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Arts & Crafts > Fine Art Supplies > Paper
St Cuthberts Botanical Ultra Smooth is a 300gsm paper which is mould made from 50% cotton, and which is suitable for use with watercolours, watercolour pencils and acrylics (as well as many dry media). It is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour (High White) is a very close match to Fabriano 5, and it does contain optical brighteners to give it a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.Pads made of St Cuthberts Botanical Ultra Smooth paper are available in three sizes: A3, A4 and A5. These pads contain 10 sheets and are glue bound.
Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.
Baryta Photographique offers the look and aesthetic of the original darkroom baryta print and complies with the ISO 9706 standard for maximum longevity. This museum grade photo paper shows excellent black density and great image sharpness, making it ideal for black and white photography.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.At 425gsm, this is a thicker, heavier sheet. Please note, this sheet has a slightly textured surface, and is not suitable for extremely detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed version of this sheet.For more information on the production and properties of watercolour papers, click here.
The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.
Professional quality masking tape. Excellent value for high quality decorative work on buildings.This product is not designed for use in watercolour painting. Available in ½â€, ¾â€, 1â€, 1.5â€, 2â€, 3â€, 4â€. 50 metres in length.
This hardbound Hahnemuhle Watercolour Book contains 30 sheets of paper within a durable hard cover with a black grained linen-effect cover and a rubber band to keep it securely closed during storage or transport. The paper is a natural white and acid-free 200gsm Hahnemuhle fine grained watercolour paper with the same texture on both sides for those who wish to paint wide panoramas.Available in A4, A5 and A6 sizes, all of which are landscape format. This is an A5 size sketchbook.
Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.
Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications. Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.
Available in A5, A4 & A3 sizes. The Fabriano Classico 5 paper is 300gsm, mould-made, 50% cotton, surface sized, acid-free and has a Hot Press (satinata) finish. The Fat Pad is spiral wire bound on the short edge with 25 sheets per pad. This high quality Italian watercolour paper is often recommended in art magazines by members of the Royal Society of Botanical Artists. The smooth, strong white surface makes it the most popular pad for botanical art and illustration. The paper is also available in full sheets. Fabriano 5 paper has changed permanently because of changes to the machine used to produce it. The surface texture is a bit less smooth and the sizing has changed slightly. The manufacturer does not believe the change is significant, they feel the paper is still within their allowed parameters. But a number of artists have found the change significant enough that it interferes with their work. They are usually artists who make very precise work and need to be able to control fine lines, so most often are botanical artists using watercolour or coloured pencil.
This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.
Low tack paper masking tape. Individually shrink wrapped, 50m rolls. Available in 1â€, 1.5†and 2â€.
Pack of 10 envelopes, with no cards.
Hahnemühle Bamboo is the first paper in the Hahnemühle Traditional Fine Art Collection made of bamboo fibres. The natural white paper which is extremely age resistant has a unique surface suitable for different painting and drawing techniques such as watercolour, acrylic, pastel and for sketching and drawing with charcoal and red ochre.This warm toned, high quality paper allows excellent contrast and colour vibrancy. It offers a brilliant flow of colours and ensures high luminosity.Because of the use of highly renewable bamboo grass, Hahnemühle Bamboo stands for natural and resource saving paper production.
The Hahnemühle Grey Book is a 40 sheet sketchbook bound in a lightly textured, anthracite-coloured board cover. The paper is a 120gsm light grey sketch paper which is acid-free. The paper is suitable for working with Indian ink, dip pens, fineliners and acrylic markers as well as other water-based pens with a light flow of ink. Because it is a mid-tone paper, it will take both dark tones and highlights.The paper has an extremely smooth almost glossy surface, and is not suitable for soft pastel or coloured pencil. It is a non-absorbent surface and is not suitable for even light washes.This book is thread stitched and bound so that it is possible to work on two contiguous pages, across the centre seam. The book has a red bookmark ribbon.
Matte Dura-Lar .005” film has a matte translucent drawing surface on two sides. This film will accept lead, ink, charcoal, paint and colored pencil, erases cleanly and is an economical alternative to Drafting Film.
Made with qualitatively high-level raw material (60% Cotton). Rosaspina is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk-screening). The watermark runs parallel to the two larger sides of the sheet and reproduces the Fabriano trademark and logo. The two larger sides are deckled.
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
Bockingford is a beautiful English watercolour paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities, this is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.This Bockingford paper specification is: Bockingford : 250lb : 22x30in : 10 Sheets : NotPlease note: this item is not avaliable for next day delivery
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
These sketchbooks are vegan friendly and use 300gsm acid-free, artist grade, 100% cotton cold press paper. They open flat and have a landscape format. The paper is ideal for a range of dry and wet media, especially watercolour, ink, markers, acrylic, and gouache. Cold Press/ ’Not' surface - slightly textured surface. It is the most popular surface for watercolour painters as it allows for a little texture in your work. Good for large areas of wash but also for detail.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm cold pressed watercolour paper. Size 8x8in, 20x20cm.
Reeves Watercolour Painting Board offers inexpensive painting support with the look of painting on sturdy, non-flexible paper which is also less prone to damage. |
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