Lambeth is a British made Fourdrinier paper in a white shade, which is acid free. Great for expansive sketches in a number of dry media, for light wash or for life drawing with charcoal. Lambeth is available in four weights, of which this is the heaviest (170 gsm). This is a pack of 50 sheets.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Dark Blue, Light Blue, Sand.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

This is a Pastelmat top bound pad of 12 sheets of coloured card in four different colours: dark green, light blue, dark blue and white. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 18 x 24cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, hot pressed watercolour paper. Size 4x6in, 10x15cm.

One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work.

Suitable media applications for medium surface include: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel.

Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. The 4in x 6in and 6in x 8in pads are not micro-perforated but sheets are Actual Size when removed at the wire binding.

• Size: 4in x 6in
• Weight: 80lb / 130gsm
• Sheets: 24
• Surface: Medium
• Pad: Wire bound

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Sennelier Le Maxi sketchpads contain 250 sheets of acid-free 70gsm sketching paper in an off white tone. They are designed for use with dry media such as graphite and willow charcoal, and would be especially useful for smaller-scale life drawing or sketching purposes. This sketchbook measures 29.7x42cm (A3)

Sennelier Le Maxi sketchpads contain 250 sheets of acid-free 70gsm sketching paper in an off white tone. They are designed for use with dry media such as graphite and willow charcoal, and would be especially useful for smaller-scale life drawing or sketching purposes. This sketchbook measures 32x32cm (12.5x12.5in).

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Daler-Rowney has a worldwide reputation for the finest papers for drawing, sketching and pastel work. The coarseness or “tooth” of cartridge paper has a direct effect on an image drawn in charcoal or pencil. This pad contains 30 sheets of fine-grain heavyweight 200gsm acid-free cartridge paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in

Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality. This is a Toned Tan 400 Series Mixed Media Pad measuring 18x24in.

Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colors remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. Comes in a range of colours, all of which are acid free and lightfast.This is a pack of five sheets measuring 24x32cm. The sheets are of the colour Brown.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Colour: Black

Surface: Laid

Media Applications: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel, mixed media

The staple for charcoal and pastel artists for over 110 years, this 100% cotton fibre paper has a traditional laid finish that provides the precise shading control needed for these media.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Khadi Sketchbooks are filled with white rag handmade paper. This paper made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine.The 210gsm paper is trimmed on two of its exposed sides and the third edge has a beautiful deckle edge. The book is bound in sections with stitching. This allows each section to be opened up and the central page to be painted right across. A great travelling companion for any artist. Surface: Smooth Size: 21 x 25cm Pages: 40

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.At 425gsm, this is a thicker, heavier sheet. Please note, this sheet has a slightly textured surface, and is not suitable for extremely detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed version of this sheet.For more information on the production and properties of watercolour papers, click here.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 140lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Etchr Portrait Sketchbooks are made with 100% cotton and are available in Hot Pressed and Cold Pressed.

These sketchbooks are vegan friendly and use 230gsm for cold press or 220gsm for hot press, acid-free, artist grade 100% cotton paper. Each book has 52 pages. They open flat in portrait format. The paper is ideal for mixed media. The cover is cotton fabric and can be painted on.

Available in B5, A5, A6.