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Arts & Crafts > Fine Art Supplies > Paper
Artecho Professional A4 Watercolour Pad with Brush and HB Pencil - 40 x 300g A4 Sheets. Artecho Professional A4 Watercolour Pad, your go-to companion for unleashing your creativity and bringing your artistic visions to life. Quality Product - The Artecho Professional A4 Watercolour Pad boasts 40x Sheets of 210 x 297mm paper, crafted from premium 300g heavy-weight, acid-free, cold pressed material with a medium coarse grain. This ensures durability and longevity for your artwork, preventing yellowing or deterioration over time. Easy-to-Remove Pages - Designed with convenience in mind, this watercolour pad is perforated allowing for smooth and effortless page-removing enabling clean and safe detachment, so you can share or display your creations with ease. Wide Application - Whether you prefer markers, pastels, coloured pencils, acrylics, watercolours, charcoal, or pen & ink, this artists pad is compatible with a wide range of artistic mediums. Versatile and adaptable, it accommodates various techniques and styles. A Great Gift - With its superior quality and affordable price point, the Artecho Sketch Pad makes for an exceptional gift choice. Ideal for budding artists, students, and professionals alike, this 40-page artists pad is a must-have addition to any creative arsenal. Elevate your artistic journey and unlock your full potential with the Artecho Professional A4 Watercolour Pad, where quality meets affordability for endless creative possibilities. Package size: 31cm x 21cm x 2cm. Package weight: 870g
This pad contains 25 sheets of smooth heavyweight 220gsm acid-free off white cartridge paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in
Daler-Rowney Artists' Sketchbooks are a complete range of hardback books specially developed for artists. Ebony hardback sketchbooks have either 62 sheets (A6, A5, A4) or 48 sheets (A3). All sizes contain unperforated 150gsm acid-free paper.
It has the advantage of having two different surfaces: on one side, its special grain allows pigments to grip; the other side is ideal for felt pens and markers. Anything is possible on this all-terrain paper! XL® Mixed Media Textured is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.
The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.
For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Suitable for line drawings without feathering or bleeding. Paper shade: Natural white. Surface: Plate. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.
Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.
This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.
This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.
This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.
The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.
Sennelier Pastel Card Mixed Media is a heavyweight paper with a slightly granulated, sand-like texture.
Sennelier Pastel Card Mixed Media Pad contains 12 sheets of heavyweight paper with a slightly granulated, sand-like texture. This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative.
Sennelier Pastel Card Mixed Media Pad contains 12 sheets of heavyweight paper with a slightly granulated, sand-like texture. This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative.
Sennelier Pastel Card Mixed Media Pad contains 12 sheets of heavyweight paper with a slightly granulated, sand-like texture. This 410gsm paper is perfect for all dry drawing techniques as well as mixed media and it is water and solvent-resistant. The textured surface allows for painting without fixative. |
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