Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1.5, University of Hamburg, language: English, abstract: In 1599, when William Shakespeare's Julius Caesar1 was first performed in the New Globe Theatre, Elizabeth I was an elderly monarch with no legitimate heir. She had neither a child of her own nor a named heir. Hence, the people of England worried about succession. They were aware of the power struggles that might take place when men vied for the throne of England. What is more, people also feared the violence of civil strife. Thus, it is not surprising that the theme of Julius Caesar was relevant to their concerns, even as the content of this play drew on and adapted ancient history. In 44 BC, Rome was at the very centre of an expanding empire. The city was governed by senators; nevertheless, their politics were plagued by in-fighting. The true glory and strength, however, belonged to famous generals like Caesar and Antonius. What is more, a new group, the Tribunes, had entered the political field. After a hard-won battle, the working class of Rome, the plebeians, had elected these men as their representatives and protectors. Hence, the return of triumphant Caesar and his aim to centralize power went against the grain of the decentralizing that was taking place. Such a setting was fraught with the makings of dramatic conflict - in many respects, as we will see.

This edited volume is the first to focus on how concepts of citizenship diversify and stimulate the long-standing field of law and literature, and vice versa. Building on existing research in law and literature as well as literature and citizenship studies, the collection approaches the triangular relationship between citizenship, law and literature from a variety of disciplinary, conceptual and political perspectives, with particular emphasis on the performative aspect inherent in any type of social expression and cultural artefact. The sixteen chapters in this volume present literature as carrying multifarious, at times opposing energies and impulses in relation to citizenship. These range from providing discursive arenas for consolidating, challenging and re-negotiating citizenship to directly interfering with or inspiring processes of law-making and governance. The volume opens up new possibilities for the scholarly understanding of citizenship along two axes: Citizenship-as-Literature: Enacting Citizenship and Citizenship-in-Literature: Conceptualising Citizenship.

Beginning with an extensive overview essay of the period, this book focuses on the issues of the Progressive Era through contemporary accounts of the people involved. Each issue is presented with an introductory essay and multiple primary documents from the newspapers of the day, which illustrate both sides of the debate. This is a perfect resource for students interested in the controversial and tumultuous changes America underwent during the Industrial Age and up to the start of World War I. With the death of southern reconstruction, Americans looked first westward and then abroad to fulfill their manifest destiny. Along the way, robber barons built railroads and oil trusts, populism burned across the prairies, currency went off the gold standard, immigrants poured into urban areas, and the United States won imperial outposts in Cuba and the Philippines. Beginning with an extensive overview essay of the period, this book focuses on the issues of the Progressive Era through contemporary accounts of the people involved. Each issue is presented with an introductory essay and multiple primary documents from the newspapers of the day, which illustrate both sides of the debate. This is a perfect resource for students interested in the controversial and tumultuous changes America underwent during the Industrial Age and up to the start of World War I.

Tajikistan is the poorest and only Persian-speaking country among the post-Soviet independent states. Historically, the Tajiks of Central Asia and Afghanistan along with the Persians of modern Iran came from a related ethnic group. When the Tajik Autonomous Soviet Socialist Republic was established in late 1924, it became the first modern Tajik state that remained one of the 15 union republics of the Soviet Union until 1991. Almost immediately after the collapse of the USSR, Tajikistan became a scene of brutal civil war, taking place in one of the global hubs of religiously motivated political struggle, militancy, mass cross-border refugee flows, insurgency, and drug trafficking. During the first decade of the 21st century, the country was making modest progress toward stability. However, the heavy burden of socio-economic problems, in addition to continuing conflict in the neighboring Afghanistan-Pakistan, presented even bigger challenges for Tajikistan. In addition, Western economic sanctions against Russia in 2014, coinciding with continuing lower oil prices, have negatively affected one million of Tajik labor migrants in Russia. Yet Tajikistan has become neither weaker nor less important as a player in world politics. This third edition of Historical Dictionary of Tajikistan contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Tajikistan.

Wny You BY WEBB B. GARRISON Illustrated ly Henry R. Martin ABINGDON PRESS NEW YORK NASHVILLE To BRUCE and BEATRICE BLACKMAR GOULD Connoisseurs of Words Foreword Words and phrases are like persons. Some are dull and stodgy, while others are very good company indeed. It is from the ranks of the latter group that the words in this volume have been selected. Interest is the standard which determined whether or not a particular word or phrase should be included. Dedicated though it is to the general reader, it may be used with confidence by persons with special interests. In general, word-histories are developed along lines of standard scholarship. There are a few exceptions accounts based upon tradition. These stories, included because of their interest, are clearly indicated as based upon popular accounts. Much of the material included in this collection was originally pub lished in the popular magazines which are listed on the acknowledg ments page. Final research was done in the Joint University Library, Nashville, Tennessee. Many courtesies were extended by Dr. A. F. Kuhlman, director, and Mrs. Paul L. Wayman, circulation librarian. A Ladies Home Journal reader first suggested that this material should be published in book form. Coming as it did from a reader in the Transvaal, Africa, the suggestion carried much weight though it was not acted upon for some months. Unfortunately, that readers letter has been lost, so it is impossible to give due credit by name. WEBB B. GARJEUSON 7 Acknowledgments Much of the material in this volume was originally published as short features in general and specialized magazines. Special thanks are due editors and publishers of these magazines, both forencouragement in research and for permission to reprint numerous items. Publishers involved, and magazines in which the material was originally pub lished, are listed below Andrus Publishing Co. for cushion, furniture, mahogany, and suite from Furniture Digest. Catholic Digest, Inc., for asylum awful, batiste, bedlam bead cancel, canter, cardinal, to chime in, clerk, crib, diaper, dumbbell, gabardine, helpmate, journal, ledger, lobby, marigold, musical notes noon, polite, primer sign, to a t, and thinking cap from Catholic Digest. Chesapeake and Ohio Railway for caboose, to call on the car pet conductor, crosstie, deadhead, engineer, freight, gon dola, hogger, news butch, spur, station, train, and tun nel from Tracks. Chilton Company, Inc., for boot, heel, last, moccasin, shoe, and sole from Boot and Shoe Recorder. The Curtis Publishing Company for Bible, bigwig, blarney, blue jeans, Blue Monday, bombast, boss, to bring home the bacon, calendar, camera, canary, compact companion, Dixie, doily, to eat ones hat, a feather in ones cap, flower names, fruit names, grass widow, heckle, husband, infan try, lord, to nag patent, salary, soft soap sundae, to 9 WHY YOU SAY IT take with a grain of salt to tie the knot and wife from Ladies Home Journal. Dell Publishing Co., Inc., for serenade from Dell Crossword An nual easel, earshot villain from Dell Crossword Puzzles con template, fanatic, pedigree, zoo from Official Crossword Puzzles and abracadabra, ancient gods anecdote, banquet, bogey, spire from Pocket Crossword Puzzles. Detective World, Inc., for aboveboard, apache, assassin, bobby, carpetbagger, catchpenny, to crib, double cross, fili buster, footpad, gun, gyp, hoax, moll, to pull the woolover ones eyes, to steal thunder, stool pigeon, and thug from Detective World. Farrell Publishing Corp, for apple-pie order etiquette, mil liner, mind your ps and qs, mug, and pin money from The Woman. Father Bakers Homes of Charity for best foot forward boner, chairman, coward, czar, falsehood, to get hep grain, grocer, in the groove, learn by heart, lion, mail, outlaw, parlor, to pay the piper piano, piker, to put a flea in ones ear, to read the riot act, roughneck, shoddy, vandal, and to be at loose ends from The Victorian. Fawcett Publications, Inc...

A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called "desert romances." Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.

Joe R. Lansdale (b. 1951), the award-winning author of such novels as Cold in July (1989) and The Bottoms (2000), as well as the popular Hap and Leonard series, has been publishing novels since 1981. Lansdale has developed a tremendous cult audience willing to follow him into any genre he chooses to write in, including horror, western, crime, adventure, and fantasy. Within these genres, his stories, novels, and novellas explore friendship, race, and life in East Texas. His distinctive voice is often funny and always unique, as characterized by such works as Bubba Ho-Tep (1994), a novella that centers on Elvis Presley, his friend who believes himself to be John F. Kennedy, and a soul-sucking ancient mummy. This same novella won a Bram Stoker Award, one of the ten Bram Stoker Awards given to Lansdale thus far in his illustrious career. Wielding a talent that extends beyond the page to the screen, Landsdale has also written episodes for Batman: The Animated Series and Superman: The Animated Series. Conversations with Joe R. Lansdale brings together interviews from newspapers, magazines, and podcasts conducted throughout the prolific author's career. The collection includes conversations between Lansdale and other noted peers like Robert McCammon and James Grady; two podcast transcripts that have never before appeared in print; and a brand-new interview, exclusive to the volume. In addition to shedding light on his body of literary work and process as a writer, this collection also shares Lansdale's thoughts on comics, atheism, and martial arts.

This book is the "greatest hits" compilation of more than 100 Russian books, journals, papers, and articles. It contains more than 12,000 key Russian economic, legal, medical, military, political, scientific, and sociological terms and colloquial phrases. It also contains important abbreviations. One look will convince you, the student or interpreter, of the value of this work

Why Write? An Anthology for English Composition equips students with the knowledge, skillsets, and applied practice needed to improve their academic writing, critical thinking skills, and research capability. The anthology provides students with engaging and thought-provoking readings, which are complemented by as-you-read suggestions, writing prompts, reflection exercises, and opportunities for discussion. Unit I helps students understand who they are as writers and how to imbue their writing with their unique experiences, viewpoints, and strengths. They are introduced to exploratory writing, personal narratives, essay writing, the writing process, and strategies for improving written works with revision. In Unit II, students learn who they are as critical thinkers while also learning how to effectively and confidently construct and defend an argument. Unit III helps students understand who they are as researchers. They learn how research and knowledge can strengthen arguments, deepen personal analysis of works, and further develop writing effectiveness. The second edition features a new fourth unit, which focuses on the practice of argumentation. The unit covers types of arguments, fallacies, oral arguments, and how to construct an effective argument. An enlightening and practical anthology, Why Write? is ideal for foundational courses in English, composition, and rhetoric. It can also be used to support freshman orientation or student success courses and programs.

Contributions by Lauren R. Carmacci, Keridiana Chez, Kate Glassman, John Granger, Marie Schilling Grogan, Beatrice Groves, Tolonda Henderson, Nusaiba Imady, Cecilia Konchar Farr, Juliana Valadao Lopes, Amy Mars, Christina Phillips-Mattson, Patrick McCauley, Jennifer M. Reeher, Jonathan A. Rose, and Emily Strand Despite their decades-long, phenomenal success, the Harry Potter novels have attracted relatively little attention from literary critics and scholars. While popular books, articles, blogs, and fan sites for general readers proliferate, and while philosophers, historians, theologians, sociologists, psychologists, and even business professors have taken on book-length studies and edited essay collections about Harry Potter, literature scholars, outside of the children's books community, have paid few serious visits to the Potterverse. Could it be that scholars are still reluctant to recognize popular novels, especially those with genre labels "children's literature" or "fantasy," as worthy subjects for academic study? This book challenges that oversight, assembling and foregrounding some of the best literary critical work by scholars trying to move the needle on these novels to reflect their importance to twenty-first-century literate culture. In Open at the Close, contributors consciously address Harry Potter primarily as a literary phenomenon rather than a cultural one. They interrogate the novels on many levels, from multiple perspectives, and with various conclusions, but they come together around the overarching question: What is it about these books? At their heart, what is it that makes the Harry Potter novels so exceptionally compelling, so irresistible to their readers, and so relevant in our time?

If you can't tell a possessive pronoun from a correlative conjunction, confuse 'disinterested' and 'uninterested' and struggle with the subjunctive, then I Used to Know That: English has the answers. Relearn the essential rules of the English language, from grammar and punctuation to sentence construction and parts of speech. Also helps to improve your spelling and clarifies the vocabulary that often causes confusion. Focusing on simplicity and clarity, this is an accessible yet fun way to revisit the English language while enjoying a walk down memory lane - and remembering the stuff you really shouldn't have forgotten...