A New Introduction to Classical Chinese introduces the reader to the Classical Chinese of the ancient world through the presentation of text passages with grammatical commentary. Beginning with Mencius, the work which purports to contain the teachings of the first great disciple of Confucius, and passages from other writers of the fourth and third centuries BC, the author progresses to selections from the great Han Dynasty historian Ssu-ma Ch'ien, who became a model for future generations of Chinese writers. This book has become a standard work for use in universities as well as for private study. The introductory material employs the Wade-Giles system of romanization, which has been used for the great majority of academic works, but the bulk of the book also offers the reader the alternative of employing the now standard Pinyin romanization. This is a redesigned re-issue of A New Introduction to Classical Chinese which in 1985 replaced the author's An Introduction to Classical Chinese first published in 1968. The notes were entirely revised and the amount of text nearly doubled. The book goes beyond the fourth century to include material from the great Han Dynasty historian Ssu-ma Ch'ien, who perfected a narrative style that became a model for future generations of Chinese writers.

This book is at once a guided introduction to Chinese nonfictional prose and an innovative textbook for the study of classical Chinese. It is a companion volume to How to Read Chinese Prose: A Guided Anthology, designed for Chinese-language learners. How to Read Chinese Prose in Chinese presents more than forty prose works, either excerpts or in full, from antiquity through the Qing dynasty. While teaching readers how to appreciate the rich tradition of Chinese prose in its original form, the book uses these texts to introduce classical Chinese to advanced learners, helping them develop reading comprehension and vocabulary. It offers a systematic guide to classical Chinese grammar and abundant notes on vocabulary, and features an extensive network of notes, exercises, and cross-references. The book includes modern translations of the forty prose works in simplified Chinese, presented alongside the original texts in traditional Chinese. It also includes expert commentaries on each text's distinctive aesthetic qualities as well as historical and cultural contexts. The book comprises thirty-eight lessons within eight units, organized chronologically to reflect the emergence of major prose genres. It is a major contribution to the teaching and study of classical Chinese language and literature. Audio recordings of all forty texts are available online free of charge.

"Selections from Classical Chinese: Historical Texts" aims to instruct, inform, and inspire students of Chinese by presenting selected historical texts and their annotations. Taken from the seminal works known as the Four Histories, the fourteen included texts offer insights into the political, social, economic, and cultural aspects of China over a long period of time. The comprehensive annotations provide full pronunciation in pinyin, the grammatical function of individual words, and a full explication of the texts.

One of the supplementary readings to "Classical Chinese: A Basic Reader," this volume includes eight selections from the "Shi Ji" and two each from the "Han Shu," the "Hou Han Shu," and the "San Guo Zhi." Each unfolds a fascinating account of the historical events and figures that represent certain salient values or distinctive cultural characteristics of what has come to be the Chinese tradition.

The "Shi Ji," a grand history by Sima Qian chronicling three thousand years of Chinese history, is divided into five sections of 130 chapters. Sima Qian is especially noted for his biographical style, and his work is considered the first and only "universal history" of China. The "Han Shu," by Ban Gu, recounts the history of a single dynasty and is known for its dynastic style in depicting history. Together, these two histories represent paradigms of Chinese historiography. The "Hou Han Shu," by Fan Ye, and the "San Guo Zhi," by Chen Shou, continue this tradition of excellence. These four works are known collectively as the "Four Histories."

All texts are fully annotated to include a pinyin version marking the pronunciation of each word, glosses of each word by grammatical function and its meaning in the text, as well as detailed explication of each word. The exercises at the end of each selection are intended to help students apply newly gained knowledge, better appreciate Chinese history, and stimulate interest in additional reading.

This textbook provides an innovative approach to support students' learning and acquisition of Spanish through ten plays (all presented in Spanish) from Spain and Latin America. It offers direct interaction through realistic discourse from plays that also present current topics, thus facilitating class conversations. Each chapter provides an introduction to the play and author, pre-reading activities, acting exercises, reading comprehension and literary analysis questions, writing prompts, and topics for reflection on culture. Additional role-playing, improvisation, scriptwriting and non-verbal games help to acquaint the learner with diverse forms of social interactions. Este libro de textos proporciona un acercamiento innovador para el aprendizaje y adquisicion del espanol mediante el empleo de diez piezas dramaticas procedentes de Espana y America Latina. El libro ofrece la oportunidad de interactuar con el lenguaje hablado de las obras, las que a su vez presentan temas de actualidad, estimulando asi la practica de la conversacion en el contexto de una clase. Cada capitulo proporciona una introduccion a la obra y su autor/a, actividades de lectura, ejercicios de actuacion, preguntas de lectura y comprension, preguntas de analisis literario y consignas para la redaccion y la reflexion sobre la cultura. Ademas de esto, los ejercicios de role-playing, improvisacion, escritura dramatica y juegos de comunicacion no verbal posicionan al alumnado a entrar en contacto con diversas situaciones comunicativas.