The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.Please note, this sheet has a slightly textured surface. Artists wishing to produce finely-detailed work are advised to try the Hot-pressed version of this sheet.

This top-bound pad of 250gsm sheets is perfect for work with a range of medias and for mixed media work, including but not limited to acrylic, gouache, ink, pencil, charcoal, felt-tip, markers, gluing and oil pastels. Allowing a huge amount of versatility and potential. The heavy 250gsm likely textured paper is acid free and PEFC certified, making it a sensible choice for serious pieces of work This pad includes 40 sheets and measures 30 x 42cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

Etchr Perfect Sketchbooks contain 44 A5 pages of artist grade 100% cotton paper, protected by a sturdy hardbound cover.

These sketchbooks are vegan friendly and use 300gsm acid-free, artist grade, 100% cotton cold press paper. They open flat and have a landscape format. The paper is ideal for a range of dry and wet media, especially watercolour, ink, markers, acrylic, and gouache.

Cold Press/ ’Not' surface - slightly textured surface. It is the most popular surface for watercolour painters as it allows for a little texture in your work. Good for large areas of wash but also for detail.

Professional quality masking tape. Excellent value for high quality decorative work on buildings.This product is not designed for use in watercolour painting. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Strathmore 400 Series Hardbound Sketchbook is 100% recycled and the toned tan paper is ideal for both light and dark media.

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.

The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Suitable media applications include: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media. Sheets are Actual Size when removed at the wire binding. Size: 12" x 18" Weight: 64lb / 95gsm Sheets: 24 Surface: Laid Pad: Wire Bound

Created in 1893, this 100% cotton bristol is an industry standard. Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker. Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes. Not recommended for traditional watercolour techniques. Suitable media applications for vellum (medium) surface include: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. Size: 11" x 14" Weight: 2-Ply Sheets: 15 Surface: Vellum (medium) Pad: Tape Bound

Strathmore 500 Series Bristol Pad Smooth is the professional’s choice for precision work, offering a 250gsm 100% cotton surface that has been trusted by artists since 1893. The plate-smooth finish provides an ultra-refined surface ideal for technical pen, pen and ink, marker, airbrush and mechanical pencil work, ensuring crisp lines and flawless detail.

Renowned as an industry standard, this archival-quality Bristol paper delivers exceptional control, clean edges and a sleek finish that enhances technical and illustrative work. Its durable construction resists feathering and bleeding, making it the perfect surface for fine rendering and presentation pieces.

This is a 14 x 17in Strathmore 500 Series Bristol Pad Smooth.

Sennelier Oil Pastel Pad is specially formulated for oil pastels. The oil will not seep or bleed through the card, while the pages are interleaved with glassine to protect your work.Each pad is spiral bound on the narrow edge and contains 12 340gsm sheets of acid-free paper. The surface cannot take solvent, and doing so will cause it to swell and blister. It also repels water.Available in four sizes: 16 x 24cm, 24 x 32cm, 30 x 40cm, and 40 x 60cm.

Grafix Dura-Lar is the Acetate alternative. This polyester film combines the best features of Mylar and Acetate to provide a highly versatile film.

Clear Dura-Lar .001" to .020" film is an ultra clear, glossy surface for protective coverings, layouts, color separations, window applications and overhead transparencies. Use as an artwork surface for permanent inks and markers.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. At 425gsm, these are thick, high-quality sheets. They have a slightly textured surface, and are not suitable for extremely detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed versions of these sheets. For more information on the production and properties of watercolour papers, click here.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. At 425gsm, these are thick, high-quality sheets. They have a rough, textured surface, and are not suitable for detailed work. Artists wishing to produce detailed work are advised to try the Hot-pressed or Not versions of these sheets. For more information on the production and properties of watercolour papers, click here.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. Please note, this sheet is hot-pressed: it has an extremely smooth surface, ideal for detailed watercolour painting. At 425gsm, this is a slightly thicker and heavier sheet. For more information on the production and properties of watercolour papers, click here.

One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work. Suitable media applications for medium surface include: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel. Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. The 4in x 6in and 6in x 8in pads are not micro-perforated but sheets are Actual Size when removed at the wire binding. Size: 12in x 18in Weight: 80lb / 130gsm Sheets: 24 Surface: Medium Pad: Wire bound

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.At 425gsm, these are thick, high-quality sheets. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting.For more information on the production and properties of watercolour papers, click here.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. The tough, toothy surface can be sanded, scrubbed soaked and reworked over and over. It will hold multiple layers of pastel without the need for fixative, allowing the colour of the pastel to be preserved. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This pack of 10 sheets contain cool tones in the following colours: White, Natural/Clear, Black, Elephant, Rose Grey, Blue Haze, Storm Blue, Deep Ultra, Fresh Grey and Leaf Green Dark.