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Arts & Crafts > Fine Art Supplies > Paper
Mixed Media pads combine true wet media performance and dry media finish for a complete range of mixed media applications. It combines the characteristics of watercolour paper and the finish of a drawing sheet, creating a paper that performs unlike any other in the industry. Mixed Media is available in a full range of formats and sizes.
Strathmore 400 Series Toned Sketch provides artists with unique sketching and drawing possibilities for light and dark media.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.
The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.
Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.
Adhesive on both sides. Simply apply the tape in the required area, and pull off the thin film to produce a sticky surface.
Professional quality masking tape. Excellent value for high quality work. Available in ½”, ¾”, 1”, 1.5”, 2”, 3”, 4”. 50 metres in length.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
This is a Pastelmat top bound pad of 12 sheets of coloured card in four different colours: dark green, light blue, dark blue and white. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 18 x 24cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.
Professional quality masking tape. Excellent value for high quality work. Available in ½”, ¾”, 1”, 1.5”, 2”, 3”, 4”. 50 metres in length.
Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.
The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.
Fabriano Academia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
A pack of 30 watercolour postcards in an attractive metal tin. The back of each postcard is divided in half with space for an address and ruled lines for a message. These postcards are acid-free and have a rough texture.
Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Light Grey.
Base Board for Keba Artmate Paper Stretcher 1/2 Imper.Excellent for watercolourists, Keba Artmate will stretch your paper and dry it in minutes - it will not cockle or pull away no matter how wet the wash. It can also be used for; oil on canvas, acrylic, gouache, pastel, penline and wash, silk painting and needlework.Can be used for silk and canvas by using without the art base (back board), or when travelling. This will give you complete control of ultra wet washes, ensuring no cockling, buckling or lifting. You can use this easily with any paper and get excellent results.Two methods of stretching for watercolour use:The Quick no pre-drying method: Wet the back of the paper and the edges of the front, then stretch and paint on the front right away.The Pre-drying method: Wet both sides of the paper, stretch, then let dry before painting.Make 8 different shapes from a collection of 3 KEBAartmates - Optional base board included with every product.Note: paper must be cut to the size of the stretcher.
Finest selection of Hahnemuhle watercolour papers with different surfaces.
Professional quality masking tape. Excellent value for high quality work. Available in ½”, ¾”, 1”, 1.5”, 2”, 3”, 4”. 50 metres in length.
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.
Colour: Toned Tan
These Arches Aquarelle Heavyweight Blocks are Not pressed with a medium texture. The blocks feature 10 sheets of heavyweight 300lb (640gsm) Arches Natural White watercolour paper. Glued on all four sides, these blocks eliminate the need to wet and stretch the paper before painting.
A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 6x12in, 15x30cm |
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