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Arts & Crafts > Fine Art Supplies > Paper
A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, cold pressed watercolour paper. Size 4x6in, 10x15cm.
Fabriano Academia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 90gsm tracing paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in
Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Sand.
Strathmore 400 Series Bristol Pad is a high-quality multi-ply bristol available in two surfaces/finishes. Smooth finish is excellent for fine line drawings using pen & ink or marker. Vellum finish is excellent for pencil, charcoal, and pastel, as well as airbrush and light washes. Not recommended for traditional watercolour techniques. Suitable media applications for vellum (medium) surface: graphite pencil, coloured pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. Size: 9in x 12in Sheets: 15 Surface: 2-Ply Vellum (medium) Pad: Tape bound
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
The Maya range of 30 brilliant colours are deep-dyed, non-fading, have a smooth surface front and back, and are acid free. They have a wide range of potential applications, including: cards, menus, scrapbooking, framing, book-binding, illustration, decoupage and collage.
Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Grey.
The Maya range of 30 brilliant colours are deep-dyed, non-fading, have a smooth surface front and back, and are acid free. They have a wide range of potential applications, including: cards, menus, scrapbooking, framing, book-binding, illustration, decoupage and collage.
Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.Please note, this sheet has a slightly textured surface. Artists wishing to produce finely-detailed work are advised to try the Hot-pressed version of this sheet.
Weight: 180 lb. – 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • |