Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 6x12in, 15x30cm

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm cold pressed watercolour paper. Size 6x8in, 15x20cm.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 8x8in, 20x20cm.

Sumi-e painting evolved in the 5th century from Chinese calligraphy. The main subjects are taken from nature. In the 12th century Zen monks brought the technique to Japan where even today Sumi-e painting has a decisive influence on lifestyle. Translated “Sumi” means “black ink” and “e” means both “path” and “painting”. The style of brush painting is both a simple and yet highly aesthetic drawing made of powerful, mostly chasing and rapidly executed lines.

Patience and inner harmony are essential in brush painting to capture the spirit of the subject. Sumi-e is therefore not only an Asian painting technique but also a form of spiritual relaxation therapy and is becoming increasingly popular in Europe.

Recommended Paper For the first time Hahnemühle has developed a special paper for the Japanese Sumi-e painting technique that is capable of meeting the strenuous requirements of the Sumi-e technique. It is extremely thin but nevertheless absorbent and allows the water to flow further than the ink. This permits sharp outlines but also delicate drawings. The pen strokes are more visible. Sumie-e paper is available in pads and sheets.

Grafix Acetate is a cast cellulose Di-Acetate film used in many commercial art applications. Manufactured primarily from wood pulp, this film is 100% biodegradable and can be recycled, composted or incinerated.

Grafix Acetate is offered in clear with a range of thicknesses from .003” to .010” and matte one side .003” and .005”. Available in sheets, rolls and pads.

Pack of 10 cards, with no envelopes.

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

One of the worlds finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.

This is a mini sample pad of Yupo Translucent Watercolour Paper available in pads and rolls. It contains 10 sheets of 153gsm translucent paper that measure 6.3 x 9.5cm.

Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite.

Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite.

Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

This is a pad of 15 sheets of 153gsm Yupo Translucent Watercolour Paper. Each sheet measures 11 x 14in and is translucent for even, light dispersal.

This mini set is a great introduction to Stonehenge Papers. These mini pads allow you to experiment with different techniques and determine which paper is best for you and your work before investing in a larger pack.

This is a mini sample pad of the full-sized Yupo Medium Watercolour Paper pad. It contains 10 sheets of 200gsm paper measuring 9.5 x 6.3cm.

Yupo is a non-porous, acid-free and pH neutral, synthetic paper which is machine-made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

Yupo is made from heated polypropylene pellets which are then extruded to form the base and surface layers of the paper, These layers are stretched to create a dimensionally storable and biaxial-orientated substrate. This process means that Yupo paper is exceptionally strong, opaque and has an incredibly smooth surface.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolour, alcohol ink, acrylic paint, monotype, offset printing, debossing, oil pastel, graphite, and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

"Yupo is very different to normal watercolour paper (but still make sure not to get greasy fingerprints on it) it stays flat, which is a great bonus, the paint can go mad; which is fun and you can pretty much rinse a sheet under a cold tap and start again. Masking fluid doesn't bond to the surface, so make sure it's dry before you rinse anything away as water will creep slightly under the masking fluid. It's very different, it's fun to play with and well worth trying."

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.

Yupo Watercolour Paper is a non-porous, acid-free and pH neutral, synthetic paper which is machine made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to those used with oil painting.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolours alcohol ink, acrylic paint, monotype, offset printing, debossing oil pastel, graphite and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.

This mini set is a great introduction to Stonehenge Papers. These mini pads allow you to experiment with different techniques and determine which paper is best for you and your work before investing in a larger format.

Stonehenge Aqua Mini Set Includes:
Size: 2.5” x 3.75”
No. of Pads: 12 pads
Format: Mini Pads
Contains 3 of each: Stonehenge Aqua Coldpress, Aqua Hotpress, Aqua Coldpress Heavy and Aqua Coldpress Black pads.

Enhanced wet strength suitable for mixed media renderings. Paper shade: Natural white. Surface: Cold press. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces:- Vellum "“ distinctive tooth, suitable for all dry media, and will also accept multiple washes- Cold Press "“ Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork- Smooth "“ Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Suitable for line drawings without feathering or bleeding. Paper shade: Natural white. Surface: Plate. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Stillman & Birn Delta softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. Ivory, extra-heavy weight 270gsm paper has a cold-press surface that is suitable for all dry media and ink. The paper also has internal and surface sizing, allowing it to accept light washes, wet media, and watercolor as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 5. 5 x 8. 5 inches, with 28 sheets and a dark green cover.

Create your art and shrink it with Grafix Shrink Film. Design, cut out and bake for instant embellishments.

Shrink film designs will become half their size and strong plastic pieces great for adding dimension to scrapbook pages and handmade cards. Easy to cut with decorative scissors, die cut machines and punches. Decorate with permanent markers, rubber stamps and paint pens.

For even more fun, use your computer and Inkjet printer to create personalized shrink art. Grafix Inkjet Printable Shrink Film is great for printing your favorite photos, clip art and fonts. Create personalized key chains, charms and magnets in no time.

Choose from: Clear, Matte, White, Black, Inkjet Printable Clear and White and 6 bright colors: Red, Orange, Yellow, Green, Blue and Purple.

All styles are available in 8.5x11” packs of 6, 10 and 50 sheets and an assortment pack of all 6 colors.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours