This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Card Dimensions (folded): 4.5" × 6.75" (114mm × 171mm) Landscape Card Dimensions (unfolded): 4.5" × 13.5" (114mm × 342mm)

Botanical Ultra Smooth is 300gsm, mould made from 50% cotton and is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour is a very close match to Fabriano 5, and it does contain optical brighteners to give a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.

The Fabriano Watercolour Hardback Sketchbook contains 30 sheets of cold pressed 200gsm acid-free watercolour paper. Internally and externally sized for excellent wetting strength and durability this is a robust sketchbook. The hardback landscape format makes this ideal for plein air projects. Suitable for watercolour, tempera, gouache, acrylic, pen and ink, and drawing.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm cold pressed watercolour paper. Size 4x6in, 10x15cm.

Canson Moulin du Roy is a 100% cotton French watercolour paper. Produced on a traditional cylinder mould machine, this paper has the look and feel of a handmade paper. Both absorbent and strong, Moulin du Roy has internal and surface sizing permit the lifting of dried colour and the reworking of watercolour.Canson Moulin du Roy watercolour paper is naturally white, acid free and made entirely without bleaching agents, for an optimal conservation over time.

The Cold Press surface is neither too smooth nor too grainy making it easy to handle.

Strathmore 400 Series Bristol Pad is a high-quality multi-ply bristol available in two surfaces/finishes. Smooth finish is excellent for fine line drawings using pen & ink or marker. Vellum finish is excellent for pencil, charcoal, and pastel, as well as airbrush and light washes. Not recommended for traditional watercolour techniques. Suitable media applications for vellum (medium) surface: graphite pencil, coloured pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. Size: 9in x 12in Sheets: 15 Surface: 2-Ply Vellum (medium) Pad: Tape bound

Strathmore® 400 Series Toned Sketch provides artists with unique sketching and drawing possibilities for light and dark media.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, cold pressed watercolour paper. Size 6x12in, 15x30cm.

The Maya range of 30 brilliant colours are deep-dyed, non-fading, have a smooth surface front and back, and are acid free. They have a wide range of potential applications, including: cards, menus, scrapbooking, framing, book-binding, illustration, decoupage and collage.

Etchr Perfect Sketchbooks contain 44 A4 pages of artist grade 100% cotton paper, protected by a sturdy hardbound cover.

These sketchbooks are vegan friendly and use 300gsm acid-free, artist grade, 100% cotton cold press paper. They open flat and have a landscape format. The paper is ideal for a range of dry and wet media, especially watercolour, ink, markers, acrylic, and gouache.

Cold Press/ ’Not' surface - slightly textured surface. It is the most popular surface for watercolour painters as it allows for a little texture in your work. Good for large areas of wash but also for detail.

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint.

Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use.

A pack of 3 Monoprint Plates each measuring 6x9in

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Ampersand : Pastelbord Panel : White : 16x20in

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Sumi-e painting evolved in the 5th century from Chinese calligraphy. The main subjects are taken from nature. In the 12th century Zen monks brought the technique to Japan where even today Sumi-e painting has a decisive influence on lifestyle. Translated “Sumi” means “black ink” and “e” means both “path” and “painting”. The style of brush painting is both a simple and yet highly aesthetic drawing made of powerful, mostly chasing and rapidly executed lines.

Patience and inner harmony are essential in brush painting to capture the spirit of the subject. Sumi-e is therefore not only an Asian painting technique but also a form of spiritual relaxation therapy and is becoming increasingly popular in Europe.

Recommended Paper For the first time Hahnemühle has developed a special paper for the Japanese Sumi-e painting technique that is capable of meeting the strenuous requirements of the Sumi-e technique. It is extremely thin but nevertheless absorbent and allows the water to flow further than the ink. This permits sharp outlines but also delicate drawings. The pen strokes are more visible. Sumie-e paper is available in pads and sheets.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Canson Moulin du Roy is a 100% cotton French watercolour paper. Produced on a traditional cylinder mould machine, this paper has the look and feel of a handmade paper. Both absorbent and strong, Moulin du Roy has internal and surface sizing permit the lifting of dried colour and the reworking of watercolour.Canson Moulin du Roy watercolour paper is naturally white, acid free and made entirely without bleaching agents, for an optimal conservation over time.

The Hot Press surface has a smooth texture that is particularly suited for portraits or other detailed works.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm cold pressed watercolour paper. Size 8x8in, 20x20cm.

Fabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E. C. F. pulp (Elemental Chlorine Free), F. S. C. certified (©1996 Forest Stewardship Council A. C. ) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work.

Suitable media applications for medium surface include: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel.

Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. The 4in x 6in and 6in x 8in pads are not micro-perforated but sheets are Actual Size when removed at the wire binding.

• Size: 4in x 6in
• Weight: 80lb / 130gsm
• Sheets: 24
• Surface: Medium
• Pad: Wire bound

Surface: Medium

Media Applications: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel and oil pastel

This general purpose, heavy weight sketch paper is intended for practice of techniques or quick studies with any dry media. Acid free.

Journal Features: Velvety softcover in rich dark brown. Quality Smyth-sewn binding allows book to open wide and lay flatter. Flexible lightweight format in convenient, portable sizes.

Weight: 80 lb. (25" x 38" x 500 sheets) 118 g/m2

The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Suitable media applications include: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media. Sheets are Actual Size when removed at the wire binding. Size: 9" x 12" Weight: 64lb / 95gsm Sheets: 24 Surface: Laid Pad: Wire Bound

One of the worlds finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.