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Books > Arts & Architecture > Industrial / commercial art & design > Illustration & commercial art
An overview of the life and work of much-loved children's illustrator and author Judith Kerr, creator of classics such as The Tiger Who Came to Tea, and Mog. A thoughtful and intimate portrait, this book is not only a celebration of Judith Kerr's classic work, but a record of the hard work, development and serious intent behind it. Referencing Kerr's biographical novels, Joanna Carey introduces us to the illustrator as she goes about her daily life, showing us into her studio, exploring her materials, her relationship with her publisher and editors, and her reflections over the years. Drawing on a great range of previously unpublished visual material, we see behind the scenes of Kerr's unforgettable creations.
Comics are all around campuses everyday, and with students arriving less prepared to tackle basics like reading, writing, and analyzing, this text helps connect what students enjoy to the classroom. Comic Connections: Analyzing Hero and Identity is designed to help teachers from middle school through college find a new strategy that they can use right away as part of their curricular goals. Each chapter has three pieces: comic relevance, classroom connections, and concluding thoughts; this format allows a reader to pick-and-choose where to start. Some readers might want to delve into the history of a comic to better understand characters and their usefulness, while other readers might want to pick up an activity, presentation, or project that they can fold into that day's lesson. This book focuses on defining heroic traits in popular characters such as Superman, Batman, or Daredevil, while offering a scholarly perspective on how to analyze character and identity in ways that would complement any literary classroom.
A larger-than-life figure in the design community with a client list to match, Paula Scher turned her first major project as a partner at Pentagram into a formative twenty-five-year relationship with the Public Theater in New York. This behind-the-scenes account of the relationship between Scher and "the Public," as it's affectionately known, chronicles over two decades of brand and identity development and an evolving creative process in a unique "autobiography of graphic design." New Yorkers, designers, and theater fans everywhere will be thrilled to find hundreds of Scher's posters, including those for Hamilton, Bring in 'da Noise, Bring in 'da Funk, and numerous Shakespeare in the Park productions, collected in this one-of-a-kind volume along with other printed and process-related matter. Essays by two of the theater's artistic directors, George C. Wolfe and Oskar Eustis, and design critics Steven Heller and Ellen Lupton contextualize Scher's dynamic typographic treatment.
In a contemporary and ever-changing society, 'the visual' has become a dynamic element that traverse all parts of current life all over the world - what in this book series is termed transvisuality. The present book is volume 3, which attempts to study the visual as it comes about: through the dynamic involvement in all sorts of articulations. The topics are in all volumes covered by introductions bring everything together under the new theme of transvisuality: the notion of visual as a cultural practice and constant dynamic that knows no representational limits and no framings. In this volume, the visual is seen as dynamic new and nonrepresentational matter - a 'flesh' which is researched from the particular vantage points of design of the visual and branding of the visual. In dialogue with radical new theories of the present, non-representational theory and new materialism, design and branding are surveyed from the viewpoint of business research, design studies, cultural studies, and practice - all focused on the visual. Topics covered are fashion blogging, DIY, Junk Space, handmade signage and public spaces in New Delhi, city branding, dance festivals and youtubing, visual branding in China and Multi-Sensory Retrieval Methods.
Mr Strachan was asked if he could identify or explain the illustrations in an edition of the English Great Bible of 1541. Some were simple, others quite baffling. He set out to discover their meaning and history, and succeeded in tracing their derivation. At each stage a possible influence or explanation pointed a stage farther back; in the end he found that he had to cover virtually the whole history of illustration in printed bibles during their first century. He has set down his findings in this study. There is a considerable detective interest; one sees how successive renderings of a subject produced strange garblings, until certain pictures became apparently meaningless. It is all quite easy to understand, now that Mr Strachan has explained it; but he was working backwards in time, and it was a feat of ingenuity and perseverance to have reached his conclusions. All the more so in that he had to survey the entire range of bible-printing in every important European country.
Designed and outlined by Will Eisner before his death in 2005, this posthumous masterwork, the third and final book in the Will Eisner Instructional Series, finally reveals the secrets of Eisner s own techniques and theories of movement, body mechanics, facial expressions, and posture: the key components of graphic storytelling. From his earliest comics, including the celebrated Spirit, to his pioneering graphic novels, Eisner understood that the proper use of anatomy is crucial to effective storytelling. His control over the mechanical and intuitive skills necessary for its application set him apart among comics artists, and his principles of body grammar have proven invaluable to legions of students in overcoming what is perhaps the most challenging aspect of creating comics. Buttressed by dozens of illustrations, which display Eisner s mastery of expression, both subtle and overt, Expressive Anatomy for Comics and Narrative will benefit comics fans, students, and teachers and is destined to become the essential primer on the craft."
Anime and Manga are hot - the popularity of these media is only increasing. What is it about anime that is so appealing to a trans-national fan base? This book looks at anime fans and the place they occupy, both in terms of subculture in Japan and the West, and in relation to Western perceptions of Japan since the late 1800s.
The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.
40 beautiful designs by one of Victorian era's most influential designers. Modestly priced, copyright-free collection of richly detailed patterns, faithfully reproduced from rare 1890s publication. Superb designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, more.
John Alvin's movie poster art is among the most iconic of the last 40 years, from Disney films such as Beauty and the Beast and Pinocchio, to Empire of the Sun, The Goonies, Blazing Saddles, Jurassic Park, and Star Wars Celebration posters. This book not only collects some of Alvin's finest work, but also includes previously unseen comprehensives and in progress sketches, accompanied by commentary from John's wife, and his colleagues and admirers.
The Psalms of DavidForeword by Stephen Freemantle Back in print, The Psalms of David is a unique, beautifully illustrated edition of the revered religious work, also known as the Book of Psalms. The lifework of a little known genius, this facsimile edition of a magnificent hand-painted illumination of the Psalms of David is a stunning tribute to love and spiritual devotion. Born in India, James Freemantle traveled through the Middle East during his years in the British Army. Shortly after his second marriage, he began this hand-lettered, illustrated volume for his beloved bride, Clara. For the next thirty years, he periodically worked to transfer the psalms into a book that would physically match the lyrical beauty of the poetry. Throughout the book one finds the brilliantly colored blooms of India: the jacaranda, the flame-of-the-forest, huge yellow laburnums, brilliant poinsettias, and highly scented mimosa. The pages are alive with kingfishers and larks, drummers and hoppie butterflies, storks and pheasants. There are pictures of the lake near Freemantle's home, the nearby Brahmin temple, and the view from the train as he went up to school in the hills. Scenes from his travels in the army, Middle Eastern harbors and villages, and copies of illustrations from Victorian travel books reveal his draftsman's training in the accuracy of every detail. A labor of love, a work of art, a volume to treasure, this illuminated edition of the King James version of the Psalms of David is the perfect gift for all seasons.
The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy. It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few. The Black Panther is not just a super hero; as King T'Challa, he is also the monarch of the hidden African nation of Wakanda. Combining the strength and stealth of his namesake with a creative scientific intelligence, the Black Panther is an icon of Afro-futurist fantasy. This new anthology includes the Black Panther's 1966 origin tale and the entirety of the critically acclaimed "Panther's Rage" storyline from his 1970s solo series. A foreword by Nnedi Okorafor, a scholarly introduction and apparatus by Qiana J. Whitted, and a general series introduction by Ben Saunders offer further insight into the enduring significance of Black Panther and classic Marvel comics. The Penguin Classics black spine paperback features full-color art throughout.
Simple Pleasures presents the first major critical assessment of works by the artist Doris Lee (1904-1983). Lee was one of the most recognized artists in America during the 1930s and 40s, and was a leading figure in the Woodstock Artist's Colony. Her oeuvre reveals a remarkable ability to merge the reduction of abstraction with the appeal of the everyday. In so doing, she offers one of the very rare examples of a coherent visual identity that successfully bridged the various artistic "camps" that formed with the shift in the art world in the post-World War II era.Doris Lee exploded onto the national scene in 1935 when her painting Thanksgiving was awarded the Art Institute of Chicago's Logan Prize and instigated the Sanity in Art movement in protest. Two years later, her painting Catastrophe was purchased by the Metropolitan Museum of Art. Simple Pleasures explores this initial national recognition in the 1930s within the context of American Scene painting, and traces the artist's thematic interest in the simple objects and scenes of the everyday through her career. It also examines the influence of the rise in abstraction during the late 1940s and 1950s, and the particular way in which this abstraction found resonance with Lee's long-held interest in, and collections of, folk and non-western art. During this post-war period, Lee, like many of her American Scene colleagues, found lucrative work in the heyday of commercial advertising. Lee's commercial commissions for patrons such as American Tobacco Company, Life magazine, Abbott Laboratories, and Associated American Artists are especially compelling in both their populist accessibility and in their deceptively sophisticated abstraction. Sixty-five works by the artist span the 1930s through the 1960s and are comprised of paintings, drawings, prints, and commissioned commercial designs in fabric and pottery. Included are advertisements by companies that commissioned images from Lee, and photographs that contextualize the artist's work within the Woodstock artist's community.
"The definitive educational title to bring readers through the journey of comic strips from the perspective of British history... a whole new world of information and staggeringly beautiful art." - Comic Beat This wildly entertaining and educational tome is a journey through the history of British comics - from the birth of the 20th century to the 80s invasion of American comics by the likes of Brian Bolland, Dave Gibbons and Kevin O' Neill (to name but a few), right up to today's up-and-coming British art stars and the talents of tomorrow. Revealing the extraordinary history of the UK's prolific comic book industry from the 19th Century to the 21st, this ground breaking volume celebrates the incredible artists who made a huge impact on British comics and would go on to revolutionize the industry on a global scale. Featuring a Who's Who of talent, including Brian Bolland, Yvonne Hutton, Dave Gibbons, celebrated greats such as Don Lawrence and lost masters like Reg Bunn and Shirley Bellwood. Author and 2000 AD artist David Roach takes us on a journey through time detailing the surprising and fascinating evolution of the art from its humble beginnings to its current world-conquering status. Including artwork from a vast number highly-acclaimed artists, carefully scanned from original artwork, Masters of British Comic Art is the definitive study and celebration of a beloved industry.
A fascinating, beautiful and definitive account of the life of esteemed artist Helen Oxenbury. Filled with insights that span Helen Oxenbury's life, from her early childhood through a unique career in children's books that began in 1964 and is still going strong today, here is an exquisitely designed and thoroughly entertaining celebration of one of the finest English illustrators of our time. Written by acclaimed author Leonard S. Marcus, Helen Oxenbury: A Life in Illustration is a keepsake that is sure to engage and delight everyone from scholars to art aficionados to the many children and adults who have grown up with Helen Oxenbury’s enchanting books.
"Kawaii"--so cute it hurts
Historical Dictionary of Animation and Cartoons is intended to provide an overview of the animation industry and its historical development. The animation industry has been in existence as long (some would argue longer) than cinema, yet it has had less exposure in terms of the discourse of moving-image history. This book introduces animation by considering the various definitions that have been used to describe it over the years. A different perception of animation by producers and consumers has affected how the industry developed and changed over the past hundred years. This second edition of Historical Dictionary of Animation and Cartoons contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on animators, directors, studios, techniques, films, and some of the best-known characters. This book is an excellent resource for students, researchers, and anyone wanting to know more about animation and cartoons.
In this highly portable mini version of Chibi Art Class, renowned anime artist Yoai teaches you the art of chibi, step by adorable step. Chibi is Japanese slang for “short,†and popular Instagram anime artist Yoai (@yoaihime) shows you how to draw these adorable doll-like characters in Mini Chibi Art Class. Chibis are mini versions of Japanese anime and manga characters and are defined by their large heads and tiny bodies, both of which contribute to their kawaii, or cuteness, factor.  Here, you'll learn how to create chibis’ signature bodies, facial features, and props, including dreamy eyes, fun clothes and shoes, vibrant hair, colorful accessories, and lively backgrounds. You'll also learn how to color and shade your vertically challenged characters for optimal cuteness. This book also features 19 chibi tutorials with simplestep-by-step illustrations and instructions, inspiration galleries, blank body bases for you to start your own chibi drawings, and uncolored chibis for practicing coloring and shading. ​Mini Chibi Art Class is part of a series of adorable mini versions of Race Point art reference books that include Mini Kawaii Doodle Class and Mini Kawaii Doodle Cuties. Thanks to this take-anywhere crash course, soon you will be enhancing your notebooks, stationery, artwork, and more with your own unique chibi world. Mini Chibi Art Class is now in session!
In the 1970s and 1980s, the Disney animation studio redefined its creative vision in the wake of Walt Disney's death. This latest volume from renowned Disney historian Didier Ghez profiles Ken Anderson and Mel Shaw, whose work defined beloved classic Disney characters from films like The Jungle Book, The Aristocats, Robin Hood, and The Rescuers. With vivid descriptions of passages from the artists' autobiographies and interviews, accompanied by never-before-seen images of their art and process, this visually rich collection offers a rare view of the Disney leg ends whose work helped shape the nature of character and story development for generations to come. Copyright (c)2019 Disney Enterprises, Inc. All Rights Reserved
The Spitz book of hours is one of the finest French books of hours
in the collections of the Getty Museum. It is also one of the most
original and inventive manuscripts painted in the International
style. The Spitz Master, its primary illuminator, allows the
narrative of the miniatures to fill the borders, bringing its pages
alive in a fresh and engaging manner.
From the editor of Yale's Anthology of Graphic Fiction, Cartoons, and True Stories, a smart and charming guide to the art of cartooning Winner of the 2012 Will Eisner Comic Industry Award for the Best Academic/Scholarly Work "Brunetti has given the cartooning world something very similar to what Strunk & White gave to prose with their Elements of Style. . . . Keep it right next to your desk where you can find it at a moment's notice."-Tim O'Neil, PopMatters.com The best cartooning is efficient visual storytelling-it is as much a matter of writing as it is of drawing. In this book, noted cartoonist and illustrator Ivan Brunetti presents fifteen distinct lessons on the art of cartooning, guiding his readers through wittily written passages on cartooning terminology, techniques, tools, and theory. Supplemented by Brunetti's own illustrations, prepared specially for this book, these lessons move the reader from spontaneous drawings to single-panel strips and complicated multipage stories. Through simple, creative exercises and assignments, Brunetti offers an unintimidating approach to a complex art form. He looks at the rhythms of storytelling, the challenges of character design, and the formal elements of comics while composing pages in his own iconic style and experimenting with a variety of tools, media, and approaches. By following the author's sophisticated and engaging perspective on the art of cartooning, aspiring cartoonists of all ages will hone their craft, create their personal style, and discover their own visual language.
Former Disney animator offers expert advice-with over 700 illustrations-on drawing animals both realistically and as caricatures. Use of line, brush technique, establishing mood, conveying action, much more. Construction drawings reveal development process in creating animal figures. Many chapters on drawing individual animal forms-dogs, cats, horses, deer, cows, foxes, kangaroos, etc. 53 halftones. 706 line illustrations.
When Linley Sambourne died in 1910, a host of obituaries paid tribute to his long career as a cartoonist and his contribution to late Victorian and Edwardian political satire. For more than forty years he had been a draughtsman for the comic magazine Punch, rising to the position of 'First Cartoonist' in his final decade. To his many friends Sambourne was a natural humorist, a teller of comic tales, a lively and cheerful companion. He was a frequent guest of the rich and successful, but his origins were very different. Sambourne rose in the world through a blend of talent and hard work. He is remembered for his imaginative and stylized cartoons, often reproduced as illustrations to studies of the social and political mores of his time.
Han vs the green fellow. Chief Brody vs the very large shark. John McClane vs broken glass, and many, many more...This is Scott Campbell's acclaimed "Great Showdowns" series, showing strangely good-natured confrontations between his favorite movie characters, finally gets the book collection fans have been demanding! It comes with a Foreword by Neil Patrick Harris. |
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