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Arts & Crafts > Fine Art Supplies > Paper
Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.
Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.The surface is created using natural woollen felts, ensuring a beautiful paper that’s very stable, and with excellent colour lifting abilities.Made with 100% woodfree bleached chemical pulp. No OBAs (Optical brightening agents). Excellent for use with watercolour, acrylic, gouache, pastel, pen and ink, pencil, and other dry media.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Strathmore 400 Series Watercolour Hardbound Art Journals have a lightly textured, chocolate-coloured cover for protection and support. Strathmore use their intermediate grade, acid-free, natural white watercolour paper which is suitable for watercolour, gouache and acrylic. This sketchbook measures 5.5 x 8.5 inches.Please note, this product has a Cold pressed ('Not') surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work, though most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.
This 80 lb. (118 gsm) sketch paper has a medium surface and is made with acid free 100% recycled, 30% post-consumer fibre. Kraft and bark fibre inclusions are also added for visual interest. This paper is appropriate for experimenting, quick studies, sketching, life drawing and journaling. Excellent for graphite, chalk, charcoal, sketching stick, markers, china markers, coloured pencils, pens and white gel pens.
Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.
Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper. Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability. Please note, this product has a NOT (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes.
Low tack paper masking tape. Individually shrink wrapped, 50m rolls. Available in 1â€, 1.5†and 2â€.
Media Applications: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel, oil pastel.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.
Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.
Low tack paper masking tape. Individually shrink wrapped, 50m rolls. Available in 1â€, 1.5†and 2â€.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.
Daler-Rowney Artists' Sketchbooks are a complete range of hardback books specially developed for artists. Ebony hardback spiral sketchbooks contain 50 sheets of 160gsm acid-free paper. The smooth white cartridge paper is suitable for pencil, pen and ink and light watercolour wash artwork. A hardback outer casing protects the enclosed paper, keeping the artwork safe.
Bockingford : Watercolour Paper : Spiral Pad : 300gsm : A3 : Hot Pressed
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards. The surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.
Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fibre. Acid-free.This pad contains 20 sheets.
Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 140lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.
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