Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 60gsm tracing paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Arches Aquarelle watercolour paper is acid-free and chlorine free. It is made of 100% cotton fibres which provide strength and stability and professional archival quality. The paper is tub-sized in natural gelatine and air-dried, so it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. It also contains an anti-microbial agent to help resist mildew. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Suitable for watercolour, gouache, pen and ink, acrylics and calligraphy.

Arches watercolour blocks come in a variety of sizes, surfaces textures, and weights. The convenience of working on a block eliminates the need for stretching. Arches blocks are not only for painting, but also work well for drawing as it provides a sturdy support surface to work on.

Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper.

Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards. The surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world. This Bockingford paper has a smooth Hot Press surface.

Montval® paper was designed by the famous painter Gaspard Maillol, nephew of the sculptor Aristide Maillol, and manufactured by Canson® at his request in the early 20th century. Since then, this paper has acquired new qualities.
One of them is its great erasability: corrections can be made easily, cleaning the paper with water, using a sponge or a brush. There is no trace of watercolour left and the paper can be worked again.
Easy to use, it is accessible and suitable for everyone.

Canson® Montval® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Fabriano Academia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

Arches Aquarelle watercolour paper is acid-free and chlorine free. It is made of 100% cotton fibres which provide strength and stability and professional archival quality. The paper is tub-sized in natural gelatine and air-dried, so it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. It also contains an anti-microbial agent to help resist mildew. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Suitable for watercolour, gouache, pen and ink, acrylics and calligraphy.

Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper.

Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.

Please note, this product has a rough surface. The surface of the paper is textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes.

Imagine is a mixed media paper that offers an excellent feel, a cross between silk and velvet. It features a beautiful natural white finish.
The paper is ideal for use with graphite, felt pen and markers and it also lends itself to all kinds of wet techniques such as watercolour, gouache, ink or mixed dry and wet techniques.
The colour and the lightly grained aspect of its surface allows for a harmonious rendering of contrasting line delicacy and strength.

Imagine is a mixed media paper that offers an excellent feel, a cross between silk and velvet. It features a beautiful natural white finish.
The paper is ideal for use with graphite, felt pen and markers and it also lends itself to all kinds of wet techniques such as watercolour, gouache, ink or mixed dry and wet techniques.
The colour and the lightly grained aspect of its surface allows for a harmonious rendering of contrasting line delicacy and strength.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

The Daler-Rowney Graduate range of sketchbooks offers great quality at value prices, perfect for any art students, with a variety of practical sizes and types available. Graduate Sketchbooks contain smooth white cartridge paper between 130gsm and 160gsm. The Graduate range offers great value for money sketchbooks in a variety of practical sizes and styles, perfect for any art student.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, cold pressed watercolour paper. Size 6x8in, 15x20cm.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Enhanced wet strength suitable for mixed media renderings. Paper shade: Natural white. Surface: Cold press. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces:- Vellum "“ distinctive tooth, suitable for all dry media, and will also accept multiple washes- Cold Press "“ Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork- Smooth "“ Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.