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Books > Social sciences > Politics & government > Political structure & processes > Colonization & independence
No family better represents the overlapping roles of administrator and scientist in the British empire than the Roths. Descended from a Hungarian emigrant to Australia, two generations of Roths served the empire on four continents and, at the same time, produced ethnographic, archaeological, and linguistic studies that form the basis for much modern research. This volume assesses the often-conflicting roles and contributions of the Roths as government servants and anthropologists. Most of the volume deals with Walter E. Roth, who developed foundational studies of both the Australian Aborigines-considered to be among the first systematic ethnographies anywhere-and South American tribes while serving as Chief Protector of Aborigines in Queensland and later medical officer, magistrate, museum curator and indigenous relations officer in British Guyana. Henry Ling Roth's contributions to the anthropology of Tasmania, Benin, Sarawak, and New Zealand are also enumerated, as are the publications and administrative activities of the succeeding generation of Roths. This volume serves the reader as a family biography, a slice of the English colonial history, and an important introduction to the history of anthropology.
It is impossible to understand capitalism without analyzing slavery, an institution that tied together three world regions: Europe, the Americas, and Africa. The exploitation of slave labor led to a form of proto-globalization in which violence was indispensable to the production of wealth. Against the background of this expanding circulation of capital and slave labor, the first revolution in Latin America took place: the Haitian Revolution, which began in 1791 and culminated with Haiti's declaration of independence in 1804. Taking the Haitian Revolution as a paradigmatic case, Gruner shows that modernity is not a linear evolution from the center to the periphery but, rather, a co-production developed in the context of highly unequal power relations, where extreme forms of conquest and exploitation were an indispensable part of capital accumulation. He also shows that the Haitian Revolution opened up a path to a different kind of modernity, or "counter-modernity," a path along which Latin America and the Caribbean have traveled ever since. A key work of critical theory from a Latin American perspective, this book will be of great interest to students and scholars of critical and cultural theory and of Latin America, as well as anyone concerned with the global impact of capitalism, colonialism, and race.
When Europe introduced mechanisms to control New World territories, resources and populations, women-whether African, indigenous, mixed race, or European-responded and participated in multiple ways. By adopting a comprehensive view of female agency, the essays in this collection reveal the varied implications of women's experiences in colonialism in North and South America. Although the Spanish American context receives particular attention here, the volume contrasts the context of both colonial Mexico and Peru to every other major geographic region that became a focus of European imperialism in the early modern period: the Caribbean, Brazil, English America, and New France. The chapters provide a coherent perspective on the comparative history of European colonialism in the Americas through their united treatment of four central themes: the gendered implications of life on colonial frontiers; non-European women's relationships to Christian institutions; the implications of race-mixing; and social networks established by women of various ethnicities in the colonial context. This volume adds a new dimension to current scholarship in Atlantic history through its emphasis on culture, gender and race, and through its explicit effort to link religion to the broader imperial framework of economic extraction and political domination.
Articles on the historical, social and political realities of postcolonialism as expressed in contemporary writing. Contemporary postcolonial studies represent a controversial area of debate. This collection seeks a more pragmatic approach to the subject, taking into account its historical, social and political realities, rather than ignoring aconsideration of material conditions. The contributors look at the oppositional power held and exercised by anti-colonial movements, a neglected topic; address the literary strategies devised by metropolitan writers to contain the insecurities of empire, given that unrest and opposition were integral to British imperialism; contest the charges of nativism and essentialism made by postcolonial critics against liberation writings; and investigate the voicesof both inhabitants of post-independence nation states, and those scattered by colonialism itself. Dr LAURA CHRISMAN teaches at Sussex University; BENITA PARRY is Honorary Professor at Warwick University. Contributors: Vilashini Cooppan, Fernando Coronil, Gautam Premnath, Ato Quayson, Tim Watson, Lawrence Phillips, Sukhdev Sandhu
In the Americas, both indigenous and postcolonial languages today bear witness of massive changes that have taken place since the colonial era. However, a unified approach to languages from different colonial areas is still missing. The present volume studies postcolonial varieties that emerged due to changing linguistic and sociolinguistic conditions in different settings across the Americas. The studies cover indigenous languages that are undergoing lexical and grammatical change due to the presence of colonial languages and the emergence of new dialects and creoles due to contact. The contributions showcase the diversity of approaches to tackle fundamental questions regarding the processes triggered by language contact as well as the wide range of outcomes contact has had in postcolonial settings. The volume adds to the documentation of the linguistic properties of postcolonial language varieties in a socio-historically informed framework. It explores the complex dynamics of extra-linguistic factors that brought about the processes of language change in them and contributes to a better understanding of the determinant factors that lead to the emergence and evolution of such codes.
This collection brings together twenty-one key articles that explore the nature and impact of colonial withdrawal. Ranging across all the European colonial powers, the articles discuss various aspects of decolonization, including the role of political violence, changing popular attitudes to empire and the inter-actions between colonial conflict and Cold War.
This volume studies the architecture and urbanism of modern-era Italian colonialism (1869-1943) as it sought to build colonies in North and East Africa and the eastern Mediterranean. Mia Fuller follows, not only the design of the physical architecture, but also the development of colonial design theory, based on the assumptions made about the colonized, and also the application of modernist theory to both Italian architecture and that of its colonies. Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects' attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike.
The first study to bring together such a breadth of data, this book compares responses to colonization in the Iron-Age Mediterranean. From North Syria to Sicily and North Africa, Tamar Hodos explores the responses to these colonies in areas where Greeks and Phoenicians were in competition with one another via the same local communities. Highlighting the diversity of interest displayed by local populations in these foreign cultural offering, Hodos charts their selective adaptation, modification and reinterpretation of Greek and Phoenician goods and ideas as their own cultures evolve. For students of archaeology and history, this will provide an essential resource for their degree course studies.
In December 1963, Kenya formally declared its independence yet it would take a year of intense negotiations for it to transform into a presidential republic, with Jomo Kenyatta as its first president. Archival records of the independence negotiations, however, reveal that neither the British colonial authorities nor the Kenyan political elite foresaw the formation of a presidential regime that granted one man almost limitless executive powers. Even fewer expected Jomo Kenyatta to remain president until his death in 1978. Power and the Presidency in Kenya reconstructs Kenyatta's political biography, exploring the links between his ability to emerge as an uncontested leader and the deeper colonial and postcolonial history of the country. In describing Kenyatta's presidential style as discreet and distant, Angelo shows how the burning issues of land decolonisation, the increasing centralisation of executive powers and the repression of political oppositions shaped Kenyatta's politics. Telling the story of state building through political biography, Angelo reveals how historical contingency and structural developments shaped both a man and an institution - the president and the presidency.
Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle. WINNER OF THE RHS GLADSTONE BOOK PRIZE 2022 WINNER OF THE SOCIETY FOR THE HISTORY OF CHILDREN AND YOUTH GRACE ABBOTT BOOK PRIZE 2021 SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2022 While there have been many books on South Africa's liberation struggle during the 1980s and early 1990s, the story of the involvement of African girls and young women has been all but missing. This book tells their story, analysing what life was like for African girls under apartheid, why some chose to join the struggle, and how they navigated the benefits and pitfalls of political activism. These were women who, as teenagers and secondary school students,made an unconventional choice to join student organizations, engage in public protest, and take up arms against the state. They did so against their parents' wishes and in contravention of societal norms that confined girls to the home and made township streets dangerous places for female students. They participated in both non-violent and violent forms of political action, including attending marches and rallies, throwing stones or petrol bombs at police, and punishing suspected informers and other offenders, and even joining underground guerrilla armies. Thousands of these young women were eventually detained, interrogated, and tortured by the apartheid state. At the heart of this book lie the life histories of the female comrades themselves, who in interviews construct themselves as decisive actors in South Africa's liberation struggle. Primarily a work of oral history, this book is not only concerned with what female comrades did, but equally with how these women remember and narrate their time as activists: how they reconstruct their pasts; relate their personal experiences to collective histories of the struggle; and insert themselves into a historical narrative from which they have been excluded. Through exploring these women's memories, this book serves as an important corrective to South Africa's male-centric literature on violence, and provides a new gendered perspective on the wider histories of township politics, activism, and conflict.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The crisis in Israel/Palestine has long been the world's most visible military conflict. Yet the region's cultural and intellectual life remains all but unknown to most foreign observers, which means that literary texts that make it into circulation abroad tend to be received as historical documents rather than aesthetic artefacts. Rhetorics of Belonging examines the diverse ways in which Palestinian and Israeli world writers have responded to the expectation that they will 'narrate' the nation, invigorating critical debates about the political and artistic value of national narration as a reading and writing practice. It considers writers whose work is rarely discussed together, offering new readings of the work of Edward Said, Amos Oz, Mourid Barghouti, Orly Castel-Bloom, Sahar Khalifeh, and Anton Shammas. This book helps to restore the category of the nation to contemporary literary criticism by attending to a context where the idea of the nation is so central a part of everyday experience that writers cannot not address it, and readers cannot help but read for it. It also points a way toward a relational literary history of Israel/Palestine, one that would situate Palestinian and Israeli writing in the context of a history of antagonistic interaction. The book's findings are relevant not only for scholars working in postcolonial studies and Israel/Palestine studies, but for anyone interested in the difficult and unpredictable intersections of literature and politics.
The Routledge Handbook of Self-Determination and Secession explores the various debates surrounding the issues of self-determination and secession, and the legal, political, and normative implications they give rise to. Offering a broad survey of the state of the sub-discipline today, the chapters are divided into seven key parts: an Introduction, Self-Determination, Explaining and Justifying Secession, Secession Strategies, Counter-Secession Strategies, International Law and Secession, and Constitutional Law and Secession. The authors, from a range of disciplinary backgrounds, explore all the recent approaches to secession and self-determination based on strategic interaction of major actors in a secession process. This handbook will be of great interest to students and researchers from a variety of disciplines including politics and international relations, security studies, and law.
While there has been for the past two decades a lively and extensive academic debate about postcolonial representations of imperialism and colonialism, there has been little work which focuses on 'placed' materialist or critical geographical perspectives. The contributors to this volume offer such a perspective, asserting the inadequacy of conventional 'self/other' binaries in postcolonial analysis which fail to recognise the complex ways in which space and place were implicated in constructing the individual experience of Empire. Illustrated with case studies of British colonialism in Australia, Hong Kong, India, Ireland and New Zealand in the later nineteenth and twentieth centuries, the book uncovers the complex and unstable spaces of meaning which were central to the experience of emigrants, settlers, expatriates and indigenous peoples at different time/place moments under British rule. In critically examining place and hybridity within a discursive context, (Dis)placing Empire offers new insights into the practice of Empire.
From the acclaimed author of The Gunpowder Age, a book that casts new light on the history of China and the West at the turn of the nineteenth century George Macartney's disastrous 1793 mission to China plays a central role in the prevailing narrative of modern Sino-European relations. Summarily dismissed by the Qing court, Macartney failed in nearly all of his objectives, perhaps setting the stage for the Opium Wars of the nineteenth century and the mistrust that still marks the relationship today. But not all European encounters with China were disastrous. The Last Embassy tells the story of the Dutch mission of 1795, bringing to light a dramatic but little-known episode that transforms our understanding of the history of China and the West. Drawing on a wealth of archival material, Tonio Andrade paints a panoramic and multifaceted portrait of an age marked by intrigues and war. China was on the brink of rebellion. In Europe, French armies were invading Holland. Enduring a harrowing voyage, the Dutch mission was to be the last European diplomatic delegation ever received in the traditional Chinese court. Andrade shows how, in contrast to the British emissaries, the Dutch were men with deep knowledge of Asia who respected regional diplomatic norms and were committed to understanding China on its own terms. Beautifully illustrated with sketches and paintings by Chinese and European artists, The Last Embassy suggests that the Qing court, often mischaracterized as arrogant and narrow-minded, was in fact open, flexible, curious, and cosmopolitan.
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
This book explores and discusses emerging perspectives of Ubuntu from the vantage point of "ordinary" people and connects it to human rights and decolonizing discourses. It engages a decolonizing perspective in writing about Ubuntu as an indigenous concept. The fore grounding argument is that one's positionality speaks to particular interests that may continue to sustain oppressions instead of confronting and dismantling them. Therefore, a decolonial approach to writing indigenous experiences begins with transparency about the researcher's own positionality. The emerging perspectives of this volume are contextual, highlighting the need for a critical reading for emerging, transformative and alternative visions in human relations and social structures.
The Site of the Convent of the Holy Infant Jesus in Singapore: Entwined Histories of a Colonial Convent and a Nation, 1854-2015 explores key issues and developments in colonial and postcolonial Singapore by examining one particular site in central Singapore: the former Convent of the Holy Infant Jesus, established in 1854 and now a food and entertainment complex. The Convent was an early provider of social services and girls' education-almost a mini-city within walls, including a thriving community of schools, an orphanage, and a women's refuge. World War II and the Japanese occupation, followed by the creation of the new Republic of Singapore, presented a new set of challenges, but it was the convent's size and prime location that made it attractive for urban redevelopment in the 1980s and led to government acquisition, demolition of some buildings, and the remainder put out to private tender. The chapel and the former nuns' residence are classified as National Monuments but, in line with government policy of adaptive re-use of heritage sites, the complex now contains bars and restaurants, and the deconsecrated chapel is used for wedding receptions and events. Tracking the physical and usage changes of the site, this book works to make sense of that eventful journey, a paradoxical journey that moves only in time, not in space, and includes abandoned babies, French nuns, Japanese bombings, and twenty-first century dance parties. In a society that has undergone massive change economically and socially, and, above all, transitioned from a small colonial enterprise to a wealthy independent city-state, those physical changes and differing usages of the Convent site over the years track the changes in the nation. The wider ongoing tensions between heritage conservation and the modern global city are explored by examining what has been chosen for preservation, the quintessentially Singaporean hybridity of the commercial reuse of historic buildings, as well as the nostalgia for what has been lost.
The present collection brings together a series of studies by Peter Marshall on British imperial expansion in the later 18th century. Some essays focus on the thirteen North American colonies, the West Indies, and British contact with China; those dealing specifically with India have appeared in the author's 'Trade and Conquest: Studies on the rise of British domination in India'. The majority, culminating in the four addresses on 'Britain and the World in the Eighteenth Century' delivered as President of the Royal Historical Society, deal with the processes and dynamics of empire-building and aim to bring together the history of Asia and the Atlantic. The themes investigated include the pressures that induced Britain to pursue new imperial strategies from the mid-18th century, Britain's contrasting fortunes in India and North America, and the way in which the British adjusted their conceptions of empire from one based on freedom and the domination of the seas, to one which involved the exercise of autocratic rule over millions of people and great expanses of territory.
During the seventeenth century, the Dutch and English emerged as the world's leading trading nations, building their prosperity largely upon their maritime successes. During this period both nations strongly contested for maritime supremacy and colonial dominance, yet by the nineteenth century, it was Britain who had undoubtedly come out on top of this struggle, with a navy that dominated the seas and an empire of unparalleled size. This volume examines the colonial development of these two nations at a crucial period in which the foundations for the modern nineteenth and twentieth century imperial state were laid. The volume consists of ten essays (five by British and five by Dutch scholars) based on papers originally delivered to the Fourteenth Anglo-Dutch Historical Conference, 2000. The essays are arranged into five themes which take a strongly comparative approach to explore the development of the British and Dutch colonial empires in the late eighteenth and early nineteenth centuries. These themes examine the nature of Anglo-Dutch relations, the culture of imperialism and perceptions of the overseas world, the role of sea power in imperial expansion, the economics of colonial expansion and the extension of the metropolitan state to the colonies. Taken together, these essays form an important collection which will greatly add to the understanding of the British and Dutch colonial empires, and their relative successes and failures.
In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices. In discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context. The book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.
Gladys Kalichini (born 1989 in Chingola, Zambia) is a contemporary visual artist and academic who investigates how women have been portrayed in relation to a dominant, colonial past. For example, the artist sheds light on instances in which women have been deleted from historical narratives and the collective memory of society. As a result of her extensive research, Kalichini has demonstrated that women were intentionally marginalised in the official representations of Zambia's and Zimbabwe's struggles for independence. In her elaborate multimedia installations and video art, which she often develops on the basis of research material and photos from archives, Kalichini highlights the omissions in the dominant representations of the two countries' fight for freedom. She thus expands the history of their liberation struggle by drawing attention to the deletion and invisibility of female freedom fighters. By reminding the public of several of these women, Kalichini creates a diverse and complex alternative narrative of national independence.
Compared with modes of representation such as literature, drama,
poetry and dance, the world of sport has been largely neglected in
postcolonial studies. At both local and global levels, however,
sport has been profoundly affected by the colonial legacy. How are
individual nations and different sporting cultures coping with this
legacy? What does the end of colonialism mean within particular
states and sports? How is postcolonialism linked with struggles of
race and identity? |
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