The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

Glassine paper can be used to protect the surface of prints, drawings, paintings and other artworks from spilling, exposure, or rubbing during storage or presentation. It will not damage or smudge pastel, charcoal or graphite. Often used in bookbinding separating (interleaving) pages containing plates or illustrations. Its smooth surface is resistant to grease, air and water, and is pH neutral (acid-free) to ensure archival protection. Please note: Glassine paper is translucent not crystal clear. Sheet size: 50 x 75cm (19. 5" x 29. 5") Weight: 40gsm

Durable, mixed media surface for metallic & opaque mediums, acrylics, coloured pencils & markers

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.

The high surface weight of this acrylic paint board makes it very robust. This stable painting base ensures optimum results for multi-layered viscous and also thinly layered and transparent colour applications. The Hahnemühle acrylic paint board delights with its finely textured surface ensuring vivid colour rendition and attractive colour application. The bright white of the board makes the colours glow. Acid free and age resistant.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Ampersand : Pastelbord Panel : White : 11x14in

Ampersand : Pastelbord Panel : White : 12x12in

Ampersand : Pastelbord Panel : White : 16x20in

Ampersand : Pastelbord Panel : White : 5x7in

Ampersand : Pastelbord Panel : White : 8x10in

Ampersand : Pastelbord Panel : White : 8x8in

Ampersand : Pastelbord Panel : White : 9x12in

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.