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Books > Arts & Architecture > Photography & photographs > Special kinds of photography
On October 1, 1958, the world's first civilian space agency opened for business as an emergency response to the Soviet Union's launch of Sputnik a year earlier. Within a decade, the National Aeronautics and Space Administration, universally known as NASA, had evolved from modest research teams experimenting with small converted rockets into one of the greatest technological and managerial enterprises ever known, capable of sending people to the Moon aboard gigantic rockets and of dispatching robot explorers to Venus, Mars, and worlds far beyond. In spite of occasional, tragic setbacks in NASA's history, the Apollo lunar landing project remains a byword for American ingenuity; the winged space shuttles spearheaded the International Space Station and a dazzling array of astronomical satellites and robotic landers, and Earth observation programs have transformed our understanding of the cosmos and our home world's fragile place within it. Throughout NASA's 60-year history, images have played a central role. Who today is not familiar with the Hubble Space Telescope's mesmerizing views of the universe or the pin-sharp panoramas of Mars from NASA's surface rovers? And who could forget the photographs of the first men walking on the Moon? Researched with the collaboration of NASA, this collection gathers more than 400 historic photographs and rare concept renderings, scanned and remastered using the latest technology and reproduced in extra-large size. Texts by science and technology journalist Piers Bizony, former NASA chief historian Roger Launius, and best-selling Apollo historian Andrew Chaikin-and an extensive mission checklist documenting the key human and robotic missions-round out this comprehensive exploration of NASA, from its earliest days to its current development of new space systems for the future.The NASA Archives is more than just a fascinating pictorial history of the U.S. space program. It is also a profound meditation on why we choose to explore space and how we will carry on this grandest of all adventures in the years to come.
Drawing on the images and expertise of dozens of industry-leading photographers, this manual on wedding photography provides critical insights into the techniques that set the best in the business apart from rest. Covering both the technical aspects of the profession as well as delving into more subtle aspects of the craft--including preparation and planning, interpersonal skills, a keen eye, good timing, a cool-under-pressure mindset, posing and lighting skills, and artistic talent--this detailed handbook also offers strategies for streamlining postproduction efforts from running digital filters and retouching images to saving and archiving files. With instructions on how to replicate stunning wedding images, this guide will interest amateur and professional photographers alike.
This book explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies. Pictorialism is motivated by the commitment to develop and increase the function and effectiveness of images, sounds, and performances that aesthetically formulate, translate, and change the effects of contemporary cinema to higher dimensions and qualities of art. The book's main focus is when pictorialism as such is the major aesthetic convention used in filmmaking practice, and when pictorialism itself forms the key element of the narrative, considering a number of theoretical and practical issues of filmic narration, including: What are the main challenges of pictorial communication? How is pictorialism used in films? How far is the "pictorial image" a combination of the bodily performance of the characters, the surrounding landscape, and the evocative use of the soundscape? More generally, what is the state of image studies today?The first part of this book deals with the conventions of pictorialist connections in architecture, painting and photography, and their influences on cinematic representations and on film studies and film theory. The films analysed here combine various styles, but the focus is tracking down pictorialism's influences through a large spectre of matters. The next section explores pictorialism's development in Hollywood cinema, in European Cinema, in avant-garde film, and in documentary. Finally, the book concludes with three large sections devoted to the developers of modern pictorialist cinema, namely Theo Angelopoulos, Aki Kaurismaki and Bela Tarr. As such, this study offers a way to understand the main ideas, subjects and stylisation of pictorialism in cinema, to explore the main ingredients of this phenomenon, and to focus on narratives that are in the service of pictorial matters.
By emphasizing basic principles of good lighting and how to apply them, this informative guide shows advanced amateur photographers and professionals how to improve their photographic skills. After explaining different types of light, flash basics, and the benefits of on- and off-camera lighting techniques, it discusses how to use this information to increase the "gasp factor"--that powerful, emotional response that compels the viewer to take a second look at a photograph. Also included are assignments meant to help solidify this new flash knowledge for the photographer in order to put it into practice. As a bonus, the book contains inspirational stories demonstrating real-world applications of the techniques from a photojournalist with decades of experience.
With detailed, informative instructions for capturing personable and memorable yearbook photos, actor and model portfolios, and business, bridal, and children's portraits, this exhaustive reference covers what photographers need to know to be successful. Emphasizing that the client is always the center of the photograph, this resource illustrates how to evaluate the customer to determine which features to downplay and which to accent. Tips for creating the perfect image through posing and lighting, handling the post-shot conference, and previewing and retouching the images are supplied, as well as guidance for the technical and emotional challenges of shooting a portrait. Packed with step-by-step images, no-nonsense techniques, and practical advice, this is a must-have book for professional and advanced amateur photographers.
Emphasizing how to work with natural light rather than using supplementary lighting to create an artificial environment, photographers can use these simple techniques to mold existing light into the desired quality and shape. All situations are discussed, including overcast and sunny days, backlighting and flare, window light, daylight studios, natural reflectors, and studio lighting at home, offering a plethora of ideas for finding, diffusing, and creating light. As photographers learn the advantages of shooting with available light--no set up, more spontaneity, more time to concentrate on the subject, and the ability to capture preexisting relationships--they not only become better photographers but gain confidence and an increased awareness of their artistic medium.
FILM PRODUCTION TECHNIQUE (FPT): CREATING THE ACCOMPLISHED IMAGE, 6e, is aimed at the basic production course taken by radio/tv/film majors. FPT, 6e, delivers a technical and aesthetic introduction to media production that couples video production techniques with strong emphasis on incorporating motion picture film into a project's workflow. The text serves as a primer for all students, but is especially valuable to those students with limited background in the field of media production. FPT, 6e explores cutting-edge technologies as well as traditional Hollywood techniques, covering lighting, cameras, editing, crew organization, and the production process. It also lays out the basic, conventional approach to scene structure in a straightforward and methodical manner.
VISUAL STORYTELLING: VIDEOGRAPHY AND POST PRODUCTION IN THE DIGITAL AGE SECOND EDITION combines a thorough exploration of essential storytelling concepts with detailed instruction in practical technical skills. Without limiting its focus to a particular range of equipment, applications, or technology, this engaging text covers the key concepts, aesthetics, and techniques of single-camera field production and post production, and includes real-life stories and suggestions from working professionals. The accompanying website illustrates and expands on text concepts with pedagogically sound interactive learning modules as well as the capability to download high definition video footage for editing exercises. |
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