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Arts & Crafts > Fine Art Supplies > Paper
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 6 Medium Grit Sheets in Buff, each sheet measures 12x16in. 320 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 6 Medium Grit Sheets in Italian Clay, each sheet measures 12x16in. 320 Grit, 145lb (310 gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 6 Medium Grit Sheets in Slate, each sheet measures 12x16in. 320 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel.Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. Pack of 6 Fine Grit Sheets in White, each sheet measures 12x16in. 400 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Medium Grit Sheets in Buff, each sheet measures 20x26in. 320 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Medium Grit Sheets in Italian Clay, each sheet measures 20x16in. 320 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Medium Grit Sheets in Slate, each sheet measures 20x26in. 320 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Medium Grit Sheets in Terracotta, each sheet measures 20x26in. 320 Grit, 145lb (310gsm)
Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 10 Fine Grit Sheets in White, each sheet measures 20"x26" - (50. 8cm x 66cm) 320 Grit, 145lb (310gsm)
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life. |
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