American democracy owes its origins to the colonial settlement of North America by Europeans. Since the birth of the republic, observers such as Alexis de Tocqueville and J. Hector St. John de Crevecoeur have emphasized how American democratic identity arose out of the distinct pattern by which English settlers colonized the New World. Empire of the People explores a new way of understanding this process-and in doing so, offers a fundamental reinterpretation of modern democratic thought in the Americas. In Empire of the People, Adam Dahl examines the ideological development of American democratic thought in the context of settler colonialism, a distinct form of colonialism aimed at the appropriation of Native land rather than the exploitation of Native labor. By placing the development of American political thought and culture in the context of nineteenth-century settler expansion, his work reveals how practices and ideologies of Indigenous dispossession have laid the cultural and social foundations of American democracy, and in doing so profoundly shaped key concepts in modern democratic theory such as consent, social equality, popular sovereignty, and federalism. To uphold its legitimacy, Dahl also argues, settler political thought must disavow the origins of democracy in colonial dispossession-and in turn erase the political and historical presence of native peoples. Empire of the People traces this thread through the conceptual and theoretical architecture of American democratic politics-in the works of thinkers such as Thomas Jefferson, Thomas Paine, Alexis de Tocqueville, John O'Sullivan, Ralph Waldo Emerson, Daniel Webster, Abraham Lincoln, Walt Whitman, and William Apess. In its focus on the disavowal of Native dispossession in democratic thought, the book provides a new perspective on the problematic relationship between race and democracy-and a different and more nuanced interpretation of the role of settler colonialism in the foundations of democratic culture and society.

Today, some 2 million American Indians inhabit the United States, less than 1 percent of the nation's population. Their origins have always been viewed from a 500-year-old perspective -- from the point of view of the Europeans who "discovered" the New World. Yet the true story of the American Indians begins some seventeen thousand years ago -- and it is past due for a telling that shows Indians as they are, rather than as westerners wish them to be.
Recent archaeological findings, newly discovered written accounts, and never-before-published records have contributed to a whole new understanding of our country's oldest ancestors. Drawing upon the latest research, as well as his own personal experience living among the Hopi tribes, acclaimed author and former "Natural History" magazine editor Jake Page covers all aspects of Indian life throughout the ages. From the Pleistocene era to Custer's Last Stand, the Trail of Tears to the Indian Civil Rights Act, the establishment of reservations to the negotiation of casino property, "In the Hands of the Great Spirit" reveals the astonishing endurance of a group of people whose experience is as varied as the world is old.

In this book, social anthropologist Steven Webster provides an ethnohistory of sustainability among the indigenous Andean community of Hatun Q'ero since the 1960s. He first revisits his detailed ecological research among the remote Q'ero in the high Andes of Southern Peru in 1969-1970 and 1977. At that time, Q'ero was a community comprised of several hamlets in converging valleys based primarily on alpaca herding at about 4,300 meters, and composed of about 400 persons in about 80 families. He then relies on the few ethnographies by other anthropologists to document changes in Hatun Q'ero by 2020 , spanning 1980-90s when the nation was immersed in agrarian reform followed by virtual civil war between Maoist guerrillas, the government, and the highland peasantry. Through all of these ideological and political-economic developments the sustainability of Q'ero as an integral ecological and social community as well as a famously Incaic cultural tradition becomes a global as well as national issue. This book argues that while the commercial expansion of ceremonial and shamanist tourism can be seen as extractivist similar to industrial mining, the assertive form of independence characteristic of the Q'eros appears to remain sustainable in the face of both these extractive threats. While the Q'ero community is internally reinforced by their reciprocal relationship with the same non-human forces these forms of extraction seek to exploit, they are externally reinforced by the global as well as national rise of indigeneity movements. Ironically, given the moral force developed in some aspects of shamanist tourism, it can even be argued that it supports environmental sustainability against climate change, globally as well as in Q'ero. This book analyzes the increasing importance of indigeneity in the national politics of Peru as well as the other Andean nations in the last few decades, but it remains to set this form of identity politics in its wider "intersectional" context of social class and ethnic conflict in the Andes.

This book focuses on the renewal (or rekindling) of cultural identity, especially in populations previously considered "extinct." At the same time, Hendry sets out to explain the importance of ensuring the survival of these cultures. By drawing a fine and textured picture of these cultures, Hendry illuminates extraordinary diversity that was, at one point, seriously endangered, and explains why it should matter in today's world.

Between 2011 and 2015, over 700 Native Americans from across the United States participated in Native 24/7, a mixed-methods study that delved into modern-day American Indian identities through semi-structured interviews with accompanying surveys. Using the perspectives, voices, and stories of these participants, Daley and Daley document how contemporary Native peoples feel, define, and contribute to the construction of Native identity on topics such as colonization, tribal enrollment, blood quantum, language, spirituality, family, and community.

The story Raven and the Box of Daylight, which tells how Raven transformed the world and brought light to the people by releasing the stars, moon, and sun, holds great significance to the Tlingit people of the Pacific Northwest Coast. A new body of work by artist Preston Singletary (American, born 1963) will immerse readers in Tlingit traditions by telling this story through his monumental glass works and installations. Primarily known for his celebration of Tlingit art and design, Singletary will explore new ways of working with glass inspired by Tlingit design principles. Tlingit objects were traditionally used to show wealth and tell stories by representing elements of the natural world, as well as the histories of individual families. By drawing upon this tradition, Singletary's art creates a unique theatrical atmosphere, in which the pieces follow and enhance a narrative. This book includes texts that place Singletary's work within the wider histories of both glass art and native arts traditions-especially the art of spoken-word storytelling. Also included are a biography and an interview with the artist.

Camilla Townsend's stunning book differs from all previous biographies of Pocahontas in capturing how similar seventeenth-century Native Americans were--in the way they saw, understood, and struggled to control their world--not only to the invading English but to ourselves.
Neither naive nor innocent, Indians like Pocahontas and her father, the powerful king Powhatan, confronted the vast might of the English with sophistication, diplomacy, and violence. Indeed, Pocahontas's life is a testament to the subtle intelligence that Native Americans, always aware of their material disadvantages, brought against the military power of the colonizing English. Resistance, espionage, collaboration, deception: Pocahontas's life is shown as a road map to Native American strategies of defiance exercised in the face of overwhelming odds and in the hope for a semblance of independence worth the name.

Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"-the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, we meet the Black people who actually received this mythic 40 acres, the American settlers who coveted this land, and the Native Americans whose holdings it originated from. In nineteenth-century Indian Territory (modern-day Oklahoma), a story unfolds that ties African American and Native American history tightly together, revealing a western theatre of Civil War and Reconstruction, in which Cherokee, Choctaw, Chickasaw, Creek, and Seminole Indians, their Black slaves, and African Americans and whites from the eastern United States fought military and rhetorical battles to lay claim to land that had been taken from others. Through chapters that chart cycles of dispossession, land seizure, and settlement in Indian Territory, Alaina E. Roberts draws on archival research and family history to upend the traditional story of Reconstruction. She connects debates about Black freedom and Native American citizenship to westward expansion onto Native land. As Black, white, and Native people constructed ideas of race, belonging, and national identity, this part of the West became, for a short time, the last place where Black people could escape Jim Crow, finding land and exercising political rights, until Oklahoma statehood in 1907.

Settler societies habitually frame Indigenous people as 'a people of the past'-their culture somehow 'frozen' in time, their identities tied to static notions of 'authenticity', and their communities understood as 'in decline'. But this narrative erases the many ways that Indigenous people are actively engaged in future-orientated practice, including through new technologies. Indigenous Digital Life offers a broad, wide-ranging account of how social media has become embedded in the lives of Indigenous Australians. Centring on ten core themes-including identity, community, hate, desire and death-we seek to understand both the practice and broader politics of being Indigenous on social media. Rather than reproducing settler narratives of Indigenous 'deficiency', we approach Indigenous social media as a space of Indigenous action, production, and creativity; we see Indigenous social media users as powerful agents, who interact with and shape their immediate worlds with skill, flair and nous; and instead of being 'a people of the past', we show that Indigenous digital life is often future-orientated, working towards building better relations, communities and worlds. This book offers new ideas, insights and provocations for both students and scholars of Indigenous studies, media and communication studies, and cultural studies.

From the Palestinian struggle against Israeli Apartheid, to First Nations' mass campaigns against pipeline construction in North America, Indigenous peoples are at the forefront of some of the crucial struggles of our age. Rich with their distinct histories and cultures, they are connected by the shared enemy they face: settler colonialism. In this introduction to the subject, Sai Englert highlights the ways in which settler colonialism has and continues to shape our global economic and political order. From the rapacious accumulation of resources, land, and labour, through Indigenous dispossession and genocide, to the development of racism as a form of social control, settler colonialism is deeply connected to many of today's social ills. To understand settler colonialism as an ongoing process, is therefore also to start engaging with contemporary social movements and solidarity campaigns differently. It is to start seeing how distinct struggles for justice and liberation are intertwined.

Publishers Weekly starred review. Academy of Parish Clergy Reference Book of the Year IVP Readers' Choice Award A New Testament in English by Native North Americans for Native North Americans and All English-Speaking Peoples Many First Nations tribes communicate with the cultural and linguistic thought patterns found in their original tongues. The First Nations Version (FNV) recounts the Creator's Story-the Christian Scriptures-following the tradition of Native storytellers' oral cultures. This way of speaking, with its simple yet profound beauty and rich cultural idioms, still resonates in the hearts of First Nations people. The FNV is a dynamic equivalence translation of the New Testament that captures the simplicity, clarity, and beauty of Native storytellers in English, while remaining faithful to the original language of the Bible. The culmination of a rigorous five-year translation process, this new Bible translation is a collaboration between organizations like OneBook and Wycliffe Associates, Indigenous North Americans from over twenty-five different tribes, and a translation council that consisted of twelve Native North American elders, pastors, young adults, and men and women from different tribes and diverse geographic locations. Whether you are Native or not, you will experience the Scriptures in a fresh and new way. Read these sample passages to get a taste of what you'll find inside: "The Great Spirit loves this world of human beings so deeply he gave us his Son-the only Son who fully represents him. All who trust in him and his way will not come to a bad end, but will have the life of the world to come that never fades-full of beauty and harmony. Creator did not send his Son to decide against the people of this world, but to set them free from the worthless ways of the world." John 3:16-17 "Love is patient and kind. Love is never jealous. It does not brag or boast. It is not puffed up or big-headed. Love does not act in shameful ways, nor does it care only about itself. It is not hot-headed, nor does it keep track of wrongs done to it. Love is not happy with lies and injustice, but truth makes its heart glad. Love keeps walking even when carrying a heavy load. Love keeps trusting, never loses hope, and stands firm in hard times. The road of love has no end." 1 Corinthians 13:4-8

As the Amazon burns, Fabio Zuker shares stories of resistance, self-determination, and kinship with the land. In 2007, a seven-ton minke whale was found stranded on the banks of the Tapajos River, hundreds of miles into the Amazon rainforest. For days, environmentalists, journalists, and locals followed the lost whale, hoping to guide her back to the ocean, but ultimately proved unable to save her. Ten years later, journalist Fabio Zuker travels to the state of Para, to the town known as "the place where the whale appeared," which developers are now eyeing for mining, timber, and soybean cultivation. In these essays, Zuker shares intimate stories of life in the rainforest and its surrounding cities during an age of raging wildfires, mass migration, populist politics, and increasing deforestation. As a group of Venezuelan migrants wait at a bus station in Manaus, looking for a place more stable than home, an elder in Alter do Chao becomes the first Indigenous person in Brazil to die from COVID-19 after years of fighting for the rights and recognition of the Borari people. The subjects Zuker interviews are often torn between ties with their ancestral territories and the push for capitalist gain; The Life and Death of a Minke Whale in the Amazon captures the friction between their worlds and the resilience of movements for autonomy, self-definition, and respect for the land that nourishes us.

An outstanding resource for contemporary American Indians as well as students and scholars interested in community and ethnicity, this book dispels the myth that all American Indians live on reservations and are plagued with problems, and serves to illustrate a unique, dynamic model of community formation. City-dwelling American Indians are part of both the ongoing ethnic history of American cities in the 20th and 21st centuries and the ancient history of American Indians. Today, more than three-quarters of American Indians live in cities, having migrated to urban areas in the 1950s because of influences such as the Termination and Relocation policy of the federal government, which was designed to end the legal status of tribes, and because of the draw of employment, housing, and educational opportunities. This book documents how North America was home to many ancient urban Indian civilizations and progresses to describing contemporary urban American Indian communities, lifestyles, and organizations. The book concentrates on contemporary urban American Indian communities and the modern-day experiences of the individuals who live within them. The authors outline urban Indian identity, relationships, and communities, drawing connections between ancient urban Indian civilizations hundreds of years ago to the activism of contemporary urban Indians. As a result, readers will gain an in-depth understanding of both ancient and contemporary urban Indian communities; comprehend the differences, similarities, and overlap between reservation and urban American Indian communities; and gain insight into the key role of urban environments in creating ethnic community identities. Presents information on an important topic-the growing number of American Indians living in urban areas-and sheds light on cultural problems within the United States that are largely unknown to the average American Familiarizes readers with the policies of the U.S. federal government that created diasporas, removals, reservations, and relocations for American Indians Encourages readers to consider fresh perspectives on urban American histories and exposes readers to a thorough analysis of colonial space, race, resistance, and cultural endurance Written by expert scholars and civic leaders who are themselves American Indian

Following the success of Black Sci-Fi Short Stories comes a powerful new addition to the Flame Tree short story collections: the first peoples in Africa, Asia, Oceania and the Americas, the first migration, the first exploration, the discovery of land and landscape without the footprint of humankind. Stories of injustice sit with memories of hope and wonder, dreamtime tales of creation and joy highlight the enduring spirit of humanity. These stories, selected from submissions by new writers and cast alongside ancient stories and oral traditions from around the world bring new perspectives to the legacy of First Nations, of First Peoples. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

The authors of Re-Indigenizing Ecological Consciousness and the Interconnectedness to Indigenous Identities share the diversity and complexities of the Indigenous context of worldviews, examining relationships between humans and other living beings within an eco-conscious lens. Michelle Montgomery's edited volume shows that we belong not only to a human community, but to a community of all nature as well. The contributors demonstrate that the reciprocity of Indigenous knowledges is inclusive and represents worldviews for regenerative solutions and the need to realign our view of the environment as a "who" rather than an "it." This reciprocity is intertwined as an obligation of environmental ethics to acknowledge the attributes of Indigenous knowledges as not merely a body of knowledge but as multiple layers or levels of placed-based knowledges, identities, and lived experiences.