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Books > Local Author Showcase > Fiction - adults
1994. The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . . London. Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley. South Africa. A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.
Speursersant Mthembu se huwelik lê aan skerwe. Nyandi het die kinders gevat en is sak en pak terug Lesotho toe. Terwyl Parkwegstasie se ace-speurder in ’n gastehuis in Bloemfontein wakker lê en tob oor sy aandeel, brand Xanadu-galery, tuiste van die wêreldberoemde SA kunstenaar Aretha Hattingh, tot op die grond af. Haar oeuvre ’n hoop as. En in die middel van die ruïne: die oorskot van ’n vrou, vermoedelik dié van Aretha. In Parys ontmoet Sollie ’n hand vol verdagtes: ’n kunsagent, ’n prokureur, ’n slagter, ’n bouer en ’n koerier. Voeg hierby ’n venynige aanneemkind, ’n jaloerse, skatryk eksman, die dorp se sprankelvrou én ’n stasiebevelvoerder wat die septer na haar eie reëls en tyd swaai, en jy het die wenresep vir ’n intrige gevul met hoogdrama. Is dit moord? Selfdood? Of bloot ’n fratsongeluk? Sollie geniet reeds groot aftrek onder Afrikaase lesers. En Vlam, die nuwe roman deur Gilroy, beloof om soos sy vorige twee krimi’s te boei en te vermaak tot op die laaste bladsy.
Ramon Fraser is al sy hele lewe lank 'n uitgeworpene. Sy ma vlug met
hom vandat hy kan onthou. Sy is 'n fortuinverteller, maar weier om sý
toekoms te lees. Tot op die verskriklike dag toe die mantelman hulle
inhaal ...
Met hierdie klassieke verhaal oor die lewe van ’n mossiegemeenskap skep Hickey ’n werk vir oud en jonk. Kuif Kwaster en sy familie – ’n voorbeeldige en vername mossiegesin in die bodorp – neem die leser op ’n reis wat nie vir mense beskore is nie. Saam met Skeel At en Kuif verdedig lesers die mossie-eer teen die wraaksugtige en rebelse Beatnik-bende; en saam met Meks en Maja word daar vir die mannetjies in die bodorp flikkers gegooi. Oor die ontstaan van hierdie uitmuntende werk skryf Hickey: “Gedurende April 1961 het ek by my skryftafel gesit. Deur die oop venster kyk ek na die doen en late van ’n elftal mossies. Hulle is bra baie vir ’n enkele gesin, maar daar is tog ’n intimiteit wat die indruk skep dat hulle meer is as terloopse kennisse. Die groepie is verteenwoordigend van enige gemeenskap (daardie vaal, verkeerdeveer-wyfietjie lyk juis soos ’n skinderbek!) met die goeies en die minder goeies …” Die sukses van hierdie eiesoortige werk kan gemeet word aan die feit dat die boek vanaf 1961 drie-en-twintig keer herdruk is.
Die onweerstaanbare Audrey Blignault het destyds die wêreld van die Afrikaanse vrou óópgeskryf en was haar tyd vooruit. Dié unieke keur bring haar beste werk byeen, van kort sketse uit die vroeë bundels tot langer essays en verhale uit latere publikasies. Hierdie baldadige, skalkse, “onwennige ouma” skryf dalk oor vervloë dae, maar op so ’n unieke, toeganklike manier dat dit vir vandág se leser kraakvars is, en jou ten diepste raak. 'Met my rooi rok voor jou deur: ‘n Keur uit die werk van Audrey Blignault' sal voorgelees word op RSG vanaf einde Mei 2021! Die briljante Rika Sennett sal die voorleser wees.
Born on the cusp of democracy, the crew of young friends in Born Freeloaders navigates a life of drinking, wild parties and other recklessness. The siblings at the centre of the novel, Nthabiseng and Xolani, have been raised in an upper middle-class family with connections to the political elite. Nthabiseng is lauded by her peers as she whimsically goes through life, unable to form her own identity in a world that expects her to pick a side in the fractured classifications of race. Xolani, not having known his late father, longs for acceptance from an uncle who sees him and his generation as the bitter fruit borne of a freedom he and countless others fought for. As the story moves across multiple spaces in the nation’s capital over a weekend, Born Freeloaders captures a political and cultural moment in the city’s and South Africa’s history. Interwoven is an analogous tale of the country’s colonisation and the consequences that follow. And alongside the friends’ uneasy awareness of their privilege is a heightened sense of discomfort at their inability to change the world they were born into.
The year is 1986. While most of Duggart’s mentally afflicted inhabitants are scattered in mental hospitals, traditional healers’ quarters and churches’ healing quarters, Dooks , like an uncomfortable number of other mentally ill people, is singing to a different tune . Dooks Digame is in a class of his own. Funny, witty, scary, wise,spooky , weird, creepy, sick, intense, psychic, shrink, dangerous: all these labels have been used to describe Dooks . He has as many labels as he has fans ... and enemies. He is quite simply a special, unique case. While many people fantasise about being rich and famous one day, and occasionally imagine what their lives would be like once they had hit the jackpot, Dooks doesn’t waste his precious time with such wishful thinking. In his dreamy world, he is already a multimillionaire. But who cares about money if it cannot buy one a sound mind?
Across countries and decades, The Wanderers weaves a captivating tapestry of human lives, exploring the enduring—and sometimes contradictory—duties of blood and country. Ruru’s father, a South African freedom fighter, was exiled to Tanzania before she was born, leaving Ruru and her mother to fend for themselves in the township they called home. So when a fatal bus accident claims her mother’s life, Ruru is adrift. Haunted by her mother’s absence, another loss sits heavy on Ruru’s heart: that of her father, who never returned to the family, or country, he claimed to love. When she learns of his passing, Ruru grieves for the man she never knew, and the answers she would never find. She seeks solace in Tanzania, where she strikes up an unlikely friendship with her father’s widow, a Rwandan refugee named Efuoa. Efuoa gifts Ruru her father’s journals, and as she reads, she begins to piece together the fragments of a complicated life of deep love, shifting identity, small triumphs and haunting disappointments.
Geboortereg se tema handel oor die feit dat elke baba die reg het tot ouers, twee oumas en oupas. Ruan die hoofkarakter se grootouers aan vaderskant weier om hom te aanvaar as hul kleinkind. Ruan word groot by sy ma en haar man, wat nie die grootouers se seun is nie. Albei sy ouers sterf. Ruan ontmoet twee vroue tot wie hy aangetrokke voel. Die verhaal stel die leser bekend aan die families en stories van die twee vroue. Die boek is geskik vir manlike en vroulike lesers.
Duma is at a cross roads in life. Living in an informal settlement in Soweto with his father and young sister, Duma is expected to make a contribution to the household since he does not work. The easy way has been to steal electricity cables. But when his friend gets caught, Duma decides to try a new way of life. The road to a new beginning does not come easy as he goes back to the canoe club at Power Park and he quickly learns that paddling a canoe is not as easy as he remembered. He finds himself drawn to the water and is inspired by Steve an experienced paddler who is determined and pushes himself but lately the gold has been out of reach. Duma goes out on a limb and asks Steve if they can train together for the Dusi. Will Duma and Steve's partnership in the water work out? This is an inspirational story of two men from different backgrounds, coming together to tell their story.
Die Prins-egpaar aanvaar die jong Delmarie Kemp met ope arms nadat sy in haar matriekjaar wees gelaat word. Sy word deel van hul familie en doen alles in haar vermoë om eendag onafhanklik te wees. Waarmee sy egter nie tred hou nie, is die feit dat die hart hom nie laat voorskryf nie. Deur die loop van jare het die Prins-boeties ontwikkel in aantreklike, selfversekerde jong mans, en tydens ’n gesinsvakansie by die see ontdek Delmarie dat sy in diep-diep moeilikheid is. Dit is immers een van haar “broers” teen wie sy haar hart moet staal, en sy moet probeer kophou om nie die grense van haar aanneemfamilie se lojaliteit te oorskry en hul vertroue in haar te skaad nie. Want hoe sal sy haar tweede stel ouers teleurstel as sy vir hulle moet vertel wat in haar hart brand? Veral as die gevoelens vir iemand is wat, deur die wêreld en haar aanneemouers gesien, veronderstel is om haar broer te wees? ’n Broer wat dit ook telkemale duidelik gemaak het dat hy haar nie in die familie wil hê nie!
In the small rural town of Qonda, South Africa, the power and water supplies are unreliable, property prices are down, and citizens are slowly suffocating in the acrid smoke from the municipal dump. Recently retired English teacher Megan Merton has lived here all her life, most of it at No. 8 Serpent Crescent. So who better than this self-styled pillar of society to shine a spotlight on the decline and dysfunction, not to mention the dubious activities, past and present, of many of her neighbours. Nefarious deeds and bad behaviour deserve harsh treatment and appropriate retribution, if not consignment to one of Dante’s fiendish nine circles of hell. At least that’s what Megan believes – in fact she’s been taking matters into her own hands, unnoticed, for years. And now she has decided to write it all down, to shake all of the skeletons loose, and rejoice in the inventive punishments she devised and personally delivered to the wicked. Then her neighbour Elizabeth Cardew, a lecturer in Classical Studies, suffers a stroke and Megan is entrusted with the keys to No. 9. While Elizabeth begins a long recovery at the local care facility, Whispering Pines, Megan relishes the chance to snoop. Curious as to ‘what a stroke victim looks like’, she decides to visit and see for herself. A bond develops between the two women – one a cold and calculating sociopath, the other a courageous and lonely academic – something that takes both of them by surprise. Vivian de Klerk’s sharp observations and brilliantly acerbic satirical wit make this multi-layered novel at once horrifying, shocking and poignant – and very, very funny.
True Love e ratwa kudu! Ziggy D o tumile ka nakwana – go kwagala morethetho fela diyalemoyeng gomme e galagala le diphatlalatšing tša segwera. Efela katlego ye kgolo e tla le sekgopi, kgononelo le lonya. Le ge a lebane le kotsi, Ziggy D o gapeletšega go šireletša bokgabo bja gagwe le seriti sa gagwe le go lemoga gore tshepagalo e a šomelwa.
In a world where power and destiny entwine, Dumisani Ngcobo, a prince with unwavering determination, has always been groomed for the throne of the Twelve Kingdoms. He's been moulded by a lifetime of trials and tribulations, all leading to the moment he believes he's fated for. But when a haunting spectre from his past threatens to unravel the very fabric of his ambitions, he finds himself in desperate need of an unlikely saviour, the only one who can identify this ghost: Zizomila. Zizomila Mabhanga, a fiercely independent and successful businesswoman, is a force to be reckoned with. She's never been one to bow to anyone, let alone an arrogant prince like Dumisani. Yet, fate has a twisted sense of humour, and their paths collide in a way neither can ignore. Their magnetic attraction defies reason, and they are drawn together despite the glaring warning signs that surround Dumisani's enigmatic persona. As the dangers surrounding them intensify, their connection deepens, and soon, they find themselves ensnared in a love that's as intoxicating as it is perilous. Dumisani, driven by an unquenchable need to dominate, becomes addicted to Zizomila, making her his sole obsession and jeopardising the very plans he's spent a lifetime crafting. Zizomila, torn between her desire for independence and her inexplicable yearning for Dumisani, faces a choice that could shatter their world. The chains of their shared past traumas threaten to pull them apart, but their passion burns brighter than any obstacle. In Chains That Bind, a dark romance unfolds as a prince and an unlikely princess ignite a destructive passion that could set their world ablaze, leaving them to question whether they can break free of the chains that bind them, or succumb to the chaos they've unleashed in their quest to be together.
Lady Die het huisvesting gevind in die ruïne van ’n kerk, in ‘n
stadsbuurt genaamd Simoelégri. Baie vlugtelinge het hier opgeëindig, ná
eers die virus en toe nog rampe tot sosiale onrus gelei het. In ander
dele van die land is daar nog ’n mate van orde, maar nie in Simoelégri
nie. In Simoelégri is jou beste vriend die straat se dwelmhandelaar, en
jou enigste bron van hitte 'n konkavuur. Oral loop die gerugte van
groter onrus en geweld.
Vir sommige is Ravensmead in die Kaap die gatkant van onse wêreld. Vir ander – soos Anastasia de Vries – hul komvandaanplek, speelplek en droomplek. Hul hartsgronde. Want dis hier in die Lane waar oud en jonk om ’n ghellie kan staan en kan stukke sny; kan lag en kan ghai en kan leef. Jy moet hier gebore word om te verstaan hoe jou hart teen jou ribbes begin skop as jy op Vlaktegrond uitstap en hoe jou “jippe somma so in die loop saam die een-vir-jou-een-vir-my ritme van die Vlaktevrou se lyf optel…” Hier word baie gehuil, maar nog meer gelag – want waar mooi en onmooi half onverskillig deurmekaargeklits is, daar gebeur die lewe.
Bloemfonteinse speurder Sollie Mthembu en sy vrou, Nyandi, verwag hul tweede baba. Nes baba Naledi in haar buik, groei Nyandi se inkopielys van dag tot dag. Terwyl dié sersant planne beraam om naweekuitstappies na Mimosa Mall met sy kredietkaart te ontduik, sluip daar snags ’n psigopaat deur die strate van Harrismith wat kleuters met roomyse uit hul ouerhuise weglok en ontvoer. Wanneer die oorskot van ’n verminkte vierjarige in ’n Fruitti Tutti-roomyskarretjie in die vroeë oggendure aan die voet van Platberg ontdek word, besluit kaptein Maartin Brummels om Parkweg se bulhond saam te sleep vir die ondersoek. Sollie lyk dalk na ’n bedeesde ou wat op die vreemdste tye oor sy eie woorde struikel, maar as hy iets beetkry, laat los hy nie. Sidney Gilroy se debuutroman, Klikbek, is 2019 met groot lof deur resensente en krimi-lesers ontvang. Almal stem saam dat beide skrywer en speurder Sollie ’n groot aanwins tot die Afrikaanse krimikorpus is.
Kaapstadse sielkundige Chris se rustige lewe word bedreig. ’n Trigger-happy vrou uit sy verlede probeer hom afpers, sy pasiënte se koppe haak een vir een uit, en sy dirty little secret begin hom kriewelrig maak. Boonop irriteer sy gay eksvrou hom met haar verhoudingsprobleme, amper net soveel soos sy skoolvriend se skynbaar sorgelose lewe. Op Bella, sy jong Portugese vrou met haar voorliefde vir lawwe YouTube-videos, kan hy darem werklik staatmaak – of hoe? Hierdie genuanseerde, ironiese blik op seks, intieme verhoudings en eksistensiële krisisse word uit die oogpunt van verskeie karakters vertel, en elkeen het ’n kinkel-einde. Besluit self wie s’n is gelukkig en wie s’n nie . . .
A run-down block of flats in central Cape Town, home to refugees and illegal immigrants, becomes a young girl's gallery of self-discovery in this moving story of the emotional carnage caused by Africa's civil wars. Drug dealers from Nigeria, Zimbabwean wire-workers, immigrants from Rwanda and Sudan, a Mozambican refugee - all seeking the peace of a newly democratic South Africa - bear down on her fragile world, then scoop her up into theirs. Skyline is an unflinching look at one girl's coming of age in the colourful and violent streets of a city waking up to the rest of Africa.
Game guide Alexandra Carnell-Ellis is principled, doesn’t suffer fools, and is generally not too fond of ordinary people either. When she’s fired from The Plains, a commercial ‘Ferrari Safari’-type game reserve in the Karoo for being rude to guests, she’s determined to make a fresh start. She lands a dream job at an exclusive game reserve in Mpumalanga, but Alex arrives at the lodge with attitude, a few facts about her that aren’t strictly true, and a stolen dog in tow. Alex struggles to control her unruly tongue and almost immediately makes enemies with the camp manager and the owner’s terrifyingly scary girlfriend. She finds love in the form of the level-headed and attractive head guide, but it’s not long before everything goes wrong. After impulsively abandoning her vehicle and guests to rescue an abandoned baby baboon, a storm breaks over her head and she flees the reserve. Will she ever be able to find her way back?
Twee broers, seuns van ’n skatryk volstruisboer, wil vir beeldskone Margaretha hê. Sy kies Michael, die erfgenaam, en John gaan veg in die Boereoorlog. Later stort die veremark in duie en hulle is bankrot. Margaretha kry die geleentheid om te wys dat sy nie net ’n mooi gesig het nie.
Odette is a script writer for a popular TV soap opera. When she moves to the small Free State town of Nagelaten she hopes to leave her problems – of family, fraught relationships and experiences of crime – behind in Joburg. To the dwellers of Nagelaten, Odette appears to be escaping a painful break-up in a place she knows no-one – and won’t have to share her secrets. When Odette begins seeing the local engineer, Adriaan, also an outcast in this small town, secrets begin to surface around the murder of Adriaan’s wife. Odette’s world begins to unravel, when her ‘troubled’ daughter, Mandy, is suspected of killing the baby she was au-pairing in the UK and soon comes to live with Odette, who has a secret of her own. It isn’t until Mandy befriends a strange man named Wolfie that Odette finally begins to question the mysteries of the small town. Odette is forced to face her mistakes of the past and the truth of a murder long since buried with the dead. The Imagined Child is a carefully plotted ‘whodunit’ that combines Jo-Anne’s trademark lyrical style with tight suspense and will keep you guessing until the last page.
'From the moment you start reading Two Months until the unpredictable end, this is a story that grips and won't let go.' – BERYL EICHENBERGER, Fine Music Radio From the bestselling author of The Park and The Accident comes a new domestic thriller that will keep you turning the pages until the very end. When Erica wakes up to discover that she can't remember two months of her life, she wants to know what she’s missed. She soon realises that she’s lost more than two months. She’s lost her job and her friends. And her husband won’t tell her why. As Erica starts to put together the clues and pieces, a picture emerges of what has happened. A picture that is fatally flawed.
As lykbesorger by White Lily Funerals het Seb al talle lyke gebalsem, organe teruggepak in lyfholtes, bene gekonnekteer en wasbleek gesigte gegrimeer vir die laaste besigtiging deur roubeklaers. ’n Mens het jou werk en jy doen dit, dit help nie om vir ander goed te wens nie, of hoe? Nietemin wens Seb wel af en toe vir die een of ander ingryping om hom los te ruk uit sy saai bestaan – nie net by die werk nie, maar ook tuis waar hy, sy vrou en tienerkinders verby mekaar leef. Eendag, toe die sterwende seuntjie Gawie en sy ma by die begrafnisondernemers instap, begin Seb tog in wense glo . . . “’n Fabel vir moderne tye. ’n Heerlike verhaal.” – Kerneels Breytenbach. |
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