Series Information:
The New Critical Idiom

In its most specific form, deconstruction is a mode of philosophical and literary analysis, derived from the work of French philosopher, Jacques Derrida, which questions the most basic philosophical categories or concepts.
Since deconstruction has traditionally been an activity based in philosophy, it has required, from the outset, explanation and explication. Indeed, one could argue that deconstruction has to a considerable extent been formed by critical accounts of it. This collection will reprint a cross section of these important works. The result is a set which charts the ways in which deconstruction is conceptualised and demonstrates the impact it has had on a wide range of traditions - areas as diverse as psychoanalysis, law, gender studies and architecture.

Internationally acclaimed as one of Britain's most respected folklore scholars, Katharine Briggs(1898-1980) was also one of the most popular authors in the field. These "Selected Works provide facsimile editions of her landmark writings, spanning the whole of her publishing career, from 1959 to 1980.

First published in 2002. Feminist scholarship employs gender as a fundamental organizing category of human experience, holding two related premises: men and women have different perceptions or experiences in the same contexts, the male perspective having been dominant in fields of knowledge; and that gender is not a natural fact but a social construct, a subject to study in any humanistic discipline. This challenging collection of essays by prominent feminist literary critics offers a comprehensive introduction to modes of critical practice being used to trace the construction of gender in literature. The collection provides an invaluable overview of current femionist critical thinking. Its essays address a wide range of topics: the rerlevance of gender scholarship in the social sciences to literary criticism; the tradition of women's literature and its relation to the canon; the politics of language; French theories of the feminine; psychoanalysis and feminism; feminist criticism of writing by lesbians and black women; the relationship between female subjectivity, class, and sexuality; feminist readings of the canon.

First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. 'New Accents' is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.

Comparing and evaluating modern theories of myth, this book offers an overview of explanations of myth from the social sciences and the humanities. This ambitious collection of essays uses the viewpoints of a variety of disciplines - psychology, anthropology, sociology, politics, philosophy, religious studies, and literature. Each discipline advocates a generalization about the origin, the function, and the subject matter of myth. The subject is always not what makes any myth distinct but what makes all myths "myth". The book is divided into five sections, covering topics such as myth and psychoanalysis, hero myths, myth and science, myth and politics, and myth and the physical world. Chapters engage with an array of theorists--among them, Freud, Jung, Campbell, Rank, Winnicott, Tylor, Frazer, Malinowski, Levy-Bruhl, Levi-Strauss, Harrison, and Burkert. The book considers whether myth still plays a role in our lives is one of the issues considered, showing that myths arise anything but spontaneously. They are the result of a specific need, which varies from theory to theory. This is a fascinating survey by a leading voice in the study of myth. As such, it will be of much interest to scholars of myth and how it interacts with Sociology, Anthropology, Politics and Economics.

This provocative book addresses the ideological and political crisis of the Western left, comparing it with the problems facing leftist politics in Russia and other countries. The author presents a radical critique of the current state of the Western left which puts discourse above class interest and politics of diversity above politics of social change. The trajectory away from class politics towards feminism, minority rights and the coalition of coalitions led to the destruction of the basic strategic pillars of the movement. Some elements of this broad progressive agenda became mainstream, but in fact this made the crisis of the left even deeper and contributed to the disintegration of the left's identity. The author demonstrates that a simple return to 'the good old times' of classical socialist politics of the industrial age is not possible, suggesting that class politics must be redefined and reinvented through the experience of new radical populism. This book speaks directly to the way the identity politics/class politics divide has been framed within the English-speaking world. It will be of great interest to scholars and students of political science and political sociology, international relations, security studies and global studies, as well as socialist activists.

Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable,' 'relevant,' and entertaining for successive generations of audiences and readers.

Strangers, Gods and Monsters is a fascinating look at how human identity is shaped by three powerful but enigmatic forces. Often overlooked in accounts of how we think about ourselves and others, Richard Kearney skilfully shows, with the help of vivid examples and illustrations, how the human outlook on the world is formed by the mysterious triumvirate of strangers, gods and monsters.
Throughout, Richard Kearney shows how strangers, gods and monsters do not merely reside in myths or fantasies but constitute a central part of our cultural unconscious. Above all, he argues that until we understand better that the Other resides deep within ourselves, we can have little hope of understanding how our most basic fears and desires manifest themselves in the external world and how we can learn to live with them.

'Sir Frank Kermode's effortless learning, lucid intelligence and wry, self-deprecating style prove that, at its best, literary criticism itself is a lively art.' - Al Alvarez

'In this extremely important book of speculative and scholarly criticism, Mr Kermode is setting out to re-define the notion of the Romantic tradition, especially in relation to English poetry and criticism.' - Times Literary Supplement

What are the political implications of a feminist critical practice? How do the problems of the literary text relate to the priorities and perspectives of feminist politics as a whole?
Sexual/Textual Politics addresses these fundamental questions and examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American and the French, paying particular attention to the works of Cixous, Irigaray and Kristeva. In the years since publication this book has rightly attained the status of a classic. Written for readers with little knowledge of the subject, Sexual/Textual Politics nevertheless makes its own intervention into key debates, arguing provocatively for a commitedly political and theoretical criticism as against merely textual or apolitical approaches.
With a new afterword in this edition, Sexual/Textual Politics is a must-read for all those interested in feminist literary theory.

eBook available with sample pages: 0203426037

Mikhail Bakhtin's ideas have influenced thinking in literary studies, anthropology, linguistics, psychology and social theory. Michael Holquist's masterly study draws on all of Bakhtin's known writings providing a comprehensive account of his achievement. Widely acknowledged as an exceptional guide to Bakhtin and dialogics, this book now includes a new introduction, concluding chapter and a fully updated bibliography. He argues that Bakhtin's work gains coherence through his commitment to the concept of dialogue, examining Bakhtin's dialogues with theorists such as Saussure, Freud, Marx and Lukacs, as well as other thinkers whose connection with Bakhtin has previously been ignored.
Dialogism also includes dialogic readings of major literary texts, Mary Shelley's Frankenstein, Gogol's The Notes of a Madman and Fitzgerald's The Great Gatsby, which provide another dimension of dialogue with dialogue.

eBook available with sample pages: 0203425855

Contents:
General Editor's Preface Acknowledgments Preface to the second edition 1. Traditional criticism and common sense 2. Challenges to expressive realism 3. Criticism and Meaning 4. Addressing the Subject 5. The Interrogative Text 6. The Work of the Reading 7. Deconstruction and the Differance it Makes 8. Towards a Productive Critical Practice Further Reading Notes References Index

Series Information:
New Accents

Since the publication of Gender in Trouble in 1990, Judith Butler has revolutionised our understanding of identities and the ways in which they are constructed. This volume examines her critical thought through key texts, touching upon such issues as:
*the subject
*gender
*sex
*language
*the psyche.
With clear discussions of the context and impact of Butler's work and an extensive guide to further reading, this book offers an excellent introduction to one of the most influential critical thinkers writing today.

Related link: http://www.literature.routledge.com/liter ature/rct/default.html
eBook available with sample pages: 0203118642

The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare.
Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts.
This is played out in a variety of expected and unexpected contexts, including:
*the early modern stage
*Hamlet and The Tempest
*Freud's analytic session
*the Parisian intellectual scene
*Hollywood
*the virtual space of the PC.

Contents:
Introduction
1. Materialist Dialects
1.1 Real Abstractions and Mental Generalisations
1.2 Marx, Hegal and 'New Dialects'
1.3 Conclusion
2. Interpretations of Marx's Value Theory
2.1 Embodied Labour Approaches
2.1.1 Traditional Marxism
2.1.2 Sraffian Analyses
2.2 Values from Theories
2.2.1 The Rubin Tradition
2.2.2 The 'New Interpretation'
2.3 Conclusion
3. Value and Capital
3.1 Division of Labour, Exploitation and Value
3.2 Capital
3.3 Conclusion
4. Wages and Exploitation
4.1 Wage Labour and Exploitation
4.2 Value of Labour Power
4.3 Conclusion
5. Values, Prices and Exploitation
5.1 Normalisation of Labour
5.1.1 Labour Intensity and Complexity, Education and Training
5.1.2 Mechanisation, Deskilling and Capitalist Control
5.2 Synchronisation of Labour
5.2.1 Value Transfers
5.2.2 Technical Change, Value and Crisis
5.3 Homogenisation of Labour
5.4 Conclusion
6. Composition of Capital
6.1 Understanding the Composition of Capital
6.2 Production and the Composition of Capital
6.3 Capital Accumulation
6.4 Conclusion
7. Transformation of Values into Prices of Production
7.1 Surplus Value, Profit, and the Composition of Capital
7.2 From Values to Prices of Production
7.3 The Transformation of Input Values
7.4 Conclusion
8. Money, Credit and Inflation
8.1 Labour and Money
8.2 Money and Prices of Production
8.3 Credit, Money and Inflation
8.4 Conclusion
Conclusion
References

The only book to take a really broad look at literature and emotion from a variety of perspectives including neuroscience Section on theory introduces the more complex areas of affect theory and cognitive science so people can understand throughout the book Looks at a wide variety of literature but also features commonly studied writers such as Shakespeare, Chaucer, Austen and Woolf

Contents:
I. Introduction
Austen in the world: postcolonial mappings Rajeswari Sunder Rajan
II. Austen in the world
Jane Austen goes to the seaside: Sanditon, English identity and the 'West Indian' schoolgirl Elaine Jordan Learning to ride at Mansfield Park Donna Landry Austen's treacherous ivory: female patriotism, domestic ideology, and empire Jon Mee Domestic retrenchment, colonial expansion, and the traffic of improvement: the property plots of Mansfield Park Clara Tuite Of windows and country walks: frames of space and movement in 1990s Austen adaptations Julianne Pidduck
III. Austen abroad
Reluctant janeites: daughterly value in Jane Austen and Sarat Chatterjee's Swami Nalini Natarajan Jane Austen goes to India: Emily Eden's home thoughts from abroad Judith Plotz Farewell to Jane Austen: uses of realism in Vikram Seths Suitable Boy Himansu Mohapatra and Jatin Nayak Father's daughters: critical realism examines patriarchy in Jane Austen's Pride and Prejudice and Pak Wanso's A Faltering Afternoon [Hwichongkorinun Ohu] You-me Park Clueless in the neocolonial world order Gayle Wald
IV. Poem
To a 'Jane Austen' class at Ibadan University Molara Ogundipe

Paul de Man's work is key to the American deconstruction movement and to the so-called political turn in critical theory. Seventeen years after his death, his works continue to arouse violent reactions among critics. This book explains why de Man is such an important voice, detailing his critical position, exploring his intellectual and historical contexts, tracing the influence of his work and enabling readers to undertake independent study of his criticism.

Related link: www.literature.routledge.com/literature/r ct/default.html

How does Toni Morrison create and form her literary places? As one of the first studies exploring Morrison's archived drafts, notes, and manuscripts together with her published novels, this book offers fresh insights into her creative processes. It analyses the author's textual choices, her writerly strategies, and her process of writing, all combining in shaping her literary places. In a methodology combining close reading and genetic criticism, the book examines Morrison's writing-her drafting and crafting-of her fictional places. Focusing primarily on the novels Beloved (1987), Paradise (1997), and A Mercy (2008), it analyses particular instances of written places, illuminating the manifold ways in which they are formed as text, and showing the centrality of the ideas of joining in Beloved, transformation in Paradise, and articulation in A Mercy. Toni Morrison is a major literary figure in contemporary literature, and is commonly considered one of the most influential American writers of the post-1960s era. Investigating the conjunction of her texts and manuscripts, this book continues, extends, and supplements the rich body of Morrison scholarship by illuminating how the genesis and formation of her multifaceted literary places constitute vital parts of her fictional writing.

The Routledge Companion to Humanism and Literature provides readers with a comprehensive reassessment of the value of humanism in an intellectual landscape. Offering contributions by leading international scholars, this volume seeks to define literature as a core expressive form and an essential constitutive element of newly reformulated understandings of humanism. While the value of humanism has recently been dominated by anti-humanist and post-humanist perspectives which focused on the flaws and exclusions of previous definitions of humanism, this volume examines the human problems, dilemmas, fears, and aspirations expressed in literature, as a fundamentally humanist art form and activity. Divided into three overarching categories, this companion will explore the histories, developments, debates, and contestations of humanism in literature, and deliver fresh definitions of "the new humanism" for the humanities. This focus aims to transcend the boundaries of a world in which human life is all too often defined in terms of restrictions-political, economic, theological, intellectual-and lived in terms of obedience, conformity, isolation, and fear. The Routledge Companion to Humanism and Literature will provide invaluable support to humanities students and scholars alike seeking to navigate the relevance and resilience of humanism across world cultures and literatures.

The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 41 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organised around familiar concepts - such as humans, animals, workers, empires, nations and states - rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included in and excluded from politics, and how different spaces are imagined to be political. It also offers a series of engagements with key moments in literary and political history from 1066 to the present in order to assess and reassess the utility of conventional modes of periodization. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of literary studies as a whole which will appeal to academics and researchers seeking to orient their own interventions into broader contexts.

The Wounded Researcher addresses the crises of epistemological violence when we fail to consider that a researcher is addressed by and drawn into a work through his or her complexes. Using a Jungian-Archetypal perspective, this book argues that the bodies of knowledge we create degenerate into ideologies, which are the death of critical thinking, if the complexity of the research process is ignored. Writing with soul in mind invites us to consider how we might write down the soul in writing up our research.

The portentous terms and phrases associated with the first decades of the Frankfurt School - exile, the dominance of capitalism, fascism - seem as salient today as they were in the early twentieth century. The Routledge Companion to the Frankfurt School addresses the many early concerns of critical theory and brings those concerns into direct engagement with our shared world today. In this volume, a distinguished group of international scholars from a variety of disciplines revisits the philosophical and political contributions of Theodor W. Adorno, Walter Benjamin, Max Horkheimer, Herbert Marcuse, Jurgen Habermas, Axel Honneth, and others. Throughout, the Companion's focus is on the major ideas that have made the Frankfurt School such a consequential and enduring movement. It offers a crucial resource for those who are trying to make sense of the global and cultural crisis that has now seized our contemporary world.