This in-depth study presents a detailed analysis and critique of the classic Western work on the origins of Islamic law, Schacht's "Origins of Muhammadan Jurisprudence." Azami's work examines the sources used by Schacht to develop his thesis on the relation of Islamic law to the Qur'an, and exposes fundamental flaws in Schacht's methodology that led to the conclusions unsupported by the texts examined. This book is an important contribution to Islamic legal studies from an Islamic perspective.

This is a collection of essays on current questions of historiography, illustrated with reference to Islamic historiography. The main concerns are conceptions of time and temporality, the uses of the past, historical periodisation, historical categorisation, and the constitution of historical objects, not least those called "civilisation" and "Islam." One of the aims of this book is to apply to Islamic materials the standard conceptual equipment used in historical study, and to exercise a large-scale comparativist outlook.

A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of masculinity studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics.

Despite political upheavals under Muslim domination in the Middle Ages, Palestine was a center of great artistic activity recognized for its incredible dynamism. Its unique contribution to the Islamic "macrocosm," however, never became the subject of extensive study. Numerous archeological excavations on this relatively small geographic area reveal the existence of extremely well preserved monuments of high architectural quality and exceptional religious value. This is what Myriam Rosen-Ayalon exposes in this thorough introduction to Palestinian Islamic art and archeology. In chronological order she presents here for the first time the multifaceted and long-lasting achievements of Islamic art in Palestine, filling the gap of years of neglect on the subject.

In case studies that include the Caribbean, South America, Mexico, and the United States, the contributors to this interdisciplinary volume trace the establishment of Islam in the Americas over the past four centuries. They simultaneously explore Muslims' lived experiences and the ways Islam has been shaped in the New World - by "Muslim minority" societies such as the Shriners; through the Gilded Age's fascination with Orientalism; in the embrace of Islam by American black intellectuals like Malcolm X and the Black Power movement; and by the ways hip hop artists re-create and reimagine Muslim identities. Together the twelve essays challenge the typical view of Islam as timeless, predictable, and opposed to Western worldviews and value systems, showing how the religion continually engages with issues of culture, class, gender, and race.

The present English translation reproduces the original German of Carl Brockelmann's Geschichte der Arabischen Litteratur (GAL) as accurately as possible. In the interest of user-friendliness the following emendations have been made in the translation: Personal names are written out in full, except b. for ibn; Brockelmann's transliteration of Arabic has been adapted to comply with modern standards for English-language publications; modern English equivalents are given for place names, e.g. Damascus, Cairo, Jerusalem, etc.; several erroneous dates have been corrected, and the page references to the two German editions have been retained in the margin, except in the Supplement volumes, where new references to the first two English volumes have been inserted. Supplement volume SIII-ii offers the thee Indices (authors; titles; and Western editors/publishers).

Between the eighth and eleventh centuries, many defining features of classical Sunni Islam began to take shape. Among these was the formation of medieval Sunnism around the belief in the unimpeachable orthodoxy of four eponymous founders and their schools of law. In this original study, Ahmad Khan explores the history and cultural memory of one of these eponymous founders, Abu Hanifa. Showing how Abu Hanifa evolved from being the object of intense religious exclusion to a pillar of Sunni orthodoxy, Khan examines the concepts of orthodoxy and heresy, and outlines their changing meanings over the course of four centuries. He demonstrates that orthodoxy and heresy were neither fixed theological categories, nor pious fictions, but instead were impacted by everything from law and politics, to society and culture. This book illuminates the significant yet often neglected transformations in Islamic social, political and religious thought during this vibrant period.

Cutting-edge research in the study of Islamic scholarship and its impact on the religious, political, economic and cultural history of Africa; bridges the "europhone"/"non-europhone" knowledge divides to significantly advance decolonial thinking, and extend the frontiers of social science research in Africa. The study of Islamic erudition in Africa is growing rapidly, transforming not just Islamic studies, but also African Studies. This interdisciplinary volume from leading international scholars fills a lacuna in presenting not only the history and spread of Islamic scholarship in Africa, but its current state and future concerns. Challenging the notion that Muslim societies in black Africa were essentially oral prior to the European colonial conquest at the turn of the 20th century, and countering the largely Western division of sub-Saharan Africa and North Africa, the authors take an inclusive approach to advance our knowledge of the contribution of people of African descent to the life of Mecca. This book explores in depth the intellectual and spiritual exchanges between populations in the Maghreb, the Sahara and West Africa. A key theme is Islamic learning. The authors examine the madrasa as asite of knowledge and learning, the relationship between "diasporas" and Islamic education systems, female learning circles, and the use of ICT. Diversifying the study of Islamic erudition, the contributors look at the interactions between textuality and orality, female learning circles, the vernacular study of poetry and cosmological texts, and the role of Ajami - the use of Arabic script to transcribe 80 African languages. Africa: Cerdis

Suicide terror has become a fundamental strategic weapon in the confrontation between Fundamentalist Islam and its adversaries and now constitutes a threat to world welfare and security. "The Shahids" proposes that the nature of this terror changed after the attacks on the World Trade Center on September 11. In this first book to be published on the subject, the author offers both an interpretation and an overall picture of a worldwide phenomenon that is not yet fully recognized, even in Israel, which remains a central arena for the perpetration of suicide attacks by terror organizations. "The Shahids" analyzes the general phenomenon of Islamic suicide attacks, and provides the reader with tools, comparative analyses, and comprehensive information enabling enlightened examination about suicide attacks worldwide. After a review of the historical development of the religious and ideological values legitimating suicide attacks, the volume explores the ways in which all terror organizations are both alike and different. It focuses on the countries that support terror--Iraq, Iran, and Saudi Arabia--discusses suicide attacks perpetrated by women and the suicide attackers' mothers, and shows how various countries have put an end to suicide attacks. It scrutinizes testimony drawn from confiscated documents regarding the approach of terror leaders and the administrative support of various organizations for suicide attacks, while offering descriptions and direction on ways to contend with this challenge. It explores the possibilities and recommendations for an international struggle against suicide attacks through the implementation of recently published, innovative ideas proposed by UN Organizations, Amnesty International, and Human Rights Watch. "The Shahids" maps out the overall phenomenon of suicide attacks, as well as identifies various organizations and central key figures through comparative cross-sections.

This accessible and deeply informed book examines the threat that Islamic extremists pose to America and provides a balanced discussion of the link between Iraq and the war on terror. Explaining the basics of Islam and guiding the reader through the intricacies of each significant fundamentalist group, the Palmers answer key questions: Who are the Muslim extremists and how do they fit within the broader context of the Islamic religion? What is their war plan and how do they operate? Who are their allies and what are their weaknesses? What is the experience of Israel, the Islamic world, and the United States in fighting extremists? How can they be defeated? Now in a thoroughly revised and updated edition, the book includes new chapters on Hamas, the Iraqi clones of Hizbullah-including Sadr-and the Islamic government in Turkey.

TV crews and foreign correspondents come and go, but former BBC correspondent Jane Howard made her home in Iran for five years, raising her two young children there. Her experience took her beyond the headlines and horror stories and into the lives of everyday Iranian women. Her brilliantly observed report, "Inside Iran: Women's Lives, takes the reader from dinner in a presidential palace to tea in a nomad's tent. From women working in rice paddies and tea plantations to highly educated women in Tehran who have been banned from working in their professions. The image of Iranian women is still one of anonymous ranks of revolutionary marchers, clad in black. But underneath their black chadors or drab raincoats, they not only wear jeans, T-shirts and Lycra leggings, but they also work outside the home, drive, play sports and even become politicians. While many women haven't regained the Western-style freedom they lost in the revolution of 1979, others have won rights they never had before. Practically every girl has access to primary education now, and even remote villages have clean drinking water, a paved road and a school. Yet Islamic law continues to impose many inequities and constraints. In cash terms, for example, a woman's life is worth half that of a man's, and in the courtroom, two women have to give evidence to equal one man's testimony. Howard describes how the atmosphere changed with the election of the reformist president Khatami, and Iranians dared to demand more freedom and discuss their problems openly. She has interviewed government officials and opinion formers, and has traveled throughout the country to meet with women from all sectors of society. The result is afascinating story of struggle and change, vividly documenting what it means to be a woman in Iran.

Magic and divination in early Islam encompassed a wide range of practices, including belief in jinn, warding off the evil eye, the production of amulets and other magical equipment, conjuring, wonder-working, dream interpretation, predicting the weather, casting lots, astrology, and physiognomy. The ten studies here are concerned with the pre-Islamic antecedents of such practices, and with the theory of magic in healing, the nature and use of amulets and their decipherment, the arts of astrometeorology and geomancy, the refutation of astrology, and the role of the astrologer in society. Some of the studies are highly illustrated, some long out of print, some revised or composed for this volume, and one translated into English for the first time. These fundamental investigations, together with the introductory bibliographic essay, are intended as a guide to the concepts, terminology, and basic scholarly literature of an important, but often overlooked, aspect of classical Islamic culture.

Sectarian divisions within the Islamic world have long been misunderstood and misconstrued by the media and the general public. In this book, Adam R. Gaiser offers an accessible introduction to the main Muslim sects and schools, returning to the roots of the sectarian divide in the Medieval period. Beginning with the death of Muhammed and the ensuing debate over who would succeed him, Gaiser outlines how the umma (Muslim community) came to be divided. He traces the history of the main Muslim sects and schools - the Sunnis, Shi'ites, Kharijites, Mu'tazila and Murji'a - and shows how they emerged, developed, and diverged from one another. Exploring how medieval Muslims understood the idea of 'sect', Gaiser challenges readers to consider the usefulness and scope of the concept of 'sectarianism' in this historical context. Providing an overview of the main Muslim sects while problematising the assumptions of previous scholarship, this is a valuable resource for both new and experienced readers of Islamic history.

Sectarian divisions within the Islamic world have long been misunderstood and misconstrued by the media and the general public. In this book, Adam R. Gaiser offers an accessible introduction to the main Muslim sects and schools, returning to the roots of the sectarian divide in the Medieval period. Beginning with the death of Muhammed and the ensuing debate over who would succeed him, Gaiser outlines how the umma (Muslim community) came to be divided. He traces the history of the main Muslim sects and schools - the Sunnis, Shi'ites, Kharijites, Mu'tazila and Murji'a - and shows how they emerged, developed, and diverged from one another. Exploring how medieval Muslims understood the idea of 'sect', Gaiser challenges readers to consider the usefulness and scope of the concept of 'sectarianism' in this historical context. Providing an overview of the main Muslim sects while problematising the assumptions of previous scholarship, this is a valuable resource for both new and experienced readers of Islamic history.

Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran-Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians-a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper-each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran-about its future and identity, changing notions of religious belief, and the quest for political freedom. Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.

In this major contribution to Muslim intellectual history, Andrew Hammond offers a vital reappraisal of the role of Late Ottoman Turkish scholars in shaping modern Islamic thought. Focusing on a poet, a sheikh and his deputy, Hammond re-evaluates the lives and legacies of three key figures who chose exile in Egypt as radical secular forces seized power in republican Turkey: Mehmed Akif, Mustafa Sabri and Zahid Kevseri. Examining a period when these scholars faced the dual challenge of non-conformist trends in Islam and Western science and philosophy, Hammond argues that these men, alongside Said Nursi who remained in Turkey, were the last bearers of the Ottoman Islamic tradition. Utilising both Arabic and Turkish sources, he transcends disciplinary conventions that divide histories along ethnic, linguistic and national lines, highlighting continuities across geographies and eras. Through this lens, Hammond is able to observe the long-neglected but lasting impact that these Late Ottoman thinkers had upon Turkish and Arab Islamist ideology.

This volume brings together seventeen articles reflecting the wide range of scholarly interest in early Shi`ism over the past half century. All major branches of Shi`ism are covered. Some studies are historical in nature, whether dealing with specific events or offering a broad historical perspective. Others focus on literary issues, on the development of doctrine or on the relations between the Shi`a and the non-Shi`i world. The studies have been selected because they represent the best of current scholarship, or are classic works with continuing significance; six appear for the first time in English translation. The editor's introduction reviews the historiography of the field and highlights directions and trends in research and is followed by a bibliography of key further reading.

Palestinian Islamic Jihad (PIJ) is one of the most important yet least understood Palestinian armed factions, both in terms of its history and ideology. Labelled a terrorist organization by the US and the EU, it has grown to become the second largest armed movement in the Gaza Strip and the third largest in the Occupied Palestinian Territories. Using a wealth of primary sources, this book traces the history of PIJ from its origins in the early 1980s to today. By looking at how the group was established, how it has developed in theory and practice, and how it understands religion and politics, Skare seeks to answer the key question of why the PIJ still exist despite the presence of its more powerful sister movement Hamas. In doing so, he fills an important empirical gap in the literature on Palestinian Islamism.

Running through the papers collected here is the concern to try and understand the reasons which people thought they had for acting in a certain way, and - not always the same thing - the reasons which they expressed for what they were doing. The book's first section focuses on the theories of government in the late medieval Church, especially the ideas of conciliarism; the second is concerned with the study of medieval guild and city organisation and politics, looking at the communal movement and at the impact of Christianity on the development of republican ideas. In the papers in the final part, Professor Black takes a comparative approach, setting the political thought and traditions of the Islamic world, in particular, alongside those of Western Europe as part of an attempt to understand the origins of the modern state: to know why this emerged in Europe, he argues, it is necessary to ask why it did not develop elsewhere and it is intellectual and cultural factors which provide the most obvious differentiating features.

The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.

The Ba'th Party came to power in 1968 and remained for thirty-five years, until the 2003 US invasion. Under the leadership of Saddam Hussein, who became president of Iraq in 1979, a powerful authoritarian regime was created based on a system of violence and an extraordinary surveillance network, as well as reward schemes and incentives for supporters of the party. The true horrors of this regime have been exposed for the first time through a massive archive of government documents captured by the United States after the fall of Saddam Hussein. It is these documents that form the basis of this extraordinarily revealing book and that have been translated and analyzed by Joseph Sassoon, an Iraqi-born scholar and seasoned commentator on the Middle East. They uncover the secrets of the innermost workings of Hussein's Revolutionary Command Council, how the party was structured, how it operated via its network of informers and how the system of rewards functioned.

Folktales are instrumental in ensuring the survival of oral traditions and strengthening communal bonds. Both the stories and the process of storytelling itself help to define social, cultural and political identity. For Palestinians, the threat of losing their heritage has engendered a sense of urgency among storytellers and Palestinian folklorists. Yet there has been remarkably little academic scholarship dedicated to the tradition. Farah Aboubakr here analyses a selection of folktales edited, compiled and translated by Ibrahim Muhawi and Sharif Kanaana in Speak, Bird, Speak Again (1989). In addition to the folktales themselves, Muhawi and Kanaana's collection is renowned for providing readers with extensive folkloric, historical and anthropological annotations. Here, for the first time, the folktales and the compilers' work on them, are the subject of scholarly analysis. Synthesising various disciplines including memory studies, gender studies and social movement studies, Aboubakr uses the collection to understand the politics of storytelling and its impact on Palestinian identity. In particular, the book draws attention to the female storytellers who play an essential role in transmitting and preserving collective memory and culture. The book is an important step towards analysing a significant genre of Palestinian literature and will be relevant to scholars of Palestinian politics and popular culture, gender studies and memory studies, and those interested in folklore and oral literature.

Of the available sources for Islamic history between the seventh and eighth centuries CE, few are of greater importance than al-Baladhuri's Kitab Futu? al-buldan (The Book of the Conquest of Lands). Written in Arabic by a ninth-century Muslim scholar working at the court of the 'Abbasid caliphs, the Futu?'s content covers many important matters at the beginning of Islamic history. It informs its audience of the major events of the early Islamic conquests, the settlement of Muslims in the conquered territories and their experiences therein, and the origins and development of the early Islamic state. Questions over the text's construction, purpose, and reception, however, have largely been ignored in current scholarship. This is despite both the text's important historical material and its crucial early date of creation. It has become commonplace for researchers to turn to the Futu? for information on a specific location or topic, but to ignore the grander - and, in many ways, more straightforward - questions over the text's creation and limitations. This book looks to correct these gaps in knowledge by investigating the context, form, construction, content, and early reception history of al-Baladhuri's text.

This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.

Indonesia, like many other countries around the world, is currently experiencing the process of democratic backsliding, marked by a toxic mix of religious sectarianism, polarization, and executive overreach. Despite this trend, Indonesians have become more, rather than less, satisfied with their country's democratic practice. What accounts for this puzzle? Unity Through Division examines an overlooked aspect of democracy in Indonesia: political representation. In this country, an ideological cleavage between pluralism and Islamism has long characterized political competition. This cleavage, while divisive, has been a strength of Indonesia's democracy, giving meaning to political participation and allowing a degree of representation not often observed in young democracies. While the recent resurgence of radical Islam and political polarization in Indonesian politics may have contributed to democratic erosion, these factors have simultaneously clarified political alternatives and improved perceptions of representation, in turn bolstering democratic participation and satisfaction. This compelling book effectively challenges the wisdom of the role of Islam in Indonesian political life and provides a fresh analysis for debates on democratic backsliding in Indonesia and beyond.