Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. As the world faces extreme economic, environmental and political crises, this bold and accessible Advanced Introduction argues for a future-facing approach to the creative economy and creative innovation. The book analyses contemporary and historical arts and culture whilst assessing historical shifts from national to global cultures; analogue to digital technologies; and individualist to systems thinking. Key features include: A new approach to the creative industries based on complex systems and evolutionary dynamics Combining humanities-based analysis with economics of innovation A critique of important theorists and intellectual traditions involved in the study of modern mediated creativity Reconceptualizing arts, copyright, cities, time, global media and social agency A thought-provoking reassessment of modernity to pivot creative enterprise for the challenges of the Anthropocene era. Scholars and students of media and communications studies, political economy and economics will benefit from the new approach to creative media and culture, and its proposals to rethink the economics of creativity and innovation. This book will be a helpful guide for policy-makers, consultants and freelancers who work across the borderlines of art, media, technology, business and regulation.

This groundbreaking book investigates the clash between a desire for unfettered mobility and the prevalence of inequality, exploring how this generates frictions in everyday life and how it challenges the ideal of just cosmopolitanism. Reading fictional and popular cultural texts against real global contexts, it develops an 'aesthetics of justice' that does not advocate cosmopolitan mobility at the expense of care and hospitality but rather interrogates their divorce in neoliberal contexts. In this timely analysis, Rodanthi Tzanelli discusses questions of social injustice in the context of multiple and intertwined mobilities - business, technology, travel, tourism, popular cultural pilgrimage and social movements - that are at the forefront of early twenty-first century socio-cultural concerns. The book thus creates an interdisciplinary intervention on the politics and poetics of mobility in rapidly globalised lifeworlds and places. Human geography and sociology scholars with a particular interest in mobilities studies, cosmopolitanism, social theory and tourism or pilgrimage studies will find this book an intriguing and insightful read.

Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. Over the past 20 years, the concept of creative industries has become a widely recognised policy paradigm adopted in numerous countries, agencies and educational institutions around the world. A Research Agenda for Creative Industries probes the key issues that will help to advance research into creative industries as a productive and innovative intervention in public policy. Issues addressed include how much should a research agenda for creative industries be policy-oriented? How workable is the so-called triple bottom line rationale for creative industries? What innovative theories, research approaches and methods are called for in advancing a creative industries agenda? With contributions from leading scholars, policy and industry specialists, this interdisciplinary Research Agenda will be a vital resource for students and academics working in the fields of communication, culture, film and media, geography, business and policy studies, and Internet and social media studies.

The media play a key role in post-apartheid South Africa and is often positioned at the centre of debates around politics, identity and culture. Media, such as radio, are often said to also play a role in deepening democracy, while simultaneously holding the power to frame political events, shape public discourse and impact citizens' perceptions of reality. Broadcasting Democracy: Radio and Identity in South Africa provides an exciting look into the diverse world of South African radio, exploring how various radio formats and stations play a role in constructing post-apartheid identities. At the centre of the book is the argument that various types of radio stations represent autonomous systems of cultural activity, and are 'consumed' as such by listeners. In this sense, it argues that South African radio is 'broadcasting democracy'. Broadcasting Democracy will be of interest to media scholars and radio listeners alike.

Dispatches from the Edge meets In an Instant in this dramatic memoir of war, family, resilience, and recovery from Benjamin Hall, the Fox News journalist who was gravely injured by a Russian drone attack in the early days of the invasion of Ukraine. Over the course of his career, seasoned war correspondent Benjamin Hall covered some of the deadliest armed conflicts of our time, including violence in Syria, Libya, and Somalia. But with a young family at home, Hall chose to trade life on the edge for a safer beat covering the US Department of State. Then Russia viciously attacked Ukraine in February 2022. Though he knew the dangers of war and was no longer traveling to war zones, Hall quickly accepted the assignment. He had to tell this story-Americans needed to understand the gravity of this stunning, world-altering conflict. Though he had witnessed and survived years of violence, on March 14, a month into the invasion of Ukraine, Hall and his crew were hit by a Russian drone strike, killing his cameraman and a fellow journalist and gravely injuring him. Stuck inside the warzone, it was feared Hall might not make it out alive. This is the story of how he survived-including his dramatic rescue and his arduous and ongoing recovery. For the first time, Hall shares his experiences in full-of his time in Ukraine and on the frontlines of the world's most perilous conflicts, of the terrible attack that nearly killed him, of the love of his family, of the strength and perseverance it has taken to endure multiple surgeries and learn how to walk again. Going inside the events that have permanently transformed him, Hall speaks honestly about the struggle to step away from the peril and how his years of experience kept him safe-until they failed him. And he pays tribute to American service members who not only helped save him, but decades earlier rescued his father, who, during World War II at age twelve, escaped a Japanese camp in the Philippines and eventually reached American GIs. Most remarkably, Hall's spirit has remained undaunted throughout his ordeal-a spirit of hope and positivity which infuses this exceptional story. Evocative, harrowing, and deeply moving, Untitled is a powerful memoir of family and perseverance, of life and healing, and of what to do when you are tested in ways you never thought possible. Benjamin Hall's memoir includes a 16-page color photo insert.

Khaya Dlanga has established himself as one of the most influential individuals in South African media, particularly social media, a platform he uses to promote discussion on topics that range from the frivolous to the profound. In to quote myself, Khaya recounts entertaining and moving stories about his roots and upbringing in rural Transkei, how he made his mark at school as well as his time spent studying advertising and as a stand-up comedian. He also shares his political views, how he overcame homelessness to become one of the most influential marketers in South Africa and he gives the reader a dose of the truly weird and wonderful that is routinely a part of his life.

Community journalism in the era of clickbait A chilling, incisive, and firsthand look at the landscape of community news today, Lost Storytellers argues that the decline of local journalism threatens the future of democracy. Award-winning photojournalist John Pendygraft asks: How did Americans lose trust in the media, and how can their local newsrooms earn it back? Pendygraft uses his own experiences at Florida's largest newspaper, the Tampa Bay Times, to illustrate why trusted local reporting matters more than ever in the era of "fake news," clickbait, conspiracy theories, and social media. Through interviews with his colleagues, the history of his own beloved paper, journeys into the evolutionary psychology of storytelling, and examples of the ways multi-national media conglomerates hook readers on news cycles of chaos and crisis, Pendygraft argues that community journalists can reclaim their roles as local storytellers-and that the public good demands that they try. Lost Storytellers offers insights for all who feel confused about the media, politics, and the well-being of their communities in the information age.

Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals.

Head down the rabbit hole and feed your fascination for conspiracy and controversy. Conspiracy theories--they're influential and spread to sometimes irrational extremes. Why do people cling to conspiracy theories so powerfully? Is there a way to separate the possible from the impossible? Yes. Enter: Debunked. Conspiracy theories pop up surrounding every major national and global event--some are possible, some are not. TikTok influencer and psychology professor Casey Lytle will teach you how to be an intelligent consumer of "alternative" theories. Lytle's trademark "project management approach" will help you discern possible from impossible in the popular and controversial theories surrounding 10 national and global events. 9/11--No fewer than 10 alternative theories have gained traction. But let's evaluate: Did the Twin Towers really look like a controlled demolition? Would jet fuel have to melt steel for the towers to collapse? What would it take in hours and people to secretly plant enough explosives to bring the buildings down without being discovered, and without being set off by the impact and fires from the planes? All this and more in Chapter 7. COVID-19--The vaccine implants a microchip used to track people; the fatality rate has been wildly inflated; oh, and Bill Gates is not only responsible for the virus but also the head of a plot to use the virus as population control. School shooters--why are they so easy to explain, but so hard to predict? In what ways has the profile of a school shooter changed over the last 25 years, and what has caused those changes? Are school shootings a new phenomenon, or does the media simply make us more aware of them when they happen? The chapter will cover Sandy Hook conspiracy theories, as well as the psychology behind "truthers."

'The most important book of 2022.' Dr. Robert Malone Desmet's work on mass formation theory was brought to the world's attention on The Joe Rogan Experience and in major alternative news outlets around the globe. Read this book to get beyond the sound bites! In The Psychology of Totalitarianism, world-renowned Professor of Clinical Psychology Mattias Desmet deconstructs the societal conditions that allow collective hypnosis to take hold. By analysing the global pandemic, he identifies the phenomenon of 'mass formation' and illustrates how humanity is being forcibly, unconsciously led into a reality of technocratic totalitarianism, which aggressively excludes alternative views and relies on destructive groupthink, vilifying non-conformist thought as 'dissident.' Building on Hannah Arendt's essential work on totalitarianism, The Origins of Totalitarianism, Desmet offers a sharp critique of the cultural 'groupthink' that existed pre-pandemic but has steadily and inexorably advanced during the Covid crisis. He cautions against the dangers of our current societal landscape, media consumption, and reliance on manipulative technologies, offering simple solutions - both individual and collective - to prevent the willing sacrifice of our ability to think critically. The Psychology of Totalitarianism serves as an indispensable and fundamental guide to understanding this key moment in history. 'Mattias Desmet's [theory of mass formation hypnosis] is great. . . . Once I kind of started to look for it, I saw it everywhere.' Eric Clapton

Fountain-Pens - The Super-Pen for Our Super-Men Ladies! Learn To Drive! Your Country Needs Women Drivers! Do you drink German water? When Britain declared war on Germany in 1914, companies wasted no time in seizing the commercial opportunities presented by the conflict. There was no radio or television. The only way in which the British public could get war news was through newspapers and magazines, many of which recorded rising readerships. Advertising became a new science of sales, growing increasingly sophisticated both in visual terms and in its psychological approach. This collection of pictorial advertisements from the Great War reveals how advertisers were given the opportunity to create new markets for their products and how advertising reflected social change during the course of the conflict. It covers a wide range of products, including trench coats, motor-cycles, gramophones, cigarettes and invalid carriages, all bringing an insight into the preoccupations, aspirations and necessities of life between 1914 and 1918. Many advertisements were aimed at women, be it for guard-dogs to protect them while their husbands were away, or soap and skin cream for 'beauty on duty'. At the same time, men's tailoring evolved to suit new conditions. Aquascutum advertised 'Officers' Waterproof Trench Coats' and one officer, writing in the Times in December 1914, advised others to leave their swords behind but to take their Burberry coat. Sandwiched between the formality of the Victorian era and the hedonism of the 1920s, these charged images provide unexpected sources of historical information, affording an intimate glimpse into the emotional life of the nation during the First World War.

This volume examines communicative justice from the perspective of the pluriverse and explores how it is employed to work towards key pluriverse goals of environmental, cognitive, sociocultural, sociopolitical, and political economy justice. The book identifies and explains the unequal power relations in place that limit the possibilities of communication justice, the challenges and difficulties faced by activists and communities, the ways in which communities and movements have confronted power structures through discourse and material action, and their successes and limitations in creating new structures that promote the right to, and facilitate a future for, communicative justice. The volume features contributions based on experiences of resistance and transformation in the Global South-Bolivia, Ecuador, India, Malawi, and collaborations between the continents of Latin America and Africa-as well as notable studies from the Global North-Japan, Spain, and the United Kingdom-that defy hegemonic models. This book is essential for students and scholars interested in media and communication activism, media practice for development and social change, and communication for development and social change, as well as those actively engaged with activism and social justice.

The contents of A History of Pre-Cinema Volume 1 (and its companion volumes 2 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. To view pre-cinema devices merely as steps towards the cinema, however, would be a very narrow perspective. They were - and in some cases still are - self-contained media with their own peculiarities, differences, potential and limitations. This volume concentrates on items published before the spread of the cinema and later references to devices of that period. Having easy access to original texts in facsimile is a useful resource for researchers. Volume 1 is divided into the following sections: The camera obscura; Photography; Stereoscopy; Moving photographs; Chronophotography; Optical, philosophical toys.

A History of Pre-Cinema Volume 2 (and volumes 1 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. Volume 2 is divided into the following sections: Peepshows; The Panorama; The Diorama; Magic Mirrors; Shadowplay; Magic Lanterns; Pepper's Ghost; Recreative Science; Various Optical Devices.

Volume 3 of A History of Pre-Cinema contains a complete reprint of Olive Cook's book Movement in Two Dimensions. In it, the author carefully describes how each of the technologies worked, but she is more concerned with the aesthetic and cultural than the technical.

Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama. Drawing on both national practices of production and reception and international theories of textual analysis this book offers the first study of contemporary quality TV drama in two countries where television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen.

Designed to complement the student book, this practical and concise revision guide supports students preparing for their WJEC/Eduqas A Level Year 1 & AS Media Studies assessment. // Written by experienced Media Studies teachers and senior examiners, essential information is presented in an engaging and user-friendly design with a variety of key features to enhance learning including `Quickfire Revision' and `Key Theory Focus'. // Provides a variety of application `Have a Go' and extension `Take it Further' activities to encourage students to apply their knowledge and understanding and practice their analytical skills further. // Offers invaluable advice and guidance on approaching and interpreting the various types of questions students may encounter in the exam.

While moving image advertising has been around us, everywhere, for at least a century, the topic has tended to be overlooked by cinema studies. This far-reaching new collection makes an incisive contribution to a new field of study, by exploring the history, theory and practice of moving image advertising, and emphasising the dynamic and lasting relationships between print, film, broadcasting and advertising cultures.In chapters written by an international ensemble of leading scholars and archivists, the book covers a variety of materials from pre-show advertising films to lantern slides and sponsored 'educations'. With case studies of advertising campaigns and archival collections from a range of different countries, and giving consideration to the problems that advertising materials pose for preservation and presentation, this rich and expansive text testifies to the need for a new approach to this burgeoning subject that looks beyond the mere study of promotional film.

In this fascinating follow-up to the bestselling Information is Beautiful and Knowledge is Beautiful, the king of infographics David McCandless uses spectacular visuals to give us all a bit of good news. We are living in the Information Age, in which we are constantly bombarded with data - on television, in print and online. How can we relate to this mind-numbing overload? Enter David McCandless and his amazing infographics: simple, elegant ways to understand information too complex or abstract to grasp any way but visually. In his unique signature style, he creates dazzling displays that blend facts with their connections, contexts and relationships, making information meaningful, entertaining - and beautiful. In his highly anticipated third book, McCandless illustrates positive news from around the world, for an informative, engaging and uplifting collection of new infographic art.

A veteran journalist speaks truth to power on issues that matter to the nation. In this collection of columns spanning the years 2000-2019, veteran journalist Bill Maxwell tackles important issues faced by Florida and broader American society that remain as relevant as ever today. Demonstrating the courage to take on controversy and the signature pithy style that have won him a nationwide readership, Maxwell offers his opinion on a wide variety of questions with a focus on race, agricultural labor, education, and the environment. Maxwell writes from the vantage point of a Florida native who grew up as a migrant farmworker at the end of the Jim Crow era; a Black man who participated in the civil rights movement to help make the state more equitable; a college professor who lectured about the harms of racial discrimination; and an environmentalist who has lived in the Everglades as artist-in-residence. Grounding his social criticism in firsthand knowledge of the contradictions of life in the American South, Maxwell uses reason and research to highlight uncomfortable realities and injustices that persist in the twenty-first century. Believing that informed citizens will make decisions that positively impact society, Maxwell prompts readers to examine their own perspectives, question their assumptions, and come to a deeper understanding of their state and nation. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Draws on the authors' extensive careers in television to describe the process of creating a successful media format, presenting the tricks and techniques you need to create, develop and sell your own formats. Each chapter addresses a key elements of a good format, such as audience, structure or business, and shows how they work in current successful formats. Includes insightful case studies based on interviews with experienced television professonals such as Stephen Lambert, creator of Undercover Boss and Gogglebox. Teaches students to create a format bible that will enable them to create a defined set of rules which will make their format recognisable, repeatable and capable of evolving.

How did the advertisers of the past sell magnetic corsets, carbolic smoke balls or even the first televisions? Which celebrities endorsed products? How did innovations in printing techniques and packaging design play a part in the evolution of advertising? And what can these items tell us about transport, war, politics and even the royal family? 'Vintage Advertising: An A to Z' takes a fresh look at historical advertising through a series of thematic and chronological juxtapositions. Richly illustrated from the John Johnson Collection of Printed Ephemera at the Bodleian Library, this book features a range of topics from Art to Zeitgeist, showcasing how nineteenth- and early twentieth-century advertisements often capture the spirit of their age and can be rich repositories of information about our past.

Provides journalism students and professionals with clear practical advice on using digital technologies alongside a critical analysis of the impact these technologies have on news reporting. Set in an international context, the new edition features updated discussions of key issues such as Blockchain, 360 degree photography, VR, AR and artificial intelligence. Includes expanded chapters on writing for both social media and chat apps and email, with updated interviews and examples to trace the development of both platforms. The dynamic and engaging companion website features cutting edge supporting resources that illustrate the content and link the book’s material to the web.