Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface. For watercolour and all painting and drawing media. For oil painting prime with acrylic gesso.

Artists’ handmade papers made from 100% long fibred cotton rag. These black papers are made from black cotton cuttings. Khadi also make grey papers, which are made using a mix of black and white cotton cuttings.

These papers are internally sized with neutral pH size and are acid free. These papers are suitable for all painting and drawing media.

These are Khadi Handmade Black Rag Papers - 210gsm : Rough : 56x76cm : 20 Sheets.

Note: Khadi's Black Rag Paper is not lightfast and these will fade in direct sunlight.

Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface. For watercolour and all painting and drawing media. For oil painting prime with acrylic gesso.

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen.

Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm cold pressed watercolour paper. Size 9x12in, 22x30cm

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 9x12in, 22x30cm

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 6x8in, 15x20cm.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, cold pressed watercolour paper. Size 9x12in, 22x30cm.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, cold pressed watercolour paper. Size 8x8in, 20x20cm.

A high quality, archival cotton watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid 100 Watercolour Paper comes from a European mill that combines traditional papermaking with the latest technology. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 100% cotton, 300gsm, hot pressed watercolour paper. Size 8x8in, 20x20cm.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm cold pressed watercolour paper. Size 12x16in, 30x40cm.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Hahnemuhle Bristol Board is an ideal surface for drafts, studies, illustrations, drawings and prints.The sturdy and ultra-smooth 310gsm surface can be worked with dry and fluid drawing media. Indian ink, fountain pens, fine liners, acrylic markers, pencils and coloured pencils all glide over the smooth surface and have an even and bright layer of colour. Hahnemuhle Bristol Boards are also suitable for use with airbrushes. The surface is acid-free and age-resistant.

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Suitable for line drawings without feathering or bleeding. Paper shade: Natural white. Surface: Plate. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Extra white, non-bleed paper designed for work with all types of marker pens. Coated to give streak-free large area coverage. Excellent transparency. This pad contains 50 sheets of smooth 70gsm marker paper. Size: A2 / 420 x 594 mm / 16.5 x 23.4 in

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.