Arches Aquarelle watercolour paper is acid-free and chlorine-free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried - it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour.Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.This is a single sheet of Arches Aquarelle: 300gsm, 56 x 76cm, Hot Pressed

Ampersand : Pastelbord Panel : White : 8x8in

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 4x6in, 10x15cm.

Bockingford is a beautiful English watercolour paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities, this is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.This Bockingford paper specification is: Bockingford : 250lb : 22x30in : 10 Sheets : NotPlease note: this item is not avaliable for next day delivery

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

25 sheets of 130gsm pastel paper, in assorted neutral colours. Please note the pages are not interleaved with glassine in the glued pads, but they are interleaved with glassine in the spiral pads

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Mi-Teintes is a paper with a ‘vellum’ texture on the top side and a flat surface on the reverse. Both sides of the paper (textured and flat) are suitable for pastel, oil pastel, chalk, pencil, watercolour, and acrylic. Mi-Teintes paper is best suited to pastel paintings and tonal dry media drawings. The paper is a heavy 98 lb (160 gsm).

These 16-sheet spiral bound paper pads have ultra-smooth glassine slip-sheets between each page to protect drawings from smudging. These paper pads are available in two popular standard sizes.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Reeves Watercolour Painting Board offers inexpensive painting support with the look of painting on sturdy, non-flexible paper which is also less prone to damage.

Reeves Pastel Pads offers high quality paper in one pad. Unlease your creativity wherever you are with these practical and durable paper pads.

Reeves Watercolour Pads offers high quality paper in one pad. Unlease your creativity wherever you are with these practical and durable paper pads.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, hot pressed watercolour paper. Size 4x6in, 10x15cm.

Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Light Grey.

Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 90gsm tracing paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.