Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

1 x Bockingford 300gsm Hot Pressed (measuring 14,6 x 21cm)
1 x Bockingford 300gsm Cold Pressed (NOT) (measuring 14,6 x 19,5cm)
1 x Bockingford 300gsm Rough (measuring 14,6 x 18cm)
1 x Millford 300gsm Cold Pressed (NOT) (measuring 14,6 x 16,5cm)
1 x Saunders Waterford Hot Pressed High White (measuring 14,6 x 21cm)
1 x Saunders Waterford Cold Pressed (NOT) White(measuring 14,6 x 19,5cm)
1 x Saunders Waterford Rough White (measuring 14.6 x 18cm)

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards. It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Please be aware that it is not possible to order more than 5 of this product at one time.

Millford is styled on the discontinued Whatman watercolour paper, after artists grieved the loss of this unique type of watercolour paper. It is mould made from 100% cotton (just like the original Whatman), and it's beautiful surface is created using natural woollen felts. It is deliberately created to have a high resistance to water, so it’s washes perform very differently to traditional watercolour papers.

Saunders Waterford paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart.

Studio Essentials Hardcover Sketchbooks are a good quality pack of sketchbooks for preliminary drawings, sketches and general work on-the-go.The 100gsm smooth sheets are acid-free and suitable for use with pen and dry media. Each sketchbook contains 80 perforated pages, kept secure with a simple elastic closure.

Strathmore Visual Journals deliver high-performing papers and heavy-duty features engineered to meet the intense demands of your creative process. The removable cover sheet reveals a subtle, hand-illustrated cover design. The wire binding allows the journal to lie flat and open up 360 degrees. So feel free to reflect, explore, create and mix it up any way you please. Available in a full range of paper types and weights.

Bristol vellum finish is great for any dry media including pencil, charcoal and pastel. Also good for pen and ink, marker and collage. Acid free

Strathmore Visual Journals deliver high-performing papers and heavy-duty features engineered to meet the intense demands of your creative process. The removable cover sheet reveals a subtle, hand-illustrated cover design. The wire binding allows the journal to lie flat and open up 360 degrees. So feel free to reflect, explore, create and mix it up any way you please. Available in a full range of paper types and weights. Bristol vellum finish is great for any dry media including pencil, charcoal and pastel. Also good for pen and ink, marker and collage. Acid free Size: 9" x 12" Weight: 100lb / 260gsm Sheets: 24 Surface: Vellum (medium) Pad: Spiral Bound

Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality. This is a Toned Grey 400 Series Mixed Media Pad measuring 18x24in.

Strathmore 400 Series Hardbound Sketchbook is 100% recycled and the toned tan paper is ideal for both light and dark media.

Strathmore 400 Series Watercolour Blocks features their intermediate grade watercolour paper, popular with watercolourists of all levels because of the fine and even washes that can be achieved.

It has a strong surface that will allow lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for practicing watercolour techniques or for finished artwork.

Strathmore 400 Series Bristol Pad is a high-quality multi-ply bristol available in two surfaces/finishes. Smooth finish is excellent for fine line drawings using pen & ink or marker. Vellum finish is excellent for pencil, charcoal, and pastel, as well as airbrush and light washes. Not recommended for traditional watercolour techniques.

Suitable media applications for vellum (medium) surface: graphite pencil, coloured pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage.

• Size: 11in x 14in
• Sheets: 15
• Surface: 2-Ply Vellum (medium)
• Pad: Tape bound

Strathmore 400 Series Bristol Pad is a high-quality multi-ply bristol available in two surfaces/finishes. Smooth finish is excellent for fine line drawings using pen & ink or marker. Vellum finish is excellent for pencil, charcoal, and pastel, as well as airbrush and light washes. Not recommended for traditional watercolour techniques. Suitable media applications for smooth surface: graphite pencil, colored pencil, pen & ink, marker, mixed media and collage. Size: 11in x 14in Sheets: 15 Surface: 2-Ply Smooth Pad: Tape bound

Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fibre. Acid-free.This pad contains 20 sheets.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. It is available in eight highly lightfast colours that reach a minimum of 7 on the Blue Wool Scale.

Somerset is an elegant and hardworking printmaking perfect for limited edition prints.

This paper is embossed with the Somerset logo in one corner and has four deckled edges.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. It is available in eight highly lightfast colours that reach a minimum of 7 on the Blue Wool Scale.

Somerset is an elegant and hardworking printmaking perfect for limited edition prints.

This paper is embossed with the Somerset logo in one corner and has four deckled edges.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. It is available in eight highly lightfast colours that reach a minimum of 7 on the Blue Wool Scale.

Somerset is an elegant and hardworking printmaking perfect for limited edition prints.

This paper is embossed with the Somerset logo in one corner and has four deckled edges.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. It is available in eight highly lightfast colours that reach a minimum of 7 on the Blue Wool Scale.

Somerset is an elegant and hardworking printmaking perfect for limited edition prints.

This paper is embossed with the Somerset logo in one corner and has four deckled edges.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. It is available in eight highly lightfast colours that reach a minimum of 7 on the Blue Wool Scale.

Somerset is an elegant and hardworking printmaking perfect for limited edition prints.

This paper is embossed with the Somerset logo in one corner and has four deckled edges.

One of the worlds finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.