies. Part 2 includes several aspects of the grammar of Spanish, covering its phonological, morphosyntactic and semantic components. Part 3 brings together the historical, social, psychological and applied factors in the evolution and distribution of Spanish. Drawing on the expertise of a wide range of contributors from across the Spanish-speaking world the Enciclopedia de Linguistica Hispanica is an indispensable reference for undergraduate and graduate student

An invaluable resource for linguists, learners and users of Lithuanian, this is the first dictionary of the language generally available in the West for a number of years. Special supplemental section includes a guide to Lithuanian pronunciation and grammar. Over 25,000 entries in each section make this a standard reference.

Reporting for Journalists explains the key skills needed by the twenty-first century news reporter. From the process of finding a story and tracing sources, to interviewing contacts, gathering information and filing the finished report, it is an essential handbook for students of journalism and a useful guide for working professionals.

Reporting for Journalists explores the role of the reporter in the world of modern journalism and emphasises the importance of learning to report across all media radio, television, online, newspapers and periodicals. Using case studies, and examples of print, online and broadcast news stories, the second edition of Reporting for Journalists includes:

• information on using wikis, blogs, social networks and online maps
• finding a story and how to develop ideas
• researching the story and building the contacts book including crowd sourcing and using chat rooms
• interactivity with readers and viewers and user generated content
• making best use of computer aided reporting (CAR), news groups and search engines
• covering courts, councils and press conferences
• reporting using video, audio and text
• preparing reports for broadcasting or publication
• consideration of ethical practice, and cultural expectations and problems
• an annotated guide to further reading, a glossary of key terms and a list of journalism websites and organisations.

Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siecle literary field in England.

Writing centers in universities and colleges aim to help student writers develop practices that will make them better writers in the long term and that will improve their draft papers in the short term. The tutors who work in writing centers accomplish such goals through one-to-one talk about writing. This book analyzes the aboutness of writing center talk-what tutors and student writers talk about when they come together to talk about writing. By combining corpus-driven analysis to provide a quantitative, microlevel view of the subject matter and sociocultural discourse analysis to provide a qualitative macrolevel view of tutor-student writer interactions, it further establishes how these two research methods operate together to produce a robust and rigorous analysis of spoken discourse.

A World Elsewhere is Steven Berkoff's bold attempt to describe his multifarious theatrical works. Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright and thirdly as theatre director, as well as those subtle connections in between, when one discipline melds effortlessly into another. He examines the early impulses that generated his works and what drove him to give them form, as well as the challenges he faced when adapting the work of other authors. Berkoff discusses some of his most difficult, successful and unique creations, journeying through his long and varied career to examine how they were shaped by him, and how he was shaped by them. The sheer scale of this book offers a rare experience of an accomplished artist, combined with the honesty and insight of an autobiography, making this text a singular tool for teaching, inspiration and personal exploration. Suitable for anyone with an interest in Steven Berkoff and his illustrious career, A World Elsewhere is the part analysis and part confession of an artist whose work has been performed all over the world.

We are witnessing the collapse of democracies in many parts of the world and a general tendency to the resurgence of right-wing and left-wing populisms led by authoritarian leaders. This book centres on the political dialogue in one of these democracies. The focus is on Venezuela, the rich Latin American oil producing country, and its transformation from a stable democracy to a very unstable and controversial revolution in which the dialogue has been occupied by only one party for 18 years. The central characters of the book are Hugo Chavez, who remained in power for 14 years as the main speaker and controller, and the people who either followed or opposed him in Venezuela and other countries. Contrary to critical analyses which are mainly based on social representations that conceive dialogue as implicit or normative, this book proposes a dialogue-centred approach, which articulates linguistics, conversation analysis, socio-pragmatics and political science from a critical perspective, and offers the theoretical foundations and procedures for analysing micro dialogues between specific persons and the macro social dialogue, which unveils the processes of domination and resistance to power. The book will be useful for scholars and students of linguistics, media, communication studies and political science wishing to learn more about dialogue in political interaction.

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