Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Strathmore 400 Series Drawing is a heavyweight drawing paper with a medium surface. The surface is durable enough to stand up to repeated erasing and reworking.

Excellent for use with pencil, coloured pencil, charcoal, or sketching sticks. This cream coloured drawing paper is ideal for sketching and finished artwork.

Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. Acid-free.

XL® Sketch is a paper that has been specially designed for art students who use large quantities of paper and do lots of sketches.
It is an acid-free, ivory-coloured paper with plenty of bulk. It is perfect for quick sketches with pencil, charcoal, red chalk, and pastel.

XL® Sketch is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.

Daler-Rowney Artists' Sketchbooks are a complete range of hardback books specially developed for artists. Ebony hardback sketchbooks have either 62 sheets (A6, A5, A4) or 48 sheets (A3). All sizes contain unperforated 150gsm acid-free paper.

Millford is the newest watercolour paper developed by St Cuthberts Mill. It is styled on the discontinued Whatman watercolour paper, after artists grieved the loss of this unique type of watercolour paper. It is mould made from 100% cotton (just like the original Whatman), and it's beautiful surface is created using natural woollen felts. It is deliberately created to have a high resistance to water, so it’s washes perform very differently to traditional watercolour papers.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, cold pressed watercolour paper. Size 8x8in, 20x20cm.

Our very own Eco friendly 100% cotton, internally & externally gelatine sized, deckle edged handmade paper from India.
The machinery normally used to make paper uses alot of energy, turning paper pulp into a giant roll of perfectly dry paper in barely a minute. Our handmade papers however are made from recycled cotton, they are individuallyset into the moulds and then dried slowly in the Indian sun. The water used in the production is then run off to irrigate the field neighbouring the factory. These papers are alsomade in special small moulds which allows us to produce beautiful deckle edged sheets in 1/4 & 1/2 imperial sizes. All papers are available at an unbeatable price!
1/4 and 1/2 sheets are deckled on all four sides of the 140lb & 200lb papers.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Montval® paper was designed by the famous painter Gaspard Maillol, nephew of the sculptor Aristide Maillol, and manufactured by Canson® at his request in the early 20th century. Since then, this paper has acquired new qualities.
One of them is its great erasability: corrections can be made easily, cleaning the paper with water, using a sponge or a brush. There is no trace of watercolour left and the paper can be worked again.
Easy to use, it is accessible and suitable for everyone.

Canson® Montval® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Montval® paper was designed by the famous painter Gaspard Maillol, nephew of the sculptor Aristide Maillol, and manufactured by Canson® at his request in the early 20th century. Since then, this paper has acquired new qualities.
One of them is its great erasability: corrections can be made easily, cleaning the paper with water, using a sponge or a brush. There is no trace of watercolour left and the paper can be worked again.
Easy to use, it is accessible and suitable for everyone.

Canson® Montval® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Botanical Ultra Smooth is 300gsm, mould made from 50% cotton and is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. - The colour is a very close match to Fabriano 5, and it does contain optical brighteners to give a bright white colour. It - is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

Hiding beneath its apparant simplicity, 1557® is a rather sophisticated paper. The grain is neither too smooth nor too prominent, providing a subtle surface perfect for sketching, drawing and other dry techniques.
This paper is ideal for precise technical drawings with graphite or hard leads. 1557® paper retains pigments well and allows unlimited shading and gradients.
This bright white paper is designed to accentuate contrast and allows colours to really stand out.
Both surface and internally sized, 1557® paper offers a remarkable resistance to repeated erasing without degradation.

Canson® 1557® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

XL® Kraft is a true, pulp-dyed fine art paper. This lined kraft paper is ideal for pencil, charcoal and other dry techniques.
It is acid-free and contains no optical brighteners, unlike other equivalent papers on the market.
Ideal for students, it is resistant to repeated erasing and scraping.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels. Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast. Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques. This Red Label Pastelmat Pad contains twelve white Pastelmat sheets.Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

XL® Black is a pulp-dyed paper, specially designed for all dry techniques (pencil, charcoal, pastel, pen). This double-sided paper is perfect for sketching and drawing and its textured surface is ideal for sharp and precise lines with pencil or pastel, while the other, smoother side is ideal for felt-tip and marker.
Perfect for students, it is extremely resistant to erasing and scraping.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Glassine paper can be used to protect the surface of prints, drawings, paintings and other artworks from spilling, exposure, or rubbing during storage or presentation. It will not damage or smudge pastel, charcoal or graphite. Often used in bookbinding separating (interleaving) pages containing plates or illustrations. Its smooth surface is resistant to grease, air and water, and is pH neutral (acid-free) to ensure archival protection. Please note: Glassine paper is translucent not crystal clear.Sheet size: 50 x 75cm (19.5" x 29.5") Weight: 40gsm

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Widely used in engineering, drafting, laser cutting fabrication, stencil making, drawing and mixed media applications.

Grafix Drafting Film is offered in .003”, .004”, .005” and .007” thicknesses.