Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 22x30in : 10 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most. Specifications. .

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 22x30in : 20 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 22x30in : 5 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : 10 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : 20 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : 5 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 10 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 20 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 5 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 60gsm tracing paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in

Due to popular demand, UART has produced a new, dark version of their classic Premium Sanded Pastel Paper! This dark, acid-free, archival substrate allows artists to create vibrant effects with super rich contrasts. This surface is made using the same materials and consistent texture as UART's regular sand coloured paper and will, therefore, accept a wide variety of wet media. Available in 400, 500, 600 & 800 grade. Please note that the colour of the paper fluctuates depending on which grades you are using: while the 400 & 500 grades provide a rich black texture, the 600 & 800 grades lean towards a dark charcoal colour, as the higher the grade, the smaller the pigments are.

This paper has a soft textured surface and is ideal for etching, silk screen and letterpress printing. It is mould-made from 100% cotton, is internally sized and watermarked with 4 deckled edges. Acid free and calcium carbonate buffered.Single sheet in 200gsm, 56x76cm.

This paper has a soft textured surface and is ideal for etching, silk screen and letterpress printing. It is mould-made from 100% cotton, is internally sized and watermarked with 4 deckled edges. Acid free and calcium carbonate buffered.Pack of 25 Sheets, 200gsm in white, each sheet measures 56x76cm.

This is a mini sample pad of the full-sized Yupo Medium Watercolour Paper pad. It contains 10 sheets of 200gsm paper measuring 9.5 x 6.3cm.

Yupo is a non-porous, acid-free and pH neutral, synthetic paper which is machine-made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

Yupo is made from heated polypropylene pellets which are then extruded to form the base and surface layers of the paper, These layers are stretched to create a dimensionally storable and biaxial-orientated substrate. This process means that Yupo paper is exceptionally strong, opaque and has an incredibly smooth surface.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolour, alcohol ink, acrylic paint, monotype, offset printing, debossing, oil pastel, graphite, and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

"Yupo is very different to normal watercolour paper (but still make sure not to get greasy fingerprints on it) it stays flat, which is a great bonus, the paint can go mad; which is fun and you can pretty much rinse a sheet under a cold tap and start again. Masking fluid doesn't bond to the surface, so make sure it's dry before you rinse anything away as water will creep slightly under the masking fluid. It's very different, it's fun to play with and well worth trying."

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.

Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite.

Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

This is a pad of 15 sheets of 153gsm Yupo Translucent Watercolour Paper. Each sheet measures 11 x 14in and is translucent for even, light dispersal.

This is a mini sample pad of Yupo Translucent Watercolour Paper available in pads and rolls. It contains 10 sheets of 153gsm translucent paper that measure 6.3 x 9.5cm.

Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite.

Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.

The natural toothy surface of Art Spectrum Colourfix paper is a superb substrate for dry media such as soft pastels, charcoal and pencils. It is also suitable for acrylics, inks, silverpoint, oil pastels, gouache and watercolours. Available in a range of colours. This paper has been hand primed and dried, as a result, it may slightly curl. Hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer, making 340gsm pastel paper.