Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite.

Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

This is a pad of 15 sheets of 153gsm Yupo Translucent Watercolour Paper. Each sheet measures 11 x 14in and is translucent for even, light dispersal.

This mini set is a great introduction to Stonehenge Papers. These mini pads allow you to experiment with different techniques and determine which paper is best for you and your work before investing in a larger pack.

This is a mini sample pad of the full-sized Yupo Medium Watercolour Paper pad. It contains 10 sheets of 200gsm paper measuring 9.5 x 6.3cm.

Yupo is a non-porous, acid-free and pH neutral, synthetic paper which is machine-made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

Yupo is made from heated polypropylene pellets which are then extruded to form the base and surface layers of the paper, These layers are stretched to create a dimensionally storable and biaxial-orientated substrate. This process means that Yupo paper is exceptionally strong, opaque and has an incredibly smooth surface.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolour, alcohol ink, acrylic paint, monotype, offset printing, debossing, oil pastel, graphite, and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

"Yupo is very different to normal watercolour paper (but still make sure not to get greasy fingerprints on it) it stays flat, which is a great bonus, the paint can go mad; which is fun and you can pretty much rinse a sheet under a cold tap and start again. Masking fluid doesn't bond to the surface, so make sure it's dry before you rinse anything away as water will creep slightly under the masking fluid. It's very different, it's fun to play with and well worth trying."

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.

Yupo Watercolour Paper is a non-porous, acid-free and pH neutral, synthetic paper which is machine made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to those used with oil painting.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolours alcohol ink, acrylic paint, monotype, offset printing, debossing oil pastel, graphite and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.

This mini set is a great introduction to Stonehenge Papers. These mini pads allow you to experiment with different techniques and determine which paper is best for you and your work before investing in a larger format.

Stonehenge Aqua Mini Set Includes:
Size: 2.5” x 3.75”
No. of Pads: 12 pads
Format: Mini Pads
Contains 3 of each: Stonehenge Aqua Coldpress, Aqua Hotpress, Aqua Coldpress Heavy and Aqua Coldpress Black pads.

Professional quality masking tape. Excellent value for high quality decorative work on buildings.This product is not designed for use in watercolour painting. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.

This hardbound Hahnemuhle Watercolour Book contains 30 sheets of paper within a durable hard cover with a black grained linen-effect cover and a rubber band to keep it securely closed during storage or transport. The paper is a natural white and acid-free 200gsm Hahnemuhle fine grained watercolour paper with the same texture on both sides for those who wish to paint wide panoramas.Available in A4, A5 and A6 sizes, all of which are landscape format. This is an A5 size sketchbook.

Grafix Acetate is a cast cellulose Di-Acetate film used in many commercial art applications. Manufactured primarily from wood pulp, this film is 100% biodegradable and can be recycled, composted or incinerated.

Grafix Acetate is offered in clear with a range of thicknesses from .003” to .010” and matte one side .003” and .005”. Available in sheets, rolls and pads.

Stillman & Birn Epsilon softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. White, heavy weight 150gsm paper has a smooth surface that is suitable for pen & ink, and dry media. The paper also has internal and surface sizing, allowing it to accept light washes as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 5. 5 x 8. 5 inches, with 48 sheets and has a dark grey cover.

Enhanced wet strength suitable for mixed media renderings. Paper shade: Natural white. Surface: Cold press. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces:- Vellum "“ distinctive tooth, suitable for all dry media, and will also accept multiple washes- Cold Press "“ Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork- Smooth "“ Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Suitable for line drawings without feathering or bleeding. Paper shade: Natural white. Surface: Plate. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Stillman & Birn Delta softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. Ivory, extra-heavy weight 270gsm paper has a cold-press surface that is suitable for all dry media and ink. The paper also has internal and surface sizing, allowing it to accept light washes, wet media, and watercolor as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 5. 5 x 8. 5 inches, with 28 sheets and a dark green cover.

Excellent quality masking tape. Great value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.

Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colors remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. Comes in a range of colours, all of which are acid free and lightfast.This is a pack of five sheets measuring 24x32cm. The sheets are of the colour Brown.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Canson Moulin du Roy is a 100% cotton French watercolour paper. Produced on a traditional cylinder mould machine, this paper has the look and feel of a handmade paper. Both absorbent and strong, Moulin du Roy has internal and surface sizing permit the lifting of dried colour and the reworking of watercolour.Canson Moulin du Roy watercolour paper is naturally white, acid free and made entirely without bleaching agents, for an optimal conservation over time. The Cold Press surface is neither too smooth nor too grainy making it easy to handle.

Create your art and shrink it with Grafix Shrink Film. Design, cut out and bake for instant embellishments.

Shrink film designs will become half their size and strong plastic pieces great for adding dimension to scrapbook pages and handmade cards. Easy to cut with decorative scissors, die cut machines and punches. Decorate with permanent markers, rubber stamps and paint pens.

For even more fun, use your computer and Inkjet printer to create personalized shrink art. Grafix Inkjet Printable Shrink Film is great for printing your favorite photos, clip art and fonts. Create personalized key chains, charms and magnets in no time.

Choose from: Clear, Matte, White, Black, Inkjet Printable Clear and White and 6 bright colors: Red, Orange, Yellow, Green, Blue and Purple.

All styles are available in 8.5x11” packs of 6, 10 and 50 sheets and an assortment pack of all 6 colors.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Pink Pig : Sketchbook : 150gsm : A5 : Black Cover : Portrait

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Stillman & Birn Gamma softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. - Ivory, heavy weight 150gsm paper has a toothy, medium-grain surface that is suitable for dry media and ink. The paper also has internal and surface sizing, allowing it to accept light washes as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 8 x 10 inches, is portrait format with 48 sheets and has a dark orange cover.

Botanical Ultra Smooth is 300gsm, mould made from 50% cotton and is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour is a very close match to Fabriano 5, and it does contain optical brighteners to give a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.