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Arts & Crafts > Fine Art Supplies > Paper
Stillman & Birn Epsilon softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. White, heavy weight 150gsm paper has a smooth surface that is suitable for pen & ink, and dry media. The paper also has internal and surface sizing, allowing it to accept light washes as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 5. 5 x 8. 5 inches, with 48 sheets and has a dark grey cover.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Canson Moulin du Roy is a 100% cotton French watercolour paper. Produced on a traditional cylinder mould machine, this paper has the look and feel of a handmade paper. Both absorbent and strong, Moulin du Roy has internal and surface sizing permit the lifting of dried colour and the reworking of watercolour.Canson Moulin du Roy watercolour paper is naturally white, acid free and made entirely without bleaching agents, for an optimal conservation over time.
These sketchbooks are vegan friendly and use 230gsm for cold press or 220gsm for hot press, acid-free, artist grade 100% cotton paper. Each book has 52 pages. They open flat in portrait format. The paper is ideal for mixed media. The cover is cotton fabric and can be painted on. Available in B5, A5, A6.
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
Colour: Toned Tan
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels. Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast. Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques. At Jackson's we stock the Pastelmat in 8 colours in large sheets (50x70cm) and in three sizes of pads in two groups of assorted colours. Unique velvety surface with excellent grabbing power Holds many layers of pastel colour Reduces the need for fixative Gentle on fingers & tools Premium card weight (360gsm / 170lb) Use with wet and dry media Acid Free Archival Lightfast Water-resistant Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.
Fabriano Academia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Dimensions: 4.7 x 7" (120 x 180mm)
Pink Pig : Sketchbook : 150gsm : A5 : Black Cover : Portrait
Arches Aquarelle watercolour paper is acid-free and chlorine-free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried - it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour.Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.This is a single sheet of Arches Aquarelle: 300gsm, 56 x 76cm, Rough.
Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use. A pack of 3 Monoprint Plates each measuring 4x6in
Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.
This is a British made Fourdrinier paper in a white shade. Acid free. Great for experimenting on with pencil, charcoal and graphite. 170gsm, 50x70cm. 10 sheets.
The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.
Stillman & Birn Alpha softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. White, heavy weight 150gsm paper has a toothy, medium grain surface that is suitable for all dry media as well as ink. The paper also has internal and surface sizing, allowing it to accept light washes as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 3. 5 x 5. 5 inches, with 48 sheets and a dark red cover.
Baryta Photographique offers the look and aesthetic of the original darkroom baryta print and complies with the ISO 9706 standard for maximum longevity. This museum grade photo paper shows excellent black density and great image sharpness, making it ideal for black and white photography.
Reeves Watercolour Painting Board offers inexpensive painting support with the look of painting on sturdy, non-flexible paper which is also less prone to damage.
Reeves Pastel Pads offers high quality paper in one pad. Unlease your creativity wherever you are with these practical and durable paper pads.
Reeves Watercolour Pads offers high quality paper in one pad. Unlease your creativity wherever you are with these practical and durable paper pads.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner. |
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