This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Lawrence Botanical Watercolour Pads contain 10 sheets of hot pressed, ultra-smooth watercolour paper. These high quality glued pads are ideal for botanical painting and illustration techniques as well as drawing, pen and ink, gouache, and mixed media. The high white paper is perfect for photographic and digital reproduction of botanical illustrations. Pads feature a cover design by the artist Cat Donne.

This hardbound Hahnemuhle Watercolour Book contains 30 sheets of paper within a durable hard cover with a black grained linen-effect surface and a rubber band to keep it securely closed during storage or transport. The paper is a natural white and acid-free 200gsm Hahnemuhle fine grained watercolour paper with the same texture on both sides for those who wish to paint wide panoramas.Available in A4, A5 and A6 sizes, all of which are landscape format. This is an A4 size sketchbook.

Lawrence Botanical Watercolour Pads contain 10 sheets of hot pressed, ultra-smooth watercolour paper. These high quality glued pads are ideal for botanical painting and illustration techniques as well as drawing, pen and ink, gouache, and mixed media. The high white paper is perfect for photographic and digital reproduction of botanical illustrations. Pads feature a cover design by the artist Cat Donne.

Print vibrant images and crisp text on Computer Grafix blank transparencies. These computer printable films make designing your scrapbook pages and paper crafts more creative than ever.

Computer Grafix films can be run through Inkjet or Laser printers/copiers to create unique designs right from your own computer. Print custom overlays, journaling, window effects, stickers and photos.

Designs are quick drying and non-smearing. Great with rubber stamps and embossing tools. Layer printed designs in bezels and fill with resin to create stylish mixed media jewelry.

These films are acid free for archival safety.

Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 90gsm tracing paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in

Arches Oil is a French made 300 gsm (140 lb), 4 deckled edge paper specially formulated for oil painting, yet it maintains the look and feel of traditional Arches papers. The paper features a powerful & efficient oil barrier that absorbs water, solvents, and binders evenly while allowing the paint and pigment to remain on the surface.• Ready to use - no need to gesso; no preparation required!• Painting on Arches Oil paper is extremely convenient. It's easy to store, easy to frame,lightweight to transport.• Arches has created and manufactured professional artist papers in France since 1492. This new and revolutionary surface is essential for any professional oil painter looking to capture their oil painting on paper all while saving time. Oil painting students will love the convenience and ease of use that this paper offers. You can paint on either side of the paper, both are primed.

Ampersand : Pastelbord Panel : White : 8x10in

Excellent for watercolourists, Keba Artmate will stretch your paper and dry it in minutes - it will not cockle or pull away no matter how wet the wash. It can also be used for; oil on canvas, acrylic, gouache, pastel, penline and wash, silk painting and needlework.Can be used for silk and canvas by using without the art base (back board), or when traveling. This will give you complete control of ultra wet washes, ensuring no cockling, buckling or lifting. You can use this easily with any paper and get excellent results.Two methods of stretching for watercolour use:The Quick no pre-drying method: Wet the back of the paper and the edges of the front, then stretch and paint on the front right away.The Pre-drying method: Wet both sides of the paper, stretch, then let dry before painting.Make 8 different shapes from a collection of 3 KEBAartmates - Optional base board included with every product.Note: paper must be cut to the size of the stretcher.

Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality. This is a Toned Grey 400 Series Mixed Media Pad measuring 18x24in.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 90gsm tracing paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in

Strathmore Newsprint is an economical rough surface paper ideal for preliminary sketching. A light non-archival paper with an off white colour and distinctive feel. Size: 18" x 24" Weight: 30lb / 49gsm Sheets: 100 Surface: Rough Pad: Tape Bound

Botanical Ultra Smooth is 300gsm, mould made from 50% cotton and is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour is a very close match to Fabriano 5, and it does contain optical brighteners to give a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.

One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work. Suitable media applications for smooth surface include: graphite pencil, colored pencil, pen & ink, marker. Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. Size: 18in x 24in Weight: 80lb / 130gsm Sheets: 24 Surface: Smooth Pad: Wire bound