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Arts & Crafts > Fine Art Supplies > Paper
Woodfree, acid free, white matt surface. 150gsm, Pack of 100
This paper has a soft textured surface and is ideal for etching, silk screen and letterpress printing. It is mould-made from 100% cotton, is internally sized and watermarked with 4 deckled edges. Acid free and calcium carbonate buffered.Pack of 25 Sheets, 200gsm in white, each sheet measures 56x76cm.
High quality drawing paper from Fabriano. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.
This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.
Baohong Professional Watercolour Paper is internally and externally sized, for a painting surface that is both receptive to delicate watercolour and lifting techniques, and resistant to pilling. Colours appear crisp and are easy to control on the surface. Baohong produce professional and student quality watercolour paper. Made in China, the paper undergoes sophisticated testing and rivals traditional European watercolour papers. Available in Medium and Rough, each block contains 20 sheets of 300gsm Baohong Professional Pure Cotton Watercolour Paper.
Saunders Waterford is a popular high-quality paper that is endorsed by the Royal Watercolour Society.Regarded by watercolourists as one of the best watercolour papers available, this paper is 100% archival and very durable due to the fact it is mould-made and gelatine sized. Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing.This paper will not discolour or fall apart over time and is made of 100% cotton. This paper is much more durable than lower grades of paper and it can withstand scrubbing without falling apart.
Clear Dura-Lar .001" to .020" film is an ultra clear, glossy surface for protective coverings, layouts, color separations, window applications and overhead transparencies. Use as an artwork surface for permanent inks and markers.
Pack of 10 envelopes, with no cards.
Acid-free Blotting Paper 300gsm, woodfree, trimmed 4 edges, slightly textured to give high bulk and absorbency. 61x86cm sheets. Sold in packs of 5 sheets or 25 sheets.
Available in A5, A4 & A3 sizes. The Fabriano Classico 5 paper is 300gsm, mould-made, 50% cotton, surface sized, acid-free and has a Hot Press (satinata) finish. The Fat Pad is spiral wire bound on the short edge with 25 sheets per pad. This high quality Italian watercolour paper is often recommended in art magazines by members of the Royal Society of Botanical Artists. The smooth, strong white surface makes it the most popular pad for botanical art and illustration. The paper is also available in full sheets. Fabriano 5 paper has changed permanently because of changes to the machine used to produce it. The surface texture is a bit less smooth and the sizing has changed slightly. The manufacturer does not believe the change is significant, they feel the paper is still within their allowed parameters. But a number of artists have found the change significant enough that it interferes with their work. They are usually artists who make very precise work and need to be able to control fine lines, so most often are botanical artists using watercolour or coloured pencil.
Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.This Pastelmat Pad No.4 contains twelve sheets; three each of Burgundy, Light Blue, Dark Blue and Sand.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.
Baryta Photographique offers the look and aesthetic of the original darkroom baryta print and complies with the ISO 9706 standard for maximum longevity. This museum grade photo paper shows excellent black density and great image sharpness, making it ideal for black and white photography.
This superb artist grade watercolour paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society.
Sanded pastel paper accepts a wide variety of media for underpainting without compromising the tooth. You can layer, correct and create without impairing the paper or your piece. In addition, the manufacturing process guarantees a consistent surface so your work looks flawless from corner to corner. Difference between grades:400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time500 – |