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Arts & Crafts > Fine Art Supplies > Paper
The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. The tough, toothy surface can be sanded, scrubbed soaked and reworked over and over. It will hold multiple layers of pastel without the need for fixative, allowing the colour of the pastel to be preserved. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This pack of 10 sheets contain cool tones in the following colours: White, Natural/Clear, Black, Elephant, Rose Grey, Blue Haze, Storm Blue, Deep Ultra, Fresh Grey and Leaf Green Dark.
The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. The tough, toothy surface can be sanded, scrubbed soaked and reworked over and over. It will hold multiple layers of pastel without the need for fixative, allowing the colour of the pastel to be preserved. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This pack of 10 sheets contain warm tones in the following colours: Sand, Rich Beige, Australian Grey, Soft Umber, Raw Sienna, Terracotta, Burnt Umber, Olive Green, Aubergine and Burgundy. -
This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Acid-free and lightfast. With glassine interleaving to protect the sheets. Not for use with water-based mediums.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
Colour: Toned Grey
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.
This paper has two deckled edges and is embossed in one corner with the Rives logo.
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.Its attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.Colour: WhiteSurface: RoughSize: A4Weight: 300gsmSheets: 12 Sheets
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.
Extra white, non-bleed paper designed for work with all types of marker pens. Coated to give streak-free large area coverage. Excellent transparency. This pad contains 50 sheets of smooth 70gsm marker paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in
Nostalgie is a heavy, natural white, sketch paper with a pleasant texture. It has an attractive, fine grain that permits good colour adherence and gives clear, intensive line and colour. This sketch paper is acid free and age resistant.
High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.
A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, hot pressed watercolour paper. Size 4x6in, 10x15cm.
Fabriano Academia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Sennelier Pastel Card Mixed Media Pad contains 12 sheets of heavyweight paper with a slightly granulated, sand-like texture. This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative.
Individual card, with no envelope.
Khadi Sketchbooks are filled with white rag handmade paper. This paper made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine.The 210gsm paper is trimmed on two of its exposed sides and the third edge has a beautiful deckle edge. The book is bound in sections with stitching. This allows each section to be opened up and the central page to be painted right across. A great travelling companion for any artist. Surface: Rough Size: 21 x 25cm Pages: 32
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
Professional quality masking tape. Excellent value for high quality work. Available in ½”, ¾”, 1”, 1.5”, 2”, 3”, 4”. 50 metres in length.
Glassine paper can be used to protect the surface of prints, drawings, paintings and other artworks from spilling, exposure, or rubbing during storage or presentation. It will not damage or smudge pastel, charcoal or graphite. Often used in bookbinding separating (interleaving) pages containing plates or illustrations. Its smooth surface is resistant to grease, air and water, and is pH neutral (acid-free) to ensure archival protection. Please note: Glassine paper is translucent not crystal clear.Sheet size: 50 x 75cm (19.5" x 29.5") Weight: 40gsm |
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