10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

Strathmore's intermediate grade watercolour paper, it is popular with watercolourists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow for lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for mastering watercolour techniques or for finished artwork. Sheets are Actual Size when removed at the wire binding. Size: 12in x 18in Weight: 140lb / 300gsm Sheets: 12 Surface: Cold Press Pad: Wire Bound

Strathmore's intermediate grade watercolour paper, it is popular with watercolourists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow for lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for mastering watercolour techniques or for finished artwork. Sheets are Actual Size when removed at the wire binding. Size: 15in x 22in Weight: 140lb / 300gsm Sheets: 12 Surface: Cold Press Pad: Wire Bound

A true watercolour paper with a medium texture cold press finish. It has a matte coating (one side) for inkjet receptivity and is ideal for producing prints with the look and feel of a watercolour painting. Size: 8.5" x 11" Weight: 140lb / 315gsm / 18 mil Sheets: 8 Surface: Cold Press - Natural White

Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fiber. Acid free.This pad contains 20 sheets.

Colour: Black

Surface: Laid

Media Applications: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel, mixed media

The staple for charcoal and pastel artists for over 110 years, this 100% cotton fibre paper has a traditional laid finish that provides the precise shading control needed for these media.

The Fabriano Sketchbook Black contains 40 sheets of black, acid-free, cold pressed 190gsm paper. Spiral bound with a washable black hardcover. Ideal for pastel, coloured pencils, acrylic colours and scrapbooking

Maya : A4 : Paper : 270gsm : White 463

The Maya range of 30 brilliant colours are deep-dyed, non-fading, have a smooth surface front and back, and are acid free. They have a wide range of potential applications, including: cards, menus, scrapbooking, framing, book-binding, illustration, decoupage and collage.

Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.

The Fabriano Sketchbook Black contains 40 sheets of black, acid-free, cold pressed 190gsm paper. Spiral bound with a washable black hardcover. Ideal for pastel, coloured pencils, acrylic colours and scrapbooking

This Jackson’s Watercolour Pad is spiral bound and measures 11 x 15 inches. It contains 25 sheets of Jackson’s 280gsm watercolour paper with a Cold-pressed (‘Not’) finish. This means that the surface of the paper is slightly textured, and is not suitable for extremely detailed work; however, most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, hot pressed watercolour paper. Size 9x12in, 22x30cm.

One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Grafix Dura-Lar is the Acetate alternative. This polyester film combines the best features of Mylar and Acetate to provide a highly versatile film.

Clear Dura-Lar .001" to .020" film is an ultra clear, glossy surface for protective coverings, layouts, color separations, window applications and overhead transparencies. Use as an artwork surface for permanent inks and markers.

This is a Pastelmat top bound pad of 12 sheets of coloured card in anthracite black, the dark ground is guaranteed to emphasise the intensity and brightness of pastel paintings. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 24 x 30cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Acid-free and lightfast. With glassine interleaving to protect the sheets. Not for use with water-based mediums.

Contents Include: 12 x Sennelier Soft Pastel Card Sheets
2 x Antique White 001
2 x Sand 002
2 x Sienna 003
2 x Light Blue Grey 010
2 x Dark Blue Grey 011
2 x Light Grey 012

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Blue.

Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.

Grafix Dura-Lar is the Acetate alternative. This polyester film combines the best features of Mylar and Acetate to provide a highly versatile film.

Matte Dura-Lar .005” film has a matte translucent drawing surface on two sides. This film will accept lead, ink, charcoal, paint and colored pencil, erases cleanly and is an economical alternative to Drafting Film.

Print vibrant images and crisp text on Computer Grafix blank transparencies. These computer printable films make designing your scrapbook pages and paper crafts more creative than ever.

Computer Grafix films can be run through Inkjet or Laser printers/copiers to create unique designs right from your own computer. Print custom overlays, journaling, window effects, stickers and photos.

Designs are quick drying and non-smearing. Great with rubber stamps and embossing tools. Layer printed designs in bezels and fill with resin to create stylish mixed media jewelry.

These films are acid free for archival safety.

Ideal for creative use around the studio or on the go, Jackson's Sketchbooks are an indispensable companion for artists, graphic designers and illustrators. Made with 25% acid-free cotton rag, the paper can be used on both sides,offering more possibilities to explore dry and water-based media.

This 30 x 24 cm sketchbook has a hardcover providing firm support when working, and the sewn binding offers extra durability, strength and protection for artworks. It comes with an elegant synthetic linen cover, which makes it scuff, stain and scratch resistant.