Snowdon acid-free cartridge paper, with a matt white surface. Made with wood pulp. Ideal for watercolour, drawing and many printing processes including etching, silkscreen (including water-based silk-screen) and offset lithography. Paper weight: 130 gsm / 62 lbs Size: A1 / 594 x 841 mm / 23.4 x 33.1 in Sheets: 100

1 x Bockingford 300gsm Hot Pressed (measuring 14,6 x 21cm)
1 x Bockingford 300gsm Cold Pressed (NOT) (measuring 14,6 x 19,5cm)
1 x Bockingford 300gsm Rough (measuring 14,6 x 18cm)
1 x Millford 300gsm Cold Pressed (NOT) (measuring 14,6 x 16,5cm)
1 x Saunders Waterford Hot Pressed High White (measuring 14,6 x 21cm)
1 x Saunders Waterford Cold Pressed (NOT) White(measuring 14,6 x 19,5cm)
1 x Saunders Waterford Rough White (measuring 14.6 x 18cm)

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards. It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Please be aware that it is not possible to order more than 5 of this product at one time.

Millford is styled on the discontinued Whatman watercolour paper, after artists grieved the loss of this unique type of watercolour paper. It is mould made from 100% cotton (just like the original Whatman), and it's beautiful surface is created using natural woollen felts. It is deliberately created to have a high resistance to water, so it’s washes perform very differently to traditional watercolour papers.

Saunders Waterford paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart.

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Natural white. Surface: RoughSheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a smooth Hot Press surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a textured Rough surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a smooth Hot Press surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a textured Rough surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a smooth Hot Press surface.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing.

Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints.

Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart.

Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.