Masincokole NGesiXhosa (‘Let us have a conversation’ in isiXhosa) is a basic communication resource for additional language students who want to learn to speak isiXhosa.

The aim of the book is to equip students, whose mother-tongue is not isiXhosa, with isiXhosa communication skills. By emphasising practical usage and conversations, students using the book will develop a more natural and intuitive understanding of the language, which can be beneficial for both academic and personal interactions.

It can also prepare non-mother tongue speakers for real-world situations, such as social interactions, interviews, or community engagement.

Perfect for beginning students of Spanish, this affordable anthology is filled with 41 delightful stories and proverbs based on works of Don Juan Manuel, Luis Taboada, Ricardo Palma, and other noted writers. Complete and faithful English translations are featured on the facing pages of the Spanish text. Exercises are also included.

This book makes punctuation more fun and easier to learn than traditional approaches do. It teaches the natural way, by example: each lesson begins with quotes that exemplify good punctuation and sentence structure. Quotations are humorous and informative, drawn from the words of notable figures-Shakespeare, Mark Twain, Jerry Seinfeld, Taylor Swift, Beyonce, Jennifer Lawrence, and many others. Short essays accompany each lesson, showing how each punctuation mark originated and how its use has altered over time. Correct punctuation is vital for clear, accurate, and natural writing. Anyone preparing a course assignment, applying for a job or for college admission, or doing any other formal writing needs to know the standard conventions of punctuation. Yet many people have never been taught how to punctuate. A necessary addition to any writer's bookshelf, this enjoyable book will teach readers to punctuate effectively and confidently-through over 500 memorable quotes and clear explanations of the rules.

The primary aim of Writing Research is to create a frame of reference for writing research from a number of approaches to inquiry; and for a number of purposes. The content is directed to identifying principles for writing from within commonly used methodologies and methods in health research, which will guide writers to transform research data into written forms. The emphasis will be on the writing task, not on how to conduct the research, which follows after research data has been collected. The explanatory aspects of the content of the book will assist researchers in the development of research proposals and those who critique or review research for any purpose. The theory and practice of research writing are comprehensively covered. Information on how to arrange material for specific purposes is provided. A range of commonly used research approaches is encompassed, and the writing task is discussed from within each. The writing process is linked to a philosophical basis of the research approach.

This book attempts to deconstruct certain key clusters of Chinese characters and words, centering on themes such as war and peace, kith and kin, male and female, rites and rituals, pleasure and leisure to make them yield fascinating tales about Chinese culture and history in which these words are embedded and which they at the same time encapsulate. The Chinese language, Chinese history and culture are presented as one long woven bolt of silk (for which China has historically been noted), with the written language conceived as the warp while the history and culture the weft. In this process of linguistic exploration, the book shows in what ways the Chinese written language may be said to be unique as well as to reveal, amongst other things, certain aspects of: * ancient Chinese religion, cosmology, philosophy, political theory, law, medicine, astronomy, physics, geography; * their grasp, on the part of the ancient Chinese people, of human reproduction, biology and physiology, psychology, biochemistry, even neurology of the brain; * what constitutes Chinese identity, the core values of Chinese culture, the essential glue holding their society together; * their daily existence, such as their food and drink, the houses they lived in, the furniture they used, their chief modes of transportation, etc. A fascinating look at Chinese language and culture.

Use to instantly create hundreds of sentences for communication in Spanish. Provides basic sentences with plug-in words that are color-coded. To change the sentence, pick a different color-coded noun, verb or adjective for a wide range of sentences for communication in each category listed below.

The UK's most popular KS3 Spanish course is packed with content your pupils will enjoy learning. With a strong cultural focus and a wide range of resources for all abilities, iva! opens the window to the Spanish-speaking world. Viva! segunda edicion includes even more GCSE-style tasks for your pupils. The content builds key language skills at KS3, providing a seamless transition to our GCSE (9-1) Viva! courses for Pearson Edexcel and AQA and ensuring pupils are prepared pupils for progression to the new GCSE. Fully differentiated print and digital resources, including parallel differentiated Pupil Books for Year 9. Brand new quiz-style Repaso revision pages, designed for independent or group working, help pupils prepare for end-of-module assessments. Adelante pages pool and revise the language from each module and build skills towards GCSE-style tasks, including authentic and literary texts, role-play, picture based activities and translations. Clear progression and recycling of vocabulary and grammar build students' confidence and ability to manipulate language. A focus on building skills, including through dedicated skills pages, ensures pupils are ready to progress to GCSE. Can be used in parallel with Viva 3 Rojo pupil Book in the classroom. Introduction of key sounds of Spanish using phonics helps pupils to establish good Spanish pronunciation and spelling. Audio files to accompany our Pupil Books are sold separately.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.