The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Suitable media applications include: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media. Sheets are Actual Size when removed at the wire binding. Size: 18" x 24" Weight: 64lb / 95gsm Sheets: 24 Surface: Laid Pad: Wire Bound

Weight: 120 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for relief printing, such as block or linocut, practicing and proofing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Contains high alpha cellulose wood fiber. Acid free.This pad contains 30 sheets.

Strathmore's intermediate grade watercolour paper, it is popular with watercolourists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow for lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for mastering watercolour techniques or for finished artwork. Sheets are Actual Size when removed at the wire binding. Size: 12in x 12in Weight: 140lb / 300gsm Sheets: 12 Surface: Cold Press Pad: Wire Bound

One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work. Suitable media applications for smooth surface include: graphite pencil, colored pencil, pen & ink, marker. Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. Size: 11in x 14in Weight: 80lb / 130gsm Sheets: 24 Surface: Smooth Pad: Wire bound

One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work. Suitable media applications for medium surface include: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel. Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. The 4in x 6in and 6in x 8in pads are not micro-perforated but sheets are Actual Size when removed at the wire binding. Size: 8in x 10in Weight: 80lb / 130gsm Sheets: 24 Surface: Medium Pad: Wire bound

Strathmore 400 Pastel Paper Pads have a textured finish and subtle colours, making them ideal for soft or hard pastel, as well as oil pastels. The surface is artist grade and acid-free for archival purposes.Strathmore 400 Series Pastel Paper Pad comes with sheets in assorted tints including white, cream, blue, green, light pink and brown.Suitable media applications include: Graphite pencil, coloured pencil, charcoal, sketching stick, soft pastel, mixed media and oil pastel.Size: 11in x 14inWeight: 80lb / 118gsm Sheets: 24 (Assorted colours; 4 sheets of each colour including white, cream, blue, green, light pink and brown)Surface: TexturedPad: Glue bound

Strathmore 400 Series Toned Mixed Media Pads provide a premium surface for artists who enjoy combining drawing and painting techniques. Each pad contains 15 sheets of 300 gsm vellum-surfaced paper in warm tan or cool grey tones, perfectly balanced to enhance both dark values and light highlights. The heavyweight paper unites the strength and absorbency of watercolour paper with the fine finish of a drawing sheet, making it ideal for mixed-media artwork.

This versatile surface supports a wide range of mediums including watercolour, gouache, acrylic, graphite, pen, ink, coloured pencil, marker, pastel and collage. The mid-toned base reduces the need for heavy background work and provides a natural starting point for tone and contrast. Gum-bound on one short edge for easy sheet removal, these acid-free pads are designed for both experimental studies and finished pieces.

This is an 9 x 12in Strathmore 400 Series Toned Tan Mixed Media Pad

Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality.This is a Toned Tan 400 Series Mixed Media Pad measuring 6x8in.

Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fibre. Acid-free.This pad contains 20 sheets.

This top-bound pad of 250gsm sheets is perfect for work with a range of medias and for mixed media work, including but not limited to acrylic, gouache, ink, pencil, charcoal, felt-tip, markers, gluing and oil pastels. Allowing a huge amount of versatility and potential. The heavy 250gsm likely textured paper is acid free and PEFC certified, making it a sensible choice for serious pieces of work This pad includes 40 sheets and measures 30 x 42cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.Please note, this sheet has a slightly textured surface. Artists wishing to produce finely-detailed work are advised to try the Hot-pressed version of this sheet.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Strathmore's intermediate grade watercolour paper, it is popular with watercolourists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow for lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for mastering watercolour techniques or for finished artwork. Size: 5.5in x 8.5in Weight: 140lb / 300gsm Sheets: 12 Surface: Cold Press Pad: Gummed

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Etchr Perfect Sketchbooks contain 44 A5 pages of artist grade 100% cotton paper, protected by a sturdy hardbound cover.

These sketchbooks are vegan friendly and use 300gsm acid-free, artist grade, 100% cotton cold press paper. They open flat and have a landscape format. The paper is ideal for a range of dry and wet media, especially watercolour, ink, markers, acrylic, and gouache.

Cold Press/ ’Not' surface - slightly textured surface. It is the most popular surface for watercolour painters as it allows for a little texture in your work. Good for large areas of wash but also for detail.

Professional quality masking tape. Excellent value for high quality decorative work on buildings.This product is not designed for use in watercolour painting. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Strathmore 400 Series Hardbound Sketchbook is 100% recycled and the toned tan paper is ideal for both light and dark media.

10 Sheets of acrylic primed medium grain cotton canvas, with one free Belle Arti Cotton Art Board.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.