Assuming no prior knowledge, The Qur'an: A Philosophical Guide is an introduction to the Qur'an from a philosophical point of view. Oliver Leaman's guide begins by familiarizing the readers with the core theories and controversies surrounding the text. Covering key theoretical approaches and focusing on its style and language, Leaman introduces the Qur'an as an aesthetic object and as an organization. The book discusses the influence of the Qur'an on culture and covers its numerous interpreters from the modernizers and popularizers to the radicals. He presents a close reading of the Qur'an, carefully and clearly presenting a variety of philosophical interpretation verse-by-verse. Explaining what the philosopher is arguing, relating the argument to a particular verse, and providing the reader with the means to be part of the discussion, this section includes: - Translated extracts from the text - A range of national backgrounds and different cultural and historic contexts spanning the classical and modern period, the Middle East, Europe and North America - Philosophical interpretations ranging from the most Islamophobe to the extreme apologist - A variety of schools of thought and philosophers such as Peripatetic, Illuminationist, and Sufi. Written with clarity and authority and showing the distinct ways a variety of thinkers have sought to understand the text, The Qur'an: A Philosophical Guide introduces readers to the value of interpreting the Qur'an philosophically.

The Owner's Manual to the Soul is a summary of the spiritual service that God asks of us as described in traditional Jewish texts. By learning and applying the teachings in this book, one will then be ready for the "light" of Kabbalistic meditation.

This is the study of an anonymous ancient work, usually called Joseph and Aseneth, which narrates the transformation of the daughter of an Egyptian priest into an acceptable spouse for the biblical Joseph, whose marriage to Aseneth is given brief notice in Genesis. Kraemer takes issue with the scholarly consensus that the tale is a Jewish conversion story composed no later than the early second century C.E. Instead, she dates it to the third or fourth century C.E., and argues that, although no definitive answer is presently possible, it may well be a Christian account. This critique also raises larger issues about the dating and identification of many similar writings, known as pseudepigrapha. Kraemer reads its account of Aseneth's interactions with an angelic double of Joseph in the context of ancient accounts of encounters with powerful divine beings, including the sun god Helios, and of Neoplatonic ideas about the fate of souls. When Aseneth Met Joseph demonstrates the centrality of ideas about gender in the representation of Aseneth and, by extension, offers implications for broader concerns about gender in Late Antiquity.

In the last few decades, yoga has helped millions of people to improve their concepts of themselves. Yoga realises that man is not only the mind, he is body as well. Yoga has been designed in a such a way that it can complete the process of evolution of the personality in every possible direction. Kundalini yoga is a part of the tantric tradition. Even though you may have already been introduced to yoga, it is necessary to know something about tantra also. Since the dawn of creation, the tantrics and yogis have realised that in this physical body there is a potential force. It is not psychological or transcendental; it is a dynamic potential force in the material body, and it is called Kundalini. This Kundalini is the greatest discovery of tantra and yoga. Scientists have begun to look into this, and a summary of the latest scientific experiments is included in this book.

The Records of Mazu and the Making of Classical Chan Literature explores the growth, makeup, and transformation of Chan (Zen) Buddhist literature in late medieval China. The volume analyzes the earliest extant records about the life, teachings, and legacy of Mazu Daoyi (709-788), the famous leader of the Hongzhou School and one of the principal figures in Chan history. While some of the texts covered are well-known and form a central part of classical Chan (or more broadly Buddhist) literature in China, others have been largely ignored, forgotten, or glossed over until recently. Poceski presents a range of primary materials important for the historical study of Chan Buddhism, some translated for the first time into English or other Western language. He surveys the distinctive features and contents of particular types of texts, and analyzes the forces, milieus, and concerns that shaped key processes of textual production during this period. Although his main focus is on written sources associated with a celebrated Chan tradition that developed and rose to prominence during the Tang era (618-907), Poceski also explores the Five Dynasties (907-960) and Song (960-1279) periods, when many of the best-known Chan collections were compiled. Exploring the Chan School's creative adaptation of classical literary forms and experimentation with novel narrative styles, The Records of Mazu and the Making of Classical Chan Literature traces the creation of several distinctive Chan genres that exerted notable influence on the subsequent development of Buddhism in China and the rest of East Asia.

The people we've come to call gnostics were passionate advocates of the view that salvation comes through knowledge and personal experience, and their passion shines through in the remarkable body of writings they produced over a period of more than a millennium and a half. Willis Barnstone and Marvin Meyer have created a translation that brings the gnostic voices to us from across the centuries with remarkable power and beauty--beginning with texts from the earliest years of Christianity--including material from the Nag Hammadi library--and continuing all the way up to expressions of gnostic wisdom found within Islam and in the Cathar movement of the Middle Ages. The twenty-one texts included here serve as a compact introduction to Gnosticism and its principal ideas--and they also provide an entree to the pleasures of gnostic literature in general, representing, as they do, the greatest masterpieces of that tradition.

For countless generations families have lived in isolated communities in the Godavari Delta of coastal Andhra Pradesh, learning and reciting their legacy of Vedas, performing daily offerings and occasional sacrifices. They are the virtually unrecognized survivors of a 3,700-year-old heritage, the last in India who perform the ancient animal and soma sacrifices according to Vedic tradition. In Vedic Voices, David M. Knipe offers for the first time, an opportunity for them to speak about their lives, ancestral lineages, personal choices as pandits, wives, children, and ways of coping with an avalanche of changes in modern India. He presents a study of four generations of ten families, from those born at the outset of the twentieth century down to their great-grandsons who are just beginning, at the age of seven, the task of memorizing their Veda, the Taittiriya Samhita, a feat that will require eight to twelve years of daily recitations. After successful examinations these young men will reside with the Veda family girls they married as children years before, take their places in the oral transmission of a three-thousand-year Vedic heritage, teach the Taittiriya collection of texts to their own sons, and undertake with their wives the major and minor sacrifices performed by their ancestors for some three millennia. Coastal Andhra, famed for bountiful rice and coconut plantations, has received scant attention from historians of religion and anthropologists despite a wealth of cultural traditions. Vedic Voices describes in captivating prose the geography, cultural history, pilgrimage traditions, and celebrated persons of the region. Here unfolds a remarkable story of Vedic pandits and their wives, one scarcely known in India and not at all to the outside world.

For the first time in human history, the Zohar, the sacred 2,000-year old guide to the books of the Bible, appears in English! With an unabridged translation and general commentary written for the layperson, this powerful text brings serenity, wisdom and hope, giving order and harmony to the chaos of modern life!

The Bhagavad Gita is one of the most widely read Hindu scriptures in the Western world. Taking the form of a dialogue between the warrior Arjuna and the divine Krishna on the eve of battle, it is concerned with the most profound aspects of social and religious duty, and the relationship of human beings to God. In its eighteen short chapters it explores the spiritual struggle of the human soul and the search for both the true self and eternal life, culminating in an unparalleled vision of God the omnipotent.

This critical study traces the development of the literary forms and conventions of the Babylonian Talmud, or Bavli, analyzing those forms as expressions of emergent rabbinic ideology. The Bavli, which evolved between the third and sixth centuries in Sasanian Iran (Babylonia), is the most comprehensive of all documents produced by rabbinic Jews in late antiquity. It became the authoritative legal source for medieval Judaism, and for some its opinions remain definitive today. Kraemer here examines the characteristic preference for argumentation and process over settled conclusions of the Bavli. By tracing the evolution of the argumentational style, he describes the distinct eras in the development of rabbinic Judaism in Babylonia. He then analyzes the meaning of the disputational form and concludes that the talmudic form implies the inaccessibility of perfect truth and that on account of this opinion, the pursuit of truth, in the characteristic talmudic concern for rabbinic process, becomes the ultimate act of rabbinic piety.

The prevailing belief among Muslims is that, because the Qur'an is the Word of God and God is eternal, it follows that His Word is also eternal. The belief is based on the postulate that the Word of God must be of the same nature as God Himself. Mahmoud Hussein refutes this by showing that it contradicts the very teachings of the Qur'an. Whereas God transcends time, His Word is inscribed within time. It is not a monologue, but a living exchange, through which God reveals to His Prophet different orders of truth, weaving together the absolute and the relative, the general and the particular, the eternal and the contingent. An international bestseller, Understanding the Qur'an today offers a new perspective on one of the world's most influential texts and adds an invaluable contribution to the debate on Islam and modernity.

Luminous Essence is a complete introduction to the world of tantric thought and practice. Composed by the renowned Tibetan master Jamgon Mipham (1846-1912), the text provides an overview of the theory and experiential assimilation of a seminal tantric scripture, the Tantra of the Secret Essence (Guhyagarbha Tantra). Embodying the essence of tantric practice, this text has been a central scripture in Tibetan Buddhism for well over a thousand years. Mipham's explanation of this text, here translated for the first time, is one of the most celebrated commentaries on the Tantra of the Secret Essence, which today occupies an important place in the tantric curriculum of Tibetan monastic colleges. Luminous Essence is a specialized guide meant for initiated tantric practitioners. To fully appreciate and assimilate its message, it should be studied under the guidance of a qualified teacher by those who have received the appropriate empowerments, reading transmissions, and oral instructions.

This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.

The Oxford Handbook of the Apocrypha addresses the Old Testament Apocrypha, known to be important early Jewish texts that have become deutero-canonical for some Christian churches, non-canonical for other churches, and that are of lasting cultural significance. In addition to the place given to the classical literary, historical, and tradition-historical introductory questions, essays focus on the major social and theological themes of each individual book. With contributions from leading scholars from around the world, the Handbook acts as an authoritative reference work on the current state of Apocrypha research, and at the same time carves out future directions of study. This Handbook offers an overview of the various Apocrypha and relevant topics related to them by presenting updated research on each individual apocryphal text in historical context, from the late Persian and early Hellenistic periods to the early Roman era. The essays provided here examine the place of the Apocrypha in the context of Early Judaism, the relationship between the Apocrypha and texts that came to be canonized, the relationship between the Apocrypha and the Septuagint, Qumran, the Pseudepigrapha, and the New Testament, as well as their reception history in the Western world. Several chapters address overarching themes, such as genre and historicity, Jewish practices and beliefs, theology and ethics, gender and the role of women, and sexual ethics.

The study discusses the Old Testament's parable of Nathan and the subsequent condemnation of King David. The intriguing episode of the Prophet Nathan pronouncing judgment on the erring King David has always attracted the interest of the exegete and various researchers have used different methods to separate the condemnation of King David from the ancient author. This study presents a synchronic reading of the canonical text that reveals the episode as the mirror image of the oracle of eternal dynasty pronounced to David by the same prophet in the Second Book of Samuel 7. It is indeed the work of the deuteronomistic writer who has adapted an oracle against the dynasty of David and trimmed it to the advantage of his hero in the unfolding of history.

The Nay Science offers a new perspective on the problem of scientific method in the human sciences. Taking German Indological scholarship on the Mahabharata and the Bhagavadgita as their example, Adluri and Bagchee develop a critique of the modern valorization of method over truth in the humanities.
The authors show how, from its origins in eighteenth-century Neo-Protestantism onwards, the critical method was used as a way of making theological claims against rival philosophical and/or religious traditions. Via discussions of German Romanticism, the pantheism controversy, scientific positivism, and empiricism, they show how theological concerns dominated German scholarship on the Indian texts. Indology functions as a test case for wider concerns: the rise of historicism, the displacement of philosophical concerns from thinking, and the belief in the ability of a technical method to produce truth.
Based on the historical evidence of the first part of the book, Adluri and Bagchee make a case in the second part for going beyond both the critical pretensions of modern academic scholarship and and the objections of its post-structuralist or post-Orientalist critics. By contrasting German Indology with Plato's concern for virtue and Gandhi's focus on praxis, the authors argue for a conception of the humanities as a dialogue between the ancients and moderns and between eastern and western cultures.

This book deals with the theology of the Church of Smyrna from its foundation up to the Council of Nicaea in 325. The author provides a critical historical evaluation of the documentary sources and certain aspects particularly deserving of discussion. He makes a meticulous study of the history of the city, its gods and institutions, the set-up of the Jewish and Christian communities and the response of the latter to the imperial cult. Finally, he undertakes a detailed analysis both of the reception of the Hebrew Scriptures and the apostolic traditions, as well as examining the gradual historical process of the shaping of orthodoxy and the identity of the community in the light of the organisation of its ecclesial ministries, its sacramental life and the cult of its martyrs.

Despite its deceptively simple title, this book ponders the thorny issue of the place of the Bible in Jewish religion and culture. By thoroughly examining the complex link that the Jews have formed with the Bible, Jewish scholar Jean-Christopher Attias raises the uncomfortable question of whether it is still relevant for them.
"Jews and the Bible" reveals how the Jews define themselves in various times and places "with" the Bible, "without" the Bible, and "against" the Bible. Is it divine revelation or national myth? Literature or legislative code? One book or a disparate library? Text or object? For the Jews, over the past two thousand years or more, the Bible has been all that and much more. In fact, Attias argues that the Bible is nothing in and of itself. Like the Koran, the Bible has never been anything other than what its readers make of it. But what they've made of it tells a fascinating story and raises provocative philosophical and ethical questions.
The Bible is indeed an elusive book, and so Attias explores the fundamental discrepancy between what we think the Bible tells us about Judaism and what Judaism actually tells us about the Bible. With passion and intellect, Attias informs and enlightens the reader, never shying away from the difficult questions, ultimately asking: In our post-genocide and post-Zionist culture, can the Bible be saved?

Do we need the Old Testament? That's a familiar question, often asked. But as an Old Testament scholar, John Goldingay turns that question on its head: Do we need the New Testament? What's new about the New Testament? After all, the Old Testament was the only Bible Jesus and the disciples knew. Jesus affirmed it as the Word of God. Do we need anything more? And what happens when we begin to look at the Old Testament, which is the First Testament, not as a deficient old work in need of a christological makeover, but as a rich and splendid revelation of God's faithfulness to Israel and the world? In this cheerfully provocative yet probingly serious book, John Goldingay sets the question and views it from a variety of angles. Under his expert hand, each facet unfolds the surprising richness of the Old Testament and challenges us to recalibrate our perspective on it.