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Books > Arts & Architecture > Industrial / commercial art & design > Illustration & commercial art
In a 2019 interview with the webzine DC in the 80s, Jeff Lemire (b. 1976) discusses the comics he read as a child growing up in Essex County, Ontario-his early exposure to reprints of Silver Age DC material, how influential Crisis on Infinite Earths and DC's Who's Who were on him as a developing comics fan, his first reading of Watchmen and The Dark Knight Returns, and his transition to reading the first wave of Vertigo titles when he was sixteen. In other interviews, he describes discovering independent comics when he moved to Toronto, days of browsing comics at the Beguiling, and coming to understand what was possible in the medium of comics, lessons he would take to heart as he began to establish himself as a cartoonist. Many cartoonists deflect from questions about one's history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own.
Tell your favorite fierce female all the ways she's the best with this DIY gift book inspired by Wonder Woman. Whether she's your mom, sister, wife, daughter, grandmom, or best friend, we all have amazing women in our lives who embody the qualities of the world's greatest female super hero. Tell her all the ways with this book. Once you fill in the prompts, it becomes a personalized gift full of sweet, sentimental, or silly expressions of appreciation. It's up to you! This beautiful book features full-color Wonder Woman artwork throughout.
In the less than eight decades since Superman's debut in 1938, comic book superheroes have become an indispensible part of American society and the nation's dominant mythology. They quickly expanded from their sequential art origins to become a part of nearly every portion of society, from film and television to art and academia. They represent America's hopes, dreams, fears, and needs and have become ingrained in the nation's social and cultural fabric. As a form of popular literature, superhero narratives have closely mirrored and molded social trends and changes, influencing and reflecting political, social, and cultural events. This study provides a decade by decade chronicle of American history from 1938 to 2010 through the lens of superhero comics, revealing the spandex-clad guardians to be not only fictional characters but barometers of the place and time in which they reside.
Chibis are the cute, miniature characters and creatures of Japanese comics. Chibis appear in all genres of manga, from the serious to the broadly comedic, which is why they enjoy such a high recognition factor among manga readers. And because chibis are such stylized and fun characters, many manga fans are motivated to learn how to draw them. In this book, chibis are covered character by character, according to the various subgenres in which they appear, including fantasy, occult, shoujo, fairy and action. In addition, important and appealing character design instruction is discussed, such as creating chibi eyes, body language and action poses. New to this book is the introduction of adorable chibi animals, chibi witches and vampires (all cute!), as well as harmless and hilarious little bad guys. Completing the book is a section on creating chibi props and backgrounds, which is designed to give readers the tools necessary to make their own chibi scenes and environments.
An examination of the popular horror comics of the 1950s and their re-emergence thirty years later. The popular horror comics of the 1950s not only frightened their readers, they also alarmed Cold War politicians who enacted the prohibitive Comics Code, sacrificing horror on the altar of good taste. Wandtke examines and explainsthe story of the resurgence of horror comics and introduces readers to the new shape of horror comics within the American culture in the 1980s. Terrence Wandtke is a professor at Judson University and the author of The Dark Night Returns (RIT, 2015).
The Poster to Poster series is a nine-volume definitive collection of British railway posters which showcases many of the railway posters from the National Railway Museum at York and other museums and galleries. Each volume is a mixture of travel documentary, geographical and historical study, graphic artists' reference and poster database - all interlinked using the central theme of railway posters. This 9th volume, takes a journey from around the USA from the east to the west coast. The result is a stunning artistic guide to North American destinations and railway poster heritage. This is a high quality production and is fully illustrated with beautiful and memorable posters. it is a stunning book that should appeal to everyone, not just railway enthusiasts.
From the late eighteenth to the early twentieth century, hundreds
of British women wrote about and drew from nature. Some--like the
beloved children's author Beatrix Potter, who produced natural
history about hedgehogs as well as fiction about rabbits--are still
familiar today. But others have all but disappeared from view.
Barbara Gates recovers these lost works and prints them alongside
little-known pieces by more famous authors, like Potter's field
notes on hedgehogs, reminding us of better known stories that help
set the others in context.
Before Andrew and Jamie, there was N. C. Wyeth. The star student of
Howard Pyle's Brandywine School, Newell Convers Wyeth (1882-1945)
created more than 3,000 illustrations in the course of his career.
This original full-color collection focuses on his most popular
illustrations, featuring early works that date from 1910-30. More
than 100 iconic images include scenes from "The Last of the
Mohicans, The Mysterious Stranger, Robin Hood, Robinson Crusoe, Rip
Van Winkle, The Boy's King Arthur, " and other books.
The Art of Titanfall 2 is the ultimate guide to the development of Respawn Entertainment's fast-paced, visually stunning first-person shooter. Featuring an exclusive array of highly stylised concept art, sketches, 3D renders, maquette modelling, and commentary from key Respawn Entertainment team members, this is a must-have for any fan of the dynamic and destructive world of Titanfall 2.
Featuring over 300 pieces of artwork spanning decades of Ian's work, this collection is a treat for all lovers of great fantasy art - from Lovecraft novel covers to Tolkien bestiaries to Warhammer 40,000 concept art, through a veritable trove of gothic humour, fantasy battles, dragons, beasts and a world of nightmarish visions.
Capturing a monumental exhibition of magic realism and gothic art in Denmark, this catalog features more than 60 images in full color and black and white, from nearly 50 artists from around the world. The collection pays tribute to the combination of music and art in the 1970s and 1980s, celebrating the days when experiencing a new album's cover was an adventure in itself. Featuring some of the genres' most notable personalities, this array includes Claus Brusen, Jose Roosevelt, David Stoupakis, Patrick Woodroffe, Mark Wilkinson, David Bowers, Steven Kenny, Richard Kirk, and more.
Have you ever wanted to try your hand at cartoony computer animation? Then look no further... Cartoon Character Animation with Maya will help you create just that, guiding you through every step of the process including how to incorporate multiple limbs, smears, motion lines and staggers seamlessly into your animation. From planning to posing to polish, you'll learn how to make the most of breakdowns, take the terror out of tangent types and overcome the oft-feared graph editor. Each chapter includes insight and advice from world-leading character animators, and the companion website, www.bloomsbury.com/Osborn-Cartoon-Animation, includes a short animation featuring the star of the book, Mr. Buttons. There's also a specially created rig of Mr. Buttons for you to animate with, as well as walk-through videos demonstrating key techniques. Everything you need to help you animate your own cartoony creations! Includes interviews with: Ken Duncan, Beauty and the Beast, Aladdin, 9; Jason Figliozzi, Wreck it Ralph, Frozen, Big Hero 6; T. Dan Hofstedt, Pocahontas, Mulan, Planes; Ricardo Jost, The Nut Job, The Snow Queen 2; Pepe Sanchez, Pocoyo, Jelly Jamm; Matt Williames, Looney Tunes: Back in Action, The Princess and the Frog
Art from the world's most popular ninja comic
Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks. The face of issue 17 is Devin Elle Kurtz, who crafted an enchanting narrative design especially for this issue's cover. Alongside a breakdown of how the cover was created, readers can discover more about the artist and her creative story to date. Issue 17 also features an informative interview with the team at Taiko Studios.
Cartoonist and national treasure Ralph Steadman's unique take on a variety of extinct birds ... When Ceri Levy asked Ralph Steadman to produce one piece of art representing an extinct bird for a recent exhibition, Ghosts of Gone Birds, Ralph said 'yes'. Then 'yes' again ... and again ... and again. An astonishing 100 paintings later, Extinct Boids was born. Ralph got carried away by the birds, taking Ceri with him ... this book details the discoveries they made on their travels through the savage seas of extinction. After stumbling on the previously hidden Toadstool Island, where the extinct birds of the world live on in secretive harmony, the duo spent nearly a year in close proximity to a host of fantastical avian creatures. Ralph documents them all in this series of remarkable paintings, featuring unique interpretations of well-known birds such as the Great Auk, Passenger Pigeon and Dodo, along with less familiar members of the feathersome firmament - Snail-eating Coua, for example, or the Red-moustached Fruit Dove - and a variety of bizarre beasts including the Gob Swallow, the Long-legged Shortwing and the Needless Smut. All are captured in a riot of expression and colour, with a slice of trademark Steadman humour. Based on emails, diary entries and phone conversations, Ceri's accompanying text provides a running commentary, detailing the unfolding madness behind the creation of each piece in Ralph's extraordinary work. Things got tough as the pair discovered just how many amazing birds have been lost from our world forever. "But," as Ralph said "it did, after all, make a nice change from drawing politicians". Bloomsbury is proud to publish this unique title.
Alan Moore and Dave Gibbons's Watchmen has been widely hailed as a landmark in the development of the graphic novel. It was not only aesthetically groundbreaking but also anticipated future developments in politics, literature, and intellectual property. Demonstrating a keen eye for historical detail, Considering Watchmen gives readers a new appreciation of just how radical Moore and Gibbons's blend of gritty realism and formal experimentation was back in 1986. The book also considers Watchmen's place in the history of the comics industry, reading the graphic novel's playful critique of superhero marketing alongside Alan Moore's public statements about the rights to the franchise. Andrew Hoberek examines how Moore and Gibbons engaged with the emerging discourses of neoconservatism and neoliberal capitalism, ideologies that have only become more prominent in subsequent years. Watchmen's influences on the superhero comic and graphic novel are undeniable, but Hoberek reveals how it has also had profound effects on literature as a whole. He suggests that Watchmen not only proved that superhero comics could rise to the status of literature-it also helped to inspire a generation of writers who are redefining the boundaries of the literary, from Jonathan Lethem to Junot Diaz. Hoberek delivers insight and analysis worthy of satisfying serious readers of the genre while shedding new light on Watchmen as both an artistic accomplishment and a book of ideas.
Archetypes in Branding: A Toolkit for Creatives and Strategists offers a highly participatory approach to brand development. Combined with a companion deck of sixty original archetype cards, this kit will give you a practical tool to: *Reveal your brand's motivations, how it moves in the world, what its trigger points are and why it attracts certain customers *Forge relationships with the myriad stakeholders that affect your business *Empower your team to access their creativity and innovate with integrity Readers will use this tool over and over again to inform and enliven brand strategy, and to create resonant and authentic communications. For more information visit www.archetypesinbranding.com.
'Ideal for wild children - beautifully illustrated, with great information, maps and data ... it's top bedtime reading' Chris Packham What do the ingenious sea otter, the incredible shrinking reindeer, the tree-dwelling baby dragon or the Dodo's long-lost cousin have in common? They are all at risk of disappearing from our world forever. This book is all about the amazing creatures that are now endangered around the globe, from oceans and forests to mountains and snow. Filled with beautiful beasts, glorious illustrations, facts and tales, it will make you fall in love with the animal kingdom - and maybe even try to save it.
This book calls for an investigation of the "borderlands of narrativity" the complex and culturally productive area where the symbolic form of narrative meets other symbolic logics, such as data(base), play, spectacle, or ritual. It opens up a conversation about the "beyond" of narrative, about the myriad constellations in which narrativity interlaces with, rubs against, or morphs into the principles of other forms. To conceptualise these borderlands, the book introduces the notion of "narrative liminality", which the 16 articles utilize to engage literature, popular culture, digital technology, historical artifacts, and other kinds of texts from a time span of close to 200 years.
Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora Lucia Serrano and a diverse group of contributors examine immigrant experience as they navigate new socio-political milieux in cartoons, comics, and graphic novels across cultures and time periods. They interrogate how immigration is portrayed in comics and how the 'immigrant' was an indispensable and vital trope to the development of the comics medium in the twentieth century. At the heart of the book's interdisciplinary nexus is a critical framework steeped in the ideas of remembrance and commemoration, what Pierre Nora calls lieux de memoire. This book will be of interest to students and scholars in Visual Studies, Comparative Literature, English, Ethnic Studies, Francophone Studies, American Studies, Hispanic Studies, art history, and museum studies.
The little black-and-white cartoon figure of 'Tintin' first appeared in Belgium in 1929 in a Catholic newspaper where his creator, Herge, worked. Harry Thompson looks at the story of Herge, of 'Tintin' and his origins, and beyond to when President de Gaulle could call 'Tintin' 'his only rival'. |
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