Jackson’s Watercolour Pad is spiral bound and measures 7.5 x 11 inches. It contains 25 sheets of Jackson’s 280gsm watercolour paper with a Cold-pressed (‘Not’) finish. This means that the surface of the paper is slightly textured, and is not suitable for extremely detailed work; however, most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.

Bockingford is a beautiful English watercolour paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities, this is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.This Bockingford paper specification is: 250LB : 22X30IN : 1 SHEET : NOTPlease note: this item is not avaliable for next day delivery

Sennelier Oil Pastel Pad is specially formulated for oil pastels. The oil will not seep or bleed through the card, while the pages are interleaved with glassine to protect your work.Each pad is spiral bound on the narrow edge and contains 12 340gsm sheets of acid-free paper. The surface cannot take solvent, and doing so will cause it to swell and blister. It also repels water.Available in four sizes: 16 x 24cm, 24 x 32cm, 30 x 40cm, and 40 x 60cm.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

20 Sheets

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

With ribbon marker.Specifications..

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

Hahnemühle Andalucía 500gsm is a natural white, acid-free and age resistant watercolour paper.The front side of the paper has the texture and charm, as well as the water-holding behaviour, of high-quality mould-made papers. The reverse side has a cold pressed matt surface which also offers interesting painting effects.Available in the following sizes: 24 x 32cm, 30 x 40cm, 36 x 48cm, 42 x 56cm.

Hahnemühle Cornwall is a heavy 450gsm watercolour paper that is acid-free, lightfast and extremely age resistant.The heavy weight provides a very stable board that ensures improved flatness when wet. Cornwall offers good colour flow and high colour intensity. This surface is ideal for wet painting techniques: watercolour, sumi-e, gouache, tempera, and acrylic.Available as blocks and sheets in various sizes, with a cold pressed or rough finish.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. It is available in eight highly lightfast colours that reach a minimum of 7 on the Blue Wool Scale.

Somerset is an elegant and hardworking printmaking perfect for limited edition prints.

This paper is embossed with the Somerset logo in one corner and has four deckled edges.

Grafix Dura-Lar is the Acetate alternative. This polyester film combines the best features of Mylar and Acetate to provide a highly versatile film.

Clear Dura-Lar .001" to .020" film is an ultra clear, glossy surface for protective coverings, layouts, color separations, window applications and overhead transparencies. Use as an artwork surface for permanent inks and markers.

Hahnemühle Britannia is an acid-free, lightfast and extremely age resistant watercolour paper. The stability and strength of this paper offers excellent flatness when wet, while the hard surface offers easy application of colour.These papers are ideal for all wet painting techniques: watercolour—especially wet-in-wet painting, smooth wash and also dry painting—as well as gouache, tempera and acrylic.Available in blocks and sheets.

Hahnemühle Nostalgie is a 190gsm natural white paper pad with a pleasant texture. It has an attractive, fine grain that permits good colour adherence and gives clear, intensive line and colour.The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to fast, vividly coloured sketch. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. This sketch paper is acid-free and age resistant.For use with pencil, charcoal, crayon, pastel, red ochre and all dry media.

St Cuthberts Botanical Ultra Smooth is a 300gsm paper which is mould made from 50% cotton, and which is suitable for use with watercolours, watercolour pencils and acrylics (as well as many dry media). It is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour (High White) is a very close match to Fabriano 5, and it does contain optical brighteners to give it a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.Pads made of St Cuthberts Botanical Ultra Smooth paper are available in three sizes: A3, A4 and A5. These pads contain 10 sheets and are glue bound.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Bockingford® is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.Its attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.Colour: WhiteSurface: RoughSize: A3Weight: 300gsmSheets: 12 Sheets

Sennelier Pastel Card Mixed Media is a heavyweight paper with a slightly granulated, sand-like texture.
This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast.

Please note: not for use with liquids or wet media.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Dark Blue, Light Blue, Sand.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

St Cuthberts Botanical Ultra Smooth is a 300gsm paper which is mould made from 50% cotton, and which is suitable for use with watercolours, watercolour pencils and acrylics (as well as many dry media). It is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour (High White) is a very close match to Fabriano 5, and it does contain optical brighteners to give it a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.Pads made of St Cuthberts Botanical Ultra Smooth paper are available in three sizes: A3, A4 and A5. These pads contain 10 sheets and are glue bound.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.At 425gsm, this is a thicker, heavier sheet. Please note, this sheet has a Rough surface, and is less suitable for detailed work. Artists wishing to produce detailed work are advised to try the versions of this sheet designated Hot-pressed or Not.For more information on the production and properties of watercolour papers, click here.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. Please note, this sheet is hot-pressed: it has an extremely smooth surface, ideal for detailed watercolour painting. At 425gsm, this is a slightly thicker and heavier sheet. For more information on the production and properties of watercolour papers, click here.