Sennelier Pastel Card Mixed Media Pad contains 12 sheets of heavyweight paper with a slightly granulated, sand-like texture. This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative.

This high tooth texture pastel card is made from a thin layer of finely ground vegetable fibres (fine cork particles) which gives a velvety grain surface and decreases the need for fixative. Acid-free and lightfast. With glassine interleaving to protect the sheets. Not for use with water-based mediums.

Contents Include: 12 x Sennelier Soft Pastel Card Sheets
2 x Antique White 001
2 x Sand 002
2 x Sienna 003
2 x Light Blue Grey 010
2 x Dark Blue Grey 011
2 x Light Grey 012

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Blue.

One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.

Professional quality masking tape. Excellent value for high quality decorative work on buildings.This product is not designed for use in watercolour painting. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Khadi Sketchbooks are filled with white rag handmade paper. This paper made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine.The 210gsm paper is trimmed on two of its exposed sides and the third edge has a beautiful deckle edge. The book is bound in sections with stitching. This allows each section to be opened up and the central page to be painted right across. A great travelling companion for any artist. Surface: Rough Size: 13 x 32cm Pages: 32

Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This 640gsm paper is acid free and made in India. Surface: Rough Size: 30 x 42cm Sheets: 10

Fabriano Sketchbooks contain 60 sheets of 160gsm acid-free natural grain paper. Sewn bound, the black hardcover is washable. Available in landscape and portrait formats. Ideal for pencil, ink, pastel, pen and gouache.

Ideal for creative use around the studio or on the go, Jackson's Sketchbooks are an indispensable companion for artists, graphic designers and illustrators. Made with 25% acid-free cotton rag, the paper can be used on both sides,offering more possibilities to explore dry and water-based media.

This 30 x 24 cm sketchbook has a hardcover providing firm support when working, and the sewn binding offers extra durability, strength and protection for artworks. It comes with an elegant synthetic linen cover, which makes it scuff, stain and scratch resistant.

Khadi Sketchbooks are filled with white rag handmade paper. This paper made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine.The 210gsm paper is trimmed on two of its exposed sides and the third edge has a beautiful deckle edge. The book is bound in sections with stitching. This allows each section to be opened up and the central page to be painted right across. A great travelling companion for any artist. Surface: Smooth Size: 13 x 32cm Pages: 40

Arches Aquarelle watercolour paper is acid-free and chlorine-free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried - it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour.Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.This is a single sheet of Arches Aquarelle: 300gsm, 56 x 76cm, Hot Pressed

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.

Grafix Dura-Lar is the Acetate alternative. This polyester film combines the best features of Mylar and Acetate to provide a highly versatile film.

Matte Dura-Lar .005” film has a matte translucent drawing surface on two sides. This film will accept lead, ink, charcoal, paint and colored pencil, erases cleanly and is an economical alternative to Drafting Film.

Print vibrant images and crisp text on Computer Grafix blank transparencies. These computer printable films make designing your scrapbook pages and paper crafts more creative than ever.

Computer Grafix films can be run through Inkjet or Laser printers/copiers to create unique designs right from your own computer. Print custom overlays, journaling, window effects, stickers and photos. Designs are quick drying and non-smearing. Great with rubber stamps and embossing tools.

Layer printed designs in bezels and fill with resin to create stylish mixed media jewelry.

These films are acid free for archival safety.

Print vibrant images and crisp text on Computer Grafix blank transparencies. These computer printable films make designing your scrapbook pages and paper crafts more creative than ever.

Computer Grafix films can be run through Inkjet or Laser printers/copiers to create unique designs right from your own computer. Print custom overlays, journaling, window effects, stickers and photos.

Designs are quick drying and non-smearing. Great with rubber stamps and embossing tools. Layer printed designs in bezels and fill with resin to create stylish mixed media jewelry.

These films are acid free for archival safety.

Create your art and shrink it with Grafix Shrink Film. Design, cut out and bake for instant embellishments.

Shrink film designs will become half their size and strong plastic pieces great for adding dimension to scrapbook pages and handmade cards. Easy to cut with decorative scissors, die cut machines and punches. Decorate with permanent markers, rubber stamps and paint pens.

For even more fun, use your computer and Inkjet printer to create personalized shrink art. Grafix Inkjet Printable Shrink Film is great for printing your favorite photos, clip art and fonts. Create personalized key chains, charms and magnets in no time.

Choose from: Clear, Matte, White, Black, Inkjet Printable Clear and White and 6 bright colors: Red, Orange, Yellow, Green, Blue and Purple.

All styles are available in 8.5x11” packs of 6, 10 and 50 sheets and an assortment pack of all 6 colors.

Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.

This is a British made Fourdrinier paper in a white shade. Acid free. Great for experimenting on with pencil, charcoal and graphite.170gsm, 50x70cm. 100 sheets.

This is a British made Fourdrinier paper in a white shade. Acid free. Great for experimenting on with pencil, charcoal and graphite.170gsm, 50x70cm. 25 sheets.