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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Electronic & video art
Published by Skybound & produced by AMC Networks Publishing,
discover the behind-the-scenes pre-production & production art
for AMC's THE WALKING DEAD shows: The Walking Dead, Fear the
Walking Dead, and The Walking Dead: World Beyond, all in one
incredible collection! Includes never-before-seen original
sketches, concept art, storyboards, previs art, set concept and
engineering art, promotional concept to completion key art, special
product illustrations, in-world product art, and much more. Also
includes a brand-new wraparound cover featuring over 50 characters
from across all the shows. Features an introduction by Chief
Content Officer, SCOTT M. GIMPLE, as well as other compelling
anecdotes and fun facts from The Walking Dead creators and crew. A
must-have for anyone who has ever shouted, "We are the Walking
Dead!"
This book introduces an archaeological approach to the study of
media - one that sifts through the evidence to learn how media were
written about, used, designed, preserved, and sometimes discarded.
Edited by Erkki Huhtamo and Jussi Parikka, with contributions from
internationally prominent scholars from Europe, North America, and
Japan, the essays help us understand how the media that predate
today's interactive, digital forms were in their time contested,
adopted and embedded in the everyday. Providing a broad overview of
the many historical and theoretical facets of Media Archaeology as
an emerging field, the book encourages discussion by presenting a
full range of different voices. By revisiting 'old' or even 'dead'
media, it provides a richer horizon for understanding 'new' media
in their complex and often contradictory roles in contemporary
society and culture.
Trailblazing women working in digital arts media and education
established the Midwest as an international center for the artistic
and digital revolution in the 1980s and beyond. Foundational events
at the University of Illinois and the School of the Art Institute
of Chicago created an authentic, community-driven atmosphere of
creative expression, innovation, and interdisciplinary
collaboration that crossed gender lines and introduced artistically
informed approaches to advanced research. Interweaving historical
research with interviews and full-color illustrations, New Media
Futures captures the spirit and contributions of twenty-two women
working within emergent media as diverse as digital games, virtual
reality, medicine, supercomputing visualization, and browser-based
art. The editors and contributors give voice as creators integral
to the development of these new media and place their works at the
forefront of social change and artistic inquiry. What emerges is
the dramatic story of how these Midwestern explorations in the
digital arts produced a web of fascinating relationships. These
fruitful collaborations helped usher in the digital age that
propelled social media. Contributors: Carolina Cruz-Niera, Colleen
Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown,
Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning,
Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart,
Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy
Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.
An in-depth look into the transformation of visual culture and
digital aesthetics  First introduced by the German filmmaker
Harun Farocki, the term operational images defines the expanding
field of machine vision. In this study, media theorist Jussi
Parikka develops Farocki’s initial concept by considering the
extent to which operational images have pervaded today’s visual
culture, outlining how data technologies continue to develop and
disrupt our understanding of images beyond representation. Charting
the ways that operational images have been employed throughout a
variety of fields and historical epochs, Parikka details their many
roles as technologies of analysis, capture, measurement,
diagramming, laboring, (machine) learning, identification,
tracking, and destruction. He demonstrates how, though inextricable
from issues of power and control, operational images extend their
reach far beyond militaristic and colonial violence and into the
realms of artificial intelligence, data, and numerous aspects of
art, media, and everyday visual culture. Serving as an extensive
guide to a key concept in contemporary art, design, and media
theory, Operational Images explores the implications of machine
vision and the limits of human agency. Through a wealth of case
studies highlighting the areas where imagery and data intersect,
this book gives us unprecedented insight into the ever-evolving
world of posthuman visuality. Cover alt text: Satellite photo on
which white title words appear in yellow boxes. Yellow lines
connect the boxes.
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Last 2018
(Paperback)
Joel Slayton, Emily Bright
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R372
Discovery Miles 3 720
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Ships in 18 - 22 working days
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