What did it mean to be mad in seventeenth-century England? This book uses autobiographical accounts of mental disorder to explore the ways madness was identified and experienced from the inside. Looking at contemporary ideas about mental illness alongside a range of spiritual autobiographies from the period, it asks how certain people came to be defined as insane, and what we can learn from the accounts they wrote. These narratives, with their vivid and immediate descriptions of anxieties, delusions and desires, illuminate not only madness in early modern culture, but also sanity, and demonstrate the fragility of the boundary between the two.

Robert Rosenstone was among the first 'postmodern' historians, and remains one of the most renowned. In this honest, revealing and often funny memoir, he shows us how he got there and why. Adventures of a Postmodern Historian chronicles Rosenstone's research journeys over half a century. Beginning in the 1960s, his offbeat trajectory took him on adventures through the police states of Franco Spain and the Soviet Union, to the Shinto shrines and Zen temples of Japan and ultimately to Hollywood. Alongside his own memoirs, Rosenstone reflects upon developments and changes within the realm of professional history, which in turn reflect the social, cultural, and intellectual shifts of the late 20th century. A pioneer of experimental and creative history, he suggests how the experience of the historian can inflect the written history, and provides a defence of innovation in historical writing that is both intellectually rigorous and entertaining. In doing so he offers a window into the state of history today - and points to exciting new ways of writing the past. This is a book about the craft of history, about both doing research and writing it. It should be required reading for all historians.

Collections of essays surveying the historical discipline at the end of the 1970s heralded the new approached being developed, approaches that promised a rich diversity and cosmopolitan pluralism in the face of the uncertainty of historical reality. The essayists in this successor volume, surveying the work of the 1980s, finds that these new approaches have not brought satisfactory results, and argues that traditional practices, reassessed and properly understood, constitute the true scientific grounding of the discipline. Objective reality is obtainable, the historian's subjectivity can be understood rationally, historical sources and causal strategies can be managed objectively. In brief, a truthful account of the past is possible, but it must be both objective and subjective.

The British anti-psychiatric group, which formed around R.D. Laing, David Cooper, and Aaron Esterson in the 1960s, burned bright, but briefly, and has left a long legacy. This book follows their practical, social, and theoretical trajectory away from the structured world of institutional psychiatry and into the social chaos of the counter-culture. It explores the rapidly changing landscape of British psychiatry in the mid-Twentieth Century and the apparently structureless organisation of the part of the counter-culture that clustered around the anti-psychiatrists, including the informal power structures that it produced. The book also problematizes this trajectory, examining how the anti-psychiatrists distanced themselves from institutional psychiatry while building links with some of the most important people in post-war psychiatry and psychoanalysis. The anti-psychiatrists bridged the gap between psychiatry and the counter-culture, and briefly became legitimate voices in both. Wall argues that their synthesis of disparate discourses was one of their strengths, but also contributed to the group's collapse. The British Anti-Psychiatrists offers original historical expositions of the Villa 21 experiment and the Anti-University. Finally, it proposes a new reading of anti-psychiatric theory, displacing Laing from his central position and looking at their work as an unfolding conversation within a social network.

This book analyses the international development of the census by comparing the history of census taking on all continents and in many countries. The timeframe is wide, from male censuses in the Bible to current censuses covering the whole population. There is a focus on the efforts and destinies of census takers and the development of methods used to collect information into the census questionnaires. The book highlights international cooperation in census taking, as well as how computerized access to census data facilitates genealogical studies and statistical research on both historical and contemporary societies. It deals with such questions as "Why did the French and British gentry block efforts at census taking in the 18th century?"; "What role did German censuses play during Holocaust?"; Why were the Soviet census directors executed as part of the Moscow processes?"; "Why did US states sue the Census Bureau in the 1970s?"; "How do wars and revolutions affect census taking?". The text ends by discussing whether the days of the population census as we know it are numbered, since countries exceedingly construct censuses by combining information from population registers rather than with questionnaires.

A scholar of Hellenistic and Prussian history, Droysen developed a historical theory that at the time was unprecedented in range and depth, and which remains to the present day a valuable key for understanding history as both an idea and a professional practice. Arthur Alfaix Assis interprets Droysen's theoretical project as an attempt to redefine the function of historiography within the context of a rising criticism of exemplar theories of history, and focuses on Droysen's claim that the goal underlying historical writing and reading should be the development of the subjective capacity to think historically. In addition, Assis examines the connections and disconnections between Droysen's theory of historical thinking, his practice of historical thought, and his political activism. Ultimately, Assis not only shows how Droysen helped reinvent the relationship between historical knowledge and human agency, but also traces some of the contradictions and limitations inherent to that project.

Throughout its history, the discipline of ecology has always been profoundly entangled with the history of space and place. On the one hand, ecology is a field science that has thrived on the study of concrete spatial entities, such as islands, forests or rivers. These spaces are the workplaces in which ecological phenomena are identified, observed and experimented on. They provide both epistemic opportunities and constraints that structure the agenda and the analytical sensibilities of ecological researchers. On the other hand, ecological knowledge and practices have become important resources through which spaces and places are classified, delineated, explained, experienced and managed. The impact of these activities reaches far beyond the realms of the ecological discipline. Many ecological concepts such as "biotopes," "ecosystems" and "the biosphere" have become entities that widely resonate in public life and policy making. This book explores the mutual entanglement between space and knowledge-making in the history of ecology. Its first goal is to explore to which extent a spatial perspective can shed new light on the history of ecological science. Second, it uses ecology as a critical site to gain broader insights into the history of the environment in the nineteenth and twentieth centuries. Via a series of case studies - discussing topics that range from ecological field stations in the early-twentieth century Caribbean over wisent breeding in Nazi Germany to computer modelling in North American deserts - the book offers a tour through the changing landscapes of modern ecology.

The archaeological study of the Ancient World has become increasingly popular in recent years. A Research Guide to the Ancient World: Print and Electronic Sources, is a partially annotated bibliography. The study of the ancient world is usually, although no exclusively, considered a branch of the humanities, including archaeology, art history, languages, literature, philosophy, and related cultural disciplines which consider the ancient cultures of the Mediterranean world, and adjacent Egypt and southwestern Asia. Chronologically the ancient world would extend from the beginning of the Bronze Age of ancient Greece (ca. 1000 BCE) to the fall of the Western Roman Empire (ca. 500 CE). This book will close the traditional subject gap between the humanities (Classical World; Egyptology) and the social sciences (anthropological archaeology; Near East) in the study of the Ancient World. This book is uniquely the only bibliographic resource available for such holistic coverage. The volume consists of 17 chapters and seven appendices. Arrangement is according to the traditional types of library research materials (bibliographies, dictionaries, atlases, etc.) and the appendices are most subject specific, including graduate programs in the Ancient World, significant archaeologyical sites reports, numismatics, and paleography and writing systems.Access to the contents of the volume is facilitated by extensive author and subject indexes.

Narrative explanations are preferred over non-narrative, axiomatically, in the humanities. They are more truthful in two senses. Firstly they correspond more closely than a-narrative theories to reality. Secondly they enable, at the very least, value-loaded normative inferences. This is particularly the case when aesthetics is added to the mix. Emslie examines this argument over a wide terrain and over materials ranging from high to popular culture and from close analysis to anecdote, including Marxist Humanism, Feminist literary praxis, Freud, German idealism, discourse ethics, realist aesthetics, Brecht, and sports.

This book explores how school history textbooks are used to perpetuate nationalistic policies within divided regions. Exploring the 'divide and rule' politics across ex-Yugoslav successor states, the editors and contributors draw upon a wide range of case studies from across the region. Textbooks and other educational media provide the foundations upon which the new generation build understanding about their own context and the events that are creating their present. By promoting nationalistic politics in such media, textbooks themselves can be used as tools to further promote and preserve ongoing hostility between ethnic groups following periods of conflict. This edited collection will appeal to scholars of educational media, history education and post-conflict societies.

History has become focused on the future; the age of the information superhighway finds us always looking to the next horizon. But will there be a future for humanity? Considering the dire threats from environmental degradation, nuclear proliferation, and vicious ethnic rivalries, one may wonder what sort of futureif anyis in store for humankind. Eminent scholar H.J. Blackham tells us our future, the outcome of our history, has already been mapped out. If we want to know where we're going, we need to embrace where we've been. The Western world must take the time to understand, appreciate, and learn from its rich past in order to move toward its future.
The Future of Our Past is a powerful thematic essay that follows the course of Western history into the postreligious present in terms of cultural inheritance and legacy. Pagan Greece, Yahweh's Judea, and Christian Rome are the three universal models that shaped the past and continue to shape the present. From the Renaissance through the Enlightenment and on into the modern industrial period, the West has evolved in often tumultuous ways. As science, politics, and economics grew and developed, they clashed with and finally broke away from the established religious viewpoint.
What does the secular world offer us as a new vision of humanity? What, if any, hope can be found in the many upheavals in today's world? Blackham restores the idea that civilization is a precious inheritance of the past in which we all share. His valuable observations help us to appreciate our responsibility to preserve this legacy and pass it on to future generations.

The Carolingian period (c. 750-900) has traditionally been described as one of ‘reform’ or ‘renaissance’, where cultural and intellectual changes were imposed from above in a programme of correctio. This view leans heavily on prescriptive texts issued by kings and their entourages, foregrounding royal initiative and the cultural products of a small intellectual elite. However, attention to understudied texts and manuscripts of the period reveals a vibrant striving for moral improvement and positive change at all levels of society. This expressed itself in a variety of ways for different individuals and communities, whose personal relationships could be just as influential as top-down prescription. The often anonymous creators and copyists in a huge range of centres emerge as active participants in shaping and re-shaping the ideals of their world. A much more dynamic picture of Carolingian culture emerges when we widen our perspective to include sources from beyond royal circles and intellectual elites. This book reveals that the Carolingian age did not witness a coherent programme of reform, nor one distinct to this period and dependent exclusively on the strength of royal power. Rather, it formed a particularly intense, well-funded and creative chapter in the much longer history of moral improvement for the sake of collective salvation. -- .

Covering topics such as the Soviet monopoly over information and communication, violence in the gulags, and gender relations after World War II, this festschrift volume highlights the work and legacy of Sheila Fitzpatrick offers a cross-section of some of the best work being done on a critical period of Russia and the Soviet Union.

This book offers a new theoretical basis for urban studies and for historical studies in general by addressing one of the main problems that confronts contemporary historians. How is it possible to process and synthesize an increasingly overwhelming amount of specialist research in the face of the theoretical deadlock caused by postmodernism? How can we move beyond its claim that the past is unknowable? Jansen’s approach - in which he claims there is a reality that is accessible to our cognitive capacities - is based on Systems Theory, which has already been applied so successfully in the fields of management and organization.
While focusing his attention on urban historiography, Jansen argues that an integrative systems approach can be used in any field of historical enquiry to create a meaningful picture of the past. He illustrates the importance of structuring data in this way by looking at the profound complexity of the urban environment. This book is therefore important reading not only for urban historians and geographers but also for all social scientists interested in the future study of the European city.

This book offers a fresh account of the Anzac myth and the bittersweet emotional experience of Gallipoli tourists. Challenging the straightforward view of the Anzac obsession as a kind of nationalistic military Halloween, it shows how transnational developments in tourism and commemoration have created the conditions for a complex, dissonant emotional experience of sadness, humility, anger, pride and empathy among Anzac tourists. Drawing on the in-depth testimonies of travellers from Australia and New Zealand, McKay shines a new and more complex light on the history and cultural politics of the Anzac myth. As well as making a ground breaking, empirically-based intervention into the culture wars, this book offers new insights into the global memory boom and transnational developments in backpacker tourism, sports tourism and "dark" or "dissonant" tourism.

Starting with an essay on the Renaissance as the concluding phase of the Middle Ages and ending with appreciations of Paul Oskar Kristeller, the great twentieth-century scholar of the Renaissance, this new volume by John Monfasani brings together seventeen articles that focus both on individuals, such as Erasmus of Rotterdam, Angelo Poliziano, Marsilio Ficino, and NiccolA(2) Perotti, and on large-scale movements, such as the spread of Italian humanism, Ciceronianism, Biblical criticism, and the Plato-Aristotle Controversy. In addition to entering into the persistent debate on the nature of the Renaissance, the articles in the volume also engage what of late have become controversial topics, namely, the shape and significance of Renaissance humanism and the character of the Platonic Academy in Florence.

This volume investigates the different attitudes of historians and other social scientists to questions of causality. It argues that historical theorists after the linguistic turn have paid surprisingly little attention to causes in spite of the centrality of causation in many contemporary works of history. Such neglect or criticism of causality in history on a theoretical level contrasts with persisting interest in causal analysis in sociology, political science, international relations and economics; historians have criticised these disciplines for searching in vain for quantitative proofs, probabilities and covering laws. Hewitson demonstrates, through a critical analysis of a series of overlapping linguistic, cultural and post-colonial 'turns', the extent to which intellectual, social, cultural and other historians have come to renounce the very idea of causality. It uncovers the nexus between the formulation of questions, selection of evidence, use of comparison and counterfactuals, and the refinement of theories, all of which are necessary for description and narrative.

In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media-especially film and television-shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding-how it moved embodied audiences through moving images.

In recent years, the enemies of Christopher Columbus have succeeded in damaging, if not demolishing, his historical reputation. Today, Columbus is seen not as a hero but as an inept sailor turned brutal conqueror, and his voyage is taught as the opening assault in a genocidal campaign by cruel imperialists bent on exterminating the peaceful natives who inhabited an idyllic wilderness in harmony with the environment. In this highly controversial book, Thomas Bowden challenges all of these assumptions. As he says in his introductory comments, "The real victim of the incessant attacks on Christopher Columbus is Western civilization itself."

Is history more than (in Boswell's words) a chronological series of remarkable events'? Does it have a pattern? Is it fraught with meaning'? Can we discern its trends? What determines its course? In short, can a substantial and coherent philosophy of history be devised that offers answers to these questions? These issues, which have intrigued -and bedeviled - historians for centuries, are explored in this thoughtful book.

This book analyses the metaphysical and poetical notions and the processes of 'rooting into a culture' and 'routing out of a culture' in the context of South Asian diaspora in Australia. These diasporic narratives are often characterised by bifurcated and dislocated identities that exist in a liminal space, in-between two identities, two cultures, and two histories. Yet, 'home' remains, through acts of imagination, remembering and re-creation, an important reference point. The author argues that a clearer notion of politics of location is required to distinguish between the different kinds of 'dislocation' the immigrants suffer, both psychologically and sociologically. The diaspora is Australia is an under-studied topic, and this book fills a lacuna in South Asian diaspora studies by analysing and calling upon a wide range of works in this field from historical, anthropological, sociological, cultural, and literary studies.

Debates about how to remember politically contested or painful pasts exist throughout the world. As with the case of the Holocaust in Europe and Apartheid in South Africa, South American countries are struggling with the legacy of state terrorism left by the 1970s dictatorships. Coming to terms with the past entails understanding the role different social actors played in those events as well as what those event mean for us today. Young people in these situations have to learn about painful historical events over which there is no national consensus. This book explores discursive processes of intergenerational transmission of recent history through the case of the Uruguayan dictatorship. The main themes of the book are the discursive construction of social memory and intergenerational transmission of contested pasts through recontextualization, resemiotization and intertextuality.

Theophylact Simocatta, the last historian of classical antiquity, has in the past deterred investigators by the idiosyncrasies of his style. Through examination of Theophylact's narrative, and collation with other available evidence, Dr Whitby has unpicked the obscurities, biases, and errors to clear the way for a more accurate appreciation of the events of the reign of Emperor Maurice (582-602). Maurice's reign witnessed great struggles as the Romans attempted to defend their traditional frontiers on the Danube and in Mesopotamia and Armenia. In both areas, Maurice achieved great successes: in the Balkans, migrations of Slavs and invasions by Avars were held in check, if not completely halted; and in the east the emperor reinstated Khusro II, the legitimate Persian king, and attempted to forge a long-term peace. These events are important both in the historical geography of the Balkans and eastern frontier, and for understanding the fate of the post-Justinian Roman Empire. Whitby reveals the History as a work worthy of serious study in its own right as a product of the last flowering of classical Greek literature in antiquity.