Fabriano Artistico watercolour paper is mould made, produced with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Brilliant white, without optical bleaching.
Two deckle edges and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.
Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

This superb artist grade watercolour paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Our very own Eco friendly 100% cotton, internally & externally gelatine sized, deckle edged handmade paper from India.
The machinery normally used to make paper uses alot of energy, turning paper pulp into a giant roll of perfectly dry paper in barely a minute. Our handmade papers however are made from recycled cotton, they are individuallyset into the moulds and then dried slowly in the Indian sun. The water used in the production is then run off to irrigate the field neighbouring the factory. These papers are alsomade in special small moulds which allows us to produce beautiful deckle edged sheets in 1/4 & 1/2 imperial sizes. All papers are available at an unbeatable price!
1/4 and 1/2 sheets are deckled on all four sides of the 140lb & 200lb papers.

Canson® Mixed Media Artist paper is THE genuine mixed media paper on the market. Its surface is ideal for all techniques as it is resistant to both watercolour and acrylic, but also works with inks and markers. Its exceptional cotton content gives it excellent stability. This professional quality paper is remarkable for its fine texture that readily holds pigments and its natural white colour that gives warmth to your creations.

Canson® Mixed Media Artist is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

5 Spiral bound, A3 sketchbooks in landscape format.

Pack of 10 envelopes, with no cards.

Our very own Eco friendly 100% cotton, internally & externally gelatine sized, deckle edged handmade paper from India.
The machinery normally used to make paper uses alot of energy, turning paper pulp into a giant roll of perfectly dry paper in barely a minute. Our handmade papers however are made from recycled cotton, they are individuallyset into the moulds and then dried slowly in the Indian sun. The water used in the production is then run off to irrigate the field neighbouring the factory. These papers are alsomade in special small moulds which allows us to produce beautiful deckle edged sheets in 1/4 & 1/2 imperial sizes. All papers are available at an unbeatable price!
1/4 and 1/2 sheets are deckled on all four sides of the 140lb & 200lb papers.

The Graduate Manga pads are perfect to practice easily this worldwide famous artistic technique.

With a smooth, white and thick paper, resistant to rubbing out and scratching, the pads are a real asset to create Manga!

Pack of 10 cards, with no envelopes.

XL® Kraft is a true, pulp-dyed fine art paper. This lined kraft paper is ideal for pencil, charcoal and other dry techniques.
It is acid-free and contains no optical brighteners, unlike other equivalent papers on the market.
Ideal for students, it is resistant to repeated erasing and scraping.

The Graduate Lettering Mixed Media pads are perfect to practice easily the Lettering technique, the art of drawing letters, playing with textures and graphic elements.

The pads will entice watercolour and mixed media lovers, thanks to the lightly textured versatile paper they are made of.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.

XL® Bristol is an extra white and very smooth paper that is very resistant to repeated scraping and erasing.
Perfect for students, it is ideal for precise drawings and allows for sharp lines.

Canson® Graduate Mixed Media Toned paper pads feature durable, double-sided (textured and smooth) paper. This paper has the perfect characteristics for creating depth in your work; by adding white or black, you can easily amplify the shadows and contrasts. The pads contain 20 sheets of 220g/m² paper, and are perfect for mixing techniques and achieving optimal results!

Canson® Graduate Mixed Media pads feature white, durable, lightly textured paper. Containing 20 sheets of 200g/m² paper, they are perfect for mixing techniques and achieving optimal results!

The Graduate Manga Marker Layout pads have a semi-transparent, ultra-white and extremely smooth paper, ideal for layout work.

It withstands water and has a special barrier preventing ink penetration, showing the colours at their best and offering beautilful velvety flat tints.

It is suitable for all types of marker, including spirit and solvent-based markers.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

For environmentally conscious students, Canson® has developed XL® Dessin Recyclé, a white paper made from 100% recycled fibres, which has been specially designed for dry techniques.
Its fine grain retains the pigments in order to play with light and shadow.

Dala Econo Sketch Pads contain 20 sheets of medium cartridge paper, and are perfect for sketching and drawing. 121 gsm.

Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.

All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.