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Books > Sport & Leisure > Humour > General
GATORS, SNAKES, BEARS AND BIKERS, OH MY
This book is the second in a planned series of books entitles
"Tails of a Woodsman." This book is similar to the first book Patti
has published, it is a collection of humorous true stories of
Patti's encounters with Florida Wild Life. Patti's gifted story
telling style has a way of touching the heart of her readers and
many readers report laughing right out loud
Most of the stories in this book happened in the 440,000 acres
of the untamed piney woods of the Ocala National Forest. Patti
resides in a cottage, near the healing springs of the Seminole
Indians---Salt Springs. This is where she shares the land with many
Florida critters to include, gators, poisonous snakes, black bears,
owls, eagles, and great salt water and freshwater fishing.
These stories will warm the heart of the readers and expose the
reader to rural Florida, a place that is spiritually scared to
those born here and awesomely challenging to the newcomer
In 1963, at the height of the southern civil rights movement, Cecil
Brathwaite (1936-2014), under the pseudonym Cecil Elombe Brath,
published a satire of Black leaders entitled Color Us Cullud! The
American Negro Leadership Official Coloring Book. The book
pillories a variety of Black leaders-from political figures like
Adam Clayton Powell and Whitney Young to civil rights activists
like Martin Luther King, Bayard Rustin, and John Lewis, and even
entertainers like Sammy Davis Jr., Lena Horne, and Dick
Gregory-critiquing the inauthenticity of movement leaders while
urging a more radical approach to Black activism. Despite the
strong illustrations and unique commentary presented in the
coloring book, it has virtually disappeared from histories of the
movement. The Artistic Activism of Elombe Brath restores the
coloring book and its creator to a place of prominence in the
historiography of the Black left. It begins with an analysis of
Brath's influences, describing his life and work including his
development as a Black nationalist thinker and Black satirist. The
volume includes Brath's early works-illustrations for DownBeat
magazine and Beat Jokes, Bop Humor, & Cool Cartoons-as well as
the full run of his comic strip "Congressman Carter and Beat Nick
Jackson" from the New York Citizen-Call and a complete edition of
Color Us Cullud! itself. These illustrations are followed by
annotations that frame and contextualize each of the coloring
book's entries. The book closes with selections from Brath's art
and political thinking via archival material and samples of his
written work. Ultimately, this volume captures and restores a
unique perspective on the civil rights movement often omitted from
the historiography but vital to understanding its full scope.
Author BiographyEveryone's heard of the 'Good Old Boys' in the Deep
South. This is about one J. Carroll Barnhill who likes to say,
"seven twenty seven and thirty three and I've been here a while as
you can see." Born, bred and raised in Bradenton-Manatee County,
Florida, he attended all Manatee schools, receiving a Distinguished
Achievement award in Junior High. In Manatee High School, he
received the Outstanding Senior Award, football, track, President
of the Florida Future Farmers of America, National Honor Society,
Best Physique, football scholarship, a Boy Scout and an Assistant
Scoutmaster.Carroll has five children: three boys, two girls, nine
grandchildren and four great grandchildren. He worked at a dairy
farm from age 12 to 20, and had a 29-year career at Florida Power
and Light Company.He won many horseshow trophies and championships,
also judged and helped organize two horseshow circuits. He traded
his first cow for a Pinto mare and raised its foal, "Rocket,"
featured in a book about famous horses of all breeds, entitled
"Hoof Prints in Time."He went to Chicago and brought back the
thoroughbred stallion, 'Springside, ' grandson of 'Man O'War, '
thus beginning his lifelong ambition to breed, train and race
thoroughbred racehorses, winning over 400 races, several stake
races and set track records. He was also voted "Outstanding
Performer" by the Turf Writers.He will tell you a horse bucked him
off in 2004 which finally lined up his brain cells and then wrote
his first poem. He is always surprised when people like his "silly
little poems" and tell him he is "blessed, talented and gifted."
His reply is, "I just do it for fun and to make people
happy."Carroll's football coach, Wheeler Leeth always said, "Stay
in your own pond." So here Carroll remains in Manatee County.
Star Trek fans and collectors will love this one-of-a-kind,
mini-size collectible communicator with light and sound. The
communicator is used for voice communication and serves as an
emergency-signaling device for Starfleet. Kit includes a replica of
the iconic communicator, with light and sound, and a 48-page book
on the history of communicators, complete with full-color photos.
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Power Play
(Hardcover)
Cynthia Lambert
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R760
R669
Discovery Miles 6 690
Save R91 (12%)
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Ships in 18 - 22 working days
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What is Nice Guy Syndrome?
Nice Guy Syndrome is an affliction where a heterosexual male is
frustrated because he finds himself caged within the friend zone of
women he'd prefer to be dating. Often, he is a kind and sympathetic
person who listens well, and lends a shoulder for women to cry on.
He's loved and admired, but not the type of fellow women sleep
with.If there is a hell, this is it, and I'm in the penthouse.
I was raised to be a nice guy. My relatives and teachers
instilled in me the importance of: Treating women gentlyProtecting
and providing for womenListening to women without
judgingUnderstanding what it is women want, even when they don't
say the wordsOpening and holding doors for womenHandling certain
tasks for womenWriting love notes to womenComplimenting women
I'm a master of the above and, thereby, block my own access to
the physical parts of women I long for.
So, what's a nice guy to do? Should I shed my skin, get a Harley
and tattoos, lose all concern for how I'm perceived, and begin
banging lonely chicks by the dozen, just to please my pecker? I
can't do it. All I can do is vent, and hope someday, some woman
will realize she deserves something better than bad boy
bruises.Women love it.
"Only in the head of Mr. Torcivia will you find such a mix of
wise truth about men and their behavior. Don't read this smut in
the middle of the airport, LOL, or you will find your face turning
the same color as this book cover." - Cathy Cook
"Congrats to Phil Torcivia on the newest book Here's hoping I
don't get my Kindle taken away from me by my Doctor's assistant for
giggling too loudly in the exam room." - Anita-Michelle Miller
"Phil's day to day kindness and sharing of relationships knows
no bounds. I most definitely did not believe in the Nice Guy
Syndrome until this book. Romantic, delicious with a touch of
intrigue and blood." - Gracey CastroRead this book and laugh with
(not at) me.
Seriously. I'm fragile. Be nice, dammit I promise a giggle or
two from me to you.
Dorothy Parker holds a place in history as one of New York's most
beloved writers. Now, for the first time in nearly a century, the
public is invited to enjoy Mrs. Parker's sharp wit and biting
commentary on the Jazz Age hits and flops in this first-ever
published collection of her groundbreaking Broadway
reviews.Starting when she was twenty-four at Vanity Fair as New
York's only female theatre critic, Mrs. Parker reviewed some of the
biggest names of the era: the Barrymores, George M. Cohan, W.C.
Fields, Helen Hayes, Al Jolson, Eugene O'Neil, Will Rogers, and the
Ziegfeld Follies. Her words of praise--and contempt--for the
dramas, comedies, musicals, and revues are just as fresh and funny
today as they were in the age of speakeasies and bathtub gin.
Annotated with a notes section by Kevin C. Fitzpatrick, president
of the Dorothy Parker Society, the volume shares Parker's outspoken
opinions of a great era of live theatre in America, from a time
before radio, talking pictures, and television decimated
attendance. Dorothy Parker: Complete Broadway, 1918-1923 provides a
fascinating glimpse of Broadway in its Golden Era and literary life
in New York through the eyes of a renowned theatre critic.
Everyone knows Uber drivers are expected to be courteous and
attentive, both to their passengers and to those on the road. They
are not expected to accept that invitation to the swinger party,
flee the scene of a fatal accident, nor are they expected to be a
convicted felon on probation. Unfortunately, this Joe Schmo is not
your everyday Uber driver. I began sharing rides with the audacious
hope to one day escape the road blocks stalling my merger onto the
freeway of creative success. But when a typical shift U-turns into
a series of detours involving herpes ridden riders, sexy sorority
sisters, and blundering bank robbers, I arrive (at gunpoint) miles
from my desired destination. ""Rideshares, Wrecks, and Sex:
Confessions of a Convicted Uber Driver"" is based upon actual
events that transpired over the year that I covertly drove for Uber
while on probation. I confesses outlandish details in a highlight
reel of wrecks (both car and train) and sex, effectively answering
""What's your craziest story?""
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