Written for beginning journalism students, this primer explains how to craft news for presentation in the best possible manner by reading, interviewing, writing, and rewriting. With information on journalism across all media platforms, this text will prepare students to do exceptional reporting for print, television, and online outlets.

Written by experienced Media Studies teachers and examiners, and endorsed by WJEC/Eduqas, this Student Book provides high quality support you can trust. / Designed to encourage students to become confident, independent learners and develop the skills they need. / All areas of the specification are covered and supported by numerous highly-illustrated examples taken from the set products and optional choices. / The theoretical framework underpinning media studies is explored and applied to a range of media forms and products with the 'Rapid Recall' and 'Quickfire Questions' features linking seamlessly to the Year 1 book. / A dedicated chapter on the Non-Examined Assessment element of the specification provides clear guidance on how students will be assessed. / Exam guidance sections introduce students to practice questions and the new assessment objectives helping students with the skills they need for assessment. / Extension tasks help to stretch and challenge higher ability students.

Communications and Mobility is a unique, interdisciplinary look at mobility, territory, communication, and transport in the 21st century with extended case studies of three icons of this era: the mobile phone, the migrant, and the container box. * Urges scholars in media and communication to return to broader conceptions of the field that include mobility of all kinds information, people, and commodities * Embraces perspectives from media studies, science and technology studies, sociology, media anthropology, and cultural geography * Discusses ideas of virtual and embodied mobility, network geographies, de-territorialization, sedentarism, nomadology, connectivity, containment, and exclusion * Integrates the often-neglected transport studies into contemporary communication studies and theories of globalization

Feminist Media Studies is a cutting-edge introduction to the core and emerging theories, methods, and approaches in a field that has blossomed over the past twenty-five years. Adopting an intersectional approach - a framework concerning the interconnected character of oppression based on gender, race, class, and other constructed identities - Alison Harvey takes a global view of gendered practices in and around the media. She provides an accessible overview of classical and contemporary issues in media culture by exploring the past, present, and future of feminist media studies, accounting for changes in the media landscape, from digital technologies and globalized media systems to emergent inequalities, discourses, and practices. By engaging with research from a diverse body of scholarship, this book situates feminist media studies as vital to researching and analysing a range of significant issues. The go-to textbook for a new generation of students, as well as an important resource for scholars, Feminist Media Studies is both an exciting invitation to the field and a passionate call to arms.

Since 2006, Henry Jenkins's Confessions of an Aca-Fan blog has hosted interviews in which academics, activists, and artists have shared their views on the changing media landscape. For the first time, Jenkins - often called "the Marshall McLuhan for the twenty-first century" - compiles some of these interviews to highlight his recurring interests in popular culture and social change. Structured around three core concepts - culture, learning, politics - and designed as a companion to Participatory Culture in a Networked Era, this book broadens the conversation to incorporate diverse thinkers such as David Gauntlett, Ethan Zuckerman, Sonia Livingstone, S. Craig Watkins, James Paul Gee, Antero Garcia, Stephen Duncombe, Cathy J. Cohen, Lina Srivastava, Jonathan McIntosh, and William Uricchio. With an introduction from Jenkins and reflections from each interviewee, this volume speaks to a sense of crisis as contemporary culture has failed to fully achieve the democratic potentials once anticipated as a consequence of the participatory turn. This book is ideal for students and scholars of digital media, popular culture, education, and politics, as well as general readers with an interest in the topic.

The fascinating untold story of digital cash and its creators-from experiments in the 1970s to the mania over Bitcoin and other cryptocurrencies Bitcoin may appear to be a revolutionary form of digital cash without precedent or prehistory. In fact, it is only the best-known recent experiment in a long line of similar efforts going back to the 1970s. But the story behind cryptocurrencies like Bitcoin and its blockchain technology has largely been untold-until now. In Digital Cash, Finn Brunton reveals how technological utopians and political radicals created experimental money to bring about their visions of the future: protecting privacy or bringing down governments, preparing for apocalypse or launching a civilization of innovation and abundance that would make its creators immortal. The incredible story of the pioneers of cryptocurrency takes us from autonomous zones on the high seas to the world's most valuable dump, from bank runs to idea coupons, from time travelers in a San Francisco bar to the pattern securing every twenty-dollar bill, and from marketplaces for dangerous secrets to a tank of frozen heads awaiting revival in the far future. Along the way, Digital Cash explores the hard questions and challenges that these innovators faced: How do we learn to trust and use different kinds of money? What makes digital objects valuable? How does currency prove itself as real to us? What would it take to make a digital equivalent to cash, something that could be created but not forged, exchanged but not copied, and which reveals nothing about its users? Filled with marvelous characters, stories, and ideas, Digital Cash is an engaging and accessible account of the strange origins and remarkable technologies behind today's cryptocurrency explosion.

In this inspiring and hilarious memoir, YouTube star Ricky Dillon gives you an exciting look into his personal life and reveals the ins and outs of being a young star online. A former member of the enormously popular YouTube group Our Second Life, alongside his good friend Connor Franta, Ricky Dillon has connected with millions of fans worldwide, with no less than the New York Times featuring him in an article about the new generation of social media influencers. Now, in his very first book, Ricky takes you into his day-to-day world and shows them what it's like to be a young star with a number of different creative interests, from crafting weekly videos to collaborating with other YouTube personalities to honing his career as a pop musician. Ricky also takes you into the inner workings of his personal fitness regimen and how he maintains a programme of health and wellness in all areas of his life. In addition to all of this, Ricky creates a set of challenges: from serious, contemplative tasks to the type of zany, hilarious stunts that he explores in his videos regularly, to create a book that is at once informative, inspiring, and incredibly fun. Follow Me captures the humour, creativity, and perseverance of one of today's most popular vloggers, with exclusive photos and additional insights that make this a must-read and must-have for fans everywhere

Exam board: OCR Level: A-level Subject: Media Studies First teaching: September 2017 First exams: Summer 2018 Build, reinforce and assess the knowledge and skills required for OCR A Level Media Studies; this accessible guide provides full coverage of the content in Component 1, alongside practice questions and assessment guidance. Produced in partnership with OCR, this book: - Concisely covers all aspects of 'News' and 'Media Language and Representation' - Increases knowledge of the theoretical framework and contexts surrounding the set media products, with clear explanations and relevant examples - Develops the skills of critical analysis, reflection and evaluation that students need in order to use, apply and debate academic ideas and arguments - Ensures understanding of specialist terminology by defining the key terms within the specification - Helps students achieve their best under the new assessment requirements with practice questions, study advice and assessment support

Post-apartheid South Africa continues to face challenges in its attempts at economic transformation for the benefit of the majority of the people, who were marginalised under decades of apartheid and colonisation. This need for transformation has resulted in various policy initiatives, including the ongoing demands for the nationalisation of the economy. The commercial media has a central role in shaping policy debates. But this media is an ideological tool as much as it is an economic resource since it is owned and controlled by people with political and economic interests. It therefore tends to support and promote the interests of the owners.

This book provides a Marxist critique of the representation of the nationalisation of the mines debate by the South African commercial media. Radebe examines corporate control of the media in order to articulate the interrelations between the state, capital and the media, and the way the commercial media represents, shapes and influences public policy. He concludes that beyond factors such as ownership, commercialisation and the influence of advertising on news content, the global capitalist hegemony has a more powerful influence on the commercial media in South Africa than previously thought.

An essential guide to recognizing bogus numbers and misleading data Numbers are often intimidating, confusing, and even deliberately deceptive-especially when they are really big. The media loves to report on millions, billions, and trillions, but frequently makes basic mistakes or presents such numbers in misleading ways. And misunderstanding numbers can have serious consequences, since they can deceive us in many of our most important decisions, including how to vote, what to buy, and whether to make a financial investment. In this short, accessible, enlightening, and entertaining book, leading computer scientist Brian Kernighan teaches anyone-even diehard math-phobes-how to demystify the numbers that assault us every day. With examples drawn from a rich variety of sources, including journalism, advertising, and politics, Kernighan demonstrates how numbers can mislead and misrepresent. In chapters covering big numbers, units, dimensions, and more, he lays bare everything from deceptive graphs to speciously precise numbers. And he shows how anyone-using a few basic ideas and lots of shortcuts-can easily learn to recognize common mistakes, determine whether numbers are credible, and make their own sensible estimates when needed. Giving you the simple tools you need to avoid being fooled by dubious numbers, Millions, Billions, Zillions is an essential survival guide for a world drowning in big-and often bad-data.

When President Warren G. Harding fell ill in 1923, Steve Early, a reporter for the Associated Press, became skeptical of the innocuous bulletins being issued by the White House. He remained at the hotel where the president was staying, and when Florence Harding called out for a doctor, Early scrambled down a fire escape to file the story. His Associated Press report was six minutes ahead of others with the news of Harding's death. A decade later, when Franklin D. Roosevelt entered the White House, Steve Early became the first person to hold the title of presidential press secretary. Mike McCurry, Jody Powell, and Marlin Fitzwater have all become familiar names. But how has the role of the White House press secretary changed over the years? We see these spokespeople at White House briefings, hear them quoted by reporters-but what do they really do? Whom do they really serve: the president, or the press? In his latest book, former Associated Press journalist and White House reporter W. Dale Nelson provides an insightful look at what has gone on behind the scenes of the White House press podium from the 1890s to the present-day Clinton administration. Nelson draws on interviews with former press secretaries, press office records, and his own experience as a White House reporter to trace the history of the position, from its early, informal days to its present, seminal role in the Clinton administration.

This book provides a comprehensive analysis of Chinese advertising as an industry, a discourse and profession in China s search for modernity and cultural globalization. It compares and contrasts the advertising practices of Chinese advertising agencies and foreign advertising agencies, and Chinese brands and foreign brands, with a particular focus on the newest digital advertising practices in the post WTO era. Based on extensive interviews, participant observation, and a critical analysis of secondary data, Li offers an engaging analysis of the transformation of Chinese advertising in the past three decades in Post-Mao China. Drawing upon theories of political economy, media, and cultural studies, her analysis offers most significant insights in advertising and consumer culture as well as the economic, social, political, and cultural transformations in China. The book is essential for students and scholars of communication, media, cultural studies and international business, and all those interested in cultural globalization and China.

The exciting field of visual studies is fast becoming part of many university and design school curricula. This introduction contains inspiring local and international photos and examples to help visual studies and media studies students understand and interpret their world in a meaningful way. Looking at Media will assist students to gain a basic intellectual understanding of visual culture and visual studies, while learning how these academic fields can be used critically to deconstruct visual texts produced by the South African and international media industry. The focus of the book is to provide students with different methods to analyse visual images. Students are guided to look at media artefacts through different lenses, encompassing the most important theories and concepts of Western thought. Theories are explained in an accessible manner that even first time scholars will understand. To make the theories more applicable, many of the case studies and examples used are from the African continent. The young and dynamic author team shows that being a visual studies scholar means not simply to understand how visual media work, but how the world works through the visual media.

James M. Wilce's new textbook introduces students to the study of language as a tool in anthropology. Solidly positioned in linguistic anthropology, it is the first textbook to combine clear explanations of language and linguistic structure with current anthropological theory. It features a range of study aids, including chapter summaries, learning objectives, figures, exercises, key terms and suggestions for further reading, to guide student understanding. The complete glossary includes both anthropological and linguist terminology. An Appendix features material on phonetics and phonetic representation. Accompanying online resources include a test bank with answers, useful links, an instructor's manual, and a sign language case study. Covering an extensive range of topics not found in existing textbooks, including semiotics and the evolution of animal and human communication, this book is an essential resource for introductory courses on language and culture, communication and culture, and linguistic anthropology.

This book charts the life of America's most famous dissident. A complete transcript of the film is complemented by key excerpts from the writings, interviews, and correspondence, exchanges between Chomsky and his critics, filmmakers' notes, and a resource guide.

This crucial volume focusing on free speech, media, and law confronts complicated issues that are of interest not only to media law scholars, but to anyone concerned with the First Amendment. It questions whether freedom of speech is identical to freedom of the press and explores why the law restrains free speech for broadcast media but not for traditional print media. In dealing with the often opposing ideals of the rights of the media versus the rights of the individual, this volume tackles difficult legal and social questions of the day.

Jane Austen has resonated with readers across generations like no other writer. More than two hundred years after the publication of her most celebrated novel, Pride and Prejudice, people around the world continue to honor ""dear Jane."" In Performing Jane, Sarah Glosson explores this vibrant fandom, examining a long history of Austen fans engaging with her work, from wearing hand-A sewn bonnets and period-A appropriate corsets to creating spirited fanfiction and comical gifsets. Sophisticated and engaging, this study demonstrates that Austen fans of today have a great deal in common with those who loved the English novelist long before the term ""fan"" came into use. Performing Jane analyzes three ways fans engage with Austen and her work: collecting material related to the writer, whether in physical scrapbooks or on socialA -media platforms; creating and consuming imitative works, including fanfiction and modernized adaptations such as The Lizzie Bennet Diaries; and making pilgrimages to Steventon, Hampshire, Chawton Cottage, and even to annual meetings of Jane Austen societies. Key to Glosson's exploration of Austen fans is the notion that all of these activities, whether occurring in private or in public, are fundamentally performative. And in counterbalance to studies that center on fans with a tendency to transform and disrupt the original text, this study provides much-A needed understanding of a fandom that predominantly reaffirms Austen's works. Because Austen's writing has bridged the realms of both literary and popular culture, this fandom serves as an excellent case study to understand the ways in which we draw distinctions between fandom and other forms of intensive engagement and, more importantly, to appreciate how fluid those distinctions can be. Performing Jane embraces a holistic view of the long history of Austen fandom, relying on archival research, literary and visual analyses, and ethnographic study. This groundbreaking book not only demonstrates the ways in which fan practices, today and in the past, are performative, but also provides fresh perspectives into fandom and contributes to our understanding of the ways readers engage with literature.

Helping you find your voice, INTERPERSONAL COMMUNICATION: EVERYDAY ENCOUNTERS, 8e helps you build the skills you need to become a more effective communicator. Award-winning author Julia T. Wood incorporates the latest communication research as she presents a pragmatic introduction to the concepts, principles, and skills of interpersonal communication. Reflecting her expertise in gender and social diversity, the book offers unparalleled emphasis on diversity. It also provides comprehensive coverage of the influence of social media and thorough discussions of the ethical challenges and choices that affect interpersonal communication. In addition, it covers such timely issues as emotional intelligence and forgiveness, interracial relationships, safe sex, ways to deal with abuse from intimates, race-related differences between conflict styles, and the power of language.

Advertisers in the nineteenth and early twentieth century pushed the boundaries of printing, manipulated language, inspired a new form of art and exploited many formats, including calendars, bookmarks and games. This collection of essays examines the extent to which these standalone advertisements - which have survived by chance and are now divorced from their original purpose - provide information not just on the sometimes bizarre products being sold, but also on class, gender, Britishness, war, fashion and shopping. Starting with the genesis of an advertisement through the creation of text, image, print and format, the authors go on to examine the changing profile of the consumer, notably the rise of the middle classes, and the way in which manufacturers and retailers identified and targeted their markets. Finally, they look at advertisements as documents that both reveal and conceal details about society, politics and local history. Copiously illustrated from the world-renowned John Johnson Collection of Printed Ephemera and featuring work by influential illustrators John Hassall and Dudley Hardy, this attractive book invites us to consider both the intended and unintended messages of the advertisements of the past.

Endorsed by WJEC/Eduqas, this Student Book offers high quality support you can trust. Written by experienced Media Studies teachers and examiners, this engaging resource will encourage your students to become confident, independent learners and develop their skills as Media students.// All areas of the specification are covered and supported by numerous highly-illustrated examples taken from the set products and optional choices. // The theoretical framework underpinning media studies is explored and applied to a range of media forms and products. // A dedicated chapter on the Non-Examined Assessment element of the specification provides clear guidance on how students will be assessed. // Exam guidance sections introduce students to practice questions and the assessment objectives helping students with the skills they need for assessment. // Extension tasks will help to stretch and challenge higher ability students. // The book supports students taking Media Studies for the first time, as well as those who are progressing from GCSE.

We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that 'the people' are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, 'intra-structured' by the apparatuses of communication that govern our interactions. In this major book, Yves Citton maps out the new regime of experience, media and power that he designates by the term 'mediarchy'. To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which are essential if we are to rise to the unprecedented challenges of our time. This comprehensive and far-reaching book will be essential reading for students and scholars in media and communications, politics and sociology, and it will be of great interest to anyone concerned about the multiple and complex ways that the media - from newspapers and TV to social media and the internet - shape our social, political and personal lives today.