Claire Fontaine 14 x 19in (35.5x48.3cm) 15 sheet Oil block - 240gsm - glued 4 edges - linen texture

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fibre. Acid-free.This pad contains 20 sheets.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

The Maya range of 30 brilliant colours are deep-dyed, non-fading, have a smooth surface front and back, and are acid free. They have a wide range of potential applications, including: cards, menus, scrapbooking, framing, book-binding, illustration, decoupage and collage.

Pack of 10 cards, with no envelopes.

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint.

Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use.

A pack of 3 Monoprint Plates each measuring 6x9in

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

Created to give artists and photographers an authentic fine art inkjet paper, capable of producing impressive images. This is a stunning matte paper, with an invisible inkjet coating, whose texture will lift images, giving them a beautifully elegant fine art feel.

This paper is traditionally mould made from 100% cotton, to high archival standards, providing a paper with a genuine heritage.

Somerset® Enhanced is a professional fine art inkjet paper.

Created to give artists and photographers an authentic fine art inkjet paper, capable of producing impressive images. This is a stunning matte paper, with an invisible inkjet coating, whose texture will lift images, giving them a beautifully elegant fine art feel.

This paper is traditionally mould made from 100% cotton, to high archival standards, providing a paper with a genuine heritage.

Somerset® Enhanced is a professional fine art inkjet paper.

The 4 edges of this sized paper have been trimmed.
The good sizing and excellent resistance to even the hardest erasers are the main features of this paper, which is ideal not only for students at technical schools but also for professional use by graphic artists, architects and surveyors. Fabriano 4 is dry-embossed. The embossing reproduces their trademark, the number 4 and the Fabriano logo

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Dimensions: 4.7 x 7" (120 x 180mm)

Pink Pig : Sketchbook : 150gsm : A5 : Black Cover : Portrait

Arches Aquarelle watercolour paper is acid-free and chlorine-free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried - it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour.Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.This is a single sheet of Arches Aquarelle: 300gsm, 56 x 76cm, Rough.

Khadi Sketchbooks are filled with white rag handmade paper. This paper made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine.The 210gsm paper is trimmed on two of its exposed sides and the third edge has a beautiful deckle edge. The book is bound in sections with stitching. This allows each section to be opened up and the central page to be painted right across. A great travelling companion for any artist. Surface: Smooth Size: 13 x 16cm Pages: 40

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Record ideas and sketches on the move with this journal from Seawhite. It has 60 pages of acid-free 200gsm watercolour with a slightly textured 'Not' finish.

Cold Press/ ’Not' surface - slightly textured surface. It is the most popular surface for watercolour painters as it allows for a little texture in your work. Good for large areas of wash but also for detail.

For more than 50 years Seawhite has been supplying UK artists. They are a family business based in Partridge Green, West Sussex, not far from Brighton where the business began. They also have the Seawhite Studio - a modern painting studio with art classes run by Emily Ball.

This is a mini sample pad of the full sized Yupo Heavy Watercolour Paper pad. It contains 10 sheets of 390gsm paper measuring 9.5 x 6.3cm.

Yupo is a non-porous, acid free and pH neutral, synthetic paper which is machine made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

Yupo is made from heated polypropylene pellets which are then extruded to form the base and surface layers of the paper, These layers are stretched to create a dimensionally storable and biaxial-orientated substrate. This process means that Yupo paper is exceptionally strong, opaque and has an incredibly smooth surface.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolours alcohol ink, acrylic paint, monotype, offset printing, debossing oil pastel, graphite and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

"Yupo is very different to normal watercolour paper(But still make sure not to get greasy fingerprints on it) it stays flat, which is a great bonus, the paint can go mad; which is fun and you can pretty much rinse a sheet under a cold tap and start again. Masking fluid doesn't bond to the surface, so make sure it's dry before you rinse anything away as water will creep slightly under the masking fluid. It's very different, it's fun to play with and well worth trying."

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.

Colour: Toned Tan

Surface: Medium

Media Applications: Graphite, chalk, charcoal, sketching stick, markers, china markers, coloured pencils, pens and white gel pens.

This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fibre, acid free.

Journal Features: Velvety softcover in rich dark brown. Quality Smyth-sewn binding allows book to open wide and lay flatter. Flexible lightweight format in convenient, portable sizes.

Weight: 80 lb. (25" x 38" x 500 sheets) 118 g/m2

Stillman & Birn Epsilon softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. White, heavy weight 150gsm paper has a smooth surface that is suitable for pen & ink, and dry media. The paper also has internal and surface sizing, allowing it to accept light washes as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 5. 5 x 8. 5 inches, with 48 sheets and has a dark grey cover.

Fabriano Academia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservation over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

Canson Moulin du Roy is a 100% cotton French watercolour paper. Produced on a traditional cylinder mould machine, this paper has the look and feel of a handmade paper. Both absorbent and strong, Moulin du Roy has internal and surface sizing permit the lifting of dried colour and the reworking of watercolour.Canson Moulin du Roy watercolour paper is naturally white, acid free and made entirely without bleaching agents, for an optimal conservation over time.

The Cold Press surface is neither too smooth nor too grainy making it easy to handle.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.