Contents: Women, Nationalism and Islam in Contemporary Political Discourse in Iran "Nahid Yeganeh;" Feminism, Citizenship and National Identity "Ann Curthoys;" Remapping and Renaming: New Cartographies of Identity, Gender and Landscape in Ireland "Catherine Nash;" Poem: Easter 1991 "Maighread Medbh;" Family Feuds: Gender, Nationalism and the Family "Anne McClintock;" Women as Activists; Women as Symbols: A Study of the Indian Nationalist Movement "Suruchi Thapar;" Gender, Nationalism and National Identities: Bellagio Symposium Report "Catherine Hall;" Culture or Citizenship? Notes from the Gender and Colonialism Conference, Galway, Ireland, May 1992 "Clara Connolly;" Plus: Reviews, Noticeboard.

Divided societies, tormented pasts, and unrepentant perpetrators. Why are some countries more intent on vanquishing uncomfortable pasts than others? How do public and often unsightly attempts at memorialisation both fail the victims and valorize their oppressors? This book offers fresh and original perspectives on dictatorship, fascism and victimization from the bloodiest decades in Europe's, Australia's and Central America's colonial and modern history. Chapters include analyses of Francoist memorials in Spain, assessments of the El Mozote massacre in El Salvador, the forgetting of frontier colonial violence in Tasmania, Romania's treatment of its Roma populations in the midst of Holocaust memorialization in Bucharest's urban development, and whether or not the Holocaust continues to serve as an instructional model or impossible aspiration for cross-cultural genocide memorialization strategies. In an era of ongoing political, ethnic and religious conflict, and unrepentant insurgent activity around the world, this collection reminds readers that genocidal actions, wherever and whenever they occurred, must be held to account by more than rhetoric and concrete memory. This book was originally published as a special issue of the Journal of Genocide Research.

One of the major cultural and economic issues facing both Australia and Canada concerns the governments' past and present failures to involve the "first peoples" in development. Elspeth Young contrast the materialist development approach of both big companies and governments with the stress of the Indian, Inuit and Aboriginal peoples place on husbanding natural resources.
Exploring why attempts to promote minority development have failed, whether models of sustainable development are applicable to remote area development, as well as the crucial issue of self-determination, the book reveals the yawning gap between what people want and what governments are prepared to offer. The author argues that this gap can only be briged by alternative approaches to development, centered on participation and the acknowledgement of these peoples' holistic sense of community.

Approaching the subjects of empire and colonization in a new light, this survey states that the free global market and institutions such as the International Monetary Fund, World Bank, and World Trade Organization are actually recolonizing Southern Africa. This polemic argues that the unalloyed working of capitalism--the manufacture and exacerbation of a hierarchy that enlarges the gap between the rich and the poor--is self-creating and self-sustaining. It is also locked into place by governments and their institutions, leaving no space for an alternative structure. Those increasingly unable to defend themselves against the free global market have been recolonized into this capitalist system.

Noyes demonstrates the agency of literature in the structuring of colonial space using a series of colonial texts from German South West Africa in the period 1884-1915. The social production of space in colonialization is achieved through establishing and manipulating boundaries. The production of space is itself an ordering process, and as such, a process of civilization. However, the detailed analysis of the colonial discourse reveals how colonial texts can be used to counter their author's claims to universal truth and a civilizing mission.
Drawing upon recent work by Lacan, Deleuze and Guattari, Derrida and Foucault, as well as current debate on colonial discourse, Noyes explores the concept of spatiality as constructed under the conditions of colonialization.

This is a book about religious transformation in South Asia in the nineteenth century, perhaps the most important period of religious change in the history of the region. By looking at some outstanding individuals from different religions the book sheds light on the questions that lie at the heart of later nationalist discourse, questions like: Who is a Hindu? Who is a Buddhist? What is the relationship between the religious communities of South Asia?

Women’s bodies and rights, and performances of femininity and masculinity often form the battleground of debates of multiculturalism and accommodation of cultural rights in both hemispheres.

Tensions of culture and rights may not be the same everywhere. An interesting point of comparison is in the treatment of liberalism often assumed in the global North to be the universal norms to be defended, whereas in the global South, liberalism itself may be viewed as the problem. Colonial histories are fraught with discriminatory legislation aimed at accommodating indigenous populations, in some cases reinforcing misogynist readings of indigenous or minority cultures and providing a trade-off for more structural redistributive justice through, for example, land reform.

This book shows how varied and complex the embodiment of multiculturalism as a political practice, or policy discourse in different political contexts, can be, and how often the outcome of multicultural discourses creates a binary between culture and universal human rights. The aim of Gender And Multiculturalism is to engage with dislodging this binary.

Spanning the entire period from the late fifteenth century beginnings of Britain's growth as a maritime commercial power to her withdrawal from most colonial possessions and her alignment with continental Europe in the 1970s and 1980s, this atlas traces the history of Britain's changing presence overseas. Each map is accompanied by explanatory text. The shifting territorial pattern of empire over more than four centuries, from the colonization of Virginia to the dismemberment of the African empire, is naturally prominent. British exploration is also covered, showing the routes taken and discoveries made, from Frobisher and Raleigh, to Cook and Livingstone. War, conquest and non-European military resistance are touched upon, especially in the American War of Independence, the Indian Mutiny, the South African campaign of 1899-1902, and recent World Wars. In addition, the atlas demonstrates the considerable influence and power, albeit of less formal kinds and at different times, brought by Britain's trade and investments, the patterns of imperial defence and communications, the spread of white settlement, the presence of her consuls, shipping and missionaries. This book should be of i

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

The decolonization of the European colonies in Africa and Asia was perhaps the most important historical process of the 20th century. Within less than two decades from 1947 to the mid-1960s several colonial empires disappeared and scores of new nations became independent. Altogether it had taken more than three centuries to expand and consolidate these empires, yet it took less than twenty years for colonialism to become an anachronism.
This essential companion to the process of decolonization includes thematic chapters as well as a detailed chronology, a thorough glossary, biographies of key figures, suggestions for further reading, maps and a guide to sources. Examining decolonization in Africa, Asia, the Caribbean and the Pacific this guide explores:
- The global context for decolonization
- Nationalism and the rise of resistance movements
- Resistance by white settlers to moves towards independence
- Hong Kong and Macau and decolonization in the late 20th century
- Debates surrounding neo-colonialism, and the rise of 'development' projects and aid
- The legacy of colonialism in law, education, administration and the military
An invaluable resource for students and scholars of the colonial and post-colonial eras, this volume is an indispensable guide to the reshaping of the world in the 20th century.

Winner of the McKitterick Prize 2018. "Never cover an assignment without collecting a brown envelope," Boniface had said. "It is a real life saver for all journalists in this country." Ifiok, a young journalist working for the government radio station in Lagos, Nigeria, always aspires to do the right thing, but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country. When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption. Building on the legacy of the great African satirist tradition of Ngugi Wa Thiongo and Ayi Kwei Armah, Radio Sunrise paints a sharp-tongued portrait of (post) post-colonial Nigeria.

This group of fifteen brief narratives connected by a place and a time, the city of Dublin at the beginning of the twentieth century, was written when James Joyce was a precocious young graduate of University College. With great subtlety and artistic restraint, Joyce suggests what lies beneath the pieties of Dublin society and its surface drive for respectability, suggesting the difficulties and despairs that were being endured on a daily basis in homes, pubs, streets, and offices of the city: underemployment, domestic violence, alcoholism, poverty, hunger, emotional and sexual repression. No writer ever took more seriously the details, history, and culture of a particular place than Joyce did with his home city, and these stories combine dark humor with compassion and a searching eye for the causes of suffering. This new edition's historical appendices include contemporary reviews (including one by Ezra Pound) and materials on religion, the struggle for Irish independence, and Dublin's musical and performance culture.

In its original Spanish language version, this tour de force was awarded the famed "Espejo de Espana" prize. Rubert deVentos examines the ambiguous yet highly charged relationships between Spain and the American nations of the Western hemisphere. Writing with the grace and charm that characterizes the best of the "pensador" tradition, the author has produced a fundamental treatise on social development.
With his deep appreciation for the indigenous populations of South and Central America, Rubert deVentos offers a comparative perspective on the two major forms of colonization in the Americas--that of Spain and of the United States, leading to the provocative conclusion that each should have learned from the traditional rather than the modern lives of the other. He emphasizes with great precision distinctions in relative stages of industrialization in the West, differences between Catholic and Protestant faiths, the variety of legal codes imposed on Latin America, and above all the fine but critical differences between civilization and evangelization.
Rubert deVentos's effort is exemplary for its immersion into the actual patterns of culture found in the encounter of civilizations. He engages in no harshness, no condemnation, no trivial pursuit of post-mortem name-calling. Rather he has a keen sense of the historical, the theological, and the inevitable. Written for the general reader and specialist in area studies alike, providing a deep sense of anthropology as well as history, "The Hispanic Labyrinth" has an ambitious aim: to give all concerned in this relationship a sense of common cause in building democracy in the process of global interaction.
"Xavier Rubert deVentos" holds the chair in Esthetics at the University of Barcelona. He is a Santayana Fellow at Harvard University and a founding member of the New York Institute for the Humanities. He has held visiting professorships at the University of Cincinnati, and the University of California at Berkeley. He is the author of works in Spanish and Catalan, including "On Modernity; The Theory of Sensibility" and other books on philosophical themes. He is also a deputy to the European Parliament. "The Hispanic Labyrinth" is translated from Spanish by Mary Ann Newman, teacher of Spanish-American literature in New York City.

First published in 1990. This volume is essentially a study in decolonization. The approach of the author is of a conflict resolution process taken from the perspective of 1974 as the chosen point. Following the decolonization of the Portuguese colonial empire, the uniqueness of the decolonization of Rhodesia became more apparent and the conflict began to realize its full potential. The author has taken three analytical concepts- the goals' continuum, the strategic options' continuum and the interaction within and between the three levels of the conflict system.

First published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

This study deals with the period after "The Killing Times". It examines the cultural forms of domination, supported by force, which enabled European colonizers to make "Aborigines". But Aborigines were not merely passive victims: out of the exchange came a transformed consciousness for the dispossessed, shaped by European culture and their own. The book is aimed at students in the politics of development, politics, and anthropology.

First published in 1930, this book sought to explain to western readers the vital necessity of approaching the 'Indian problem' from the emerging national standpoint in India, and of appreciating its ideals. The author relates this necessity directly to the task undertaken by the Simon Commission in 1928 to make a survey of India and the resultant suggestions for constitutional changes in their report in early 1930. This work represents an attempt to bridge the gulf between India and Britain, one which appeared to be widening at the time of the report. This book will be of interest to students of colonialism and colonial India, especially as a prelude to its independence in 1947.

Across the Anglophone Caribbean, the great expectations of independence were never met. From Black Power and Jamaican Democratic Socialism to the Grenada Revolution, the radical currents that once animated the region recede into memory. More than half a century later, the likelihood of radical change appears vanishingly small on the horizon. But what were the twists and turns in the postcolonial journey that brought us here? And is there hope yet for the Caribbean to advance towards more just, democratic and empowering futures? After the Postcolonial Caribbean is structured in two parts, 'Remembering', and 'Imagining.' Author Brian Meeks employs a sometimes autobiographical form, drawing on his own memories and experiences of the radical politics and culture of the Caribbean in the decades following the end of colonialism. And he takes inspiration from the likes of Edna Manley, George Lamming and Stuart Hall in reaching towards a new theoretical framework that might help forge new currents of intellectual and political resistance. Meeks concludes by making the case for reestablishing optimism as a necessary cornerstone for any reemergent progressive movement.

This book is based on fourteen months of ethnographic fieldwork with Partition survivors from west Punjab and the North-West Frontier Province, in Delhi and its surroundings between 2017–18. It locates the global rise of far-right nationalism within globalisation and memories of victimhood. Focussing on Hindu nationalism in India, this book is an important and timely contribution to the literature on South Asian Partition Studies that shows how tragedy begets tragedy. It tries to answer an urgent, provocative but nevertheless necessary question: 'What does it mean to remember the Partition in the time of fascism?' The author shows what makes up cycles of violence by connecting the reinscription of trauma in Partition memories to the self-serving justifications of the contemporary violence of Hindu nationalism. It analyses how the hegemony of Hindu nationalism has structured the narratives of Hindu Partition survivors and recruited them in service of a putative Hindu nation.

This book combines an analysis of the ideas and policies that governed the British experience of decolonization. It shows how the British, perhaps more correctly the English, political tradition, with its emphasis on experience over abstract theory, was integral to the way in which the empire was regarded as being transformed rather than lost. This was a significant aspect of the relatively painless British loss of empire. It places the process of decolonization in its wider context, tracing the twentieth-century domestic and international conditions that hastened decolonization, and, through a close analysis of not only the policy choices but also the language of British imperialism, it throws new light on the British way of managing both the expansion and contraction of empire.

Early in life, Walter Rodney became a major revolutionary figure in a dizzying range of locales that traversed the breadth of the Black diaspora: in North America and Europe, in the Caribbean and on the African continent. He was not only a witness of a Pan-African and socialist internationalism; in his efforts to build mass organizations, catalyze rebellious ferment, and theorize an anti-colonial path to self-emancipation, he can be counted among its prime authors. Decolonial Marxism records such a life by collecting previously unbound essays written during the world-turning days of Black revolution. In drawing together pages where he elaborates on the nexus of race and class, offers his reflections on radical pedagogy, outlines programs for newly independent nation-states, considers the challenges of anti-colonial historiography, and produces balance sheets for a dozen wars for national liberation, this volume captures something of the range and power of Rodney's output. But it also demonstrates the unbending consistency that unites his life and work: the ongoing reinvention of living conception of Marxism, and a respect for the still untapped potential of mass self-rule.

A vivid recreation of the varied ways in which colonists lived. Bustling seaport towns, lonely farming valleys and forest frontiers come alive through the words of contemporary observers. Their humorous, sometimes piously pompous comments on courtship, marriage, children, education, religion, crime and punishment, and slavery provide rich insights into colonial America. Originally published in 1966 by Dell Publishing Company.

As England withdrew from its empire after World War II, how did writers living outside the United Kingdom respond to the history of colonialism and the aesthetics of modernism within a global context? In fourteen original essays, edited by Richard Begam and Michael Valdez Moses, a distinguished group of scholars considers these questions in relation to novelists, playwrights, and poets living in English-speaking countries around the world. Modernism, Postcolonialism, and Globalism not only examines how modernism and postcolonialism evolved over several generations, but also situates the writers analyzed in terms of canonical realignments inspired by the New Modernist Studies and an array of emerging methodologies and approaches. While this volume highlights social and political questions connected with the end of empire, it also considers the aesthetics of postcolonialism, detailing how writers drew upon, responded to and, sometimes reacted against, the formal innovations of modernism. Many of the essays consider the influence modernist artists and movements exercised on postcolonial writers, from W. B. Yeats, Joseph Conrad, Franz Kafka, Marcel Proust, James Joyce, T. S. Eliot, and Virginia Woolf to Impressionism, Expressionism, Surrealism, and Abstractionism. Modernism, Postcolonialism, and Globalism is organized around six geographic locales and includes essays on Africa (Chinua Achebe, Ngugi wa Thiong'o, Nadine Gordimer, J. M. Coetzee), Asia (Salman Rushdie, Arundhati Roy), the Caribbean (Jean Rhys, Derek Walcott, V. S. Naipaul), Ireland (Samuel Beckett, Seamus Heaney), Australia/New Zealand (David Malouf, Keri Hulme) and Canada (Michael Ondaatje). Examining how Anglophone writers engaged with the literary, intellectual, and cultural heritage of modernism, this volume offers a vital and distinctive intervention in ongoing discussions of modern and contemporary literature.

This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.